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	<title>Dastangoi - Revision history</title>
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		<id>https://indianpedia.org/index.php?title=Dastangoi&amp;diff=113998&amp;oldid=prev</id>
		<title>&gt;GreenC bot at 07:41, 5 July 2021</title>
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		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;[[File:Amir_Khusro.jpg|thumb|Amir Khusrow teaching his disciples]]&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Dastangoi&amp;#039;&amp;#039;&amp;#039; (Urdu: داستان گوئی) is a 13th century [[Urdu language|Urdu]] [[oral storytelling]] art form.&amp;lt;ref name=indianexpress/&amp;gt;&amp;lt;ref&amp;gt;{{Cite web|url=https://www.sundayguardianlive.com/culture/collective-storytellers-reviving-ancient-art-dastangoi|title=How a collective of storytellers is reviving the ancient art of dastangoi|date=2019-06-29|website=The Sunday Guardian Live|language=en-US|access-date=2019-07-30}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&amp;lt;ref name=&amp;quot;:0&amp;quot;&amp;gt;{{Cite web | url=http://dastangoi.com/ | title=Dastangoi - the Re-discovered Art of Urdu Storytelling}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
The Persian style of [[dastan]] evolved in 16th century.&amp;lt;ref&amp;gt;[https://www.punjnud.com/Aarticles_detail.aspx?ArticleID=3289&amp;amp;ArticleTitle=Urdu%20Mein%20Tarikhgoi%20Aur%20Dastangoi%20Ki%20Riwayat%20Aur%20Fan اردو میں تاریخ گوئی اور داستان گوئی کی روایت اور فن]&amp;lt;/ref&amp;gt;&lt;br /&gt;
One of the earliest references in print to dastangoi is a 19th-century text containing 46 volumes of the adventures of Amir Hamza titled &amp;#039;&amp;#039;[[Hamzanama|Dastan e Amir Hamza]]&amp;#039;&amp;#039;.&amp;lt;ref name=&amp;quot;Reuters&amp;quot; /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The art form reached its [[wikt:zenith|zenith]] in the Indian sub-continent in the 19th century and is said to have died with the demise of Mir Baqar Ali in 1928. Dastangoi was revived&amp;lt;ref&amp;gt;{{Cite web|url=http://dastangoi.com/dastangoi-revival|title=Dastangoi - The Re-discovered Art of Urdu Storytelling|website=dastangoi.com|access-date=2019-08-21}}&amp;lt;/ref&amp;gt; by historian, author and director [[Mahmood Farooqui]] in 2005.&amp;lt;ref&amp;gt;{{Cite web|url=http://www.newindianexpress.com/cities/delhi/2019/jul/12/persian-art-of-storytelling-festival-brings-delight-for-delhi-theatre-buffs-2002702.html|title=Persian art of storytelling festival brings delight for Delhi theatre buffs|website=The New Indian Express|access-date=2019-08-21}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
At the centre of dastangoi is the dastango, or storyteller, whose voice is his main artistic tool in orally recreating the [[dastan]] or the story. Notable 19th-century dastangos included Amba Prasad Rasa, Mir Ahmad Ali Rampuri, Muhammad Amir Khan, Syed Husain Jah, and Ghulam Raza.&lt;br /&gt;
[[File:A Story-teller reciting from the &amp;quot;Arabian Nights.&amp;quot; (1911) - TIMEA.jpg|thumb|A female dastango standing and reciting from the &amp;quot;[[Arabian Nights]]&amp;quot; while the audience sits around her, 1911]]&lt;br /&gt;
[[File:Indian Kathakar Storyteller 1913.jpg|thumb|&amp;#039;&amp;#039;[[Vyasa]]&amp;#039;&amp;#039; (sitting on high table), the common title for Indian oral storytellers, reciting epics among villagers, 1913]]&lt;br /&gt;
[[File:Dastangoi_Oral_storytelling_india.jpg|thumb|21st century, dastangoi artist [[Syed Sahil Agha]] reciting the &amp;#039;&amp;#039;Dastan-e-Amir Khusrau&amp;#039;&amp;#039;]]&lt;br /&gt;
&lt;br /&gt;
== Etymology ==&lt;br /&gt;
Dastangoi has its origin in the [[Persian language]]. &amp;#039;&amp;#039;Dastan&amp;#039;&amp;#039; means a tale; the suffix &amp;#039;&amp;#039;-goi&amp;#039;&amp;#039; makes the word mean &amp;quot;to tell a tale&amp;quot;.&amp;lt;ref name=frontline /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==History==&lt;br /&gt;
Indian urban anthropologist [[Ghaus Ansari]] ascribed the origin of dastangoi to [[Pre-Islamic Arabia]], and detailed how the eastward [[spread of Islam]] carried dastangoi to [[Iran]] and then to [[Delhi]] in India.  From Delhi, dastangoi made its way to [[Lucknow]] in the 18th century, aided by the [[Indian Rebellion of 1857]], during which several artists, writers and dastangos moved from Delhi to Lucknow.&lt;br /&gt;
&lt;br /&gt;
In Lucknow, dastangoi was popular across all classes, and was regularly performed at diverse locations including &amp;#039;&amp;#039;chowks&amp;#039;&amp;#039; (city squares), private households, and &amp;#039;&amp;#039;afeem khana&amp;#039;&amp;#039; (public [[opium den|opium houses]]). &amp;quot;It became so popular among opium addicts that they made listening to stories an important element of their gatherings,&amp;quot; wrote Ansari. &amp;quot;The prolonged intoxication and prolonged stories narrated by professional story-tellers was mostly combined. Each afeem khana had its own story-teller to entertain the clients; whereas, among the rich, every household used to appoint a dastango as a member of its staff.&amp;quot;&amp;lt;ref name=peternas/&amp;gt; According to Abdul Halim Sharar, the noted author and historian of nineteenth century Lucknow, the Art of dastangoi, was divided under the following headings:&amp;quot;War&amp;quot;, &amp;quot;Pleasure, &amp;quot;Beauty&amp;quot;, &amp;quot;Love&amp;quot; and &amp;quot;Deception&amp;quot;.&amp;lt;ref&amp;gt;{{cite book|last1=Harcourt|first1=E.S|title=Lucknow the Last Phase of an Oriental Culture|date=2012|publisher=Oxford University Press|location=Delhi|isbn=978-0-19-563375-7|page=92|edition=seventh}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
[[File:Mahmood farooqi .jpg|thumb|Dastangoi was revived&amp;lt;ref&amp;gt;&amp;quot;Dastangoi - The Re-discovered Art of Urdu Storytelling&amp;quot;. dastangoi.com. Retrieved 2019-08-21. {{verify source |date=November 2020 |reason=This ref was deleted Special:Diff/915860615 by a bug in VisualEditor and later restored by a bot in plain-text form. The original cite can be found at Special:Permalink/915858836 (or in a rev close to it) as cite #6 - find and verify the cite and replace this template with it (3). [[User:GreenC_bot/Job_18]]}}&amp;lt;/ref&amp;gt; by [[Mahmood Farooqui]] in 2005. Since then, he has performed thousands of shows across the world.]]&lt;br /&gt;
The early dastango&amp;#039;s told tales of magic, war and adventure, and borrowed freely from other stories such as the [[Arabian Nights]], storytellers such as [[Rumi]], and storytelling traditions such as the [[Panchatantra]]. From the 14th century, Persian dastangois started focusing on the life and adventures of [[Hamza ibn Abdul-Muttalib|Amir Hamza]], the paternal uncle of the Islamic prophet [[Muhammad]]. The Indian stream of dastangoi added storytelling elements such as &amp;#039;&amp;#039;aiyyari&amp;#039;&amp;#039; (trickery) to these tales.&amp;lt;ref name=Context&amp;gt;{{cite journal|last=Farooqui|first=Mahmood|title=Dastangoi: Revival of the Mughal Art of Storytelling|journal=Context: Journal of the Development and Research Organisation for Nature, Arts and Heritage|date=Autumn–Winter 2011|volume=VIII|issue=2|pages=31–37|url=https://www.academia.edu/1572349|accessdate=20 December 2012|archive-url=https://web.archive.org/web/20160722045920/http://www.academia.edu/1572349/Contextpdf|archive-date=2016-07-22|url-status=live}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==List of early Urdu Dastans==&lt;br /&gt;
* &amp;#039;&amp;#039;Sab Ras&amp;#039;&amp;#039; - Mulla Wajhi&lt;br /&gt;
* &amp;#039;&amp;#039;[[Bagh-o-Bahar|Nau tarz-i murassa‘]]&amp;#039;&amp;#039; - Husain ‘Atā Khān Tahsīn&lt;br /&gt;
* &amp;#039;&amp;#039;Nau ā&amp;#039;īn-i hindī (Qissa-i Malik Mahmūd Gīti-Afroz)&amp;#039;&amp;#039; - Mihr Chand Khatrī&lt;br /&gt;
* &amp;#039;&amp;#039;Jazb-i ‘ishq&amp;#039;&amp;#039; - Shāh Husain Haqīqat&lt;br /&gt;
* &amp;#039;&amp;#039;Nau tarz-i murassa‘&amp;#039;&amp;#039; - Muhammad Hādī a.k.a. Mirzā Mughal Ghāfil&lt;br /&gt;
* &amp;#039;&amp;#039;Ārā&amp;#039;ish-i mahfil ([[Hatim al-Tai#Qissa-e-Hatem-tai|Qissa-i Hātim Tā&amp;#039;ī]])&amp;#039;&amp;#039; - Haidar Bakhsh Haidarī&lt;br /&gt;
* &amp;#039;&amp;#039;[[Bagh-o-Bahar|Bāgh o bahār]] (Qissa-i chahār darwesh)&amp;#039;&amp;#039; - [[Mir Amman|Mīr Amman]]&lt;br /&gt;
* &amp;#039;&amp;#039;[[Hamzanama|Dāstān-i Amīr Hamza]]&amp;#039;&amp;#039; - Khalīl ‘Alī Khān Ashk&lt;br /&gt;
* &amp;#039;&amp;#039;Fasana e Ajaib&amp;#039;&amp;#039; - Rajab Ali Baig Suroor&lt;br /&gt;
* &amp;#039;&amp;#039;[[Deval Devi]]-Khizr Khan&amp;#039;&amp;#039; - (Romantic dastan of a [[Vaghela dynasty|Vaghela]] princess and Delhi&amp;#039;s [[Khalji dynasty|Khalji]] king) - [[Amir Khusrau]]&lt;br /&gt;
* Khamsa (Khamsa-e-Khusrau) &amp;#039;&amp;#039;five classical romances dastan&amp;#039;&amp;#039;: [[Hasht-Bihisht (poem)|Hasht-Bihisht]], Matlaul-Anwar, [[Khosrow and Shirin]], [[Layla and Majnun]] and Aaina-Sikandari. - [[Amir Khusrow]]&lt;br /&gt;
&lt;br /&gt;
==Dastangoi in print==&lt;br /&gt;
&lt;br /&gt;
[[Fort William College]] in [[Kolkata]] published an Urdu version of the dastaan of Amir Hamza in the beginning of the 19th century.&amp;lt;ref name=FountainInk&amp;gt;{{cite news|last=Krishnan|first=Nandini|title=Dastaan-e-Dastangoi|url=http://fountainink.in/?p=1947&amp;amp;all=1|accessdate=20 December 2012|newspaper=Fountain Ink|date=4 May 2012|archive-url=https://web.archive.org/web/20121114013446/http://fountainink.in/?p=1947&amp;amp;all=1|archive-date=2012-11-14|url-status=live}}&amp;lt;/ref&amp;gt;   [[Munshi Nawal Kishore]], a publisher in [[Lucknow]], began publishing the dastaans by the 1850s. A few publications were also done in Persian.&lt;br /&gt;
* In 1881, Nawal Kishore commissioned the print edition of the entire Hamza &amp;#039;&amp;#039;dastaan&amp;#039;&amp;#039; from three dastangos, Mohammed Husain Jah, Ahmed Husain Qamar, and Sheikh Tasadduq Husain. Over a period of twenty five years, the trio produced a collection of 46 volumes. Each volume could be read individually or as a part of the complete work.&lt;br /&gt;
* &amp;#039;&amp;#039;Dastan-e-Hind&amp;#039;&amp;#039;, is a collection of &amp;#039;&amp;#039;[[dastan]]&amp;#039;&amp;#039;&amp;#039;s and Indian [[folklore]], has been performed successfully by many artist around the globe, by &amp;#039;&amp;#039;[[Syed Sahil Agha]]&amp;#039;&amp;#039;. 2010.&amp;lt;ref&amp;gt;{{Cite web | work=karmpatr.com| url=http://www.karmpatr.com/2017/12/blog-post_650.html| title=DastanGoi, Dastan-e-Amir kusrow| date=12 December 2017| access-date=12 December 2017}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=purplepencilproject.&amp;gt;{{Cite web | author=prakruti| url=https://www.purplepencilproject.com/dastango-syed-sahil-agha| title=On the art of storytelling: Dastango Syed Sahil Agha| work=www.purplepencilproject.com| date=2019-11-30| access-date=2019-11-30}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;#039;&amp;#039;Toh Hazireen Hua Yun... Dastan-e-Ankit Chadha&amp;#039;&amp;#039; - A collection of dastans woven, by &amp;#039;&amp;#039;[[Ankit Chadha]]&amp;#039;&amp;#039;. 2019.&amp;lt;ref name=&amp;quot;:16&amp;quot;&amp;gt;{{Cite web|url=http://epaper.indianexpress.com/1943770/Delhi/December-19-2018#clip/34998887/dbcebfd3-13b7-493a-a7d0-85b8512c278c/524.5714285714286:329.1613483146068|title=Stories Never Die|last=Indian Express Delhi|website=epaper.indianexpress.com|archive-url=https://web.archive.org/web/20181222082118/http://epaper.indianexpress.com/1943770/Delhi/December-19-2018#clip/34998887/dbcebfd3-13b7-493a-a7d0-85b8512c278c/524.5714285714286:329.1613483146068|archive-date=22 December 2018|url-status=live|access-date=2018-12-21}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;:17&amp;quot;&amp;gt;{{Cite book|title=To Hazreen Hua Yun...|last=Chadha|first=Ankit|date=2018|publisher=SAKSHI PRAKASHAN|isbn=9789384456726}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;#039;&amp;#039;Dastangoi-2&amp;#039;&amp;#039; is a sequel to earlier book. It contains the collection of modern dastans written and adapted, by &amp;#039;&amp;#039;[[Mahmood Farooqui]]&amp;#039;&amp;#039;. 2019.&lt;br /&gt;
&lt;br /&gt;
==See also==&lt;br /&gt;
*[[Dastan]]&lt;br /&gt;
*[[List of Urdu prose dastans]]&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
{{Reflist |refs=&lt;br /&gt;
&amp;lt;ref name=indianexpress&amp;gt;{{cite news&lt;br /&gt;
 |title        = Walk Back In Time: Experience life in Nizamuddin Basti, the traditional way&lt;br /&gt;
 |url          = http://www.indianexpress.com/news/walk-back-in-time-experience-life-in-nizamuddin-basti-the-traditional-way/1037722/&lt;br /&gt;
 |accessdate   = 18 December 2012&lt;br /&gt;
 |newspaper    = [[The Indian Express]]&lt;br /&gt;
 |date         = 29 November 2012&lt;br /&gt;
 |archive-url  = https://web.archive.org/web/20130318022905/http://www.indianexpress.com/news/walk-back-in-time-experience-life-in-nizamuddin-basti-the-traditional-way/1037722&lt;br /&gt;
 |archive-date = 2013-03-18&lt;br /&gt;
 |url-status     = live&lt;br /&gt;
}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;ref name=frontline&amp;gt;&lt;br /&gt;
{{cite news&lt;br /&gt;
|last=Sayeed&lt;br /&gt;
|first=Vikram Ahmed&lt;br /&gt;
|title=Return of dastangoi&lt;br /&gt;
|url=http://www.frontlineonnet.com/fl2801/stories/20110114280109800.htm&lt;br /&gt;
|accessdate=18 December 2012&lt;br /&gt;
|newspaper=[[Frontline (magazine)|Frontline]]&lt;br /&gt;
|date=14 January 2011&lt;br /&gt;
|url-status=dead&lt;br /&gt;
|archiveurl=https://web.archive.org/web/20120118062906/http://www.frontlineonnet.com/fl2801/stories/20110114280109800.htm&lt;br /&gt;
|archivedate=18 January 2012&lt;br /&gt;
}}&lt;br /&gt;
&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;!-- unused ref  &amp;lt;ref name=Dawn&amp;gt;{{cite news&lt;br /&gt;
 |last         = Ahmed&lt;br /&gt;
 |first        = Shoaib&lt;br /&gt;
 |title        = Indian storytellers bring Dastangoi to Alhamra&lt;br /&gt;
 |url          = http://dawn.com/2012/12/06/indian-storytellers-bring-dastangoi-to-alhamra-2/&lt;br /&gt;
 |accessdate   = 18 December 2012&lt;br /&gt;
 |newspaper    = [[Dawn (newspaper)|Dawn]]&lt;br /&gt;
 |date         = 6 December 2012&lt;br /&gt;
 |archive-url  = https://web.archive.org/web/20121214210448/http://dawn.com/2012/12/06/indian-storytellers-bring-dastangoi-to-alhamra-2/&lt;br /&gt;
 |archive-date = 2012-12-14&lt;br /&gt;
 |url-status     = live&lt;br /&gt;
}}&amp;lt;/ref&amp;gt;--&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;ref name=Reuters&amp;gt;{{cite news&lt;br /&gt;
 |last         = Thakur&lt;br /&gt;
 |first        = Arnika&lt;br /&gt;
 |title        = Dastangoi magic revives lost medieval tales&lt;br /&gt;
 |url          = https://www.reuters.com/article/uk-india-tales-idUSLNE78T02220110930&lt;br /&gt;
 |accessdate   = 18 December 2012&lt;br /&gt;
 |newspaper    = [[Reuters]]&lt;br /&gt;
 |date         = 30 September 2011&lt;br /&gt;
 |archive-url  = https://web.archive.org/web/20111003150551/http://www.reuters.com/article/2011/09/30/uk-india-tales-idUSLNE78T02220110930&lt;br /&gt;
 |archive-date = 2011-10-03&lt;br /&gt;
 |url-status     = live&lt;br /&gt;
}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;!-- &amp;lt;ref name=timesofindia&amp;gt;{{cite news&lt;br /&gt;
 |last         = Varma&lt;br /&gt;
 |first        = Anuradha&lt;br /&gt;
 |title        = ″Dastangoi is a fun tradition: Mahmood Farooqui″&lt;br /&gt;
 |url          = http://articles.timesofindia.indiatimes.com/2011-07-29/news-interviews/29829149_1_dastangoi-urdu-storytelling&lt;br /&gt;
 |accessdate   = 18 December 2012&lt;br /&gt;
 |newspaper    = [[The Times of India]]&lt;br /&gt;
 |date         = 29 July 2011&lt;br /&gt;
 |archive-url  = https://web.archive.org/web/20140202154506/http://articles.timesofindia.indiatimes.com/2011-07-29/news-interviews/29829149_1_dastangoi-urdu-storytelling&lt;br /&gt;
 |archive-date = 2014-02-02&lt;br /&gt;
 |url-status     = dead&lt;br /&gt;
}}&amp;lt;/ref&amp;gt;--&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;ref name=peternas&amp;gt;{{cite book&lt;br /&gt;
 |last         = Nas&lt;br /&gt;
 |first        = Peter J.M.&lt;br /&gt;
 |title        = Urban Symbolism&lt;br /&gt;
 |year         = 1993&lt;br /&gt;
 |publisher    = Brill&lt;br /&gt;
 |location     = Leiden&lt;br /&gt;
 |isbn         = 9789004098558&lt;br /&gt;
 |pages        = 335–336&lt;br /&gt;
 |url          = http://www.brill.com/urban-symbolism&lt;br /&gt;
 |access-date  = 2012-12-19&lt;br /&gt;
 |archive-url  = https://web.archive.org/web/20131114171900/http://www.brill.com/urban-symbolism&lt;br /&gt;
 |archive-date = 2013-11-14&lt;br /&gt;
 |url-status     = live&lt;br /&gt;
}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
==External links==&lt;br /&gt;
* {{cite book|last=Pritchett|first=Frances W.|url=http://www.columbia.edu/itc/mealac/pritchett/00litlinks/hamzah/index.html|title=The Romance Tradition in Urdu : Adventures from the Dastan of Amir Hamzah|publisher=[[Columbia University Press]]|accessdate=19 December 2012|year=1991|isbn=9780231071642}}&lt;br /&gt;
* {{cite journal|last=Farooqui|first=Mahmood|title=Dastangoi: Revival of the Mughal art of storytelling|journal=Context: Journal of the Development and Research Organisation for Nature Arts and Heritage|date=Autumn–Winter 2011|volume=VIII|issue=2|pages=31–37|url=https://www.academia.edu/1572349|accessdate=19 December 2012}}&lt;br /&gt;
* {{cite book|last=Ghalib Lakhnavi &amp;amp; Abdullah Bilgram, trans Musharraf Ali Farooqi|title=The Adventures of Amir Hamza: Special Abridged Edition|year=2012|publisher=[[Modern Library]]|location=New York|isbn=978-0-8129-7744-8}}&lt;br /&gt;
&lt;br /&gt;
[[Category:Spoken word]]&lt;br /&gt;
[[Category:Storytelling]]&lt;br /&gt;
[[Category:Urdu-language culture]]&lt;/div&gt;</summary>
		<author><name>&gt;GreenC bot</name></author>
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