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		<title>ClaudiaEncarnaci at 02:24, 5 September 2025</title>
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&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{Short description|Ancient Indian art style}}&lt;br /&gt;
{{Use dmy dates|date=April 2025}}&lt;br /&gt;
{{Use Indian English|date=April 2025}}&lt;br /&gt;
{{Infobox art movement|name=Amaravati art|image={{photomontage&lt;br /&gt;
|photo1a= Amaravati Stupa relief at Museum.jpg&lt;br /&gt;
|photo2a= అమరావతి స్తూప, ఆంధ్ర ప్రదేశ్.jpg&lt;br /&gt;
|size = 250&lt;br /&gt;
|color_border = #AAAAAA&lt;br /&gt;
|color = #F9F9F9&lt;br /&gt;
}}|caption=Top: Amaravati Maha Stupa relief, 1st–2nd century CE; Bottom: Limestone railing pillar from Amaravati|yearsactive=2nd century BCE–3rd century CE|location=[[South Asia]]&amp;lt;br&amp;gt; [[Southeast Asia]]}}&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Amaravati school of art&amp;#039;&amp;#039;&amp;#039; is an [[Outline of ancient India|ancient Indian]] art style that evolved in the region of [[Amaravathi, Palnadu district|Amaravati]] (then known as Dhānyakaṭaka) in the modern-day [[Andhra Pradesh]] from 2nd century BCE to the end of the 3rd century CE.&amp;lt;ref&amp;gt;{{Cite journal |last=Kumari |first=Sabita |date=2012 |title=Representation of the Birth of the Buddha in Buddhist Art of Andhradesa |url=https://www.jstor.org/stable/44156202 |journal=Proceedings of the Indian History Congress |volume=73 |pages=163–168 |jstor=44156202 |issn=2249-1937}}&amp;lt;/ref&amp;gt; It is also called the &amp;#039;&amp;#039;&amp;#039;Andhra School&amp;#039;&amp;#039;&amp;#039; or &amp;#039;&amp;#039;&amp;#039;Vengi School&amp;#039;&amp;#039;&amp;#039;.&amp;lt;ref name=&amp;quot;:1&amp;quot;&amp;gt;{{Cite book |last=V. D. |first=Mahajan |author-link=Vidya Dhar Mahajan |url=https://books.google.com/books?id=7TJlDwAAQBAJ&amp;amp;dq=Megasthenes+Andhras&amp;amp;pg=PA297 |title=Ancient India |date=2016 |publisher=[[S. Chand Group|S. Chand Publishing]] |isbn=978-93-5253-132-5 |pages=294, 295 |language=en}}&amp;lt;/ref&amp;gt; Art historians regard the art of Amaravati as one of the three major styles or schools of ancient Indian art, the other two being the [[Art of Mathura|Mathura]] style, and the [[Greco-Buddhist art|Gandharan]] style.&amp;lt;ref&amp;gt;{{Cite book |last=Pal |first=Pratapaditya |url=https://books.google.com/books?id=clUmKaWRFTkC&amp;amp;q=Andhra+style+of+sculpture |title=Indian Sculpture: Circa 500 B.C.-A.D. 700 |publisher=[[Los Angeles County Museum of Art]] |year=1986 |isbn=978-0-520-05991-7 |pages=154 |language=en |author-link=Pratapaditya Pal}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
In addition to the ruins at Amarāvati, the style is also seen in the stupa remains at [[Bhattiprolu]], [[Jaggayyapeta]], [[Nagarjunakonda]], [[Ghantasala, Krishna district|Ghantasala]], and [[Goli, Andhra Pradesh|Goli]], in Andhra Pradesh, and as far west as [[Ter, Maharashtra|Ter]], [[Maharashtra]].&amp;lt;ref name=&amp;quot;:3&amp;quot;&amp;gt;Ramachandran, A. &amp;quot;Amaravati Buddhist Images in Sri Lanka and Southeast Asia.&amp;quot; &amp;#039;&amp;#039;Proceedings of the Indian History Congress&amp;#039;&amp;#039;, vol. 53, 1992, pp. 686–91. &amp;#039;&amp;#039;JSTOR&amp;#039;&amp;#039;, {{JSTOR|44142888}}. Accessed 27 Mar. 2023.&amp;lt;/ref&amp;gt; Largely because of the maritime trading links of the East Indian coast, the Amaravati school of sculpture had great influence on art in [[South India]], [[Sri Lanka]] (as seen at [[Anuradhapura]]) and [[South-East Asia]].&amp;lt;ref&amp;gt;{{Harvnb|Rowland|1967|p=210}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;:0&amp;quot;&amp;gt;{{Cite web |title=Amarāvatī sculpture |url=https://www.britannica.com/art/Amaravati-sculpture |access-date=25 March 2023 |website=[[Encyclopedia Britannica]] |language=en}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{Cite web |last=Chowdhuri |first=Sreyashi Ray |date= 24 October 2022|title=Impact of Amarāvatī on early schools of art of South-East Asia |url=https://www.wisdomlib.org/history/essay/amaravati-art-study/d/doc1147549.html |access-date=27 March 2023 |website= |publisher=[[University of Calcutta]] |language=en |via=Wisdom Library}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
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== Characteristics ==&lt;br /&gt;
Buddha image in sculptures which later on became the prototype of images in different Buddhist countries was standardised here.&amp;lt;ref name=&amp;quot;:2&amp;quot;&amp;gt;{{Cite book |last=Jermsawatdi |first=Promsak |url=https://books.google.com/books?id=0O9je9dECH8C&amp;amp;dq=Amaravati+Schooli&amp;amp;pg=PA48 |title=Thai Art with Indian Influences |date=1979 |publisher=Abhinav Publications |isbn=978-81-7017-090-7 |pages=48, 49 |language=en}}&amp;lt;/ref&amp;gt; The Amaravati style of Buddha image retained its popularity in Sri Lanka till the 12th century.&amp;lt;ref name=&amp;quot;:3&amp;quot; /&amp;gt;&lt;br /&gt;
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== See also ==&lt;br /&gt;
&lt;br /&gt;
* [[Amaravati Stupa]]&lt;br /&gt;
* [[Greco-Buddhist art|Gandharan Art]]&lt;br /&gt;
* [[Buddhist art]]&lt;br /&gt;
* [[Index of Buddhism-related articles]]&lt;br /&gt;
* [[History of Buddhism]]&lt;br /&gt;
&lt;br /&gt;
== References ==&lt;br /&gt;
{{reflist}}&lt;br /&gt;
&lt;br /&gt;
== Bibliography ==&amp;lt;!-- alphabetical order please --&amp;gt;&lt;br /&gt;
{{Refbegin}}&lt;br /&gt;
* {{Cite book |last=Rowland |given=Benjamin |title=The Art and Architecture of India: Buddhist, Hindu, Jain |publisher=[[Penguin Books#Pelican History of Art|Pelican History of Art, Penguin]] |year=1967 |isbn=0140561021 |edition=3rd}}&lt;br /&gt;
{{Refend}}&lt;br /&gt;
&lt;br /&gt;
== External links ==&lt;br /&gt;
&lt;br /&gt;
{{Buddhism topics}}&lt;br /&gt;
&lt;br /&gt;
[[Category:Buddhist art]]&lt;br /&gt;
[[Category:History of Andhra Pradesh]]&lt;br /&gt;
[[Category:Amaravati]]&lt;br /&gt;
[[Category:Indian art]]&lt;br /&gt;
[[Category:Indian Buddhist sculpture]]&lt;/div&gt;</summary>
		<author><name>ClaudiaEncarnaci</name></author>
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