https://indianpedia.org/index.php?action=history&feed=atom&title=Bhinna_ShadjaBhinna Shadja - Revision history2026-07-31T05:49:30ZRevision history for this page on the wikiMediaWiki 1.45.4https://indianpedia.org/index.php?title=Bhinna_Shadja&diff=190060&oldid=prev>Marshall2u at 18:44, 3 June 20212021-06-03T18:44:56Z<p></p>
<p><b>New page</b></p><div>{{Short description|Hindustani raga}}<br />
{{Infobox raga<br />
| name = Bhinna Shadja<br />
| image_name = <br />
| image_alt = <br />
| thaat = Bilaval<br />
| type = <br />
| time = <br />
| season = <br />
| arohana = <br />
| avarohana = <br />
| vadi = <br />
| samavadi = <br />
| pakad = <br />
| chalan = <br />
| synonym = <br />
| equivalent = <br />
| similar = <br />
}}<br />
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'''Bhinna Shadja''' is a [[raga]] of [[Hindustani classical music]] belonging to the [[Bilaval]] Thaat (Melakarta No. 29 Dheerashankarabharanam). It contains five Shuddha [[Svara|Swaras]]: Shadaja, Gandhar, Madhyama, Dhaivata, and Nishad. Rishabh and Pancham are omitted. In the form of [[Musical notation|notation]] it contains S,G,M,D and N.<br />
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In [[Carnatic music]], these five swaras are termed Shadja -Sa, AntaraGandhar -ga, Suddha Madhyama- ma, Chatusruti Dhaivata -dhi and KakaliNishad –nu.<br />
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In Western classical notation, the notes are termed tonic, perfect third, perfect fourth, perfect sixth, and perfect seventh; i.e., C, E, F, A and B; second D and fifth G notes are omitted.<br />
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Raga Bhinna Shadja is known by many alternative names such as Audawa Bilawal, Bhookosh, Dinka Malkosh, Koushikdhwani, and Kousidhani.<br />
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== Description ==<br />
Jati (based on the number of notes used in the raga): Audava-Audava/five notes-five notes.<ref name="Katz 1992 p. 19">{{cite book |last=Katz |first=J. |title=The Traditional Indian Theory and Practice of Music and Dance |publisher=E.J. Brill |series=Panels of the VIIth World Sanskrit Conference / World Sanskrit Conference 7, 1987, Leiden: Panels of the VIIth World Sanskrit Conference |year=1992 |isbn=978-90-04-09715-5 |url=https://books.google.com/books?id=HVjyfWPCO1wC&pg=PA19 |access-date=27 May 2021 |page=19}}</ref><br />
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[[Arohana]]: SG, MD, NS’’;<br />
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[[Avarohana]]: S’’, ND, MG, S<br />
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Vadi (Sonant) M;<br />
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Samavadi- S.<br />
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Nyasa Swaras (resting notes) – G, D<br />
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Pakad (distinctive tonal phrase) – S’’, NDMG, MG->S<br />
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Chalan (sample melodic combinations)-<br />
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S, 'NS, 'N'D, 'M'D'N S, 'D'N SM-G, SGMDGM-G, MG->S;<br />
'D'N SG, SGSM-G, SGMD, GMND, MG, MDNS’’, DNS’’G’’'S’’, S’’G’’M’’G’’S’’,<br />
MDNS’’ ND, GMDNDMG, SGMDGMG->S.<br />
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Gaan Samaya (Preferred Time)- 10 p.m.-1 a.m.<br />
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== Additional information ==<br />
Raga Bhinnashadaja of Carnatic music has a different melodic structure. However, Carnatic ragas Chandrakauns, Daka, and Dakka of Dheerasankarabharanam Melkarta are scale-congruent with Bhinnashadaja of Hindustani classical music (Ref – Raga Pravaham)<br />
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Similar ragas from Hindustani music – Rageshri, Chakradhar, and Hemant<br />
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Similar ragas from Carnatic music – Chandrakauns, Daka, and Dakka<br />
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== Popular compositions ==<br />
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* "Yaad Piyaki Aaye" - Thumri- Ustad Bade Ghulam Ali Khan<br />
* "Zalima Coca-Cola Pila De" - Film Song – Noor Jehan<br />
* "Tum bin jeevan kaisa jeevan" - FILM NAME Bawarchi Artist: Manna Dey<br />
* "Sari Vaarilo Chowka" - A Keerthanai by Thyagaraja<br />
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== References ==<br />
{{Reflist}}<br />
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== External links ==<br />
* [http://oceanofragas.com/Ocean_HtmlPages/Bhinnashadaja.html More details about Raga Bhinnashadaja]<br />
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{{Rāgas as per Performance Time}}<br />
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[[Category:Hindustani ragas]]</div>>Marshall2u