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		<id>https://indianpedia.org/index.php?title=Bhagavadajjukam&amp;diff=108526</id>
		<title>Bhagavadajjukam</title>
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		<updated>2021-04-11T06:34:58Z</updated>

		<summary type="html">&lt;p&gt;122.162.16.227: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{italic title}}&lt;br /&gt;
[[File:Bhagavadajukkam poster, The Doon School.jpg|thumb|Poster of the 2009 Founder&#039;s Day production at [[The Doon School]], Dehradun.]]&lt;br /&gt;
&#039;&#039;&#039;&#039;&#039;Bhagavadajjukam&#039;&#039;&#039;&#039;&#039; ([[Sanskrit]]; translated as &#039;&#039;&#039;&#039;&#039;The Ascetic and the Courtesan&#039;&#039;&#039;&#039;&#039; or &#039;&#039;&#039;&#039;&#039;The Hermit and the Harlot&#039;&#039;&#039;&#039;&#039;) is a Sanskrit [[farce]] composed in the 7th century CE, usually attributed to Bodhayana.&amp;lt;ref&amp;gt;{{harvnb|Liu|2016|p=482}}&amp;lt;/ref&amp;gt; It is the earliest surviving example of a satirical play (or &#039;&#039;prahasana&#039;&#039;, one of the ten types of plays described in the treatise &#039;&#039;[[Natya Shastra]]&#039;&#039;) in [[Sanskrit literature]].&amp;lt;ref&amp;gt;{{harvnb|Monius|2001|p=61}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{harvnb|Datta|1987|p=422}}: &amp;quot;Bhagavadajjukam (Sanskrit) is the earliest available play-type called prahasana, in which comical situations, harmless humour and wit are dominant. In a couple of manuscripts the author is mentioned as Bodhayana.&amp;quot;&amp;lt;/ref&amp;gt; Featuring witty exchanges, an episode about the [[transmigration of souls]] and a discussion on Hindu [[dharma]], the comical play was intended to mock the doctrines of [[Buddhism]], whose rise at the time presented a challenge to the dominance of [[Hinduism]] in India.&amp;lt;ref name=&amp;quot;auto1&amp;quot;&amp;gt;{{cite journal |last1=Sastri |first1=Venkatarama Sharma |date=February 1928 |title= A Note on Bhagavadajjukam |journal=Bulletin of the School of Oriental and African Studies |volume=5 |issue=1 |page=33 |doi=10.1017/S0041977X00130563 }}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;auto&amp;quot;&amp;gt;{{harvnb|Hardy|2005|p=568}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Characters==&lt;br /&gt;
*Parivrajaka{{snd}}monk or master&lt;br /&gt;
*Shandilya{{snd}}disciple&lt;br /&gt;
*Vasantsena{{snd}}courtesan&lt;br /&gt;
*Ramilaka{{snd}}courtesan&#039;s lover&lt;br /&gt;
*Vidushaka{{snd}}jester&lt;br /&gt;
*A [[quack doctor]]&lt;br /&gt;
*[[Yamaduta]], messenger of the lord of death, [[Yamaraja]]&lt;br /&gt;
&lt;br /&gt;
==Synopsis==&lt;br /&gt;
The play opens with a discussion on Hindu [[dharma]] between a master and a disciple, whose attention is drifting towards a woman in the nearby garden. As the discussion goes on, the woman is bitten by a snake and falls dead – an act that deeply affects the disciple. To demonstrate his [[yogic]] power, the master transfers the disciple&#039;s soul into the woman&#039;s body, who then rises and continues the philosophical discussion.&amp;lt;ref name=&amp;quot;auto1&amp;quot;/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Translations==&lt;br /&gt;
The play was rediscovered in the early 20th century when it was first translated into [[Telugu language|Telugu]] in 1924 by [[Veturi Prabhakara Sastri]], who then got it published in the [[Devanagri]] script through [[Vavilla Press]] in 1925.&amp;lt;ref&amp;gt;Foreword, &#039;&#039;Bodhayana&#039;s Bhagavadajjukam&#039;&#039;, Manimanjari Publications, Hyderabad, January 1986&amp;lt;/ref&amp;gt; In 1932, the play was translated into [[Italian language|Italian]], &#039;&#039;L&#039;asceta transmutato in etèra&#039;&#039;, by the [[Indologist]] Ferdinando Belloni-Filippi.&amp;lt;ref name=&amp;quot;auto&amp;quot;/&amp;gt; The first [[English language|English]] translation of the play was published by the Dutch Indologist [[J. A. B. van Buitenen]] in the journal &#039;&#039;Mahfil&#039;&#039; (now &#039;&#039;Journal of South Asian Literature&#039;&#039;) in 1971 with the title &#039;&#039;The Hermit and the Harlot&#039;&#039;.&amp;lt;ref name=&amp;quot;auto&amp;quot;/&amp;gt;&amp;lt;ref&amp;gt;{{cite journal |last1=van Buitenen |first1=J. A. B. |title=The Hermit and the Harlot|journal=Mahfil |date=1971 |volume=7 |issue=3/4 |pages=149–166 |jstor=40874441}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Performance history==&lt;br /&gt;
In 1967, the play was directed in Hindi by [[Shanta Gandhi]] at the [[National School of Drama]].&amp;lt;ref&amp;gt;{{harvnb|Dharwadker|2009|p=167}}&amp;lt;/ref&amp;gt; It has often been adapted to be performed as [[Koodiyattam]], a traditional performing art of [[Kerala]].&amp;lt;ref name=&amp;quot;Absorbing&amp;quot;&amp;gt;{{cite web |last1=Pradeep |first1=K. |title=Absorbing and relevant |url=https://www.thehindu.com/features/friday-review/theatre/absorbing-and-relevant/article2455836.ece#:~:text=Bodhayana&#039;s%20&#039;Bhagavadajjukam&#039;%20is%20a%20Sanskrit,play%20in%20a%20new%20pattern |website=The Hindu |access-date=23 June 2020 |language=en-IN |date=15 September 2011}}&amp;lt;/ref&amp;gt; The play continues to be performed in many regional Indian languages.&amp;lt;ref&amp;gt;{{Cite web|url=https://www.thehindu.com/entertainment/theatre/celebration-of-theatre/article31109852.ece|title=Celebration of theatre|first=Diwan Singh|last=Bajeli|date=March 19, 2020|via=www.thehindu.com}}&amp;lt;/ref&amp;gt; In 2011, [[Kavalam Narayana Panicker]] directed the play at the Ernakulam Town Hall in [[Kochi]].&amp;lt;ref&amp;gt;{{Cite web|url=https://www.newindianexpress.com/cities/kochi/2011/oct/26/some-soul-searching-304148.html|title=Some Soul-searching|website=The New Indian Express}}&amp;lt;/ref&amp;gt; Other recent productions were held in 2013, 2015, 2016, 2019, 2020.&amp;lt;ref&amp;gt;{{Cite web|url=https://www.hindustantimes.com/art-and-culture/this-dancer-is-keeping-india-s-oldest-surviving-sanskrit-theatre-alive/story-VhqM24cP1pD5v03vn6jqyH.html|title=This dancer is keeping India’s oldest surviving Sanskrit theatre alive|date=July 30, 2016|website=Hindustan Times}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{Cite web|url=https://www.thehindu.com/entertainment/reviews/koodiyattam-performance-based-on-naganandam-play-in-the-capital-city/article29574273.ece|title=Powerful portrayal|first=Vr Prabodhachandran|last=Nayar|date=October 3, 2019|via=www.thehindu.com}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{Cite web|url=https://www.thehindu.com/features/friday-review/theatre/curtains-up/article4316204.ece|title=Curtains up|first=Liza|last=George|date=January 17, 2013|via=www.thehindu.com}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
{{reflist}}&lt;br /&gt;
&lt;br /&gt;
==Bibliography==&lt;br /&gt;
*{{cite book |last=Datta |first=Amaresh |date=1987 |title=Encyclopaedia of Indian Literature: Volume 1 |publisher=[[Sahitya Akademi]] |isbn=9788126018031}}&lt;br /&gt;
*{{cite book |last=Hardy |first=Friedhelm |date=2005 |title=The Religious Culture of India: Power, Love and Wisdom |publisher=[[Cambridge University Press]] |isbn=9780521023443}}&lt;br /&gt;
*{{cite book |editor-last=Liu |editor-first=Siyuan |date=2016 |title=Routledge Handbook of Asian Theatre |publisher=[[Routledge]] |isbn=9781317278863}}&lt;br /&gt;
*{{cite book|last=Dharwadker|first=Aparna Bhargava |title=Theatres of independence: drama, theory, and urban performance in India since 1947|publisher=University of Iowa Press|year=2009|isbn= 9781587296420}}&lt;br /&gt;
*{{cite book|first=Anne|last=Monius |title=Imagining a Place for Buddhism: Literary Culture and Religious Community in Tamil-Speaking South India|publisher=Oxford University Press|year=2001|isbn=9780198032069}}&lt;br /&gt;
&lt;br /&gt;
[[Category:Sanskrit plays]]&lt;br /&gt;
[[Category:Indian plays]]&lt;br /&gt;
[[Category:Ancient Indian literature]]&lt;br /&gt;
[[Category:7th-century plays]]&lt;br /&gt;
[[Category:Sanskrit texts]]&lt;br /&gt;
[[Category:7th-century Indian books]]&lt;br /&gt;
[[Category:Comedy plays]]&lt;br /&gt;
[[Category:Satirical plays]]&lt;br /&gt;
[[Category:Comedy-drama plays]]&lt;/div&gt;</summary>
		<author><name>122.162.16.227</name></author>
	</entry>
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