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{{Short description|Genre of film that emphasizes humour}}
{{Use dmy dates|date=October 2019}}
[[File:Modern Times poster.jpg|thumb|Poster for [[Charlie Chaplin]]'s film ''[[Modern Times (film)|Modern Times]]'' (1936)]]
The '''comedy film''' is a [[film genre]] that emphasizes [[Humour|humor]]. These films are designed to amuse audiences and make them laugh.<ref name=":0">{{cite web|url=http://www.filmsite.org/comedyfilms.html |title=Comedy Films |publisher=Filmsite.org |access-date=29 April 2002}}</ref> Films in this genre typically have a [[happy ending]], with [[black comedy|dark comedy]] being an exception to this rule. Comedy is one of the oldest genres in film, and it is derived from classical [[comedy]] in [[theatre]]. Some of the earliest [[silent film]]s were [[slapstick comedy|slapstick comedies]], which often relied on visual depictions, such as sight gags and pratfalls, so they could be enjoyed without requiring sound. To provide drama and excitement to silent movies, live music was played in sync with the action on the screen, on pianos, organs, and other instruments.<ref>{{Cite web |last=Tucker |first=Bruce |date=2021-12-13 |title=The History of Silent Movies in the Theater |url=https://octaneseating.com/blog/history-of-silent-movies/ |access-date=2023-03-14 |website=Octane Seating |language=en-US}}</ref> When sound films became more prevalent during the 1920s, comedy films grew in popularity, as laughter could result from both [[burlesque]] situations but also from humorous [[dialogue]].

When compared to other [[film genre]]s, comedy films place more emphasis on the individual star actor or actors, with many former [[stand-up comics]] transitioning to the film industry due to their popularity.<ref>{{Cite web |last=Vitale |first=Micaela Pérez |date=2022-01-17 |title=Stand-Up Comedians Who Became Great Actors |url=https://movieweb.com/stand-up-comedians-great-actors/ |access-date=2022-10-13 |website=MovieWeb |language=en-US}}</ref>

In ''[[Screenwriters Taxonomy|The Screenwriters Taxonomy]]'' (2017), [[Eric R. Williams]] contends that film genres are fundamentally based upon a film's atmosphere, character, and story, and therefore, the labels "drama" and "comedy" are too broad to be considered a genre.<ref name=":1">{{Cite book|last=Williams, Eric R.|title=Screen adaptation: beyond the basics: techniques for adapting books, comics, and real-life stories into screenplays|others=Ayres, Tyler.|isbn=978-1-315-66941-0|location=New York|oclc=986993829}}</ref> Instead, his taxonomy argues that comedy is a type of film that contains at least a dozen different sub-types.<ref name=":2">{{Cite book|last=Williams, Eric R.|title=The Screenwriters Taxonomy: A Roadmap to Collaborative Storytelling|publisher=Routledge |year=2017|isbn=978-1-315-10864-3|location=New York, NY|oclc=993983488}}</ref> A number of hybrid genres have emerged, such as [[action comedy]] and [[romantic comedy]].

==History==
===Silent film era===
[[File:Cinématographe Lumière.jpg|thumb|right|The film poster for the first comedy film, ''[[L'Arroseur Arrosé]]'' (1895)]]
The first comedy film was ''[[L'Arroseur Arrosé]]'' (1895), directed and produced by film pioneer [[Louis Lumière]]. Less than a minute long, it shows a boy playing a prank on a gardener. The most notable comedy actors of the [[silent film era]] (1895–1927) were [[Charlie Chaplin]], [[Harold Lloyd]], and [[Buster Keaton]], though they were able to make the transition into "[[Sound film|talkies]]" after the 1920s.

====Social commentary in comedy====
Film-makers in the 1960s skillfully employed the use of comedy film to make social statements by building their narratives around sensitive cultural, political or social issues. Such films include [[Dr. Strangelove|Dr Strangelove, or How I Learned to Love the Bomb]], [[Guess Who's Coming to Dinner|Guess Who's Coming to Dinner?]] and [[The Graduate]].<ref name=":5">{{Cite web |last=Staff |date=16 April 2014 |title=Laughs Of The Decades: A History Of Comedy In Film |url=https://blogs.libraries.indiana.edu/mediabeat/2014/04/16/laughs-of-the-decades-a-history-of-comedy-in-film/ |access-date=5 February 2024 |website=Indiana University Bloomington Library}}</ref>

====Camp and bawdy comedy====
In America, the [[sexual revolution]] drove an appetite for comedies that celebrated and parodied changing social morals, including [[Bob & Carol & Ted & Alice]] and [[Fanny Hill (1964 film)|Fanny Hill]].<ref name=":5" /> In Britain, a [[Camp (style)|camp]] sensibility lay behind the successful [[Carry On (franchise)|Carry On films]], while in America subversive independent film-maker [[John Waters]] made camp films for college audiences with his [[drag queen]] friends that eventually found a mainstream audience.<ref>{{Cite web |last=Marchese |first=David |date=18 March 2022 |title=John Waters Is Ready to Defend the Worst People in the World |url=https://www.nytimes.com/interactive/2022/03/21/magazine/john-waters-interview.html |access-date=5 February 2024 |website=The New York Times}}</ref> The success of the American television show [[Saturday Night Live]] drove decades of cinema with racier content allowed on television drawing on the program's stars and characters, with bigger successes including ''[[Wayne's World (film)|Wayne's World]]'', ''[[Mean Girls]]'', ''[[Ghostbusters]]'' and ''[[Animal House]]''.<ref name=":5" />

===Present era===
Parody and joke-based films continue to find audiences.<ref name=":5" />
== Reception ==
While comedic films are among the most popular with audiences at the box office, there is an 'historical bias against a close and serious consideration of comedy' when it comes to critical reception and conferring of awards, such as at the [[Academy Awards]]. Film writer Cailian Savage observes "Comedies have won Oscars, although they’ve usually been comedy-dramas, involved very depressing scenes, or appealed to stone-hearted drama lovers in some other way, such as ''[[Shakespeare in Love]]''."

== Sub-types ==
* '''Anarchic comedy:''' a random or [[Stream of consciousness|stream-of-consciousness]] type of humor that often lampoons a form of authority.<ref>{{cite web|title=Absurd Comedy|url=http://www.allmovie.com/subgenre/absurd-comedy-d622|publisher=Allmovies}}</ref> The genre dates from the silent era. Notable examples are films produced by [[Monty Python]].<ref>{{cite web|last=Sexton|first=Timothy|title=Anarchic Comedy from the Silent Era to Monty Python|url=https://movies.yahoo.com/news/anarchic-comedy-silent-era-monty-python-173500945.html|publisher=Yahoo! Movies}}</ref> Other examples include ''[[A Night at the Opera (film)|A Night at the Opera]]'' (1935) and ''[[Dirty Work (1998 film)|Dirty Work]]'' (1998).
* '''Bathroom comedy''' (or gross-out comedy)''':''' [[Gross out#Cinema|Gross out films]] are often aimed at the young adult market (18–24) and rely heavily on vulgar, sexual, or [[Toilet humour|"toilet" humor]]. They often contain a large amount of profanity and nudity.<ref>{{Cite book|last=Henderson, Jeffrey|title=The maculate muse : obscene language in Attic comedy|date=1991|publisher=Oxford University Press|isbn=978-0-19-802312-8|edition=2nd|location=New York|oclc=252588785}}</ref> Examples include ''[[Porky's]]'' (1981) and ''[[There's Something About Mary]]'' (1998).
* '''[[Black comedy]]''': film deals with [[taboo]] subjects{{--}}including death, murder, crime, suicide, and war{{--}}in a satirical manner.<ref>{{Cite web|title=Black humour|url=https://www.britannica.com/topic/black-humor|access-date=2020-06-15|website=Encyclopedia Britannica|language=en}}</ref> Examples include ''[[Do the Right Thing]]'' (1989) and ''[[In Bruges]]'' (2008).
* '''Comedy of ideas:''' This sub-type uses comedy to explore serious ideas such as religion, sex, or politics. Often, the characters represent particular divergent worldviews and are forced to interact for comedic effect and social commentary.<ref>{{Cite web|title=Definition of Comedy of Ideas|url=https://ourpastimes.com/definition-of-comedy-of-ideas-12545829.html|access-date=2020-06-15|website=Our Pastimes|language=en}}</ref> Some examples include both ''[[Wag the Dog]]'' (1997) and ''[[The Invention of Lying]]'' (2009).
* '''[[Comedy of manners]]''': satirizes the mores and affectations of a social class. The plot is often concerned with an illicit love affair or other scandal. Generally, the plot is less important for its comedic effect than its witty dialogue. This form of comedy has a long ancestry that dates back at least as far as ''[[Much Ado About Nothing]]'' by [[William Shakespeare]], published in 1623.<ref>{{Cite book|title=British dramatists from Dryden to Sheridan|others=Nettleton, George Henry, 1874-1959, Case, Arthur Ellicott, 1894-1946, Stone, George Winchester, 1907-2000.|year=1975|isbn=0-8093-0743-X|edition=Southern Illinois University Press |location=Carbondale, [Illinois]|oclc=1924010}}</ref> Examples include ''[[Breakfast at Tiffany's (film)|Breakfast at Tiffany's]]'' (1961) and ''[[Under the Tuscan Sun (film)|Under the Tuscan Sun]]'' (2003).
* '''Farce:''' [[Farce|Farcical]] films exaggerate situations beyond the realm of possibility{{--}}thereby making them entertaining.<ref>{{Cite web|title=Farce {{!}} drama|url=https://www.britannica.com/art/farce|access-date=2020-06-15|website=Encyclopedia Britannica|language=en}}</ref> Examples include ''[[What's Up, Doc? (1972 film)|What's Up, Doc?]]'' (1972).
* '''[[Mockumentary]]:''' comedies are fictional but use a doc-style that includes interviews and "documentary" footage, along with regular scenes. Examples include ''[[This Is Spinal Tap]]'' (1984) and ''[[I'm Still Here (2010 film)|I'm Still Here]]'' (2010).
* '''Musical comedy''': a film genre has its roots in the 1920s, with Disney's ''[[Steamboat Willie]]'' (1928) being the most popular of these early films. The subgenre resurged with popularity in the 1970s, with movies such as ''[[Bugsy Malone]]'' (1976) and ''[[Grease (film)|Grease]]'' (1978) gaining status as [[Cult film|cult classics]].
* '''[[Observational comedy]]:''' films find humor in the common practices of everyday life.<ref>{{Cite web|last=Grable|first=Tim|date=2017-02-24|title=What is funny about Observational Humor? (Updated for 2019)|url=https://www.thegrablegroup.com/comedy/funny-observational-humor/|access-date=2020-06-15|website=The Grable Group|language=en-US}}</ref> Some film examples of observational humor include ''[[Purely Belter]]'' (2000) and ''[[The Big Year]]'' (2011).
* '''Parody (or spoof):''' A [[Parody film|parody or spoof film]] satirizes other film genres or classic films. Such films employ sarcasm, stereotyping, mockery of scenes from other films, and the obviousness of meaning in a character's actions.<ref>{{Cite web|last=Mellon|first=Rory|date=2016|title=A History of the Parody Movie|url=https://scan.lancastersu.co.uk/2016/02/11/a-history-of-the-parody-movie/|access-date=2020-06-15|language=en-GB}}</ref> Examples of this form include ''[[Young Frankenstein]]'' (1974) and ''[[Airplane!]]'' (1980).
* '''[[Sex comedy]]:''' The humor is primarily derived from sexual situations and desire,<ref>{{Cite book|last=McDonald, Tamar Jeffers|title=Romantic comedy: boy meets girl meets genre|date=2007|publisher=Wallflower|isbn=978-0-231-50338-9|location=London|oclc=813844867}}</ref> as in ''[[Animal House]]'' (1978) and ''[[How to Be a Latin Lover]]'' (2017).
* '''[[Sitcom]]:''' where humor comes from knowing a stock group of characters (or character types) and then exposing them to different situations to create humorous and ironic juxtaposition.<ref>{{Cite book|last=Dancyger, Ken.|title=Alternative scriptwriting: beyond the Hollywood formula|date=2013|publisher=Focal Press|others=Rush, Jeff.|isbn=978-1-136-05362-7|edition=5th|location=Burlington, MA|oclc=828423649}}</ref> Examples include ''[[After Hours (film)|After Hours]]'' (1985) and ''[[Hot Tub Time Machine]]'' (2010).
* '''Straight comedy:''' This broad sub-type applies to films that do not attempt a specific approach to comedy but, rather, use comedy for comedic sake.<ref name=":3">{{Cite book|last=Bown, Lesley|title=The secrets to writing great comedy|date=2011|publisher=Hodder Education|isbn=978-1-4441-2892-5|location=London|oclc=751058407}}</ref> ''[[Anger Management (film)|Anger Management]]'' (2003) and ''[[Bridesmaids (2011 film)|Bridesmaids]]'' (2011) are examples of straight comedy films.
* '''[[Slapstick film]]:''' involve exaggerated, boisterous physical action to create impossible and humorous situations. Because it relies predominantly on visual depictions of events, it does not require sound. Accordingly, the subgenre was ideal for silent movies and was prevalent during that era.<ref name=":0" /> Stars of slapstick include [[Harold Lloyd]], [[Roscoe Arbuckle]], [[Charlie Chaplin]], [[Peter Sellers]] and [[Norman Wisdom]]. Some of these stars, as well as acts such as [[Laurel and Hardy]] and [[the Three Stooges]], also found success incorporating [[slapstick comedy]] into sound films. Modern examples of slapstick comedy include ''[[Mouse Hunt]]'' (1997) and ''[[Nacho Libre]]'' (2006).
* '''[[Surreal humor]]:''' Although not specifically linked to the history of [[surrealism]], [[Surreal humor|surreal comedies]] include behavior and storytelling techniques that are illogical{{--}}including bizarre [[Juxtaposition|juxtapositions]], absurd situations, and unpredictable reactions to normal situations.<ref name=":3" /> Some examples are ''[[Brazil (1985 film)|Brazil]]'' (1985) and ''[[Barton Fink]]'' (1991).

== Hybrid sub-genres ==
According to [[Williams' taxonomy]], all film descriptions should contain their type (comedy or drama) combined with one (or more) sub-genres.<ref name=":2" /> This combination does not create a separate genre, but rather, provides a better understanding of the film.

* '''[[Action comedy]]:''' Films of this type blend comic antics and action where the stars combine one-liners with a thrilling plot and daring stunts. The genre became a specific draw in [[North America]] in the 1980s when comedians such as [[Eddie Murphy]] started taking more action-oriented roles, such as in ''[[48 Hrs.]]'' (1982) and ''[[Beverly Hills Cop]]'' (1984).
* Sub-genres of the action comedy (labeled macro-genres by Williams) include:<ref name=":2" />
** '''[[Martial arts films]]:''' [[Slapstick]] [[martial arts films]] became a mainstay of [[Hong Kong action cinema]] through the work of [[Jackie Chan]] among others, such as ''[[Who Am I? (1998 film)|Who Am I?]]'' (1998). ''[[Kung Fu Panda (franchise)|Kung Fu Panda]]'' is an action comedy that focuses on the martial art of [[Chinese martial arts|kung fu]].
** '''[[Superhero films]]:''' Some action films focus on [[superhero]]es; for example, ''[[The Incredibles]]'', ''[[Hancock (film)|Hancock]]'', ''[[Kick-Ass (film)|Kick-Ass]]'', and ''[[Deadpool (film)|Deadpool]]''.
** [[Buddy film|'''Buddy films:''']] Films starring mismatched partners for comedic effects, such as in ''[[Midnight Run]]'', ''[[Rush Hour (1998 film)|Rush Hour]]'', ''[[21 Jump Street (film)|21 Jump Street]]'', ''[[Bad Boys (1995 film)|Bad Boys]]'', ''[[Starsky and Hutch (film)|Starsky and Hutch]]'', ''[[Tango & Cash]]'', ''[[Lethal Weapon]]'', and ''[[Stakeout (1987 film)|Stakeout]]''.
* '''[[Comedy thriller]]:''' Comedy thriller is a type that combines elements of humor and suspense. Films such as ''[[Silver Streak (film)|Silver Streak]]'', ''[[Charade (1963 film)|Charade]]'', ''[[Kiss Kiss Bang Bang]]'', ''[[American Psycho (film)|American Psycho]]'', ''[[Mr. & Mrs. Smith (2005 film)|Mr. and Mrs. Smith]]'', ''[[Grosse Pointe Blank]]'', ''[[The Thin Man (film)|The Thin Man]]'', ''[[The Big Fix (1978 film)|The Big Fix]]'', and ''[[The Lady Vanishes (1938 film)|The Lady Vanishes]]''.
* '''Comedy mystery:''' Comedy mystery is a film genre combining elements of comedy and mystery fiction. Though the genre arguably peaked in the 1930s and 1940s, comedy-mystery films have been continually produced since.<ref>{{Cite web |title=Film History of the 1930s |url=https://www.filmsite.org/30sintro4.html |access-date=2020-06-15 |website=www.filmsite.org}}</ref> Examples include the ''[[Pink Panther]]'' series,<ref>{{Cite web |title=The Pink Panther: Inspector Clouseau arrives! - the Navhind Times |url=https://www.navhindtimes.in/the-pink-panther-inspector-clouseau-arrives/ |url-status=dead |archive-url=https://web.archive.org/web/20200706105709/https://www.navhindtimes.in/the-pink-panther-inspector-clouseau-arrives/ |archive-date=6 July 2020 |access-date=5 July 2020}}</ref> ''[[Scooby-Doo in film|Scooby-Doo]]'' films, ''[[Clue (film)|Clue]]'' (1985) and ''[[Knives Out]]'' (2019). See also [[List of comedy-mystery films]]
* '''[[Crime comedy]]:''' A hybrid mix of crime and comedy films, examples include ''[[Inspector Palmu's Mistake (film)|Inspector Palmu's Mistake]]'' (1960), ''[[O Brother, Where Art Thou?|Oh Brother Where Art Thou?]]'' (2000), ''[[Take the Money and Run (film)|Take the Money and Run]]'' (1969) and ''[[Who Framed Roger Rabbit]]'' (1988).
* '''[[Fantasy comedy]]:''' Fantasy comedy films use [[Magic (fantasy)|magic]], [[supernatural]] or mythological figures for comedic purposes. Some fantasy comedy includes an element of parody, or satire, turning fantasy conventions on their head, such as the hero becoming a cowardly fool or the princess being a klutz. Examples of these films include ''[[Big (film)|Big]]'', ''[[Being John Malkovich]]'', ''[[Ted (film)|Ted]]'', ''[[Hook (film)|Hook]]'', ''[[Night at the Museum]]'', ''[[Groundhog Day (film)|Groundhog Day]]'', ''[[Click (2006 film)|Click]]'', and ''[[A Thousand Words (film)|A Thousand Words]]''.
* '''[[Comedy horror]]:''' Comedy horror is a genre/type in which the usual dark themes and "scare tactics" attributed to horror films are treated with a humorous approach. These films either often goofy horror cliches, such as in ''[[Scream (franchise)|Scream]]'', ''[[The Rocky Horror Picture Show]]'', ''[[Little Shop of Horrors (1986 film)|Little Shop of Horrors]]'', ''[[Dracula: Dead and Loving It]]'', and ''[[Scary Movie]]'' where campy styles are favored. Some are much more subtle and do not parody horror, such as ''[[An American Werewolf in London]]''. Another style of comedy horror can also rely on over-the-top violence and gore such as in ''[[The Evil Dead]]'' (1981), ''[[The Return of the Living Dead]]'' (1985), ''[[Braindead (film)|Braindead]]'' (1992), and ''[[Doghouse (film)|Doghouse]]'' (2009) – such films are sometimes known as ''splatstick'', a portmanteau of the words ''splatter'' and ''slapstick''. It would be reasonable to put ''[[Ghostbusters]]'' in this category.
* '''[[Day in the life|Day-in-the-life]] comedy:''' Day-in-the-life films take small events in a person's life and raise their level of importance. The "small things in life" feel as important to the protagonist (and the audience) as the climactic battle in an action film, or the final shootout in a western.<ref name=":2" /> Often, the [[Protagonist|protagonists]] deal with multiple, overlapping issues in the course of the film.<ref name=":2" />  The day-in-the-life comedy often finds humor in commenting upon the absurdity or irony of daily life; for example ''[[The Terminal]]'' (2004) or ''[[Waitress (2007 film)|Waitress]]'' (2007). Character humor is also used extensively in day-in-the-life comedies, as can be seen in ''[[American Splendor (film)|American Splendor]]'' (2003).
* '''[[Romantic comedy]]:''' Romantic comedies are humorous films with central themes that reinforce societal beliefs about love (e.g., themes such as "[[love at first sight]]", "love conquers all", or "there is someone out there for everyone"); the story typically revolves around characters falling into (and out of, and back into) love.<ref name=":4">{{Cite book|last=Williams|first=Eric R.|url=https://www.audible.com/pd/Falling-in-Love-with-Romance-Movies-Audiobook/B07XPDH9YT|title=Falling in Love with Romance Movies|publisher=Audible|year=2019|language=en}}</ref> ''[[Amélie]]'' (2001), ''[[Annie Hall]]'' (1977), ''[[Charade (1963 film)|Charade]]'' (1963), ''[[City Lights]]'' (1931), ''[[Four Weddings and a Funeral]]'' (1994), ''[[It (1927 film)|It]]'' (1927), ''[[The Lobster]]'' (2015), ''[[My Wife, the Director General]]'' (1966), ''[[My Favorite Wife]]'' (1940), ''[[Pretty Woman]]'' (1990), ''[[Some Like It Hot]]'' (1959), ''[[Something's Gotta Give (film)|Something's Gotta Give]]'' (2003) and ''[[When Harry Met Sally...]]'' (1989) are examples of romantic comedies.
* '''[[Screwball comedy]]:''' A subgenre of the romantic comedy, [[Screwball comedy|screwball comedies]] appears to focus on the story of a central male character until a strong female character takes center stage; at this point, the man's story becomes secondary to a new issue typically introduced by the woman; this story grows in significance and, as it does, the man's masculinity is challenged by the sharp-witted woman, who is often his love interest.<ref name=":2" /> Typically it can include a romantic element, an interplay between people of different economic strata, quick and witty [[repartee]], some form of role reversal, and a happy ending. Some examples of screwball comedy during its heyday include ''[[It Happened One Night]]'' (1934), ''[[Bringing Up Baby]]'' (1938), ''[[The Philadelphia Story (film)|The Philadelphia Story]]'' (1940), ''[[His Girl Friday]]'' (1940), ''[[Mr. & Mrs. Smith (1941 film)|Mr. & Mrs. Smith]]'' (1941); more recent examples include ''[[Continental Divide (film)|Continental Divide]]'' (1981), [[Rat Race (film)|''Rat Race'']] (2001), and ''[[Our Idiot Brother]]'' (2011).
* '''[[Science fiction comedy]]:''' Science fiction comedy films often exaggerate the elements of traditional [[science fiction film]]s to comic effect. Examples include ''[[Spaceballs]]'', ''[[Coneheads (film)|Coneheads]]'', ''[[Galaxy Quest]]'', ''[[Mars Attacks!]]'', ''[[Men in Black (series)|Men in Black]]'', and many more.
* '''[[Sports comedy]]:''' Sports comedy combines the genre of comedy with that of the [[sports film]] genre. Thematically, the story is often one of "Our Team" versus "Their Team"; their team will always try to win, and our team will show the world that they deserve recognition or redemption; the story does not always have to involve a team.<ref name=":1" /> The story could also be about an individual athlete or the story could focus on an individual playing on a team. The comedic aspect of this super-genre often comes from physical humor (''[[BASEketball]]'' - 1998), character humor (''[[Space Jam]]'' - 1996), or the juxtaposition of bad athletes succeeding against the odds (''[[The Benchwarmers]]'' - 2006).
* '''[[War comedy]]:''' War films typically tell the story of a small group of isolated individuals who – one by one – get killed (literally or metaphorically) by an outside force until there is a final fight to the death; the idea of the protagonists facing death is a central expectation in a war film.<ref name=":1" /> War comedies infuse this idea of confronting death with a morbid sense of humor. In a war film even though the enemy may out-number, or out-power, the hero, we assume that the enemy ''can'' be defeated if only the hero can figure out how.<ref>{{Cite web|last=Williams|first=Eric R.|date=2018|title=How to View and Appreciate Great Movies (episode 5: Story Shape and Tension)|url=https://www.thegreatcourses.com/courses/how-to-view-and-appreciate-great-movies.html|access-date=2020-06-15|website=English|language=en}}</ref> Often, this strategic sensibility provides humorous opportunities in a war comedy. Examples include ''[[Good Morning, Vietnam]]''; ''[[M*A*S*H]]''; ''[[Stripes (film)|Stripes]]'' and others.
* '''[[Western comedy]]:''' Films in the Western super-genre often take place in the American Southwest or Mexico, with a large number of scenes occurring outside so we can soak in nature's rugged beauty.<ref name=":1" /> Visceral expectations for the audience include fistfights, gunplay, and chase scenes. There is also the expectation of spectacular panoramic images of the countryside including sunsets, wide open landscapes, and endless deserts and sky.<ref name=":2" /> Western comedies often find their humor in specific characters (''[[Three Amigos]]'', 1986), in interpersonal relationships (''[[The Lone Ranger (2013 film)|The Lone Ranger]]'', 2013) or in creating a parody of the western (''[[Rango (2011 film)|Rango]]'', 2011).

==See also==
*[[AFI's 100 Years...100 Laughs]] (1924–1998, list made in 2000)
*[[American comedy films]]
*[[British comedy films]]
*[[Commedia all'italiana]]
*[[French comedy films]]
*[[List of Indian comedy films]]
*[[Television comedy]]
*[[Comedy drama]]

==References==
{{reflist}}

==Bibliography==
* Thomas W. Bohn and Richard L. Stromgren, ''Light and Shadows: A History of Motion Pictures'', 1975, Mayfield Publishing.
* {{cite book | last=Horton | first=Andrew S. | year=1991 | title=Comedy/Cinema/Theory | publisher=University of California Press | isbn=978-0-520-07040-0 | url-access=registration | url=https://archive.org/details/isbn_9780520069978 }}
* {{cite book | last=King | first=Geoff | year=2002 | title=Film Comedy | publisher=Wallflower Press | isbn=978-1-903364-36-9 | url-access=registration | url=https://archive.org/details/filmcomedy0000king }}
* {{cite book | last=Rickman | first=Gregg | year=2004 | title=The Film Comedy Reader | publisher=Limelight Editions | isbn=978-0-87910-295-1 | url-access=registration | url=https://archive.org/details/filmcomedyreader0000unse }}
* {{cite book | last=Weitz | first=Eric | year=2009 | title=The Cambridge Introduction to Comedy | publisher=Cambridge University Press | isbn=978-0-521-83260-1 }}
*Williams, Eric R. (2017) The Screenwriters Taxonomy: A Roadmap to Creative Storytelling. New York, NY: Routledge Press, Studies in Media Theory and Practice. {{ISBN|978-1-315-10864-3}}

==External links==
* [https://www.imdb.com/genre/comedy Comedy films at IMDB]
* [http://www.rottentomatoes.com/top/bestofrt/top_100_comedy_movies/ Top 100 Comedy movies from Rottentomatoes]

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Comedy film - Revision history

Davidcza at 14:40, 26 March 2026