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<div>{{Use dmy dates|date=August 2019}}<br />
{{Infobox raga<br />
| name = Bahar<br />
| image_name =<br />
| image_alt =<br />
| thaat = [[Kafi (thaat)|Kafi]]<br />
| type = Shadava-sampurna<br />
| time = Any time in spring else around midnight<br />
| season = [[Spring (season)|Spring]]<br />
| arohana = {{svaraH|'N|S|m|,|P|g|m|n|D|N|S'}}<br />
| avarohana = {{svaraH|S'|n|P|,|m|P|g|m|R|S}}<br />
| vadi = ma<br />
| samavadi = Sa<br />
| pakad =<br />
| chalan =<br />
| synonym =<br />
| equivalent =<br />
| similar = {{ubl|[[Shahana Kanada]]| Shahana Bahar|[[Basant Bahar (raga)|Basant Bahar]]| Adana Bahar}}<br />
}}<br />
{{Hindustani Classical Music}}<br />
'''Bahar''' is a [[Hindustani classical music|Hindustani classical]] [[raga]]. This raga is very similar (but still distinct) to raga [[Malhar]]. This raga is from the Kafi Thaat.<br />
<br />
==Theory==<br />
Writing about the musical theory of Indian classical music is fraught with complications due to complex and intricate nature. First of all, there have been no set, formal methods of written notation. Indian music is an [[aural]] tradition, and therefore writing is not an essential part of attaining talim (systematic study).<br />
<br />
But in the recent years, a couple of methods of notation (swar leepi) the [[sheet music]] for Hindustani Classical Music have evolved. A prominent of them are BhatKhande Swar leepi (widely used in the present time) by [[Vishnu Narayan Bhatkhande|Pt. VishnuNarayan BhatKhande]],<br />
<br />
Creator: [[Amir Khusrau|Hzt Amir Khusrau]]<br />
<br />
=== Arohana & Avarohana ===<br />
[[Arohana]]: {{svaraH|'N|S|m|,|P|g|m|n|D|N|S'|foot=yes}}{{sfn|Bor|Rao|1999}}<br />
<br />
[[Avarohana]]: {{svaraH|S'|n|P|,|m|P|g|m|R|S|foot=yes}}{{sfn|Bor|Rao|1999}}<br />
<br />
=== Vadi & Samvaadi ===<br />
[[Vadi (Hindustani classical music)|Vadi]]: Ma<br />
<br />
[[Samavadi|Samvadi]]: Sa<br />
<br />
=== Jati ===<br />
Shadav - Sampurna<br />
<br />
=== Thaat ===<br />
The Raag belongs to [[Kafi (thaat)|Kafi Thaat]]<br />
<br />
=== Pakad or Chalan ===<br />
The bare scale of this raga has little unique musical meaning, and is, therefore, required to be documented in a manner that incorporates its zigzag phrasing pattern.<br />
<br />
R N. S M/ M M P g M / n P M P g M/ P g M n D n P/ g M n D N S' [or] g M D - N S'/ g' M' R' S'/ R' N S' D n P/ n n P M P g M/ P g M R S<br />
<br />
=== Organization & Relationships ===<br />
Related ragas: Shahana Kanada, Shahana Bahar, Basant Bahar, Adana Bahar<br />
[[Thaat]]: [[Kafi (thaat)|Kafi]]<br />
<br />
=== Samay (Time) ===<br />
The raag is sung at the Middle Night time.<br />
<br />
=== Seasonality ===<br />
Certain ragas have seasonal associations. Raag Bahar is usually rendered in the Spring season<br />
<br />
=== Rasa ===<br />
Since it is the raga of spring, it can be considered that the raga has shringara rasa.<br />
<br />
== Variants ==<br />
* Bageshri Bahar<br />
* Basant Bahar<br />
* Hindol Bahar<br />
* Bhairav Bahar<br />
<br />
== Prominent Bandishes (Compositions) Set in Raag Bahar ==<br />
{| class="wikitable"<br />
|+<br />
!Serial Number<br />
!Raag Name<br />
!Bandish Initials or Bandish Name<br />
!Taal<br />
!Composer/Bandish Creator Name<br />
|-<br />
|1<br />
|Raag Bahar<br />
|Aaye Shyam Radhika Sanga<br />
आए श्याम राधिका संग<ref>{{Cite book|last=Māthura|first=Nītā.|url=https://www.worldcat.org/oclc/769743702|title=Śāstrīya saṅgīta ke sūrya : Ācārya (Paṃ.) Gokulotsava Jī Mahārāja : saṅgīta sevā, śāstra cintana evaṃ bandiśoṃ kā saṅkalana|date=2011|publisher=Rādhā Pablikeśansa|isbn=81-7487-765-7|edition=1. saṃskaraṇa|location=Naī Dillī|oclc=769743702}}</ref><br />
|[[Teental|TeenTaal]]<br />
|[[Gokulotsavji Maharaj|Pt. Gokulotsavji Maharaj]]<br />
|}<br />
<br />
== Film Songs ==<br />
===Language: [[Tamil language|Tamil]]===<br />
{| class="wikitable"<br />
!Song<br />
!Movie<br />
!Composer<br />
!Singer<br />
|-<br />
|Thumbi Thullal<br />
|[[Cobra (upcoming film)|Cobra]]<br />
|[[A. R. Rahman]]<br />
|[[Nakul Abhyankar]], [[Shreya Ghoshal]]<br />
|}<br />
<br />
==Notes==<br />
{{notelist|30em}}<br />
<br />
==References==<br />
{{Reflist}}<br />
<br />
==Sources==<br />
* {{cite book |last1=Bor |first1=Joep |last2=Rao |first2=Suvarnalata |title=The Raga Guide: A Survey of 74 Hindustani Ragas |date=1999 |publisher=Nimbus Records with Rotterdam Conservatory of Music |isbn=9780954397609 |page=28 |url=https://books.google.com/books?id=jCnoMgEACAAJ |language=en }}<br />
<br />
==External links==<br />
* [https://web.archive.org/web/20070514235610/http://www.itcsra.org/sra_others_samay_index.html SRA on Samay and Ragas]<br />
* [https://web.archive.org/web/20070514234610/http://www.itcsra.org/sra_raga/sra_raga_that/sra_raga_that_index.html SRA on Ragas and Thaats]<br />
* [https://web.archive.org/web/20070510143551/http://www.sawf.org/music/articles.asp?pn=Music Rajan Parrikar on Ragas]<br />
* [http://www.chandrakantha.com/raga_raag/film_song_raga/bahar.shtml Film Songs in Rag Bahar]<br />
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{{Authority control}}<br />
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[[Category:Hindustani ragas]]<br />
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