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&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{Short description|1977 film by K. Balachander}}&lt;br /&gt;
{{For|the 2017 film formerly titled with this name|Richie (film)}}&lt;br /&gt;
{{Use dmy dates|date=November 2023}}&lt;br /&gt;
{{Use Indian English|date=November 2023}}&lt;br /&gt;
{{Infobox film&lt;br /&gt;
| name           = Avargal&lt;br /&gt;
| image          = Avargal poster.jpg&lt;br /&gt;
| caption        = Poster&lt;br /&gt;
| director       = [[K. Balachander]]&lt;br /&gt;
| writer         = K. Balachander&lt;br /&gt;
| producer       = P. R. Govindarajan&amp;lt;br /&amp;gt;J. Duraisamy&lt;br /&gt;
| starring       = [[Sujatha (actress)|Sujatha]]&amp;lt;br /&amp;gt;[[Kamal Haasan]]&amp;lt;br /&amp;gt;[[Rajinikanth]]&amp;lt;br /&amp;gt;[[Ravikumar (actor)|Ravikumar]]&lt;br /&gt;
| cinematography = [[B. S. Lokanath]]&lt;br /&gt;
| editing        = N. R. Kittu&lt;br /&gt;
| music          = [[M. S. Viswanathan]]&lt;br /&gt;
| studio         = Kalakendra Movies&lt;br /&gt;
| released       = {{Film date|1977|02|25|df=y}}&lt;br /&gt;
| runtime        = 167 minutes{{sfn|Rajadhyaksha|Willemen|1998|p=430}}&lt;br /&gt;
| country        = India&lt;br /&gt;
| language       = Tamil&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;Avargal&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039; ({{IPA|ta|aʋaɾɡaɭ|pron}} {{translation|They}}) is a 1977 Indian [[Tamil language|Tamil]]-language [[romantic drama film]] written and directed by [[K. Balachander]]. The film stars [[Sujatha (actress)|Sujatha]], [[Kamal Haasan]], [[Rajinikanth]] and [[Ravikumar (actor)|Ravikumar]]. A [[Love triangle|triangular love story]], it revolves around a woman who is caught between the man she fell in love with and her former sadistic husband who is supposedly reformed and wants to get back together with her.&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;Avargal&amp;#039;&amp;#039; was released on 25 February 1977. Although the film was a commercial failure, Sujatha won the [[Filmfare Award for Best Actress – Tamil]], and the film qualified for the [[Indian Panorama]]. Balachander later remade the film in [[Telugu language|Telugu]] as &amp;#039;&amp;#039;[[Idi Katha Kaadu]]&amp;#039;&amp;#039; (1979), with Haasan reprising his role.&amp;lt;ref&amp;gt;{{Cite web |date=17 May 2020 |title=Kamal Haasan and Chiranjeevi worked together in a Telugu film for the first time in Idi Katha Kaadu |url=https://timesofindia.indiatimes.com/entertainment/telugu/movies/did-you-know/kamal-haasan-and-chiranjeevi-worked-together-in-a-telugu-film-for-the-first-time-in-idi-katha-kaadu/articleshow/75788095.cms |url-status=live |archive-url=https://web.archive.org/web/20211203104939/https://timesofindia.indiatimes.com/entertainment/telugu/movies/did-you-know/kamal-haasan-and-chiranjeevi-worked-together-in-a-telugu-film-for-the-first-time-in-idi-katha-kaadu/articleshow/75788095.cms |archive-date=3 December 2021 |access-date=3 December 2021 |website=[[The Times of India]]}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Plot ==&lt;br /&gt;
Anu is a dancer in love with Bharani, a flautist. After her father is transferred to [[Mumbai|Bombay]], she slowly loses touch with Bharani, who does not respond to her letters. When her father falls ill, his colleague Ramanathan supports them. When Ramanathan offers to marry Anu, she is in a fix. She seeks time to decide and writes one last letter to Bharani, and upon receiving no reply, she marries Ramanathan. Soon after, her father dies.&lt;br /&gt;
&lt;br /&gt;
After marriage, Ramanathan reveals his true personality; chauvinistic, sadistic, and possessive. Not wanting to be identified as a dancer&amp;#039;s husband, he forces her to give up dancing. Ramanathan suspects Anu&amp;#039;s character and expresses doubts regarding the paternity of their newborn son. Unable to take further abuse, and also for the well-being of her son, she divorces Ramanathan, refuses [[alimony]], and returns to [[Chennai|Madras]] to start a new independent life.&lt;br /&gt;
&lt;br /&gt;
In Madras, Anu gets supportive friends at her office, particularly a widower named Janardhan &amp;quot;Johnny,&amp;quot; who frequently &amp;quot;[[Ventriloquism|talks]]&amp;quot; through his puppet, Junior. As Anu struggles to find a house, he offers his own flat and moves to his outhouse. Despite loving Anu, he lacks the courage to tell her. Bharani, Johnny&amp;#039;s neighbour, visits and is surprised to see Anu. She learns that none of her letters have reached Bharani, since they were intercepted by his mentally-ill sister. Bharani saw the letters only after his sister died. By then, it was too late, as Anu had already married Ramanathan. Heartbroken, Bharani remained single.&lt;br /&gt;
&lt;br /&gt;
Ramanathan&amp;#039;s estranged mother, Leelavathi, realises Anu is her daughter-in-law. She regrets her son&amp;#039;s behaviour; exploiting her anonymity, she obtains work as Anu&amp;#039;s maid. Anu renews her relationship with Bharani. Leelavathi also supports Anu&amp;#039;s decisions and advises her to move ahead in life. They decide to marry and a date is fixed for a civil wedding.&lt;br /&gt;
&lt;br /&gt;
Ramanathan comes to Madras as Anu&amp;#039;s boss, seemingly repentant and wanting to redress his wrongs. He does not reveal that he is Anu&amp;#039;s ex-husband to Bharani, who reveals his plans to marry Anu. Johnny learns about Anu and Bharani&amp;#039;s love; though disappointed, he continues to support Anu. Leelavathi convinces Anu to discard her &amp;#039;&amp;#039;[[mangala sutra]]&amp;#039;&amp;#039; and marry Bharani. However, on the scheduled day, Anu falls ill and does not turn up at the marriage registrar&amp;#039;s office. Bharani comes to her house, where he is disappointed to see Ramanathan taking care of Anu. Three men&amp;amp;nbsp;— Ramanathan, Bharani and Johnny&amp;amp;nbsp;— vy for her.&lt;br /&gt;
&lt;br /&gt;
Ramanathan seeks forgiveness and expresses his desire to re-marry Anu. When Anu&amp;#039;s colleague Rajathi, who knows Leelavathi, visits Anu, she is stunned to see Leelavathi employed as her maid. Despite Leelavathi&amp;#039;s earlier pleas not to reveal her identity, Rajathi does so out of frustration. Shocked, Anu seeks Leelavathi&amp;#039;s forgiveness. She goes to meet Johnny to seek his advice. Johnny finally courageously reveals his love for Anu through Junior. Anu expresses her inability to accept his love, but seeks his continued support as a friend. Noticing Anu&amp;#039;s predicament and Ramanathan&amp;#039;s continued involvement in her life, Bharani decides to move away from her and goes abroad for his musical programmes.&lt;br /&gt;
&lt;br /&gt;
Ramanathan&amp;#039;s reformed behaviour and Leelavathi&amp;#039;s sacrifices make Anu agree to become Ramanathan&amp;#039;s wife once again. When she reaches his home, Leelavathi reveals that Ramanathan has not really changed; he had staged this drama to stop her marriage to Bharani. When another woman shows up with her child claiming to be Ramanathan&amp;#039;s wife, Anu realises Ramanathan&amp;#039;s hidden agenda. Anu rushes to meet Bharani, but is too late by then, as Ramanathan has convinced Bharani to marry his rich fan Gayathri, and the engagement takes place.&lt;br /&gt;
&lt;br /&gt;
Anu confronts Ramanathan; he reveals that he could not tolerate his ex-wife living happily; hence, he ensured that all her dreams were shattered. Anu quits her job and plans to leave Madras. Johnny makes all arrangements for her travel to [[Thiruvananthapuram|Trivandrum]], her destination. When the train leaves, Anu is shocked to see Leelavathi also on board. Leelavathi says this is the only way she can find solace for the sins of her son. Anu and Leelavathi embrace.&lt;br /&gt;
&lt;br /&gt;
== Cast ==&lt;br /&gt;
* [[Sujatha (actress)|Sujatha]] as Anu{{sfn|Ramachandran|2014|p=58}}&lt;br /&gt;
* [[Kamal Haasan]] as Janardhan (Johnny){{sfn|Ramachandran|2014|pp=58–59}}&lt;br /&gt;
* [[Rajinikanth]] as Ramanathan{{sfn|Ramachandran|2012|p=34}}&lt;br /&gt;
* [[Ravikumar (actor)|Ravikumar]] as Bharani{{sfn|Rajadhyaksha|Willemen|1998|p=430}}&lt;br /&gt;
* [[Leelavathi (actress)|Leelavathi]] as Leelavathi{{sfn|Rajadhyaksha|Willemen|1998|p=430}}&lt;br /&gt;
* [[Kumari Padmini]] as Rajathi{{sfn|Dhananjayan|2014|p=241}}&lt;br /&gt;
* [[Kutty Padmini]] as Gayathri{{sfn|Dhananjayan|2014|p=242}}&lt;br /&gt;
&lt;br /&gt;
== Production ==&lt;br /&gt;
Kamal Haasan learnt the art of [[ventriloquism]] to portray his character perfectly.&amp;lt;ref&amp;gt;{{Cite web |date=8 November 2000 |title=Kamal, as we know him |url=http://www.rediff.com/movies/2000/nov/08kamal.htm |url-status=live |archive-url=https://web.archive.org/web/20141221192756/http://www.rediff.com/movies/2000/nov/08kamal.htm |archive-date=21 December 2014 |access-date=14 December 2013 |website=[[Rediff.com]]}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{Cite web |date=7 November 2003 |title=Kamal&amp;#039;s best! |url=http://www.rediff.com/movies/2003/nov/07kamal2.htm |url-status=live |archive-url=https://web.archive.org/web/20131214144534/http://www.rediff.com/movies/2003/nov/07kamal2.htm |archive-date=14 December 2013 |access-date=14 December 2013 |website=[[Rediff.com]]}}&amp;lt;/ref&amp;gt; Both Haasan and [[Raghuram]] worked as choreographers for the film.&amp;lt;ref&amp;gt;{{Cite news |date=17 October 2014 |title=Enriching cinema, Kamal style |url=http://www.thehindu.com/todays-paper/tp-features/tp-fridayreview/enriching-cinema-kamal-style/article6508117.ece |url-status=dead |archive-url=https://archive.today/20150115090729/http://www.thehindu.com/todays-paper/tp-features/tp-fridayreview/enriching-cinema-kamal-style/article6508117.ece |archive-date=15 January 2015 |access-date=11 September 2015 |work=[[The Hindu]]}}&amp;lt;/ref&amp;gt; The song &amp;quot;Junior Junior&amp;quot; was picturised on Haasan&amp;#039;s character using a puppet named Junior.&amp;lt;ref&amp;gt;{{Cite news |last=Gowalla |first=Reema |date=3 January 2017 |title=Bengaluru turns the spotlight on puppetry |url=https://timesofindia.indiatimes.com/city/bengaluru/bengaluru-turns-the-spotlight-on-puppetry/articleshow/56293384.cms |url-status=live |archive-url=https://web.archive.org/web/20180716061230/https://timesofindia.indiatimes.com/city/bengaluru/bengaluru-turns-the-spotlight-on-puppetry/articleshow/56293384.cms |archive-date=16 July 2018 |access-date=16 July 2018 |work=[[The Times of India]]}}&amp;lt;/ref&amp;gt; While not shooting his scenes, Rajinikanth would watch Haasan acting and learn from it to improve his own acting.&amp;lt;ref&amp;gt;{{Cite news |date=7 November 2018 |title=HBD Ulaganayagan: When Rajini was asked to learn acting from Kamal |url=https://www.onmanorama.com/entertainment/entertainment-news/2018/11/07/kamal-haasan-birthday-special-rajinikanth-speech.html |url-status=live |archive-url=https://archive.today/20240409125946/https://www.onmanorama.com/entertainment/entertainment-news/2018/11/07/kamal-haasan-birthday-special-rajinikanth-speech.html |archive-date=9 April 2024 |access-date=9 April 2024 |work=[[Onmanorama]]}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Soundtrack ==&lt;br /&gt;
The soundtrack was composed by [[M. S. Viswanathan]] and lyrics were written by [[Kannadasan]].&amp;lt;ref&amp;gt;{{Cite web |title=Avargal (1977) |url=http://www.raaga.com/channels/tamil/moviedetail.asp?mid=T0000583 |archive-url=https://web.archive.org/web/20140816205842/http://www.raaga.com/channels/tamil/moviedetail.asp?mid=T0000583 |archive-date=16 August 2014 |access-date=12 July 2018 |website=[[Raaga.com]]}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{Cite web |title=Avargal Tamil Film EP Vinyl Record by M S Viswanathan |url=https://mossymart.com/product/avargal-tamil-film-ep-vinyl-record-by-m-s-viswanathan/ |url-status=live |archive-url=https://web.archive.org/web/20210610093628/https://mossymart.com/product/avargal-tamil-film-ep-vinyl-record-by-m-s-viswanathan/ |archive-date=10 June 2021 |access-date=10 June 2021 |website=Mossymart}}&amp;lt;/ref&amp;gt; Viswanathan composed the song &amp;quot;Angum Ingum&amp;quot; within 15 minutes.&amp;lt;ref&amp;gt;{{Cite news |last=Rangarajan |first=Malathi |date=18 April 2008 |title=The passion showed |url=http://www.thehindu.com/todays-paper/tp-features/tp-fridayreview/the-passion-showed/article1433960.ece |url-status=dead |archive-url=https://archive.today/20191021144858/https://www.thehindu.com/todays-paper/tp-features/tp-fridayreview/The-passion-showed/article15398369.ece |archive-date=21 October 2019 |access-date=11 September 2015 |work=[[The Hindu]]}}&amp;lt;/ref&amp;gt; The song is set in the [[Carnatic raga]] known as [[Sankarabharanam (raga)|Sankarabharanam]],{{sfn|Sundararaman|2007|p=124}} while &amp;quot;Kaatrukkenna Veli&amp;quot; is set in Bala Nandhini.{{sfn|Sundararaman|2007|p=138}} Songs like &amp;quot;Kaatrukkenna Veli&amp;quot;, &amp;quot;Junior&amp;quot; and &amp;quot;Angum Ingum&amp;quot; attained popularity.&amp;lt;ref&amp;gt;{{Cite web |date=2 May 2011 |title=The Very Best of K Balachander |url=http://www.rediff.com/movies/slide-show/slide-show-1-south-ten-pathbreaking-films-by-k-balachander/20110502.htm#4 |url-status=live |archive-url=https://web.archive.org/web/20141229043352/http://www.rediff.com/movies/slide-show/slide-show-1-south-ten-pathbreaking-films-by-k-balachander/20110502.htm#4 |archive-date=29 December 2014 |access-date=14 December 2013 |website=[[Rediff.com]]}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; style=&amp;quot;font-size:95%;&amp;quot;&lt;br /&gt;
! Song !! Singers !! Length&lt;br /&gt;
|-&lt;br /&gt;
| &amp;quot;Angum Ingum&amp;quot; || [[S. P. Balasubrahmanyam]]|| 3:31&lt;br /&gt;
|-&lt;br /&gt;
| &amp;quot;Gangaiyile Neer&amp;quot; || [[S. Janaki]] || 1:53&lt;br /&gt;
|-&lt;br /&gt;
| &amp;quot;Ippadiyor Thalattu&amp;quot; || S. Janaki || 4:14&lt;br /&gt;
|-&lt;br /&gt;
| &amp;quot;Junior Junior&amp;quot; || S. P. Balasubrahmanyam, Sadan || 6:01&lt;br /&gt;
|-&lt;br /&gt;
| &amp;quot;Kaatrukkenna Veli&amp;quot; || S. Janaki || 4:15&lt;br /&gt;
|}&lt;br /&gt;
== Release and reception ==&lt;br /&gt;
&amp;#039;&amp;#039;Avargal&amp;#039;&amp;#039; was released on 25 February 1977.&amp;lt;ref&amp;gt;{{Cite news |date=24 February 2017 |title=&amp;#039;அவர்கள்&amp;#039; நம்மோடுதான் இருக்கிறார்கள்! – &amp;#039;அவர்கள்&amp;#039; 40: ஆண்டுகள் நிறைவு |url=https://www.hindutamil.in/news/supplements/hindu-talkies/218862-40.html |url-status=live |archive-url=https://web.archive.org/web/20191009064528/https://www.hindutamil.in/news/supplements/hindu-talkies/218862-40.html |archive-date=9 October 2019 |access-date=9 October 2019 |work=[[Hindu Tamil Thisai]] |language=ta}}&amp;lt;/ref&amp;gt; The magazine &amp;#039;&amp;#039;[[Ananda Vikatan]]&amp;#039;&amp;#039;, in a review dated 13 March 1977, appreciated the film, mentioned that it was a different attempt, and that though the film was narrated with many flashbacks, with Balachander&amp;#039;s touches they were not a burden to follow.{{sfn|Dhananjayan|2014|p=242}} Kanthan of &amp;#039;&amp;#039;[[Kalki (magazine)|Kalki]]&amp;#039;&amp;#039; appreciated the cast performances, particularly Sujatha&amp;#039;s, but felt Ravikumar could have been more polished. He also appreciated Balachander&amp;#039;s writing and direction.&amp;lt;ref&amp;gt;{{Cite magazine |last=காந்தன் |date=20 March 1977 |title=அவர்கள் |url=https://kalkionline.com/kalkionline_archive/imagegallery/archiveimages/kalki/1977/mar/20-03-1977/p71.jpg |url-status=dead |archive-url=https://archive.today/20220728065738/https://kalkionline.com/kalkionline_archive/imagegallery/archiveimages/kalki/1977/mar/20-03-1977/p71.jpg |archive-date=28 July 2022 |access-date=28 July 2022 |magazine=[[Kalki (magazine)|Kalki]] |page=71 |language=ta}}&amp;lt;/ref&amp;gt; Although the film was a commercial failure,&amp;lt;ref&amp;gt;{{Cite web |last=Ilangovan |first=R. |date=12 October 2013 |title=The KB school |url=http://www.frontline.in/arts-and-culture/cinema/the-kb-school/article5184972.ece |url-status=live |archive-url=https://web.archive.org/web/20131214094529/http://www.frontline.in/arts-and-culture/cinema/the-kb-school/article5184972.ece |archive-date=14 December 2013 |access-date=14 December 2013 |website=[[Frontline (magazine)|Frontline]]}}&amp;lt;/ref&amp;gt; Sujatha won the [[Filmfare Award for Best Actress – Tamil]],&amp;lt;ref&amp;gt;{{Cite book |url=https://babel.hathitrust.org/cgi/pt?id=mdp.39015069813841;view=1up;seq=486 |title=The Times of India Directory and Year Book Including Who&amp;#039;s who |publisher=[[The Times Group|Bennett Coleman &amp;amp; Co. Ltd]] |year=1984 |pages=234}}&amp;lt;/ref&amp;gt; and the film qualified for the [[Indian Panorama]].&amp;lt;ref&amp;gt;{{Cite book |last=Ray |first=Bibekananda |title=Conscience of the Race: India&amp;#039;s Offbeat Cinema |publisher=[[Ministry of Information and Broadcasting (India)|Ministry of Information and Broadcasting]] |year=2005 |isbn=9788123012988 |editor-last=Joshi |editor-first=Naveen |pages=120}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{Cite web |title=Indian Cinema 1977–78 |url=https://dff.nic.in/images/Documents/144_IPCatalogue1977-78.pdf |url-status=live |archive-url=https://web.archive.org/web/20210610093919/https://dff.nic.in/images/Documents/144_IPCatalogue1977-78.pdf |archive-date=10 June 2021 |access-date=10 June 2021 |publisher=[[Directorate of Film Festivals]]}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Legacy ==&lt;br /&gt;
&amp;#039;&amp;#039;Avargal&amp;#039;&amp;#039; had a reputation of being one of the most sensitive films on women&amp;#039;s lib,&amp;lt;ref&amp;gt;{{Cite news |last=Aravind |first=C V |date=6 August 2011 |title=Overshadowed brilliance |url=http://www.deccanherald.com/content/181847/overshadowed-brilliance.html |url-status=live |archive-url=https://web.archive.org/web/20131214150849/http://www.deccanherald.com/content/181847/overshadowed-brilliance.html |archive-date=14 December 2013 |access-date=14 December 2013 |work=[[Deccan Herald]]}}&amp;lt;/ref&amp;gt; and is widely regarded as one of the finest that Balachander had directed.&amp;lt;ref&amp;gt;{{Cite web |date=24 December 2014 |title=K Balachander&amp;#039;s finest films |url=http://www.rediff.com/movies/report/k-balachanders-finest-films/20141224.htm |url-status=live |archive-url=https://web.archive.org/web/20150924145655/http://www.rediff.com/movies/report/k-balachanders-finest-films/20141224.htm |archive-date=24 September 2015 |access-date=11 September 2015 |website=[[Rediff.com]]}}&amp;lt;/ref&amp;gt; In 2014, [[Baradwaj Rangan]] while analysing the dominance of female characters in Balachander&amp;#039;s films, included &amp;#039;&amp;#039;Avargal&amp;#039;&amp;#039; as one among them.&amp;lt;ref&amp;gt;{{Cite news |last=Rangan |first=Baradwaj |author-link=Baradwaj Rangan |date=24 December 2014 |title=A ladies&amp;#039; man |url=http://www.thehindu.com/features/cinema/tribute-to-k-balachander-by-baradwaj-rangan/article6722637.ece |url-status=live |archive-url=https://web.archive.org/web/20141225123025/http://www.thehindu.com/features/cinema/tribute-to-k-balachander-by-baradwaj-rangan/article6722637.ece |archive-date=25 December 2014 |access-date=11 September 2015 |work=[[The Hindu]]}}&amp;lt;/ref&amp;gt; Clips from &amp;#039;&amp;#039;Avargal&amp;#039;&amp;#039; were screened along with clips from other films such as &amp;#039;&amp;#039;[[Server Sundaram]]&amp;#039;&amp;#039; (1964), &amp;#039;&amp;#039;[[Iru Kodugal]]&amp;#039;&amp;#039; (1969), &amp;#039;&amp;#039;[[Arangetram (1973 film)|Arangetram]]&amp;#039;&amp;#039; (1973), &amp;#039;&amp;#039;[[Aval Oru Thodar Kathai]]&amp;#039;&amp;#039; (1974) and &amp;#039;&amp;#039;[[Azhagan]]&amp;#039;&amp;#039; (1991) at a function held in Balachander&amp;#039;s honour at [[Tiruchirappalli]] in January 2015,&amp;lt;ref&amp;gt;{{Cite news |last=Srinivasan |first=G. |date=22 January 2015 |title=Rich tributes paid to Balachander |url=http://www.thehindu.com/news/cities/Tiruchirapalli/rich-tributes-paid-to-balachander/article6810307.ece |archive-url=https://web.archive.org/web/20150502054539/http://www.thehindu.com/news/cities/Tiruchirapalli/rich-tributes-paid-to-balachander/article6810307.ece |archive-date=2 May 2015 |access-date=2 May 2015 |work=[[The Hindu]]}}&amp;lt;/ref&amp;gt; a month after his death.&amp;lt;ref&amp;gt;{{Cite news |date=23 December 2014 |title=K Balachander: The man who gave us Rajinikanth, Kamal Hassan dies |url=http://economictimes.indiatimes.com/magazines/panache/k-balachander-the-man-who-gave-us-rajinikanth-kamal-hassan-dies/articleshow/45622244.cms |url-status=live |archive-url=https://web.archive.org/web/20160326020550/http://economictimes.indiatimes.com/magazines/panache/k-balachander-the-man-who-gave-us-rajinikanth-kamal-hassan-dies/articleshow/45622244.cms |archive-date=26 March 2016 |access-date=2 May 2015 |work=[[The Economic Times]] |agency=[[Press Trust of India]]}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
In 2007, [[Rediff.com]] wrote, &amp;quot;&amp;#039;&amp;#039;Avargal&amp;#039;&amp;#039; was considered a progressive and radical film by the seventies&amp;#039; standard. Rajnikanth gave a classic performance projecting a combination of two contrasting facets of villainy – both openly sadistic and wily. He actually outdid himself as the wily scheming man&amp;quot;.&amp;lt;ref&amp;gt;{{Cite web |date=21 May 2007 |title=Rajnikath, the villain |url=http://www.rediff.com/movies/2007/may/21slid4.htm |url-status=live |archive-url=https://web.archive.org/web/20131214144424/http://www.rediff.com/movies/2007/may/21slid4.htm |archive-date=14 December 2013 |access-date=14 December 2013 |website=[[Rediff.com]]}}&amp;lt;/ref&amp;gt; In 2011, after Balachander had been given the [[Dadasaheb Phalke Award]], Rediff named it one of Balachander&amp;#039;s best and wrote, &amp;quot;&amp;#039;&amp;#039;Avargal&amp;#039;&amp;#039; is yet another film that portrayed a strong female protagonist&amp;quot;.&amp;lt;ref&amp;gt;{{Cite web |date=2 May 2011 |title=The Very Best of K Balachander |url=http://www.rediff.com/movies/slide-show/slide-show-1-south-ten-pathbreaking-films-by-k-balachander/20110502.htm#4 |url-status=live |archive-url=https://web.archive.org/web/20141229043352/http://www.rediff.com/movies/slide-show/slide-show-1-south-ten-pathbreaking-films-by-k-balachander/20110502.htm#4 |archive-date=29 December 2014 |access-date=11 September 2015 |website=[[Rediff.com]]}}&amp;lt;/ref&amp;gt; Writing for &amp;#039;&amp;#039;[[The Hindu]]&amp;#039;&amp;#039; in 2011, S. Shiva Kumar said, &amp;quot;I emerged highly impressed. The characterisation was fascinating and the acting underplayed to perfection. There&amp;#039;s the sadistic husband played to perfection by Rajnikant, the wife who walks out portrayed by Sujatha whose eloquent eyes mirrored pain even when she smiled and Kamal who mesmerised as a Malayali ventriloquist, silently admires Sujatha&amp;quot;.&amp;lt;ref&amp;gt;{{Cite news |date=6 May 2011 |title=A life of achievements |url=http://www.hindu.com/fr/2011/05/06/stories/2011050651110400.htm |url-status=dead |archive-url=https://web.archive.org/web/20131216140424/http://www.hindu.com/fr/2011/05/06/stories/2011050651110400.htm |archive-date=16 December 2013 |access-date=14 December 2013 |work=[[The Hindu]]}}&amp;lt;/ref&amp;gt; Malathi Rangarajan of &amp;#039;&amp;#039;The Hindu&amp;#039;&amp;#039; wrote, &amp;quot;Avargal is yet another film in which Sujatha scored a ton, despite the powerful presence of Rajinikanth, Kamal Haasan and Ravikumar&amp;quot; and also praised Rajni&amp;#039;s performance as &amp;quot;one of his best till date&amp;quot;.&amp;lt;ref&amp;gt;{{Cite news |last=Rangarajan |first=Malathi |date=7 March 2014 |title=Women of Steel |url=http://www.thehindu.com/features/metroplus/women-of-steel/article5760715.ece |url-status=live |archive-url=https://web.archive.org/web/20170410221025/http://www.thehindu.com/features/metroplus/women-of-steel/article5760715.ece |archive-date=10 April 2017 |access-date=11 September 2015 |work=[[The Hindu]]}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== References ==&lt;br /&gt;
{{reflist}}&lt;br /&gt;
&lt;br /&gt;
== Bibliography ==&lt;br /&gt;
*{{Cite book |last=Dhananjayan |first=G. |author-link=G. Dhananjayan |title=Pride of Tamil Cinema: 1931–2013 |title-link=Pride of Tamil Cinema |publisher=Blue Ocean Publishers |year=2014 |oclc=898765509}}&lt;br /&gt;
*{{Cite book |last1=Rajadhyaksha |first1=Ashish |author-link1=Ashish Rajadhyaksha |title=Encyclopaedia of Indian Cinema |last2=Willemen |first2=Paul |author-link2=Paul Willemen |publisher=[[British Film Institute]] and [[Oxford University Press]] |year=1998 |isbn=0-19-563579-5 |orig-date=1994}}&lt;br /&gt;
*{{Cite book |title=Rajinikanth 12.12.12: A Birthday Special |publisher=[[The Hindu|Kasturi &amp;amp; Sons Ltd]] |year=2012 |editor-last=Ramachandran |editor-first=Naman |editor-link=Naman Ramachandran}}&lt;br /&gt;
*{{Cite book |last=Ramachandran |first=Naman |author-link=Naman Ramachandran |title=Rajinikanth: The Definitive Biography |title-link=Rajinikanth: The Definitive Biography |publisher=[[Penguin Books]] |year=2014 |isbn=978-0-14-342111-5 |location=New Delhi |orig-date=2012}}&lt;br /&gt;
*{{Cite book |last=Sundararaman |title=Raga Chintamani: A Guide to Carnatic Ragas Through Tamil Film Music |publisher=Pichhamal Chintamani |year=2007 |edition=2nd |location=Chennai |oclc=295034757 |orig-date=2005}}&lt;br /&gt;
&lt;br /&gt;
== External links ==&lt;br /&gt;
* {{IMDb title|0154181}}&lt;br /&gt;
{{K. Balachander}}&lt;br /&gt;
&lt;br /&gt;
[[Category:1970s feminist films]]&lt;br /&gt;
[[Category:1977 Indian films]]&lt;br /&gt;
[[Category:1977 Tamil-language films]]&lt;br /&gt;
[[Category:1977 films]]&lt;br /&gt;
[[Category:1977 romantic drama films]]&lt;br /&gt;
[[Category:Films about women in India]]&lt;br /&gt;
[[Category:Films directed by K. Balachander]]&lt;br /&gt;
[[Category:Films scored by M. S. Viswanathan]]&lt;br /&gt;
[[Category:Films with screenplays by K. Balachander]]&lt;br /&gt;
[[Category:Indian black-and-white films]]&lt;br /&gt;
[[Category:Indian feminist films]]&lt;br /&gt;
[[Category:Indian nonlinear narrative films]]&lt;br /&gt;
[[Category:Indian romantic drama films]]&lt;br /&gt;
[[Category:Tamil films remade in other languages]]&lt;br /&gt;
[[Category:Tamil-language Indian films]]&lt;br /&gt;
&lt;br /&gt;
{{Improve categories|date=July 2024}}&lt;/div&gt;</summary>
		<author><name>Hindutashravi</name></author>
	</entry>
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