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	<title>Abhinavabharati - Revision history</title>
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		<id>https://indianpedia.org/index.php?title=Abhinavabharati&amp;diff=361196&amp;oldid=prev</id>
		<title>Ajay Kumar at 17:37, 9 December 2022</title>
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		<updated>2022-12-09T17:37:15Z</updated>

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&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{short description|Commentary on Bharata Muni&amp;#039;s work of dramatic theory, the Natyasastra}}&lt;br /&gt;
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&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;Abhinavabharati&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039; is a commentary on ancient [[India]]n author [[Bharata Muni]]&amp;#039;s work of dramatic theory, the &amp;#039;&amp;#039;[[Natyasastra]]&amp;#039;&amp;#039;. It is the oldest commentary available on the treatise. The &amp;#039;&amp;#039;Abhinavabharati&amp;#039;&amp;#039; was written by [[Abhinavagupta]] (c. 950–1020), the great [[Kashmir]]i [[Saivite]] [[spiritual leader]] and a yogi.&lt;br /&gt;
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In this monumental work, Abhinavagupta explains the &amp;#039;&amp;#039;rasasutra&amp;#039;&amp;#039; of Bharata in consonance with the theory of &amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;abhivyakti&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039; (expression) propounded in [[Anandavardhana]]&amp;#039;s (820–890) work &amp;#039;&amp;#039;Dhvanyaloka&amp;#039;&amp;#039; (&amp;quot;aesthetic suggestion&amp;quot;), as well as the tenets of the [[Pratyabhijna]] philosophy of [[Kashmir]].&lt;br /&gt;
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According to Abhinavagupta, the [[aesthetic]] experience is the manifestation of the innate dispositions of the [[self (philosophy)|self]], such as love and sorrow, by the self. It is characterised by the contemplation of the bliss of the self by the connoisseur.&lt;br /&gt;
It is akin to the spiritual experience as one transcends the limitations of one&amp;#039;s limited self because of the process of universalisation taking place during the aesthetic contemplation of characters depicted in the work of [[art]]. Abhinavagupta maintains that this &amp;#039;&amp;#039;rasa&amp;#039;&amp;#039; (literally, &amp;#039;&amp;#039;taste&amp;#039;&amp;#039; or &amp;#039;&amp;#039;essence&amp;#039;&amp;#039;, the outcome)&amp;lt;ref&amp;gt;of the various constituents of an artistic or theatrical performance, has been a central concept in Indian art and aesthetics from ancient times.&amp;lt;/ref&amp;gt; is the &amp;#039;&amp;#039;summum bonum&amp;#039;&amp;#039; of all literature.&lt;br /&gt;
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== Bibliography ==&lt;br /&gt;
Natyasastra of Bharatamuni: Text, Commentary of Abhinava Bharati by Abhinavaguptacarya and English Translation/edited by Pushpendra Kumar. Translated by M.M. Ghosh. Delhi, New Bharatiya Book Corporation, 2006, 3 Vols., 1614 p&lt;br /&gt;
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== Notes ==&lt;br /&gt;
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{{Dance in India|state=expanded}}&lt;br /&gt;
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[[Category:Ancient Indian literature]]&lt;br /&gt;
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{{en-Wikipedia}}&lt;/div&gt;</summary>
		<author><name>Ajay Kumar</name></author>
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