https://indianpedia.org/index.php?action=history&feed=atom&title=Antara_music 2026-08-03T11:18:16Z Revision history for this page on the wiki MediaWiki 1.45.4 https://indianpedia.org/index.php?title=Antara_music&diff=168514&oldid=prev 2019-11-03T01:35:50Z

<p></p> <p><b>New page</b></p><div>&#039;&#039;&#039;Antarā&#039;&#039;&#039; is the equivalent of a [[Verse (poetry)|verse]] in [[Hindustani classical music]].<br /> <br /> In [[Hindustani classical music]], the fixed ([[dhrupad]]/bandish) section is in four parts of which only the first two are performed regularly: Sthāyī (pallavi in [[Carnatic music]]) - the first line of the Sthāyī serves as a [[cadence (music)]], while the section itself serves as a base for the singer returns to the Sthāyī time and again after each part; Antarā (Anupallavi in Carnatic music) - the intermediate part sung in a high register focusing on the tar shadja, with a good deal of text manipulation and repeated forays into sthāyī; the third section Sanchari (charanam in Carnatic music) - created by the division of the Abhoga and it remains a free-moving section; the fourth and concluding section Abhoga (Pallavi in Carnatic music because this section is often replaced by the Sthāyī) includes notes from all three registers, and in present-day performances, may well be sung with the Sanchari, if these two sections are included.<br /> <br /> ==See also==<br /> {{Portal|India|Music}}<br /> :[[Sthayi]]<br /> {{-}}&lt;!-- Completely unnecessary clear required because Portal list overruns, When will someone repair the ACTUAL problem? --&gt;<br /> <br /> ==External links==<br /> *[https://web.archive.org/web/20050308074140/http://www.indiaheritage.com/perform/music/h-v-dr.htm IndiaHeritage.org]<br /> <br /> [[Category:Hindustani music terminology]]<br /> [[Category:Formal sections in music analysis]]</div>

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