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		<title>Uravu at 07:07, 9 February 2026</title>
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&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{Short description|Indian actor and singer (1899–1982)}}&lt;br /&gt;
{{Infobox person&lt;br /&gt;
| name         = A. M. B. Rose&lt;br /&gt;
| image        = A. M. B. Rose.jpg&lt;br /&gt;
| caption      = Portrait of Fernandes during his youth  &lt;br /&gt;
| birth_name   = Ambrosio Calisto Piedade Fernandes&lt;br /&gt;
| birth_place  = [[Calvim]], [[Goa]], [[Portuguese India]], [[Portuguese Empire]]&lt;br /&gt;
| birth_date   = {{birth date|1899|7|31|df=y}}&lt;br /&gt;
| other_names  = {{hlist|Daddy|Kantorist Rose}}&lt;br /&gt;
| death_place  = Goa, India&lt;br /&gt;
| death_date   = {{death date and age|1982|4|6|1899|7|31|df=y}}&lt;br /&gt;
| education    = [[St. Patrick&amp;#039;s High School, Karachi]]&lt;br /&gt;
| occupation   = {{hlist|Theatre actor|singer|director|playwright}}&lt;br /&gt;
| years_active = 1920s–{{circa|1954}}&lt;br /&gt;
| children     = 3, including [[Alfred Rose (singer)|Alfred Rose]]&lt;br /&gt;
| relatives    = [[Rita Rose]]&amp;lt;br/&amp;gt;(daughter-in-law)&lt;br /&gt;
| title        = Founder of Group of Goan Amateurs&lt;br /&gt;
| spouse       = {{marriage |Maria Fernandes|&amp;lt;!--unknown--&amp;gt;|1927}}&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Ambrose Carlisto Piedade Fernandes&amp;#039;&amp;#039;&amp;#039; (born &amp;#039;&amp;#039;&amp;#039;Ambrosio Calisto Piedade Fernandes&amp;#039;&amp;#039;&amp;#039;; 31 July 1899 – 6 April 1982) known professionally as &amp;#039;&amp;#039;&amp;#039;A. M. B. Rose&amp;#039;&amp;#039;&amp;#039;, was an Indian theatre actor, singer, theatre director, and playwright who worked on the [[Tiatr|Konkani stage]]. One of the early [[character actor]]s of the Konkani &amp;#039;&amp;#039;[[tiatr]]&amp;#039;&amp;#039; stage, he gained fame during the golden phase of &amp;#039;&amp;#039;tiatr&amp;#039;&amp;#039; from the 1930s to 1970s. The [[Patriarchy|patriarch]] of the &amp;#039;Rose family&amp;#039;, his son [[Alfred Rose (singer)|Alfred Rose]] followed in his footsteps to become a [[Konkani language|Konkani]] singer. Fernandes&amp;#039;s family talents extended to his daughter-in-law [[Rita Rose]], who made similar contributions to the Konkani stage like her husband Alfred, which inturn helped their children to become Konkani singers.&amp;lt;ref name=&amp;quot;:3&amp;quot;&amp;gt;{{Cite web |title=All the Roses on one stage |url=https://www.heraldgoa.in/Cafe/All-the-Roses-on-one-stage/192471 |access-date=2024-05-12 |website=oHeraldo |archive-date=2022-08-13 |archive-url=https://web.archive.org/web/20220813150138/https://www.heraldgoa.in/Cafe/All-the-Roses-on-one-stage/192471 |url-status=live }}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Early life==&lt;br /&gt;
Ambrosio Calisto Piedade Fernandes was born on 31 July 1899 in the island of [[Calvim]], [[Goa]], which was part of [[Portuguese India]] during the [[Portuguese Empire]] (now part of India) to Caetano Salvador Fernandes and Victoria Isabel Fernandes.&amp;lt;ref name=&amp;quot;:4&amp;quot;&amp;gt;{{Cite web |last= |first= |date=30 June 2006 |title=Registo De Nascimento |url=https://goaonline.gov.in/Appln/UIL/BirthDeathCertificate_af?__Key=&amp;amp;_Mode=B&amp;amp;__cscKey= |url-status=live |archive-url=https://web.archive.org/web/20230810131321/https://goaonline.gov.in/HomePage |archive-date=10 August 2023 |access-date=10 August 2023 |website=Goa Online}}&amp;lt;/ref&amp;gt; He inherited his family&amp;#039;s rich tradition of [[performance arts]], particularly in acting and music, with his father Caetano being a respected figure in these realms.&amp;lt;ref name=&amp;quot;:1&amp;quot; /&amp;gt; Born into a lineage of [[Konkani language|Konkani]] singers and writers, he hailed from a family with a musical background. His grandfather was celebrated for his proficiency in composing and arranging &amp;#039;&amp;#039;[[zagor (festival)|zagors]]&amp;#039;&amp;#039; in the [[Konkani language]]. During that period, Fernandes&amp;#039; father too played a significant role in the Konkani artistic community, gaining recognition for his work as a stage performer, composer, and coordinator of Konkani &amp;#039;&amp;#039;zagors&amp;#039;&amp;#039;.&amp;lt;ref name=&amp;quot;:0&amp;quot; /&amp;gt; During his early years, Fernandes and his mother, Victoria, made a move to [[Karachi]], [[British India]], where his father was engaged in employment, further nurturing his exposure to diverse cultural influences.&amp;lt;ref name=&amp;quot;:2&amp;quot; /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Fernandes, also known as Kantorist Rose ({{translation|Singer Rose}}) during his formative years, was also a musician and vocalist and received his early education at [[St. Patrick&amp;#039;s High School, Karachi|St. Patrick&amp;#039;s High School]] in Karachi, British India. This educational institution, administered by the [[Jesuit order]], provided Fernandes with a comprehensive foundation in music, encompassing reading, writing, and [[vocal training]], with an emphasis on [[solfeggio]]. Additionally, he had the privilege of studying the [[violin]] under the tutelage of popular [[violinist]]s, attaining a mastery of the instrument. He had the unique opportunity to undergo musical training under the tutelage of distinguished musicians in Karachi during that period.&amp;lt;ref name=&amp;quot;:0&amp;quot; /&amp;gt; Fernandes&amp;#039; musical talent did not go unnoticed by the Jesuit priests at St. Patrick&amp;#039;s High School, who were impressed by his abilities. Recognizing his potential, they offered him a singular opportunity to showcase his vocal prowess in a school concert. Fernandes delivered a memorable performance that exceeded all expectations, demonstrating his musical abilities. He demonstrated a commitment to the trust and confidence bestowed upon him by his Jesuit superiors. As a result, his fellow students bestowed upon him the [[moniker]] &amp;quot;Kantorist Rose&amp;quot;, acknowledging his talent as a singer.&amp;lt;ref name=&amp;quot;:2&amp;quot; /&amp;gt; During this period, the Jesuit priests granted Fernandes a [[stage name]] that would accompany him throughout his career: A. M. B. Rose. Derived from his first name, the initials A. M. B. represented his individuality as a performer. Fernandes embraced this stage name with great reverence, and it became his professional identity, forever associated with his musical achievements.&amp;lt;ref name=&amp;quot;:1&amp;quot; /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Career==&lt;br /&gt;
In 1919, during the [[Touring theatre|theatrical tour]] of [[Karachi]], [[British India]] by [[Saib Rocha]]&amp;#039;s Union Jack Dramatic Company,&amp;lt;ref name=&amp;quot;:0&amp;quot;&amp;gt;{{Cite web |title=How a Goan &amp;#039;Rose&amp;#039; bloomed in Karachi |url=https://www.thegoan.net/global-goenkar/how-a-goan-rose-bloomed-in-karachi/86236.html |access-date=2024-05-12 |website=The Goan EveryDay |language=en}}&amp;lt;/ref&amp;gt; a [[Konkani language|Konkani]] &amp;#039;&amp;#039;[[tiatr]]&amp;#039;&amp;#039; titled &amp;#039;&amp;#039;Noketr Italia Xarachem&amp;#039;&amp;#039; (A Star  from the city of Italy) captivated young Fernandes. This experience ignited Fernandes&amp;#039; desire to contribute to the &amp;#039;&amp;#039;tiatr&amp;#039;&amp;#039; tradition, leading him to embark on the creation of his own script, eventually resulting in the production of &amp;#039;&amp;#039;Comedy of Errors vo Gondoll Zunvlleam Bhavancho&amp;#039;&amp;#039;. With dedication, Fernandes crafted the script until its completion. The inaugural staging of &amp;#039;&amp;#039;Comedy of Errors vo Gondoll Zunvlleam Bhavancho&amp;#039;&amp;#039; took place at the [[Karachi Goan Association|Goa Portuguese Association Hall]] in Karachi. During his time as the [[Mayor of Karachi]], [[B. F. Cabral]],&amp;lt;ref name=&amp;quot;:1&amp;quot;&amp;gt;{{Cite book |last=Gracias |first=Michael |title=TIATR 125th Anniversary Commemorative Volume |publisher=[[Tiatr Academy of Goa]] |year=2019 |location=[[Panaji, Goa]] |pages=11–12}}&amp;lt;/ref&amp;gt; who originated from Chimbel-[[Ribandar]] in [[Goa]] (then part of [[Portuguese India]] during [[Portuguese Empire]]), attended a &amp;#039;&amp;#039;tiatr&amp;#039;&amp;#039; performance by Fernandes. Cabral was impressed by Fernandes&amp;#039; talents in acting, singing, and directing, leading him to invite Fernandes to direct three of his own &amp;#039;&amp;#039;tiatrs&amp;#039;&amp;#039;: &amp;#039;&amp;#039;Gabriel Balcheanv Ani Tachi Sasumaim&amp;#039;&amp;#039; (Gabriel Balcheao and his Mother-in-law), &amp;#039;&amp;#039;A Conquista de Goa&amp;#039;&amp;#039; ([[Portuguese conquest of Goa|The Conquest of Goa]]), and &amp;#039;&amp;#039;Inocent Hermione&amp;#039;&amp;#039;.&amp;lt;ref name=&amp;quot;:2&amp;quot;&amp;gt;{{Cite book |last=Mazarello |first=Wilson |url=https://books.google.com/books?id=K-1PAQAAIAAJ |title=100 Years of Konkani Tiatro |date=2000 |publisher=Government of Goa, Directorate of Art &amp;amp; Culture |pages=107–109 |language=en |access-date=2024-05-12 |archive-date=2024-01-07 |archive-url=https://web.archive.org/web/20240107200151/https://books.google.com/books?id=K-1PAQAAIAAJ |url-status=live }}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[File:Miss Carlota performing at Dubavi Gorcarn tiatr.jpg|thumb|From left to right: [[Miss Carlota]], [[Jacinto Vaz]], Bartlu, Fernandes (extreme right), and [[C. Alvares]], performing in the &amp;#039;&amp;#039;tiatr Dubavi Gorcarn&amp;#039;&amp;#039;]]&lt;br /&gt;
Fernandes&amp;#039; artistic prowess shone through in each of those &amp;#039;&amp;#039;tiatrs&amp;#039;&amp;#039;, earning him acclaim and establishing his reputation throughout Karachi. Fernandes made history by being the inaugural [[Goan]] artist to perform at The Palace Theatre in Karachi, a venue traditionally restricted to [[Theatre#Early modern and modern theatre in the West|European theater]] troupes. Building upon his success, Fernandes continued to present a series of captivating &amp;#039;&amp;#039;tiatrs&amp;#039;&amp;#039; at the Zoroastrian Hall in Karachi. Fernandes&amp;#039; artistic accomplishments left an impact on the [[Goans#Geographical distribution|Goan community residing in Karachi]], inspiring many individuals to pursue acting and singing.&amp;lt;ref name=&amp;quot;:1&amp;quot; /&amp;gt; In order to foster this burgeoning interest, Fernandes founded the Group of Goan Amateurs, a collective of young Goan &amp;#039;&amp;#039;[[tiatrist]]s&amp;#039;&amp;#039;, providing them with a platform to showcase their talents and contribute to the &amp;#039;&amp;#039;tiatr&amp;#039;&amp;#039; culture.&amp;lt;ref name=&amp;quot;:2&amp;quot; /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Fernandes served as a catalyst for the promotion and active participation of [[Goans]] in [[Karachi]], [[British India]] in the realm of [[Konkani language|Konkani]] &amp;#039;&amp;#039;[[tiatr]]s&amp;#039;&amp;#039;. He played a pivotal role in fostering a deep affection for the [[Konkani language]] and Konkani &amp;#039;&amp;#039;tiatr&amp;#039;&amp;#039; performances among the community. As a founder of the Group of Goan Amateurs, Fernandes orchestrated and showcased several theatrical performances known as &amp;#039;&amp;#039;tiatrs&amp;#039;&amp;#039; under his banner. His final production, &amp;#039;&amp;#039;Cuslolo Visvo Xekddo&amp;#039;&amp;#039;, was staged in Karachi in 1929.&amp;lt;ref name=&amp;quot;:2&amp;quot; /&amp;gt; In 1930, Fernandes left Karachi and returned to [[Aldona]], [[Goa]], his hometown. After a four-year stay in Goa, he relocated to [[Bombay]], British India in 1934 to explore career opportunities. He initially worked at Shah &amp;amp; C. before securing a position at [[Nestlé]], a Swiss company, where he remained until retiring. In 1937, it was in Bombay that Fernandes seized a significant opportunity to make his mark in the professional Konkani theater scene, debuting in [[J. P. Souzalin]]&amp;#039;s &amp;#039;&amp;#039;tiatr&amp;#039;&amp;#039; production, &amp;#039;&amp;#039;Conde de Monte Cruz&amp;#039;&amp;#039; (&amp;#039;&amp;#039;[[The Count of Monte Cristo]]&amp;#039;&amp;#039;), which took place at the Princess Theatre in Bhangwadi, Bombay-widely regarded as the &amp;#039;[[Mecca]] of &amp;#039;&amp;#039;tiatr&amp;#039;&amp;#039;&amp;#039; at that time.&amp;lt;ref name=&amp;quot;:1&amp;quot; /&amp;gt; Fernandes&amp;#039;s performance in &amp;#039;&amp;#039;Conde de Monte Cruz&amp;#039;&amp;#039; propelled him into the limelight, opening doors for him to collaborate with directors in the Konkani &amp;#039;&amp;#039;tiatr&amp;#039;&amp;#039; industry, including [[Aleixinho De Candolim]], [[Saib Rocha]], and other luminaries.&amp;lt;ref name=&amp;quot;:0&amp;quot; /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Fernandes was an influential figure in the realm of &amp;#039;&amp;#039;tiatr&amp;#039;&amp;#039;, a popular form of theatrical entertainment in Konkani-speaking regions. Known for his performances, Fernandes not only showcased his own skills but also generously shared his expertise, assisting other artists in refining their acting abilities. Acting in the &amp;#039;&amp;#039;tiatrs&amp;#039;&amp;#039; produced by Saib Rocha was a long-cherished aspiration that Fernandes fulfilled.&amp;lt;ref name=&amp;quot;:1&amp;quot; /&amp;gt; In the &amp;#039;&amp;#039;tiatr Aga Kumpar&amp;#039;&amp;#039; by Alexinho De Candolim, Fernandes portrayed a daring character with precision, leaving an impression on the audience. [[J. P. Souzalin]], recognizing Fernandes&amp;#039;s talent and dedication, entrusted him with the role of a beggar in the &amp;#039;&amp;#039;tiatr Padr Agnel&amp;#039;&amp;#039; ([[Agnelo de Souza|Father Agnel]]). Impressed by his abilities, Souzalin later cast Fernandes as a heartbroken father in the production &amp;#039;&amp;#039;Hem Asa Tem&amp;#039;&amp;#039; (This is what is), which garnered significant fame and acclaim.&amp;lt;ref name=&amp;quot;:0&amp;quot; /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Fernandes was praised and recognized by both fans of &amp;#039;&amp;#039;[[tiatr]]&amp;#039;&amp;#039; (a type of [[musical theatre]] in [[Goa]]) and the [[Media in Goa|media]] for his accomplishments. His contributions were not limited to performing; he also made achievements as a playwright. His &amp;#039;&amp;#039;tiatrs&amp;#039;&amp;#039;, namely &amp;#039;&amp;#039;Ghatkeponnacho Inam&amp;#039;&amp;#039; (Reward of Betrayal) and &amp;#039;&amp;#039;Jadu&amp;#039;&amp;#039; (Magic), were particularly memorable and well-regarded.&amp;lt;ref name=&amp;quot;:1&amp;quot; /&amp;gt; As a [[character actor]], Fernandes displayed meticulous attention to detail in his portrayals. His acute attention to detail in costume selection, makeup application, and voice [[modulation]] allowed him to authentically embody each character he depicted.&amp;lt;ref name=&amp;quot;:2&amp;quot; /&amp;gt; Fernandes was part of a group of early &amp;#039;&amp;#039;[[tiatrist]]s&amp;#039;&amp;#039; who actively participated in the [[theatrical production]]s of [[Pai Tiatrist]], widely recognized as the pioneer of [[Konkani language|Konkani]] &amp;#039;&amp;#039;tiatr&amp;#039;&amp;#039;. During the golden era of &amp;#039;&amp;#039;tiatr&amp;#039;&amp;#039; from the 1930s to the 1970s, Fernandes stood out as one of the prominent and esteemed Konkani &amp;#039;&amp;#039;tiatrists&amp;#039;&amp;#039; of his time.&amp;lt;ref&amp;gt;{{Cite book |last=Fernandes |first=André Rafael |url=https://books.google.com/books?id=vKAbygAACAAJ |title=When the Curtains Rise--: Understanding Goa&amp;#039;s Vibrant Konkani Theatre |date=2010 |publisher=Tiatr Academy of Goa |isbn=978-93-80739-01-4 |pages=70, 137 |language=en |access-date=2024-05-12 |archive-date=2023-11-26 |archive-url=https://web.archive.org/web/20231126045216/https://books.google.com/books?id=vKAbygAACAAJ |url-status=live }}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Personal life==&lt;br /&gt;
Fernandes entered into matrimony with Maria Anunciação Bernardina Fernandes, a [[homemaker]] originating from [[Colvale]], [[Goa]]. While additional children may have been bom to the couple, certain birth records pertaining to their children may have been lost. According to the extant documentation, they had three children: two daughters named Alexandrina (born in 1929) and Emilia (born in 1926), as well as a son named Rosario Alfredo Fernandes,&amp;lt;ref name=&amp;quot;:4&amp;quot; /&amp;gt; later recognized as Rosario Alfred Fernandes. In a continuation of the family&amp;#039;s artistic legacy, Rosario followed in his father&amp;#039;s footsteps as a popular [[Konkani language|Konkani]] singer, professionally known as [[Alfred Rose (singer)|Alfred Rose]].&amp;lt;ref name=&amp;quot;:3&amp;quot; /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Rosario subsequently entered into wedlock with [[Rita Rose]], a fellow Konkani singer and actress hailing from [[Bombay, British India]]. Fernandes&amp;#039; son Rosario&amp;#039;s progeny, namely Schubert, Engelbert, and Alria, have each embraced musical careers within the [[Tiatr|Konkani domain]].&amp;lt;ref name=&amp;quot;:3&amp;quot; /&amp;gt; Revered by his peers in the &amp;#039;&amp;#039;[[tiatr]]&amp;#039;&amp;#039; community, Fernandes was endearingly referred to as &amp;quot;Daddy.&amp;quot; Due to deteriorating health, he decided to permanently step away from performing on the Konkani &amp;#039;&amp;#039;tiatr&amp;#039;&amp;#039; stage, and retired to his ancestral residence in [[Aldona]], Goa, at the age of 55.&amp;lt;ref name=&amp;quot;:0&amp;quot; /&amp;gt; During his stay in Goa, he resided in his native village of Aldona. On 6 April 1982, Fernandes died in Goa at the age of 82.&amp;lt;ref name=&amp;quot;:1&amp;quot; /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
{{Reflist}}&lt;br /&gt;
&lt;br /&gt;
{{Authority control}}&lt;br /&gt;
&lt;br /&gt;
{{DEFAULTSORT:Rose, A. M. B.}}&lt;br /&gt;
[[Category:1899 births]]&lt;br /&gt;
[[Category:1982 deaths]]&lt;br /&gt;
[[Category:Tiatrists]]&lt;br /&gt;
[[Category:Actors from North Goa district]]&lt;br /&gt;
[[Category:Musicians from North Goa district]]&lt;/div&gt;</summary>
		<author><name>Uravu</name></author>
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