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&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{short description|1935 film by Maniklal Dandan}}&lt;br /&gt;
{{Use Indian English|date=November 2017}}&lt;br /&gt;
{{Infobox film&lt;br /&gt;
| name           = Bhakta Nandanar&lt;br /&gt;
| image          = Nandanar 1935 Poster.JPG&lt;br /&gt;
| caption        = Poster&lt;br /&gt;
| director       = Manik Lal Tandon&amp;lt;!-- do NOT include Dungan since he did ghost-directing, for which he was not credited --&amp;gt;&lt;br /&gt;
| producer       = &lt;br /&gt;
| writer         = &lt;br /&gt;
| starring       = [[K. B. Sundarambal]]&amp;lt;br /&amp;gt;[[Maharajapuram Viswanatha Iyer]]&lt;br /&gt;
| narrator       = &lt;br /&gt;
| music          = &lt;br /&gt;
| cinematography = &lt;br /&gt;
| editing        = &lt;br /&gt;
| studio         = Asandas Classical Talkies&lt;br /&gt;
| released       = 1935&lt;br /&gt;
| runtime        = &lt;br /&gt;
| country        = India&lt;br /&gt;
| language       = Tamil&lt;br /&gt;
| budget         = {{INR}} 3 lakh&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;Bhakta Nandanar&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039; ({{trans|Devotee Nandanar}}) is a 1935 [[Tamil language|Tamil-language]] film directed by Manik Lal Tandon. It marked the cinematic debut of the carnatic singer and stage artist [[K. B. Sundarambal]]. She was paid a then unprecedented {{INR}}100,000 (equivalent of {{INR}}60 million (2013 prices)) as salary for this film. This was also the first film for [[Ellis R. Dungan]].&amp;lt;ref name=&amp;quot;A&amp;quot;&amp;gt;{{Cite web|url=http://www.hindu.com/cp/2008/02/08/stories/2008020850351600.htm|title=Blast from the past: Nandanar -- 1935|last=Guy|first=Randor|date=8 February 2008|archive-url=https://archive.today/20120908005805/http://www.hindu.com/cp/2008/02/08/stories/2008020850351600.htm|archive-date=8 September 2012|url-status=dead|access-date=5 November 2017|website=[[The Hindu]]|df=dmy-all}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;B&amp;quot;&amp;gt;{{Cite book| first=S. Theodore| last=Baskaran | author-link=S. Theodore Baskaran | year= 1996| title=The eye of the serpent: an introduction to Tamil cinema | publisher= East West Books| location= Chennai| pages=80 | url=https://books.google.com/books?id=PhFlAAAAMAAJ}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;C&amp;quot;&amp;gt;{{Cite book| first=S. Theodore| last=Baskaran | author-link=S. Theodore Baskaran | year= 1981| title=The message bearers: the nationalist politics and the entertainment media in South India, 1880–1945 | publisher= Cre-A| location= Chennai| pages=119 | url=https://books.google.com/books?id=PhFlAAAAMAAJ}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;D&amp;quot;&amp;gt;{{Cite book| last= National Film Development Corporation of India| year= 1998| title= Indian cinema: a visual voyage|edition= Hardback| publisher=  Ministry of Information and Broadcasting, Govt of India|isbn=978-81-230-0646-8| pages=127 | url =https://books.google.com/books?id=9uJkAAAAMAAJ}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;E&amp;quot;&amp;gt;{{Cite book| first= Ashish | last=Rajadhyaksha| first2=Paul  |last2=Willemen| year= 1994| title= Encyclopaedia of Indian cinema | publisher= British Film Institute|isbn=978-0-85170-455-5| pages=309 |url=https://books.google.com/books?id=nOZkAAAAMAAJ}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;dungan&amp;quot;&amp;gt;{{Cite web |url=http://www.hinduonnet.com/thehindu/fr/2002/02/01/stories/2002020100850300.htm |title=He transcended barriers with aplomb, The Hindu 1 February 2002 |access-date=23 November 2009 |archive-url=https://web.archive.org/web/20091130001747/http://www.hinduonnet.com/thehindu/fr/2002/02/01/stories/2002020100850300.htm |archive-date=30 November 2009 |url-status=dead |df=dmy-all }}&amp;lt;/ref&amp;gt; No print of the film is known to survive, making it a [[lost film]].&amp;lt;ref name=&amp;quot;A&amp;quot; /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Plot ==&lt;br /&gt;
The story is based on the life of [[Nandanar]] (also known as Thirunaalai Povar – &amp;#039;&amp;#039;thee who pilgrims tomorrow&amp;#039;&amp;#039;) and his becoming of a [[Nayanars|Naayanar]].&lt;br /&gt;
&lt;br /&gt;
== Cast ==&lt;br /&gt;
*[[K. B. Sundarambal]] as [[Nandanar]]&lt;br /&gt;
*[[Maharajapuram Viswanatha Iyer]] as Vedhiyar&lt;br /&gt;
&lt;br /&gt;
== Production ==&lt;br /&gt;
[[File:Nandanar 1935 film.jpg|thumb|left|200px|[[K. B. Sundarambal]] and [[Maharajapuram Viswanatha Iyer]] in Nandanar]]&lt;br /&gt;
K. B. Sundarambal had retired from stage performances in 1932 after the death of her husband S. G. Kittappa. Hassandas, a textile magnate from [[Madras]] and a member of Chellaram  business family was keen on making a film with Sundarambal in the lead. She was initially reluctant to star in the film and refused even the recommendation of her mentor [[S. Satyamurti]]. Hassandas persisted and to discourage him she offered to act in the film if he could pay One lakh Rupees. Hassandas agreed to pay her and the film was made.&amp;lt;ref&amp;gt;[https://web.archive.org/web/20080609131008/http://www.hindu.com/cp/2008/06/06/stories/2008060650321600.htm Blast From the Past – Nava Yuvan (1937), The Hindu 6 June 2008]&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;F&amp;quot;&amp;gt;{{Cite book| last=Film News Anandan| language= ta| year= 2004 | title=Sadhanaigal padaitha Tamil Thiraipada Varalaaru | publisher=Sivagami Publications| location= Chennai| pages=28:5}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;G&amp;quot;&amp;gt;{{Cite book| last=Arandhai Narayanan| language= ta| year= 2008 | title=Arambakala Tamil Cinema (1931–1941) | publisher=Vijaya Publications| location= Chennai| pages=60}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;H&amp;quot;&amp;gt;{{Cite book| first=Claude | last=Markovits| year= 2000| title=The global world of Indian merchants, 1750–1947: traders of Sind from Bukhara to Panama | publisher= Cambridge University Press|isbn=978-0-521-62285-1| pages=141 | url=https://books.google.com/books?id=DutV94n8_X4C}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The film was directed by Manik Lal Tandon with Ellis Dungan shooting many scenes in his absence.&amp;lt;ref name=&amp;quot;dungan&amp;quot; /&amp;gt; Sundarambal was cast as a man – the untouchable saint [[Nandanar]]. The same story had earlier been the subject of a 1932 Tamil film of the same name. Carnatic musician [[Maharajapuram Viswanatha Iyer]] was cast as the landlord Vedhiyar. He was paid 3000 Rs as salary. The script had a scene where Iyer&amp;#039;s character would prostrate before Nandanar. Due to the prevailing social norms and her respect for Iyer, Sundarambal refused to do the scene. Director Tandon filmed a compromise by changing the scene such that both prostrated before each other.&amp;lt;ref name=&amp;quot;A&amp;quot; /&amp;gt; The completed film cost {{INRConvert|3|l|year=1935}} to make and was 18000 feet long.&amp;lt;ref name=&amp;quot;F&amp;quot; /&amp;gt;&amp;lt;ref name=&amp;quot;G&amp;quot; /&amp;gt; Tunes of three songs from the 1934 Hindi film &amp;#039;&amp;#039;Chandidas &amp;#039;&amp;#039; were reused in this film.&amp;lt;ref name=&amp;quot;B1&amp;quot;&amp;gt;{{Cite book| first=S. Theodore| last=Baskaran | author-link=S. Theodore Baskaran | year= 1996| title=The eye of the serpent: an introduction to Tamil cinema | publisher= East West Books| location= Chennai| pages=45 | url=https://books.google.com/books?id=PhFlAAAAMAAJ}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Reception ==&lt;br /&gt;
The film was released in 1935 amid great expectations from the public. It failed at the box office and received mixed reviews from the critics. [[Kalki Krishnamurthy]] made fun of it in &amp;#039;&amp;#039;[[Ananda Vikatan]]&amp;#039;&amp;#039; by claiming buffaloes and palm trees had acted well in the film.&amp;lt;ref name=&amp;quot;I&amp;quot;&amp;gt;{{Cite book| first=Selvaraj| last= Velayutham| year= 2008| title= Tamil cinema: the cultural politics of India&amp;#039;s other film industry |edition= Hardback| publisher= Routledge| location= New York| isbn= 978-0-415-39680-6 | pages=115 |url=https://books.google.com/books?id=65Aqrna4o5oC}}&amp;lt;/ref&amp;gt; He wrote the number one actor in the film was the coconut tree, number two was the buffalo and number three, the kid goat. The Tamil newspaper &amp;#039;&amp;#039;[[Dina Mani]]&amp;#039;&amp;#039; also gave it an unfavourable review.&amp;lt;ref name=&amp;quot;J&amp;quot;&amp;gt;{{Cite book| first=S. Theodore| last=Baskaran | author-link=S. Theodore Baskaran | year= 2004| title=Chithiram Pesuthadi |language=ta | publisher= Kalachuvadu| location= Chennai| isbn= 81-87477-75-X | pages=35 }}&amp;lt;/ref&amp;gt; Writing in the April 1938 issue of the &amp;#039;&amp;#039;Eelakesari&amp;#039;&amp;#039;, [[Pudhumaipithan]] explained the reasons for its failure:&lt;br /&gt;
&lt;br /&gt;
{{Cquote|..&amp;#039;&amp;#039;Nandanar&amp;#039;&amp;#039; was released. It had beautiful scenes and melodious songs. They had made it at enormous expense. But it was not able to distinguish itself. Why? because it had a female (Sundarambal) playing a man. In a stage play, one can appreciate things like make up or facial expressions. But in a movie you have to depict Nandan&amp;#039;s story realistically. However we try we can not picture Sundarambal as Nandanar. If we kept seeing Sundarambal and not Nandan, how can we experience Nandan&amp;#039;s story and how can the film succeed?&amp;lt;ref name=&amp;quot;J1&amp;quot;&amp;gt;{{Cite book| first=S. Theodore| last=Baskaran | author-link=S. Theodore Baskaran | year= 2004| title=Chithiram Pesuthadi |language=ta | publisher= Kalachuvadu| location= Chennai| isbn= 81-87477-75-X | pages=62 }}&amp;lt;/ref&amp;gt; }}&lt;br /&gt;
&lt;br /&gt;
However it received favourable reviews in 15 July 1935 issues of [[The Hindu]], &amp;#039;&amp;#039;Tamil Nadu&amp;#039;&amp;#039;, &amp;#039;&amp;#039;Sudesamithran&amp;#039;&amp;#039; and &amp;#039;&amp;#039;Cinema Ulagam&amp;#039;&amp;#039;.&amp;lt;ref name=&amp;quot;J&amp;quot; /&amp;gt; Viswanatha Iyer was criticised by conservative [[Brahmin|brahimins]] of his hometown [[Kumbakonam]] for acting in the film.&amp;lt;ref name=&amp;quot;A&amp;quot; /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== References ==&lt;br /&gt;
{{Reflist|2}}&lt;br /&gt;
&lt;br /&gt;
{{Use dmy dates|date=November 2017}}&lt;br /&gt;
&lt;br /&gt;
{{DEFAULTSORT:Nandanar (1935 Film)}}&lt;br /&gt;
[[Category:1935 films]]&lt;br /&gt;
[[Category:Indian films]]&lt;br /&gt;
[[Category:Tamil-language films]]&lt;br /&gt;
[[Category:Indian biographical films]]&lt;br /&gt;
[[Category:1930s Tamil-language films]]&lt;br /&gt;
[[Category:Films about social class]]&lt;br /&gt;
[[Category:Lost Indian films]]&lt;br /&gt;
[[Category:1930s biographical films]]&lt;br /&gt;
[[Category:Indian black-and-white films]]&lt;br /&gt;
[[Category:1935 lost films]]&lt;/div&gt;</summary>
		<author><name>&gt;GreenC bot</name></author>
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