Victorhcm at 18:00, 14 November 2025

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{{short description|Overview of Indian crafts}}
{{EngvarB|date=March 2020}}
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{{more citations needed|date=November 2025}}

'''Crafts of India''' include traditional styles such as [[Bidriware]], [[Pembarthi Metal Craft]], [[Dhokra]], and [[Kamrupi crafts|Kamrupi]].

Historically, Indian handicrafts, such as Kashmiri woollen carpets, Zari embroidered fabrics, terracotta and ceramic products and silk fabrics were exported to far off countries of Europe, Africa, West Asia and Far East via the [[Silk Route]].

== Crafts of Madhya Pradesh ==
In block printing, Bagh, Nandna, and Batik prints from Bherugarh have intricate patterns. Madhya Pradesh's significant tribal population has also given rise to crafts deeply rooted in tribal culture, such as Dhokra, Gond paintings, Bhil paintings, and bamboo crafts.From small-scale artisans to large-scale production units, these crafts not only reflect the state’s artistic heritage but also support and sustain local communities.<ref>{{Cite web |title=10 Popular crafts from Madhya Pradesh |url=https://shop.gaatha.com/indian-craft-blog/famous-crafts-from-Madhya-Pradesh |access-date=2025-01-23 |website=shop.gaatha.com |language=en}}</ref>[[File:Woodblock_Printing_Craft_of_Bagh,_Madhya_Pradesh,_India.jpg|thumb|350px|Working of traditional Woodblock Printing Craft of Bagh, Madhya Pradesh, India]]
[[File:Traditional_Bagh_hand_block_print_master_craftsman-artisan-artist_Mohammed_Bilal_Khatri,_Madhya_Pradesh,_India.jpg|thumb|[[Bagh print]] traditional hand block print craft in [[Bagh, Dhar|Bagh]]]]
[[File:Marbleworks-1.jpg|thumb|180px|Artisan producing marble stone inlays, [[Agra]] ]]

== Crafts of Bihar ==
[[Bihar]] is known for its [[Madhubani/Mithila Painting]] which literally meaning the ‘Forest of honey’. They are one of the earliest forms of Indian paintings. [[Bhagalpur]] painting is also known as [[Manjusha Art]].<ref>{{Cite web|url=https://gaatha.com/madhubani-paintings-story/|title=Painted whispers of Mithila|date=12 May 2023 }}</ref>

== Crafts of Rajasthan ==
[[File:Jhoola inside the Phool Mahal, Junagarh Fort, Bikaner.jpg|thumb|150px| Handcrafted swing, (''Jhoola'') inside the Phool Mahal, [[Junagarh Fort]], [[Bikaner]]]]
{{Culture of India}}
[[Rajasthan]]'s crafts include fabric colouration and embellishment, decorative painting and puppetry. In the process of fabric colouration, woven fabrics are treated by methods such as tie-dyeing, resist dyeing and direct application. The [[dupatta]] worn by women shows the popularity of dyeing.

In 2008, traditional Jodhpur garments inspired designer [[Raghavendra Rathore]]'s collection, Rathore Jodhpur.<ref name="Rajasthan is now on the world ramp">{{cite news|title=Rajasthan is now on the world ramp|newspaper=The Times of India|date=19 June 2008}}</ref> Fabric dyeing belongs to the Chippa caste of Rajasthan. Fabrics are embellished with mirror embroidery, symbolic to Rajasthan and wooden beading once dyed. The trend of mirror embroidery is also visible on dupattas in Punjab, known as the phulkari. Decorative patterns adorn all surfaces in Rajasthan. Interiors of homes are painted with floral motifs; similar [[bindi (decoration)|bindi]] (dotted) designs are seen on garments. The clipped camel is unique to Rajasthan. In this, patterns are imprinted on the hide of the camel, during the Pushkar and Nagaur festivals by the Rabari caste.<ref name="Arts and Crafts of India page 16">{{cite book|last=Barnard|first=Nicholas|title=Arts and Crafts of India|year=1993|publisher=Conran Octopus Limited|location=London|isbn=1-85029-504-2|pages=[https://archive.org/details/artscraftsofindi00barn/page/16 16]|url=https://archive.org/details/artscraftsofindi00barn/page/16}}</ref> Puppetry and theatre has remained a popular form of entertainment in Rajasthan. Recently, its popularity has reduced with increased interest in film and television amongst rural communities. The nat bhat caste produces these [[marionette]] style puppets.<ref name="Arts and Crafts of India page 182-183">{{cite book|last=Barnard|first=Nicholas|title=Arts and Crafts of India|year=1993|publisher=Conran Octopus Limited|location=London|isbn=1-85029-504-2|pages=[https://archive.org/details/artscraftsofindi00barn/page/182 182–183]|url=https://archive.org/details/artscraftsofindi00barn/page/182}}</ref> Facial expressions are painted on a mango wood head and the body is covered in decorative, Rajasthani clothing. The strings loosely bind the arms and torso together to give flexibility for movement. These puppets usually perform legends and mythology conveying a moral message. Many Rajasthani crafts reach the international market.

== Crafts of Gujarat ==
Gujarat is known for its textile production methods. Bordering Rajasthan, the two states share similarities in culture and identity. The ancient [[Indus Valley civilization]] inhabited the entire region, including Rajasthan and Punjab during Medieval India.<ref name="Textiles and Dress of Gujarat">{{cite book|last=Edwards|first=Eiluned|title=Textiles and Dress of Gujarat|year=2011|publisher=Mapin Publishing Pvt. Ltd|location=Ahmedabad|isbn=978-81-89995-52-2|pages=10–13}}</ref> Within textile production, each caste is assigned to an occupation. These are weaving, dyeing and printing. For example, the [[Salvi (caste)|Salvi]] caste is assigned to weaving.<ref name="Textiles and Dress of Gujarat pages 45-47">{{cite book|last=Edwards|first=Eiluned|title=Textiles and Dress of Gujarat|year=2011|publisher=Mapin Publishing Pvt. Ltd|location=Ahmedabad|isbn=978-81-89995-52-2|pages=45–47}}</ref> Garment producers bring these elements together to form Gujarati textiles. Paints are used to form patterns on fabric for dupattas, ghagras (long skirt) and turbans. [[Block printing in India|Block printing]] is a widely used form of direct application, Gujarati Ajrakh block printing is one of the oldest printing technique. Excavation sites of Indus Valley civilization give evidence that Ajrakh was possibly one of the oldest printing methods of the Indian subcontinent.<ref>{{Cite web|url=https://gaatha.com/ajrakh-story/|title = The Eternal Azure…Ajrak| date=12 May 2023 }}</ref>

In [[Bandhani]] fabric is tied at different sections before dyeing to create patterns.<ref name="Textiles and Dress of Gujarat pages 116-119">{{cite book|last=Edwards|first=Eiluned|title=Textiles and Dress of Gujarat|year=2011|publisher=Mapin Publishing Pvt. Ltd|location=Ahmedabad|isbn=978-81-89995-52-2|pages=116–119}}</ref> Large bangles made of ivory and plastic are symbols of a married woman. Conch shell and shellac bangles are the most common. Conch shell bangles are plain white with a light shade of a brighter colour, whereas shellac bangles are shaped as a shell, painted and decorated with glitter.<ref name="Arts and Crafts of India pages 104-105">{{cite book|last=Barnard|first=Nicholas|title=Arts and Craft of India|year=1993|publisher=Conran Octopus Limited|location=London|isbn=1-85029-504-2|pages=[https://archive.org/details/artscraftsofindi00barn/page/104 104–105]|url=https://archive.org/details/artscraftsofindi00barn/page/104}}</ref>

== Crafts of Assam ==
Crafts of Assam were exhibited in the National Handicrafts and Handborn Museum in 2010, showcased to U.S. First Lady, Michelle Obama.<ref name="Crafts village waits for Michelle">{{cite news|last=Basu|first=Indrani|title=Crafts village waits for Michelle|url=http://articles.timesofindia.indiatimes.com/2010-11-07/delhi/28236979_1_michelle-obama-first-lady-sumar-bhura|archive-url=https://web.archive.org/web/20140116114817/http://articles.timesofindia.indiatimes.com/2010-11-07/delhi/28236979_1_michelle-obama-first-lady-sumar-bhura|url-status=dead|archive-date=16 January 2014|accessdate=3 October 2011|newspaper=[[The Times of India]]|date=7 November 2010}}</ref> Silk is the most valued raw material of Assam, with the Antheraea assama worm producing the unique muga silk.<ref name="Textiles and Crafts of India page 105">{{cite book|last=Bhandari, Dhingra|first=Dr. Vandana, Sudha|title=Textiles and Crafts of India|year=1998|publisher=Prakash Book Depot|location=New Delhi|isbn=81-7234-021-4|pages=105}}</ref> It is mostly the duty of women to construct silk fabrics, using a domestic [[Loom|backstrap loom]].<ref name="Indian Textiles pages 176-177">{{cite book|last=Gillow, Barnard|first=John, Nicholas|title=Indian Textiles|year=1991|publisher=Thames & Hudson Ltd|location=London|isbn=978-0-500-51432-0|pages=176–177}}</ref> Mahatma Gandhi noted "Assamese women are born weavers, they weave fairy-tales in their cloth".<ref name="Indian Textiles pages 176-177" /> Domestic weaving is an important craft for Assamese women, with their marriage and future is seen as reliant upon this skill. At some stage, an unmarried girl would present a hand made bihuan to her beloved.<ref name="Textiles and Crafts of India page 108">{{cite book|last=Bhandari, Dhingra|first=Dr. Vandana, Sudha|title=Textiles and Crafts of India|year=1998|publisher=Prakash Book Depot|location=New Delhi|isbn=81-7234-021-4|pages=108}}</ref> Weaving holds a significant moral and cultural value in Assam. The silk and textile industry is also an economic resource to the state, with over 25,000 families associated with this craft.<ref name="Textiles and Crafts of India page 105" /> Cane and bamboo crafts are also produced in Assam. Ridang, suli, lezai and long cane{{clarify|date=June 2023|reason=what are ridang, suli, lezai, and long cane?}} are natural resources in the state.<ref name="Textiles and Crafts of India pages 118-119">{{cite book|last=Bhandari, Dhingra|first=Dr. Vandana, Sudha|title=Textiles and Crafts of India|year=1998|publisher=Prakash Book Depot|location=New Delhi|isbn=81-7234-021-4|pages=118–119}}</ref> The finest cane is chopped and reduced to thin strips then woven into sheets. It is attached to the frame of a furniture piece, usually made out of bamboo sticks. They are also used as mats, providing comfort in summer.<ref name="Textiles and Crafts of India pages 118-119" /> The trend of this sitalpati<ref name="Textiles and Crafts of India pages 118-119" /> mat is also seen in Punjab in which a woven mat attached to a frame becomes a [[charpai]].

== Crafts of South India ==
The diversity of religious beliefs has had a great impact on the crafts of Southern India. The region has seen the rule of various empires such as the Mughal, Portuguese, Dutch, French and British.<ref name="Arts and Crafts of India page 36">{{cite book|last=Barnard|first=Nicholas|title=Arts and Crafts of India|year=1993|publisher=Conran Octopus Limited|location=London|isbn=1-85029-504-2|pages=[https://archive.org/details/artscraftsofindi00barn/page/36 36]|url=https://archive.org/details/artscraftsofindi00barn/page/36}}</ref> Each has left their mark of style on traditional crafts. [[Dravidian architecture|Dravidian]] style, stone carved temples reflect the influence of Hinduism whilst Roman Catholic churches echo the impact of the British rule.<ref name="Arts and Crafts of India page 36" /> Temple carvings are symbolic of the craft skills in the Tamil Nadu region. The Meenakshi temple of Madurai typifies the skills and devotion put into this craftwork.

Madurai garland making craft can be defined as a band or chain of flowers, foliage, and leaves. In Tamil Nadu, and particularly in the temple town of Madurai, flower garlands are considered to play a significant role in expressing Tamil culture. Every garland is a myriad of colours which symbolize love, purity, and devotion.<ref>{{Cite web|url=https://gaatha.org/igaatha/details_craft/Crafts/flower-garlands-craft-india/Madurai-garland-making-craft|title = Garland making~Madurai - Craft Archive | Research on Indian Handicrafts & Handloom|date = 26 August 2020}}</ref>

<ref name="Arts and Crafts of India page 34">{{cite book|last=Barnard|first=Nicholas|title=Arts and Crafts of India|year=1993|publisher=Conran Octopus Limited|location=London|isbn=1-85029-504-2|pages=[https://archive.org/details/artscraftsofindi00barn/page/34 34]|url=https://archive.org/details/artscraftsofindi00barn/page/34}}</ref> Each section of the temple is a sacred shrine to a deity. North of Tamil Nadu is Karnataka, a region renowned for its wood and stone craftwork. The forests of this region provide extensive supplies of raw materials, mostly rosewood. For wood workers, crafting statues for large temples is a major source of income. [[Soapstone]] is also commonly used to carve statues.<ref name="Arts and Crafts of India pages 41-55">{{cite book|last=Barnard|first=Nicholas|title=Arts and Crafts of India|year=1993|publisher=Conran Octopus Limited|location=London|isbn=1-85029-504-2|pages=[https://archive.org/details/artscraftsofindi00barn/page/41 41–43, 46–49, 54–55]|url=https://archive.org/details/artscraftsofindi00barn/page/41}}</ref>

== Crafts today ==
Contemporary designers such as Ritu Kumar and Ritu Virani use traditional crafts into their designs. The [[Indian Institute of Crafts and Design]] in Jaipur, Rajasthan, educates in crafts and design. Despite these efforts, rural craftspeople are in decline, according to the India Foundation for the Arts organisation.<ref name="India Foundation for the Arts">{{cite web|last=Vellani|first=Anmol|title=Sustaining Crafts Development in India|url=http://www.indiaifa.org/index.php?option=com_content&view=article&id=56&Itemid=26|work=India Foundation for the Arts|publisher=Icarus Design Consultants|accessdate=25 October 2011}}</ref> the rising costs of materials and supplies have placed many craft communities in financial struggle. Hand-made products are now considered to be a fashion statement and an item of luxury.

== References ==
{{Reflist}}

==External links==
{{Commons category|Crafts of India}}

[[Category:Crafts by country|India]]
[[Category:Culture of India]]
[[Category:Indian handicrafts|*]]

Crafts of India - Revision history

Victorhcm at 18:00, 14 November 2025