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{{short description|1924 novel by E. M. Forster}}
{{For|the 1984 film based on this novel|A Passage to India (film)}}
{{EngvarB|date=September 2013}}
{{Use dmy dates|date=September 2013}}

{{Infobox book |
| name = A Passage to India
| title_orig =
| translator =
| image = APassageToIndia.jpg
| caption = First edition (UK)
| author = [[E. M. Forster]]
| illustrator =
| cover_artist =
| country = United Kingdom
| language = English
| series =
| subject = 
| genre =
| publisher = [[Edward Arnold (publisher)|Edward Arnold]], (UK)<br>[[Harcourt Brace]] (US)
| release_date = 4 June 1924
| english_release_date =
| media_type = Print (hardback & paperback)
| pages =
| isbn =
| oclc = 59352597
| preceded_by =
| followed_by =
}}

'''''A Passage to India''''' is a 1924 novel by English author [[E. M. Forster]] set against the backdrop of the [[British Raj]] and the [[Indian independence movement]] in the 1920s. It was selected as one of the 100 great works of 20th century English literature by the ''[[Modern Library]]''<ref>{{cite news |last=Lewis |first=Paul |date=1998-07-20 |title='Ulysses' at Top As Panel Picks 100 Best Novels |url=https://www.nytimes.com/1998/07/20/books/ulysses-at-top-as-panel-picks-100-best-novels.html?pagewanted=all |url-status=live |work=The New York Times |archive-url=https://web.archive.org/web/20150108043817/http://www.nytimes.com/1998/07/20/books/ulysses-at-top-as-panel-picks-100-best-novels.html?pagewanted=2&pagewanted=all |archive-date=2015-01-08 |access-date=2015-01-08}}</ref> and won the 1924 [[James Tait Black Memorial Prize]] for fiction.<ref>{{cite web|title=Fiction winners Award winners |author= |date=2014-08-22 |website=The University of Edinburgh |url=http://www.ed.ac.uk/news/events/tait-black/winners/fiction |url-status=live |archive-url=https://web.archive.org/web/20131031022529/http://www.ed.ac.uk/news/events/tait-black/winners/fiction |archive-date=31 October 2013 |access-date=2015-01-08 |df=dmy }}</ref> [[Time (magazine)|''Time'' magazine]] included the novel in its "All Time 100 Novels" list.<ref>{{cite news |title=All Time 100 Novels |date=2005-10-16 |url=http://entertainment.time.com/2005/10/16/all-time-100-novels/slide/all/ |url-status=live |work=Time |archive-url= https://web.archive.org/web/20100313052053/http://www.time.com/time/2005/100books/the_complete_list.html |archive-date=13 March 2010 |access-date=2010-04-23}}</ref> The novel is based on Forster's experiences in India, deriving the title from [[Walt Whitman]]'s 1870 poem "[[Passage to India (Whitman)|Passage to India]]" in ''[[Leaves of Grass]]''.<ref>{{cite book|last=Sarker|first=Sunil Kumar|title=A Companion to E.M. Forster|url=https://books.google.com/books?id=YsRurf1zL8cC&pg=pg702|access-date=2015-01-08|date=2007-01-01|publisher=Atlantic Publishers & Dist|isbn=978-81-269-0750-2|page=702}}</ref><ref>{{cite book|last=Kummings|first=Donald D.|title=A Companion to Walt Whitman|url=https://books.google.com/books?id=2uTCiN347lMC&pg=21|access-date=2015-01-08|date=2009-10-19|publisher=John Wiley & Sons|isbn=978-1-4051-9551-5|page=21}}</ref>

The story revolves around four characters: Dr. Aziz, his British friend Mr. Cyril Fielding, Mrs. Moore, and Miss Adela Quested. During a trip to the fictitious [[Marabar Caves]] (modeled on the [[Barabar Caves]] of Bihar),<ref>{{cite book|last=Sarker|first=Sunil Kumar|title=A Companion to E.M. Forster|url=https://books.google.com/books?id=YsRurf1zL8cC&pg=pg708|access-date=2015-01-08|date=2007-01-01|publisher=Atlantic Publishers & Dist|isbn=978-81-269-0750-2|page=708}}</ref> Adela thinks she finds herself alone with Dr. Aziz in one of the caves (when in fact he is in an entirely different cave), and subsequently panics and flees; it is assumed that Dr. Aziz has attempted to assault her. Aziz's trial, and its run-up and aftermath, bring to a boil the common racial tensions and prejudices between Indians and the British during the colonial era.

==Background==
''A Passage to India'' is a reflection of Forster's visit to India in 1912-13 and his duration as private secretary to the Maharajah of [[Dewas State]] in 1921-22.<ref name="bloom1">{{cite book |last1=Bloom |first1=Harold |title=Novelists and Novels |date=2004 |page=251}}</ref>

==Plot summary==
===Arrival===
A young British schoolmistress, Adela Quested, and her elderly friend, Mrs. Moore, visit the fictional city of Chandrapore, [[British Raj|British India]]. Adela is to decide if she wants to marry Mrs. Moore's son, Ronny Heaslop, the city magistrate.

Meanwhile, Dr. Aziz, a young [[Indian Muslim]] physician, is dining with two of his Indian friends and conversing about whether it is possible to be a friend of an Englishman. During the meal, a summons arrives from Major Callendar, Aziz's unpleasant superior at the hospital. Aziz hastens to Callendar's bungalow as ordered but is delayed by a flat tyre and difficulty in finding a [[tonga (carriage)|tonga]] and the major has already left in a huff.

Disconsolate, Aziz walks down the road toward the railway station. When he sees his favourite mosque, he enters on impulse. He sees a strange Englishwoman there and yells at her not to profane this sacred place. The woman, Mrs. Moore, has respect for native customs. This disarms Aziz, and the two chat and part as friends.

Mrs. Moore returns to the British [[gentleman's club]] down the road and relates her experience at the mosque. Ronny Heaslop, her son, initially thinks she is talking about an Englishman and becomes indignant when he learns the facts. Adela, however, is intrigued.

===Bridge Party===
Because the newcomers had expressed a desire to see Indians, Mr. Turton, the city tax collector, invites numerous Indian gentlemen to a party at his house. The party turns out to be an awkward event, due to the Indians' timidity and the Britons' bigotry, but Adela meets Cyril Fielding, principal of Chandrapore's government-run college for Indians. Fielding invites Adela and Mrs. Moore to a tea party with him and a [[Hindu]]-[[Brahmin]] professor named Narayan Godbole. At Adela's request, he extends his invitation to Dr. Aziz.

===Fielding's tea party===
At Fielding's tea party, everyone has a good time conversing about India, and Fielding and Aziz become friends. Aziz promises to take Mrs. Moore and Adela to see the Marabar Caves, a distant cave complex. Ronny Heaslop arrives, and finding Adela "unaccompanied" with Dr. Aziz and Professor Godbole, rudely breaks up the party.

Aziz mistakenly believes that the women are offended that he has not followed through on his promise and arranges an outing to the caves at great expense to himself. Fielding and Godbole are supposed to accompany the expedition, but they miss the train.

===Marabar Caves===
Aziz and the women explore the caves. In the first cave, Mrs. Moore is overcome with [[claustrophobia]]. But worse than the claustrophobia is the [[echo]]. Disturbed by the sound, Mrs. Moore declines to continue exploring. Adela and Aziz, accompanied by a guide, climb to the upper caves.

===Adela's illusion===
As Aziz helps Adela up the hill, she asks whether he has more than one wife. Disconcerted by the bluntness of the remark, he ducks into a cave to compose himself. When he comes out, he finds the guide alone outside the caves. The guide says Adela has gone into a cave by herself. Aziz looks for her in vain. Deciding she is lost, he strikes the guide, who runs away. Aziz looks around and discovers Adela's [[binoculars|field glasses]] lying broken on the ground. He puts them in his pocket.

Aziz then looks down the hill and sees Adela speaking to another young Englishwoman, Miss Derek, who has arrived with Fielding in a car. Aziz runs down the hill and greets Fielding, but Miss Derek and Adela drive off without explanation. Fielding, Mrs. Moore, and Aziz return to Chandrapore on the train. Adela has injured herself while descending from the caves.

===Aziz's arrest===
At the train station, Aziz is arrested and charged with sexually assaulting Adela in a cave. The run-up to his trial releases the racial tensions between the British and the Indians. Adela says that Aziz followed her into the cave and tried to grab her, and that she fended him off by swinging her field glasses at him. The only evidence the British have is the field glasses in the possession of Aziz. Despite this, the British believe that Aziz is guilty. They are stunned when Fielding proclaims his belief in Aziz's innocence. Fielding is ostracised and condemned as a [[Race traitor|blood-traitor]]. But the Indians, who consider the assault allegation a fraud, welcome him.

===Moore mystery===
During the weeks before the trial, Mrs. Moore is apathetic and irritable. Although she professes her belief in Aziz's innocence, she does nothing to help him. Ronny, alarmed by his mother's assertion that Aziz is innocent, arranges for her return by ship to England before she can testify at the trial. Mrs. Moore becomes more concerned with her own end of life issues as she feels her health failing. Her relationship with her son allows her to be distracted and less sympathetic to Aziz's situation.<ref>The tombstone; her attack in the cave; comments to Ronny regarding things she needed to attend to; all play out in her death at sea.</ref> Mrs. Moore dies during the voyage. Her absence from India becomes a major issue at the trial, where Aziz's legal defenders assert that her testimony would have proven the accused's innocence.

===Trial scene===
Adela becomes confused as to Aziz's guilt. At the trial, she is asked whether Aziz sexually assaulted her. She has a vision of the cave, and it turns out that Adela had, while in the cave, received a shock similar to Mrs. Moore's. The echo had disconcerted her so much that she became unhinged. At the time, Adela mistakenly interpreted her shock as an assault by Aziz. She admits that she was mistaken, and the case is dismissed.

(In the 1913 draft of the novel, E. M. Forster had Aziz guilty of the assault and found guilty in the court; he changed this in the 1924 draft to create a more ambiguous ending.){{cn|date=May 2020}}

===Aftermath===
Ronny Heaslop breaks off his engagement to Adela and she stays at Fielding's house until her passage on a boat to England is arranged. After explaining to Fielding that the echo was the cause of the whole business, she departs India, never to return.

Although he is vindicated, Aziz is angry that Fielding befriended Adela after she nearly ruined his life. Believing it to be the gentlemanly thing to do, Fielding convinces Aziz not to seek monetary redress from her. The men's friendship suffers, and Fielding departs for England. Aziz believes that he is leaving to marry Adela for her money. Bitter at his friend's perceived betrayal, he vows never again to befriend a white person. Aziz moves to the [[Hindu]]-ruled state of [[Mau, Uttar Pradesh|Mau]] and begins a new life.

===At Mau===
Two years later, Fielding returns to India. His wife is Stella, Mrs. Moore's daughter from a second marriage. Aziz, now the [[Raja]]'s chief physician, comes to respect and love Fielding again. However, he does not give up his dream of a free and united India. In the novel's last sentences, he explains that he and Fielding cannot be friends until India becomes independent from British rule.

== Literary criticism ==

The nature of critiques of ''A Passage to India'' is largely based upon the era of writing and the nature of the critical work. While many earlier critiques found that Forster's book showed an inappropriate friendship between colonizers and the colonized, new critiques on the work draw attention to the depictions of sexism, racism and imperialism in the novel.

Reviews of ''A Passage to India'' when it was first published challenged specific details and attitudes included in the book that Forster drew from his own time in India.<ref name=":0">{{Cite web|url=https://www.bl.uk/20th-century-literature/articles/the-mystery-and-muddle-of-a-passage-to-india|title=The mystery and muddle of A Passage to India|website=The British Library|language=en|access-date=2017-11-22}}</ref> Early critics also expressed concern at the interracial camaraderie between Aziz and Fielding in the book.<ref>{{Cite book |title=Delusions and discoveries : India in the British imagination, 1880-1930|first=Benita|last=Parry|date=1998|publisher=Verso| isbn=1859841287|location=London|pages=280|oclc=40922011}}</ref> Others saw the book as a vilification of humanist perspectives on the importance of interpersonal relationships, and effects of colonialism on Indian society.<ref name=":2">{{Cite book|title=Postcolonial Studies: A Materialist Critique|url=https://archive.org/details/postcolonialstud00parr|url-access=limited|last=Parry|first=Benita|publisher=Routledge|year=2004|isbn=0-203-42053-5|location=New York|pages=[https://archive.org/details/postcolonialstud00parr/page/n175 163]}}</ref> More recent critiques by postcolonial theorists and literary critics have reinvestigated the text as a work of [[Orientalism|Orientalist]] fiction contributing to a discourse on colonial relationships by a European. Today it is one of the seminal texts in the postcolonial Orientalist discourse, among other books like ''[[Heart of Darkness]]'' by [[Joseph Conrad]], and ''[[Kim (book)|Kim]]'' by [[Rudyard Kipling]].<ref name=":0" />

''A Passage to India'' emerged at a time where portrayals of India as a savage, disorganized land in need of domination were more popular in mainstream European literature than romanticized depictions. Forster's novel departed from typical narratives about colonizer-colonized relationships and emphasized a more "unknowable" Orient, rather than characterizing it with exoticism, ancient wisdom and mystery. Postcolonial theorists like Maryam Wasif Khan have termed this novel a Modern Orientalist text, meaning that it portrays the Orient in an optimistic, positive light while simultaneously challenging and critiquing European culture and society.<ref>{{Cite journal|last=Khan|first=Maryam Wasif|date=2016-06-22|title=Enlightenment Orientalism to Modernist Orientalism: The Archive of Forster's A Passage to India|journal=MFS Modern Fiction Studies|volume=62|issue=2|pages=217–235|doi=10.1353/mfs.2016.0027|issn=1080-658X}}</ref> However, Benita Parry suggests that it also mystifies India by creating an "obfuscated realm where the secular is scanted, and in which India’s long traditions of mathematics, science and technology, history, linguistics and jurisprudence have no place."<ref name=":2" />

One of the most notable critiques comes from literary professor [[Edward Said]], who referenced ''A Passage to India'' in both ''[[Culture and Imperialism]]'' and ''[[Orientalism (book)|Orientalism]]''. In his discussion about allusions to the [[British Empire]] in early 20th century novels, Said suggests that though the work subverted typical views on colonialism and colonial rule in India, it also fell short of outright condemning either nationalist movements in India or colonialism itself. Of Forster's attitude toward colonizer-colonized relationships, Said says Forster:<blockquote>. . . found a way to use the mechanism of the novel to elaborate on the already existing structure of attitude and reference without changing it. This structure permitted one to feel affection for and even intimacy with some Indians and India generally, but made one see Indian politics as the charge of the British, and culturally refused a privilege to India nationalism.<ref name=":1">{{Cite book |title=Culture and Imperialism |last=Said |first=Edward W.|date=1994|publisher=Vintage Books|isbn=0679750541|edition=1st Vintage books |location=New York|oclc=29600508}}</ref></blockquote>Stereotyping and Orientalist thought is also explored in postcolonial critiques. Said suggests that Forster deals with the question of British-Indian relationships by separating Muslims and Hindus in the narrative. He says Forster connects Islam to Western values and attitudes while suggesting that Hinduism is chaotic and orderless, and subsequently uses Hindu characters as the background to the main narrative.<ref name=":1" /> Said also identifies the failed attempt at friendship between Aziz and Fielding as a reinforcement of the perceived cultural distance between the Orient and the West. The inability of the two men to begin a meaningful friendship is indicative of what Said suggests is the irreconcilable otherness of the Orient, something that has originated from the West and also limits Western readers in how they understand the Orient.<ref>{{Cite book|title=Orientalism|last=Said |first=Edward W.|date=1979|orig-year=1978|publisher=Vintage Books|isbn=039474067X|edition=1st |location=New York|oclc=4831769}}</ref>

Other scholars have examined the book with a critical postcolonial and feminist lens. Maryam Wasif Khan's reading of the book suggests ''A Passage to India'' is also a commentary on gender, and a British woman's place within the empire. Khan argued that the female characters coming to "the Orient" to break free of their social roles in Britain represent the discord between Englishwomen and their social roles at home, and tells the narrative of "pioneering Englishwomen whose emergent feminism found form and voice in the colony".<ref>{{Cite journal|last=Khan|first=Maryam Wasif|date=2016-06-22|title=Enlightenment Orientalism to Modernist Orientalism: The Archive of Forster's A Passage to India|journal=MFS Modern Fiction Studies|volume=62|issue=2|pages=230–233|doi=10.1353/mfs.2016.0027|issn=1080-658X}}</ref>

[[Sara Suleri Goodyear|Sara Suleri]] has also critiqued the book's orientalist depiction of India and its use of radicalized bodies, especially in the case of Aziz, as sexual objects rather than individuals.<ref>{{Cite book|url=https://archive.org/details/rhetoricofenglis0000sule/page/132|title=The rhetoric of English India|last=Suleri Goodyear|first=Sara|date=1992|publisher=University of Chicago Press|isbn=9780226779836|location=Chicago|pages=[https://archive.org/details/rhetoricofenglis0000sule/page/132 132–135]|oclc=23584165}}</ref>

==Character list==
; Dr. Aziz : A young [[Muslim]] Indian physician who works at the British hospital in Chandrapore, which is probably based on the city of [[Bankipur]], a suburb of [[Patna]] in the state of [[Bihar]]. He relies heavily on intuition over logic, and he is more emotional than his best friend, Fielding. He makes friends easily and seems quite garrulous at times. His chief drawback is an inability to view a situation without emotion, which Forster suggests is a typical Indian difficulty. Aziz seems to possess a profound love for his late wife but only thinks of her intermittently. Initially he is somewhat indifferent to the British, but comes to resent them after his treatment during the trial.
; Cyril Fielding : The 45-year-old, unmarried British headmaster of the small government-run college for Indians. Fielding's logical Western mind cannot comprehend the muddle (or mystery) of India, but he is highly tolerant and respectful toward Indians. He befriends Dr. Aziz, but cultural and racial differences, and personal misunderstandings, separate them.
; Adela Quested : A young British schoolmistress who is visiting India with the vague intention of marrying Ronny Heaslop. Intelligent, brave, honest, but slightly prudish, she is what Fielding calls a "[[prig]]." She arrives with the intention of seeing the "real India". But after a frightening trip to the Marabar Caves, she falsely accuses Aziz of sexually assaulting her.
; Mrs. Moore : The elderly, thoughtful mother of Ronny Heaslop. She is visiting Chandrapore to oversee her son's engagement to Adela Quested. She respects Indians and their customs, and the Indians in the novel appreciate her more than they do any other Briton. After undergoing an experience similar to Adela's, she becomes apathetic and bitter.
; Ronny Heaslop : The British city magistrate of Chandrapore. Though not a bad man, he shares many of his colleagues' derogatory views towards Indians. He breaks off his engagement to Adela after she retracts her accusation against Aziz. He considers her retraction to be a betrayal of their race. Adela also states in open court that she doesn't love him anymore.
; Professor Narayan Godbole : An elderly, courteous, contemplative [[Brahmin]] who views the world with equanimity. He remains totally aloof from the novel's conflicts. He remains a mystery to the end, when he rehabilitates the friendship of Fielding and Aziz.
; Mr. Turton : The British city collector of Chandrapore. He does not hate Indians, for that would be to negate his life's work. Nevertheless, he is fiercely loyal to his race, reviles less bigoted people like Fielding, and regards natives with thinly veiled contempt.
; Mrs. Turton : Mr. Turton's wife. Openly racist, snobbish, and rude toward Indians and those Europeans who are different, she screams at Adela in the courtroom when the latter retracts her accusation against Aziz.
; Maj. Callendar : The British head doctor and Aziz's superior at the hospital. He is more openly racist than any other male character. Rumours circulate among the Indians that Callendar actually tortured an injured Indian by putting [[Black pepper|pepper]] instead of antiseptic on his wounds.
; Mr. McBryde : The British superintendent of police in Chandrapore. Like Mr. Turton, he openly holds racist views towards Indians. During Aziz's trial, he publicly asserts that it is a scientific fact that dark men lust after white women. Nevertheless, he is more tolerant of Indians than most of his colleagues, and he is on friendly terms with Fielding.
; Miss Derek : An Englishwoman employed by a [[Hindu]] [[royal family]]. She frequently borrows their car—and does not trouble to ask their permission or return it in time. She is too boisterous and easygoing for most of her compatriots' tastes. She has an affair with McBryde.
; Nawab Bahadur : The chief Indian gentleman in Chandrapore, a Muslim. Wealthy (he owns a car) and generous, he is loyal to the British (he lends his car to Ronny Heaslop). But after the trial, he gives up his title of "[[nawab]]", which the British bestowed on him, in favour of plain "Mr. Zulfiqar."
; Hamidullah : Aziz's uncle and friend. Educated in law at [[Cambridge University]], he declares at the beginning of the novel that it is easier to be a friend of an Englishman in England than in India. Aziz comes to agree with him.
; Amritrao : A prominent Indian lawyer from [[Calcutta]], called in to defend Aziz. He is known for his strong anti-British sentiments. He takes the case for political reasons and becomes disgusted when the case evaporates in court.
; Mahmoud Ali : A [[Indian Muslims|Muslim Indian]] barrister who openly hates the British.
; Dr. Panna Lal : A low-born [[Hindu]] doctor and Aziz's rival at the hospital.
; Ralph Moore : A timid, sensitive and discerning youth, the second son of Mrs. Moore.
; Stella Moore : Mrs. Moore's daughter and, later, Fielding's beautiful younger wife.

==Awards==
* 1924 [[James Tait Black Memorial Prize]] for fiction.
* 1925 Femina Vie Heureuse

==Adaptations==
{{See also|A Passage to India (film)}}

* [[A Passage to India (play)|''A Passage to India'' (play)]], A play written by [[Santha Rama Rau]] based on the novel that ran on the West End in 1960, and on Broadway in 1962.<ref>{{cite web |title=A Passage to India |website=Internet Broadway Database |url=http://www.ibdb.com/production.php?id=2763 |url-status=live |archive-url=https://web.archive.org/web/20121020041509/http://www.ibdb.com/production.php?id=2763 |archive-date=2012-10-20 |access-date=2015-01-08}}</ref> A 1965 BBC television version of the play was broadcast in their ''[[Play of the Month#A Passage to India|Play of the Month]]'' series.<ref>{{cite web|last=Angelini|first=Sergio|url=http://www.screenonline.org.uk/tv/id/1052917/index.html|title=Passage to India, A (1965)|publisher=BFI Screenonline|date=2003–2014|access-date=18 July 2017}}</ref>
* The Indian filmmaker [[Satyajit Ray]] intended to direct a theatrical adaptation of the novel, but the project was never realised.<ref>{{cite web |title=IndiaStar book review: Satyajit Ray by Surabhi Banerjee |website=IndiaStar |last1=Wallia |first1=C. J. |url=http://www.indiastar.com/satyajitray.html |url-status=dead |archive-url=https://web.archive.org/web/19970219080300/http://www.indiastar.com/satyajitray.html |archive-date=1997-02-19 |access-date=2015-01-08}}</ref>
* The [[A Passage to India (film)|1984 film version]] directed by [[David Lean]], and starring [[Judy Davis]], [[Victor Banerjee]], [[James Fox]], [[Peggy Ashcroft]] and [[Alec Guinness]], won two [[Academy Award|Oscars]] and numerous other awards.<ref>{{cite web |title=A Passage to India |website=Internet Movie Database |url=https://www.imdb.com/title/tt0087892/ |url-status=live |archive-url=https://web.archive.org/web/20130114134046/http://www.imdb.com/title/tt0087892/ |archive-date=2013-01-14 |access-date=2015-01-08}}</ref>
* [[Martin Sherman]] wrote an additional version for the stage, that premiered at the [[Shared Experience]] in [[Richmond, London|Richmond]] in 2002.<ref>{{cite web |title=Shared Experience Take Forster Passage to India |author= |date=2002-08-30 |website=What'sOnStage |url=http://www.whatsonstage.com/west-end-theatre/news/08-2002/shared-experience-take-forster-passage-to-india_27338.html |url-status=dead |archive-url=https://web.archive.org/web/20150108030513/http://www.whatsonstage.com/west-end-theatre/news/08-2002/shared-experience-take-forster-passage-to-india_27338.html |archive-date=8 January 2015 |access-date=2015-01-08 |df=dmy-all }}</ref> It has toured the UK and played at the [[Brooklyn Academy of Music]] [[Harvey Theater]] in November 2004.<ref>{{cite news |last=Isherwood |first=Charles |date=2004-11-04 |title=A Minimal Meeting of Forster's Twain |url=https://www.nytimes.com/2004/11/04/theater/reviews/04pass.html |url-status=live |work=The New York Times |archive-url=https://web.archive.org/web/20130622072201/http://www.nytimes.com/2004/11/04/theater/reviews/04pass.html |archive-date=2013-06-22 |access-date=2015-01-08}}</ref>

== Manuscript ==
In 1960, the manuscript of ''A Passage to India'' was donated to [[Rupert Hart-Davis]] by Forster and sold to raise money for the [[London Library]], fetching the then record sum of £6,500 for a modern English manuscript.<ref>Hart-Davis, Rupert: ''Halfway to Heaven'' p55, Sutton Publishing Ltd, Stroud, 1998. {{ISBN|0-7509-1837-3}}</ref>

==See also==
{{portal|Novels}}
*[[Stereotypes of South Asians]]

==References==
{{reflist|colwidth=30em}}
* S. M. Chanda: ''A Passage to India: a close look in studies in literature'' (Atlantic Publishers, New Delhi 2003)

==External links==
{{wikisource}}
{{wikiquote}}
* {{StandardEbooks|Standard Ebooks URL=https://standardebooks.org/ebooks/e-m-forster/a-passage-to-india}}
* [http://www.bl.uk/works/a-passage-to-india ''A Passage to India''] at the [[British Library]]
* {{Gutenberg book|61221|A Passage To India}}
* [http://www.sparknotes.com/lit/passage/ Detailed analyses, chapter summaries, a quiz and essay questions], by SparkNotes
* [http://books.guardian.co.uk/reviews/classics/0,6121,99926,00.html Original 1924 review] reprinted by ''The Guardian''
* {{cite web|last= Whitman |first= Walt |author-link= Walt Whitman |title= Passage to India |work= [[Leaves of Grass]] |type= poem |year= 1871 |url= http://whitmanarchive.org/published/LG/1881/poems/239}}, from which the title of Forster's novel was derived

{{E. M. Forster}}
{{Authority control}}
{{DEFAULTSORT:Passage To India, A}}
[[Category:1924 British novels]]
[[Category:BBC television dramas]]
[[Category:British novels adapted into films]]
[[Category:Modernist novels]]
[[Category:Novels by E. M. Forster]]
[[Category:Novels set in India]]
[[Category:Postcolonial novels]]
[[Category:1960 plays]]
[[Category:Novels set in British India]]

A Passage to India - Revision history

>Unknown user at 13:42, 28 February 2022