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		<title>Vilianaizi at 02:52, 30 April 2026</title>
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&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{Short description|Indus Valley Civilisation bronze sculpture}}&lt;br /&gt;
{{Use dmy dates|date=March 2021}}&lt;br /&gt;
{{Infobox artifact&lt;br /&gt;
| name = Dancing Girl&lt;br /&gt;
| image = Dancing girl of Mohenjo-daro.jpg&lt;br /&gt;
| material = [[Bronze]]&lt;br /&gt;
| created = {{circa|2000 BC}}&lt;br /&gt;
| discovered_place = [[Sindh]], [[Pakistan]]&lt;br /&gt;
| discovered_date = 1926&lt;br /&gt;
| location = [[National Museum of India|National Museum]], [[New Delhi]], [[India]]&lt;br /&gt;
| height = 10.5 cm&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
The &amp;#039;&amp;#039;&amp;#039;Dancing Girl&amp;#039;&amp;#039;&amp;#039; is a [[bronze sculpture]] made in [[lost-wax casting]] around {{Circa|2300}}–1750 BC in the [[Indus Valley Civilisation]] city of [[Mohenjo-daro]] (in modern-day [[Pakistan]]),&amp;lt;ref&amp;gt;Harle, J.C., &amp;#039;&amp;#039;The Art and Architecture of the Indian Subcontinent&amp;#039;&amp;#039;, p. 17, 2nd edn. 1994, Yale University Press Pelican History of Art, {{ISBN|0300062176}}&amp;lt;/ref&amp;gt; which was one of the earliest cities. The statue is {{convert|10.5|cm|in}} tall, and depicts a nude young woman or girl with stylized ornaments, standing in a confident, naturalistic pose. &amp;#039;&amp;#039;Dancing Girl&amp;#039;&amp;#039; is highly regarded as a work of art.&lt;br /&gt;
&lt;br /&gt;
The statue was excavated by British archaeologist [[Ernest J. H. Mackay|Ernest Mackay]] in the &amp;quot;HR area&amp;quot; of Mohenjo-daro in 1926.&amp;lt;ref name=national&amp;gt;{{cite web|title=Collections:Pre-History &amp;amp; Archaeology|publisher=National Museum, New Delhi|url=http://nationalmuseumindia.gov.in/en/collections/index/6|access-date=3 February 2014|archive-date=28 September 2020|archive-url=https://web.archive.org/web/20200928223217/http://nationalmuseumindia.gov.in/en/collections/index/6|url-status=live}}&amp;lt;/ref&amp;gt; It is now in the [[National Museum, New Delhi]], having been allocated to India at the [[Partition of India]] in 1947.&lt;br /&gt;
&lt;br /&gt;
==History==&lt;br /&gt;
After excavation at Mohenjo-daro in 1926, this and the other finds were initially deposited in the [[Lahore Museum]], but later moved to the [[Archaeological Survey of India]] headquarters at [[New Delhi]], where a new &amp;quot;Central Imperial Museum&amp;quot; was being planned for the new capital of the [[British Raj]], in which at least a selection would be displayed. It became apparent that Indian independence was approaching, but the [[Partition of India]] was not anticipated until late in the process.&lt;br /&gt;
&lt;br /&gt;
The new Pakistani authorities requested the return of the Mohenjo-daro pieces excavated on their territory, but the Indian authorities refused. Eventually an agreement was reached, whereby the finds, totalling some 12,000 objects (most [[sherd]]s of pottery), were split equally between the countries; in some cases this was taken very literally, with some necklaces and girdles having their beads separated into two piles. In the case of the &amp;quot;two most celebrated sculpted figures&amp;quot;, Pakistan asked for and received the [[Mohenjo-daro Priest-King|so-called &amp;#039;&amp;#039;Priest-King&amp;#039;&amp;#039; figure]], while India retained the much smaller &amp;#039;&amp;#039;Dancing Girl&amp;#039;&amp;#039;.&amp;lt;ref&amp;gt;Singh, 111-112 (112 quoted)&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Despite the division of the Mohenjo-daro finds having been agreed by the two governments at partition, some Pakistani politicians have subsequently demanded that the &amp;#039;&amp;#039;Dancing Girl&amp;#039;&amp;#039; be returned to Pakistan.&amp;lt;ref&amp;gt;{{cite news |last=Mansoor |first=Hasan |date=11 October 2016 |title=Pakistan needs to do homework for Dancing Girl&amp;#039;s return |url=https://www.dawn.com/news/1289410 |work=Dawn |access-date=11 October 2016 |archive-date=11 October 2016 |archive-url=https://web.archive.org/web/20161011125257/http://www.dawn.com/news/1289410 |url-status=live }}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
In 2016, a Pakistani barrister, Javed Iqbal Jaffery, petitioned the Lahore High Court for the return of the statue, claiming that it had been &amp;quot;taken from Pakistan 60 years ago on the request of the National Arts Council in Delhi but never returned&amp;quot;. According to him, the &amp;#039;&amp;#039;Dancing Girl&amp;#039;&amp;#039; was to Pakistan what Da Vinci&amp;#039;s &amp;#039;&amp;#039;[[Mona Lisa]]&amp;#039;&amp;#039; was to Europe.&amp;lt;ref name=&amp;quot;dawn&amp;quot;&amp;gt;{{Cite news |date=2016-10-11 |title=Move to bring &amp;#039;Dancing Girl&amp;#039; back from India |url=https://www.dawn.com/news/1289393 |access-date=2017-04-18 |work=DAWN.COM |language=en |archive-date=19 April 2017 |archive-url=https://web.archive.org/web/20170419101305/https://www.dawn.com/news/1289393 |url-status=live }}&amp;lt;/ref&amp;gt; However, no public request to India has been made by the Pakistani government.&amp;lt;!-- If you think it has been, it should be easy to provide good references, right? --&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Description==&lt;br /&gt;
This is one of two bronze figures found at Mohenjo-daro that show more flexible features when compared to other more formal poses. The girl is nude, wears a number of [[bangle]]s and a necklace and is shown in a natural standing position with one hand on her hip.&amp;lt;ref name=&amp;quot;jane&amp;quot;&amp;gt;{{cite book|last1=McIntosh|first1=Jane R.|title=The Ancient Indus Valley : New Perspectives|date=2008|publisher=ABC-CLIO|location=Santa Barbara, California|isbn=9781576079072|pages=281, 407|url=https://books.google.com/books?id=1AJO2A-CbccC&amp;amp;q=dancing+girl|access-date=15 November 2014}}&amp;lt;/ref&amp;gt; She wears 24 to 25 [[bangle]]s on her left arm and 4 bangles on her right arm, and some object was held in her left hand, which is resting on her thigh; both arms are unusually long.&amp;lt;ref name=&amp;quot;singh&amp;quot;&amp;gt;{{cite book|last1=Singh|first1=Upinder|title=A History of Ancient and Early Medieval India : from the Stone Age to the 12th century|date=2008|publisher=Pearson Education|location=New Delhi|isbn=9788131711200|page=162|url=https://books.google.com/books?id=H3lUIIYxWkEC&amp;amp;q=dancing+girl+harappa&amp;amp;pg=PA162|access-date=15 November 2014|archive-date=19 November 2023|archive-url=https://web.archive.org/web/20231119083024/https://books.google.com/books?id=H3lUIIYxWkEC&amp;amp;q=dancing+girl+harappa&amp;amp;pg=PA162#v=snippet&amp;amp;q=dancing%20girl%20harappa&amp;amp;f=false|url-status=live}}&amp;lt;/ref&amp;gt; Her necklace has three big pendants. She has her long hair styled in a big bun that is resting on her shoulder.&amp;lt;ref&amp;gt;{{Cite book|url=https://books.google.com/books?id=e--vDQAAQBAJ&amp;amp;q=aesthetics+of+the+dancing+girl+mohenjodaro&amp;amp;pg=PA34|title=Origin of Indians and their Spacetime|last=Nalapat|first=Dr Suvarna|date=2013-02-16|publisher=D C Books|isbn=9789381699188|language=en|access-date=16 October 2020|archive-date=19 November 2023|archive-url=https://web.archive.org/web/20231119083045/https://books.google.com/books?id=e--vDQAAQBAJ&amp;amp;q=aesthetics+of+the+dancing+girl+mohenjodaro&amp;amp;pg=PA34#v=snippet&amp;amp;q=aesthetics%20of%20the%20dancing%20girl%20mohenjodaro&amp;amp;f=false|url-status=live}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Interpretations==&lt;br /&gt;
{{multiple image&lt;br /&gt;
| perrow            = 2&lt;br /&gt;
| total_width       = 350&lt;br /&gt;
| caption_align     = center&lt;br /&gt;
| align             = right&lt;br /&gt;
| direction         = horizontal&lt;br /&gt;
| header            = &lt;br /&gt;
| image1            = The Dancing Girl, in a photogravure by Alfred Nawrath,1938.jpg&lt;br /&gt;
| caption1          = &lt;br /&gt;
| image2            = Bronze dancing girl (back view).jpg&lt;br /&gt;
| caption2          = &lt;br /&gt;
| footer            = Bronze dancing girl (front and back views)&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
In 1973, British archaeologist [[Mortimer Wheeler]] described the item as his favourite statuette:&lt;br /&gt;
&amp;lt;blockquote&amp;gt;&lt;br /&gt;
She&amp;#039;s about fifteen years old I should think, not more, but she stands there with bangles all the way up her arm and nothing else on. A girl perfectly, for the moment, perfectly confident of herself and the world. There&amp;#039;s nothing like her, I think, in the world.&amp;lt;ref&amp;gt;{{cite web|title=The Dancing Girl of Mohenjo-Daro – Who Was She?|publisher=thoughtco.com|url=https://www.thoughtco.com/the-dancing-girl-of-mohenjo-daro-171329|access-date=29 March 2017|archive-date=30 March 2017|archive-url=https://web.archive.org/web/20170330085519/https://www.thoughtco.com/the-dancing-girl-of-mohenjo-daro-171329|url-status=live}}&amp;lt;/ref&amp;gt;&amp;lt;/blockquote&amp;gt;&lt;br /&gt;
&lt;br /&gt;
John Marshall, the archeologist at Mohenjo-daro who found the figure, described the figure as &amp;quot;a young girl, her hand on her hip in a half-impudent posture, and legs slightly forward as she beats time to the music with her legs and feet&amp;quot;.&amp;lt;ref&amp;gt;{{cite book|last=Possehl|first=Gregory|title=The Indus Civilization: A Contemporary Perspective|publisher=AltaMira Press|year=2002|pages=113|isbn=978-0-7591-0172-2}}&amp;lt;/ref&amp;gt; He is known to have reacted with surprise when he saw this statuette. He said &amp;quot;When I first saw them I found it difficult to believe that they were prehistoric.&amp;quot;&amp;lt;ref&amp;gt;{{Cite book|title=Mohenjo daro and Indus Civilization|last=Marshall|first=John|publisher=Arthur Probsthain}}&amp;lt;/ref&amp;gt; The archaeologist [[Gregory Possehl]] described &amp;#039;&amp;#039;Dancing Girl&amp;#039;&amp;#039; as &amp;quot;the most captivating piece of art from an Indus site&amp;quot; and qualified the description of her as a dancer by stating that &amp;quot;We may not be certain that she was a dancer, but she was good at what she did and she knew it.&amp;quot;&amp;lt;ref name=&amp;quot;gregory&amp;quot; /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
To the American IVC specialist [[Jonathan Kenoyer]], the reading of the figure as a dancer is &amp;quot;based on a colonial British perception of Indian dancers, but it more likely represents a woman carrying an offering&amp;quot; (which he also thinks the second figure is doing),&amp;lt;ref&amp;gt;[[Jonathan Mark Kenoyer|Kenoyer, J.M.]] in Matthiae, P; Lamberg-Karlovsky, Carl Clifford, &amp;#039;&amp;#039;Art of the First Cities: The Third Millennium B.C. from the Mediterranean to the Indus&amp;#039;&amp;#039;, p. 391, 2003, Metropolitan Museum of Art (New York, N.Y.), [https://books.google.com/books?id=8l9X_3rHFdEC google books]&amp;lt;/ref&amp;gt; although most sources, such as the [[National Museum of India]], continue to see her as a dancer.&amp;lt;ref name=&amp;quot;national&amp;quot; /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[File:Mohenje-daro statuette, Mackay.jpg|thumb|upright|Second bronze statuette of a girl, now displayed at [[National Museum of Pakistan|Karachi Museum]], Pakistan&amp;lt;ref&amp;gt;{{cite book |last1=Mackay |first1=E. J. H. |title=Further excavations at mohenjo-daro-vol.ii |date=1937 |page=Plate LXXIII |url=https://archive.org/details/in.gov.ignca.9954/page/n159/mode/1up}}&amp;lt;/ref&amp;gt;|left]]&lt;br /&gt;
[[File:Dancing Girl engraving on a potsherd.jpg|alt=Dancing Girl engraving on a potsherd|thumb|upright|Dancing Girl engraving on a piece of red potsherd, discovered at [[Bhirrana]], India]]&lt;br /&gt;
The statue led to two important discoveries about the civilization: first that they knew metal blending, casting and other sophisticated methods, and secondly that entertainment, especially dance, was part of the culture.&amp;lt;ref name=&amp;quot;national&amp;quot; /&amp;gt; The bronze girl was made using the [[lost-wax casting]] technique and shows the expertise of the people in making bronze works during that time.&amp;lt;ref name=&amp;quot;jane&amp;quot; /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
A similar bronze statuette was found by Mackay during his final full season of 1930–1931 at DK-G area in a house at Mohenjo-daro. The preservation, as well as quality of craftsmanship, is inferior to that of the well known &amp;#039;&amp;#039;Dancing Girl&amp;#039;&amp;#039;.&amp;lt;ref name=&amp;quot;gregory&amp;quot;&amp;gt;{{cite book|last1=Possehl|first1=Gregory L.|title=The indus civilization : a contemporary perspective|date=2002|publisher=AltaMira Press|location=Walnut Creek, California|isbn=9780759101722|page=114|edition=2. print.|url=https://books.google.com/books?id=pmAuAsi4ePIC&amp;amp;q=dancing+girl+harappa&amp;amp;pg=PA112|access-date=15 November 2014|archive-date=19 November 2023|archive-url=https://web.archive.org/web/20231119083044/https://books.google.com/books?id=pmAuAsi4ePIC&amp;amp;q=dancing+girl+harappa&amp;amp;pg=PA112#v=snippet&amp;amp;q=dancing%20girl%20harappa&amp;amp;f=false|url-status=live}}&amp;lt;/ref&amp;gt; This second bronze female figure is displayed at the [[National Museum of Pakistan]], Pakistan.&amp;lt;ref&amp;gt;{{cite web|title=Bronze female figure, Mohenjodaro|url=http://www.masterfile.com/stock-photography/image/841-02824318/Bronze-female-figure-Mohenjodaro-Karachi-Museum-Pakistan-Asia|website=Masterfile|access-date=15 November 2014|archive-date=29 November 2014|archive-url=https://web.archive.org/web/20141129022937/http://www.masterfile.com/stock-photography/image/841-02824318/Bronze-female-figure-Mohenjodaro-Karachi-Museum-Pakistan-Asia|url-status=live}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
An engraving on a piece of red [[potsherd]], discovered at [[Bhirrana]], India, a Harappan site in Fatehabad district in Haryana, shows an image that is evocative of &amp;#039;&amp;#039;Dancing Girl&amp;#039;&amp;#039;. The excavation team leader, L. S. Rao, Superintending Archaeologist, Excavation Branch, ASI, remarked that, &amp;quot;the delineation [of the lines in the potsherd] is so true to the stance, including the disposition of the hands, of the bronze that it appears that the craftsman of Bhirrana had first-hand knowledge of the former&amp;quot;.&amp;lt;ref&amp;gt;{{cite news |url=http://www.frontline.in/navigation/?type=static&amp;amp;page=flonnet&amp;amp;rdurl=fl2502/stories/20080201504012900.htm |title=Discoveries made at Bhirrana in Haryana provide the missing link in the evolution of Harappan civilisation archaeology |work=Frontline |date=2008-01-19 |access-date=2016-01-20 }}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;pot&amp;quot;&amp;gt;{{cite news|last1=Subramanian|first1=T. S.|title=The ageless tale a potsherd from Bhirrana tells|url=http://www.thehindu.com/todays-paper/article1909703.ece|access-date=15 November 2014|work=The Hindu|date=12 September 2007|archive-date=29 November 2014|archive-url=https://web.archive.org/web/20141129021905/http://www.thehindu.com/todays-paper/article1909703.ece|url-status=live}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Notes==&lt;br /&gt;
{{reflist}}&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
*Craddock PT. 2015.&amp;amp;nbsp;[http://www.insa.nic.in/writereaddata/UpLoadedFiles/IJHS/Vol50_2015_1_Art05.pdf The metal casting tradiitons of South Asia: Continuity and innovation.]&amp;amp;nbsp;&amp;#039;&amp;#039;Indian Journal of History of Science&amp;#039;&amp;#039;&amp;amp;nbsp;50(1):55–82.&lt;br /&gt;
*During Caspers ECL. 1987.&amp;amp;nbsp;[http://cat.inist.fr/?aModele=afficheN&amp;amp;cpsidt=11835529 Was the dancing girl from Mohenjo-daro a Nubian?]&amp;#039;&amp;#039;Annali, Istituto Oriental di Napoli&amp;#039;&amp;#039;&amp;amp;nbsp;47(1):99–105.&lt;br /&gt;
*[[Jonathan Mark Kenoyer|Kenoyer JM.]] 1998. Seals and sculpture of the Indus cities.&amp;amp;nbsp;&amp;#039;&amp;#039;Minerva&amp;#039;&amp;#039;&amp;amp;nbsp;9(2):19–24.&lt;br /&gt;
*[[Gregory Possehl|Possehl GL.]] 2002.&amp;amp;nbsp;&amp;#039;&amp;#039;The Indus Civilization: A Contemporary Perspective&amp;#039;&amp;#039;. Walnut Creek, California: Altamira Press.&lt;br /&gt;
*Prakash B. 1983.&amp;amp;nbsp;[http://www.bcin.ca/Interface/openbcin.cgi?submit=submit&amp;amp;Chinkey=68234 Metallurgy in India through the ages.] {{Webarchive|url=https://web.archive.org/web/20160412081747/http://www.bcin.ca/Interface/openbcin.cgi?submit=submit&amp;amp;Chinkey=68234 |date=12 April 2016 }}&amp;amp;nbsp;&amp;#039;&amp;#039;Bulletin of the Metals Museum of the Japan Institute of Metals&amp;#039;&amp;#039;&amp;amp;nbsp;8:23–36.&lt;br /&gt;
*Sadasivan B. 2011.&amp;amp;nbsp;&amp;#039;&amp;#039;The Dancing Girl: A History of Early India.&amp;#039;&amp;#039;&amp;amp;nbsp;Singapore: Institute of Southeast Asian Studies.&lt;br /&gt;
*Singh, Kavita, &amp;quot;The Museum Is National&amp;quot;, Chapter 4 in: Mathur, Saloni and Singh, Kavita (eds), &amp;#039;&amp;#039;No Touching, No Spitting, No Praying: The Museum in South Asia&amp;#039;&amp;#039;, 2015, Routledge, [https://www.academia.edu/12710849/The_Museum_is_National PDF on academia.edu] (nb this is different from the article by the same author with the same title in &amp;#039;&amp;#039;India International Centre Quarterly&amp;#039;&amp;#039;, vol. 29, no. 3/4, 2002, pp.&amp;amp;nbsp;176–196, [https://www.jstor.org/stable/23005825 JSTOR], which does not mention this work)&lt;br /&gt;
&lt;br /&gt;
{{Indus Valley Civilization}}&lt;br /&gt;
[[Category:21st-century BC works]]&lt;br /&gt;
[[Category:3rd-millennium BC sculptures]]&lt;br /&gt;
[[Category:1926 archaeological discoveries]]&lt;br /&gt;
[[Category:Archaeological discoveries in Pakistan]]&lt;br /&gt;
[[Category:Bronze sculptures in India]]&lt;br /&gt;
[[Category:Mohenjo-daro]]&lt;br /&gt;
[[Category:Prehistoric sculpture]]&lt;br /&gt;
[[Category:Statues in India]]&lt;br /&gt;
[[Category:Sculptures of dancers]]&lt;br /&gt;
[[Category:Pakistani sculpture]]&lt;br /&gt;
[[Category:Bronze Age art]]&lt;br /&gt;
[[Category:Nude sculptures of women]]&lt;br /&gt;
[[Category:Sculptures of women in India]]&lt;br /&gt;
[[Category:Ancient art in metal]]&lt;br /&gt;
[[Category:Statues of women]]&lt;br /&gt;
[[Category:Sculptures of children]]&lt;/div&gt;</summary>
		<author><name>Vilianaizi</name></author>
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