https://indianpedia.org/index.php?action=history&feed=atom&title=Ajrara_gharanaAjrara gharana - Revision history2026-07-31T22:24:52ZRevision history for this page on the wikiMediaWiki 1.45.4https://indianpedia.org/index.php?title=Ajrara_gharana&diff=446545&oldid=prevTanwarpal Singh at 16:11, 17 July 20252025-07-17T16:11:57Z<p></p>
<p><b>New page</b></p><div>{{short description|Traditional school in tabla drum}}<br />
{{multiple issues|<br />
{{one source|date=September 2011}}<br />
{{no footnotes|date=September 2011}}<br />
}}<br />
<br />
'''Ajrara gharana''', or '''Ajrada gharana''', is one of the six main traditional schools in [[tabla]] drum. [[Gharana]] use complex Bols and Meend. [[Pakhavaj|Pakhawaj]] [[Bol (music)|bols]] are rare. The stress is on Ad and Barabar laya. It specializes in the three-time pattern. The position of the left drum is not changed, but its face is touched with the thumb.<br />
<br />
==History==<br />
This school was founded in the late 18th - early 19th century by Miru Khan and Kallu Khan, disciples of ''' Ustad Sitaab Khan''' of the [[Delhi gharana]], in [[Ajrara]], [[Meerut]], [[Uttar Pradesh]]. A notable representative of gharana has been Ustad Habibuddin Khan. [[Manju Khan Sahib|Ustad Manju Khan Sahib]], son and student of Ustad Habibuddin Khan Sahib. Currently, several disciples of '''Ustad Manju Khan Sahib''' are actively carrying forward the rich legacy of the '''Ajrada Gharana'''. Among the most notable are '''Pandit Dr. Anil Kumar Sharma''' from Ludhiana, '''Athar Khan''' '''and''' '''Parvez Khan''' from Delhi who have been devoted disciples of Ustad Manju Khan Saheb for over 30 years.<br />
<br />
Other prominent representatives of the gharana include '''Fardeen''', based in Delhi, and torch bearer '''Ustad Akram Khan''', also based in Delhi who continue to uphold and promote the distinctive style and tradition of the Ajrada Gharana through their performances and teaching.<br />
<br />
==Playing style==<br />
The Ajrara gharana style includes more complicated [[bol (music)|bol]] patterns than the Delhi gharana. This is because it also uses the third finger. Bols like ''Dhina GiNa'', ''Ghe Ghe Tit Kit'', ''Dha Ge Na,'' etc. are most frequently used. These bols create a certain resonance. [[Pakhawaj]] bols are rarely used in this gharana.<br />
<br />
Gheginak, gheghe, Dhadagena, Nadagena, Tadagena, etc. are used in the kayadas.<br />
<br />
Ajrada is known for its bayan ([[bass drum]]) work. The kayadas of Ajrada often have an additional third line out of four.<br />
==References==<br />
* ''The Major Traditions of North Indian Tabla Drumming: A Survey Presentation Based on Performances by India's Leading Artists'', by Robert S. Gottlieb. Pub. Musikverlag E. Katzbichler, 1977. {{ISBN|978-3-8739-7300-8}}.<br />
<br />
{{coord missing|Uttar Pradesh}}<br />
<br />
{{DEFAULTSORT:Ajrara Gharana}}<br />
[[Category:Tabla gharanas]]<br />
[[Category:Music of Uttar Pradesh]]</div>Tanwarpal Singh