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&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{Short description|Indian actress and singer (born 1954)}}&lt;br /&gt;
{{Use dmy dates|date=April 2025}}&lt;br /&gt;
{{Use Indian English|date=April 2025}}&lt;br /&gt;
{{Infobox person&lt;br /&gt;
| name         = Fatima D&amp;#039;Souza&lt;br /&gt;
| image        = Fatima D&amp;#039;Souza and Rita Rose at Tiatr Day 2017 (cropped).jpg&lt;br /&gt;
| caption      = D&amp;#039;Souza at the [[Kala Academy]], 2017&lt;br /&gt;
| birth_name   = Fatima Apolonia Claudina D&amp;#039;Souza&lt;br /&gt;
| birth_place  = [[Bombay]], [[Bombay State]], India&lt;br /&gt;
| birth_date   = {{birth date and age|1954|11|15|df=y}}&lt;br /&gt;
| other_names  = {{hlist|English Madam|Fatima A.C.&amp;lt;ref&amp;gt;{{Cite web|url=https://www.artandculture.goa.gov.in/en/fatima-ac|title=Fatima A.C. &amp;amp;#124; Directorate of Art and Culture, Government of Goa, India|website=www.artandculture.goa.gov.in|access-date=2024-01-29|archive-date=2024-01-29|archive-url=https://web.archive.org/web/20240129152607/https://www.artandculture.goa.gov.in/en/fatima-ac|url-status=live}}&amp;lt;/ref&amp;gt;|Fatima D&amp;#039;Souza Devulkar&amp;lt;ref&amp;gt;{{cite book | url=https://books.google.com/books?id=vKAbygAACAAJ | isbn=978-93-80739-01-4 | title=When the Curtains Rise--: Understanding Goa&amp;#039;s Vibrant Konkani Theatre | publisher=Tiatr Academy of Goa | access-date=2024-01-29 | archive-date=2023-11-26 | archive-url=https://web.archive.org/web/20231126045216/https://books.google.com/books?id=vKAbygAACAAJ | url-status=live }}&amp;lt;/ref&amp;gt;}}&lt;br /&gt;
| occupation   = {{hlist|Actress|singer}}&lt;br /&gt;
| father       = [[A. K. D&amp;#039;Souza]]&lt;br /&gt;
| spouse       = {{marriage|[[Anil Kumar (actor)|Anil Kumar]]|1982|2015|reason=died}}&lt;br /&gt;
| children     = 1&lt;br /&gt;
| years_active = 1968–present&lt;br /&gt;
| relatives    = {{ubl|&lt;br /&gt;
* [[Antonette Mendes]] (sister)&lt;br /&gt;
* [[Romeo Mendes]] (brother-in-law)&lt;br /&gt;
* [[Jose Rod]]&amp;lt;br/&amp;gt;(nephew-in-law)}}&lt;br /&gt;
| website      = {{URL|facebook.com/fatima.dsouza.7792}}&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Fatima Apolonia Claudina D&amp;#039;Souza&amp;#039;&amp;#039;&amp;#039; (born 15 November 1954) is an Indian actress and singer known for her work in [[Konkani cinema|Konkani films]] and &amp;#039;&amp;#039;[[tiatr]]&amp;#039;&amp;#039; productions. Referred to as the &amp;quot;English Madam&amp;quot; by [[Konkani language|Konkani]] playwright [[John Claro]], she made her debut on the Konkani stage as [[child Jesus]] in [[J. P. Souzalin]]&amp;#039;s [[Liturgical drama|religious]] &amp;#039;&amp;#039;tiatr Saibinnicheo Sat Dukhi&amp;#039;&amp;#039;.&lt;br /&gt;
&lt;br /&gt;
==Early life==&lt;br /&gt;
Fatima Apolonia Claudina D&amp;#039;Souza, born on 15 November 1954, in [[Bombay]] (formerly part of [[Bombay State]] in India), belonged to a family deeply involved in the world of &amp;#039;&amp;#039;[[tiatr]]&amp;#039;&amp;#039;, a popular form of theater in the [[Konkan region]] and [[Goa]]. Her father, [[A. K. D&amp;#039;Souza]], was a &amp;#039;&amp;#039;tiatr&amp;#039;&amp;#039; writer and director, organizing performances in Bombay and London during the 1950s. Her mother, Innocencia Alves, was a singer, while her sister, [[Antonette Mendes]], made her mark as an artiste in &amp;#039;&amp;#039;tiatr&amp;#039;&amp;#039; and [[Konkani cinema|Konkani films]]. Growing up, D&amp;#039;Souza had the privilege of witnessing &amp;#039;&amp;#039;tiatr&amp;#039;&amp;#039; rehearsals taking place in her own home, surrounded by the art form that would later shape her career. D&amp;#039;Souza&amp;#039;s introduction to acting came at the age of 6 or 7 when she took on the role of the [[child Jesus]] in [[J. P. Souzalin]]&amp;#039;s &amp;#039;&amp;#039;tiatr&amp;#039;&amp;#039; production, with [[Shalini Mardolkar]] portraying the character of [[Mother Mary]]. She pursued her education at Barretto High School in [[Cavel]], followed by enrollment at Davar&amp;#039;s College and Eden Commercial College in Bombay.&amp;lt;ref name=&amp;quot;:0&amp;quot; /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
A milestone in D&amp;#039;Souza&amp;#039;s early career was her involvement in J. P. Souzalin&amp;#039;s popular &amp;#039;&amp;#039;tiatr&amp;#039;&amp;#039; production titled &amp;#039;&amp;#039;Sat Dukhi&amp;#039;&amp;#039;, which graced the stage of the Princess Theatre in Bhangwadi, Bombay. In this production, D&amp;#039;Souza portrayed Jesus at the age of 12, during the scene where he goes missing in the temple. Shalini Mardolkar, in the role of Mother Mary, guided Jesus onto the stage. D&amp;#039;Souza lived in close proximity to the Princess Theatre in [[Marine Lines]], and she frequently accompanied her sister to various shows. It was during one such occasion that J. P. Souzalin noticed her backstage and recognized her suitability to assume the role of the 12-year-old Jesus.&amp;lt;ref name=&amp;quot;:1&amp;quot; /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
D&amp;#039;Souza&amp;#039;s father, who was also a seaman, possessed a talent for writing tiatrs and composing songs, which greatly influenced his daughter. In the neighborhood of [[Chira Bazaar]], Bombay, an annual celebration of [[Anthony of Padua|St. Anthony]]&amp;#039;s feast took place within their building. When D&amp;#039;Souza was 11 years old and attending school, she was entrusted with the responsibility of organizing a &amp;#039;&amp;#039;tiatr&amp;#039;&amp;#039; in her building known as Lisboa House in Chira Bazaar. To fulfill this task, she translated the English play &amp;#039;&amp;#039;[[Snow White and the Seven Dwarfs (1912 play)|Snow White and the Seven Dwarfs]]&amp;#039;&amp;#039; into her native language. Due to a limited number of participants, only five [[Dwarf (folklore)|dwarfs]] were cast instead of the intended seven. D&amp;#039;Souza herself assumed the role of the Princess. Although the young actors portraying the dwarfs made errors, their efforts were well received by the audience, primarily consisting of patrons of the liquor vendors within the building. Generous contributions were collected after the performance, resulting in a substantial sum of money. The following day, a grand celebration was held to honor the participants&amp;#039; achievements.&amp;lt;ref name=&amp;quot;:2&amp;quot; /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Subsequently, D&amp;#039;Souza began showcasing her vocal abilities by singing songs at her school. Balthazar, a resident of the building, recognized her talent and took her along to sing at various club feasts. During this time, compensation came in the form of chocolates and gifts, rather than monetary remuneration. D&amp;#039;Souza&amp;#039;s schoolmates at the municipal school in [[Chandanwadi, Mumbai|Chandanwadi]] included the Mendes brothers. They collaborated on a school production of the English play &amp;#039;&amp;#039;[[Goldilocks and the Three Bears]]&amp;#039;&amp;#039;. Additionally, D&amp;#039;Souza&amp;#039;s sister Antonete was already established in the realm of &amp;#039;&amp;#039;tiatrs&amp;#039;&amp;#039;, and D&amp;#039;Souza often accompanied her to these performances, assisting with hairstyling and other tasks. As fate would have it, D&amp;#039;Souza began substituting for Antonete in her roles whenever she fell ill or was absent. This opportunity led to her receiving her first official role from the Mendes brothers in their tiatr production titled &amp;#039;&amp;#039;Irmanvancho Cheddo Mhozo Put&amp;#039;&amp;#039;. D&amp;#039;Souza showcased her talents in Bombay and also embarked on a visit to Goa in 1975.&amp;lt;ref name=&amp;quot;:2&amp;quot; /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Career==&lt;br /&gt;
The [[Goan]] clubs in [[Bombay]] organized &amp;#039;&amp;#039;[[tiatrs]]&amp;#039;&amp;#039;, a form of theater. D&amp;#039;Souza&amp;#039;s sister [[Antonette Mendes]], a highly sought-after actress, regularly performed on stage. During one of the shows by [[Remmie Colaço]], D&amp;#039;Souza took over her sister&amp;#039;s role. It was during this performance that she caught the attention of the Mendes Brothers. Impressed by her talent, they invited her to become their main actress in the production called &amp;#039;&amp;#039;Irmaumcho Cheddo Mhozo Put&amp;#039;&amp;#039; (My Brother&amp;#039;s Son is my Son). D&amp;#039;Souza had to resign from her recently joined job to join the troupe, which was heading to [[Goa]] for performances. Working with the Mendes Brothers was a great experience, and the &amp;#039;&amp;#039;tiatr&amp;#039;&amp;#039; became a success, propelling D&amp;#039;Souza&amp;#039;s on-stage career to new heights. She went on to collaborate with several Konkani directors, including [[M. Boyer]], [[Prem Kumar (Konkani actor)|Prem Kumar]], [[Remmie Colaço]], [[Jacinto Vaz]], and [[Robin Vaz]]. Some of the productions she acted in were &amp;#039;&amp;#039;Mog Kazar Divorce&amp;#039;&amp;#039; (Love, Marriage, Divorce), &amp;#039;&amp;#039;Bhurgim ani Bhangar&amp;#039;&amp;#039; (Children and Gold), &amp;#039;&amp;#039;Ordhi Bakhri&amp;#039;&amp;#039; (Half Bakri), &amp;#039;&amp;#039;Vauraddi&amp;#039;&amp;#039; (The Labourer), &amp;#039;&amp;#039;Atancho teomp&amp;#039;&amp;#039;, &amp;#039;&amp;#039;Don Kallzam&amp;#039;&amp;#039; (Two Hearts), &amp;#039;&amp;#039;Kunead ani Mana&amp;#039;&amp;#039;, &amp;#039;&amp;#039;Nitidar&amp;#039;&amp;#039;, &amp;#039;&amp;#039;Dev Bap&amp;#039;&amp;#039; (God the Father), &amp;#039;&amp;#039;Fatima Saibinnn&amp;#039;&amp;#039; (Our Lady of Fatima), &amp;#039;&amp;#039;Ekuch Rosto&amp;#039;&amp;#039; (The Only Way), &amp;#039;&amp;#039;Inglez Madam&amp;#039;&amp;#039; (English Madam), and &amp;#039;&amp;#039;Mhozo Khuris&amp;#039;&amp;#039; (My Cross).&amp;lt;ref name=&amp;quot;:0&amp;quot;&amp;gt;{{Cite web | date=2019-06-23 |title=Bombay to Goa… …for the love of tiatr | newspaper=The Navhind Times |url=https://www.navhindtimes.in/2019/06/23/magazines/buzz/bombay-to-goa-for-the-love-of-tiatr/ |access-date=2024-01-29 |language=en-US |archive-date=2024-01-07 |archive-url=https://web.archive.org/web/20240107200223/https://www.navhindtimes.in/2019/06/23/magazines/buzz/bombay-to-goa-for-the-love-of-tiatr/ |url-status=live }}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
One of her notable roles was in the &amp;#039;&amp;#039;tiatr&amp;#039;&amp;#039; titled &amp;#039;&amp;#039;Inglez Madam&amp;#039;&amp;#039;, written by playwright [[John Claro]]. D&amp;#039;Souza portrayed the lead character, a European lady who marries a Goan boy and moves to Goa. The play explored the cultural and social divide she encountered in her new surroundings. D&amp;#039;Souza&amp;#039;s fluency in spoken English allowed her to convincingly portray the role of the English lady, which resonated with the audience. Her fair complexion also contributed to her appeal, drawing many visitors to the [[green room]] to catch a glimpse of the &amp;quot;English Lady.&amp;quot; John Claro bestowed upon her the title of &amp;quot;English Madam&amp;quot; for her performance, a name that has remained associated with her throughout her career.&amp;lt;ref name=&amp;quot;:1&amp;quot;&amp;gt;{{Cite web |title=Welcoming the English Madam |url=https://www.thegoan.net/goa-news/welcoming-the-english-madam/2762.html |access-date=2024-01-29 |website=The Goan EveryDay |language=en |archive-date=2024-01-29 |archive-url=https://web.archive.org/web/20240129125055/https://www.thegoan.net/goa-news/welcoming-the-english-madam/2762.html |url-status=live }}&amp;lt;/ref&amp;gt; D&amp;#039;Souza recalled a memorable incident during a comedic scene with Jacinto Vaz and M. Boyer. Due to her youthful nature, she accidentally referred to one of them as &amp;quot;uncle&amp;quot; instead of using his name in one of the dialogues. The audience burst into laughter, and Boyer added a humorous remark, stating that she had to call him &amp;quot;uncle&amp;quot; in the presence of a younger person.&amp;lt;ref name=&amp;quot;:0&amp;quot; /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
In 1983, D&amp;#039;Souza had the opportunity to showcase her acting skills in M. Boyer&amp;#039;s &amp;#039;&amp;#039;tiatr&amp;#039;&amp;#039; production titled &amp;#039;&amp;#039;Ekuch Rosto&amp;#039;&amp;#039;. During one of the performances, [[Prince Jacob]] attended the show and expressed his admiration for her talent. Following the &amp;#039;&amp;#039;tiatr&amp;#039;&amp;#039;, he approached D&amp;#039;Souza and invited her to act in his non-stop tiatr production. Initially hesitant due to concerns about the perceived status of the role, she eventually reconsidered, recognizing the opportunity to test her abilities and gain valuable experience. D&amp;#039;Souza accepted Jacob&amp;#039;s offer and became part of his non-stop show called &amp;#039;&amp;#039;Panvdde&amp;#039;&amp;#039; (The Staircase), which consisted of a 103 performances. This successful collaboration paved the way for her involvement in other productions, including Rosario Rodrigues&amp;#039; &amp;#039;&amp;#039;Uzvadd Paloulo&amp;#039;&amp;#039;, which achieved a run of 100 shows. Subsequently, she worked with directors such as [[C. D&amp;#039;Silva]], Jack Ferry, Mini Mario, Menin de Bandar, Ligorio Fernandes, [[Roseferns]], Pascoal Rodrigues, [[John D&amp;#039;Silva]], A. M. Pacheco, and others.&amp;lt;ref name=&amp;quot;:2&amp;quot;&amp;gt;{{Cite book |last=Mazarello |first=Wilson |title=Konkani Khell Tiatr |publisher=[[Dalgado Konknni Akademi]] |location=Panaji, Goa |publication-date=10 March 2018 |pages=183–185}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Konkani historian and singer [[Wilson Mazarello]] writes, D&amp;#039;Souza is known for her versatility as an actress, delivering performances across a wide range of roles. Her dedication to her craft is evident in her meticulous approach to studying and understanding each character she portrays. Audiences have consistently praised her acting abilities, and she is highly sought after by Konkani directors like M. Boyer, Prem Kumar, and Robin Vaz. In addition to her acting prowess, D&amp;#039;Souza is also a singer, often collaborating with artists such as Robin Vaz and Joe Rose to create [[duet]]s and [[Trio (music)|trio]]s. Her vocal talents have been showcased on numerous [[audio cassette]]s, and she has even released two cassettes of her own.&amp;lt;ref name=&amp;quot;:3&amp;quot;&amp;gt;{{Cite book |url=https://books.google.com/books?id=K-1PAQAAIAAJ |title=100 Years of Konkani Tiatro |date=2000 |publisher=Government of Goa, Directorate of Art &amp;amp; Culture |pages=238 |language=en |access-date=2024-01-29 |archive-date=2024-01-07 |archive-url=https://web.archive.org/web/20240107200151/https://books.google.com/books?id=K-1PAQAAIAAJ |url-status=live }}&amp;lt;/ref&amp;gt; D&amp;#039;Souza&amp;#039;s acting career extends beyond the &amp;#039;&amp;#039;tiatr&amp;#039;&amp;#039; stage. She has been cast in productions by directors such as [[Wilson Mazarello|Wilmix]]-[[Sharon Mazarello|Sharon]], Mike Mehta, Joe Rose, [[Antonette Mendes]], and [[H. Britton]]. Rosario Rodrigues, in particular, selected her for prominent roles in productions like &amp;#039;&amp;#039;Uzvadd Paloilo&amp;#039;&amp;#039; and &amp;#039;&amp;#039;Kudd&amp;#039;&amp;#039;, while Prince Jacob featured her in &amp;#039;&amp;#039;Paundde&amp;#039;&amp;#039; and &amp;#039;&amp;#039;Pangllo&amp;#039;&amp;#039;. D&amp;#039;Souza&amp;#039;s talent has also been showcased on television, [[All India Radio]] (AIR), and in [[Konkani language|Konkani]] [[VCD]]s, including works such as &amp;#039;&amp;#039;Don Utram&amp;#039;&amp;#039; (Two Words), &amp;#039;&amp;#039;Friends&amp;#039;&amp;#039;, and the award-winning &amp;#039;&amp;#039;Ordem Chaddor&amp;#039;&amp;#039; (The Half Bedsheet), among others.&amp;lt;ref name=&amp;quot;:0&amp;quot; /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Initially, D&amp;#039;Souza&amp;#039;s grasp of the [[Konkani language]] was [[anglicized]]. However, with the guidance of George de Agassaim, she put in the effort to learn to read and sing in Konkani. Additionally, her acting skills were honed under the mentorship of Prem Kumar, who imparted knowledge on acting techniques, effective communication, and self-presentation. Interestingly, it was during the rehearsals of Prem&amp;#039;s production &amp;#039;&amp;#039;Ordhi Bhakri&amp;#039;&amp;#039; that D&amp;#039;Souza crossed paths with her future husband, [[Anil Kumar (actor)|Anil Kumar]], and their romance blossomed. She went on to act in several of Anil&amp;#039;s productions, including the pioneering horror tiatr &amp;#039;&amp;#039;Bhirantt&amp;#039;&amp;#039; (The Fear), as well as &amp;#039;&amp;#039;Saulli&amp;#039;&amp;#039; and &amp;#039;&amp;#039;Dubav Ek Uzo&amp;#039;&amp;#039; (Doubt is a Fire). Furthermore, D&amp;#039;Souza played a pivotal role in the revival of &amp;#039;&amp;#039;Ordhi Bhakri&amp;#039;&amp;#039; and &amp;#039;&amp;#039;Ekuch Rosto&amp;#039;&amp;#039;. Throughout her career, D&amp;#039;Souza has amassed a number of performances in various locations, including Goa, [[Mumbai]], other parts of India, the UK, and the [[Gulf countries]].&amp;lt;ref name=&amp;quot;:0&amp;quot; /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Personal life==&lt;br /&gt;
D&amp;#039;Souza entered into marriage with [[Anil Kumar (actor)|Anil Kumar]], an actor and producer in the [[Konkani language|Konkani]] &amp;#039;&amp;#039;[[tiatr]]&amp;#039;&amp;#039; industry, on 3 December 1982.&amp;lt;ref name=&amp;quot;:4&amp;quot;&amp;gt;{{Cite news |date=2015-02-07 |title=Tiatr artiste Anil Kumar loses battle with diabetes |url=https://timesofindia.indiatimes.com/city/goa/tiatr-artiste-anil-kumar-loses-battle-with-diabetes/articleshow/46150067.cms |access-date=2024-01-30 |work=The Times of India |issn=0971-8257 |archive-date=2016-02-24 |archive-url=https://web.archive.org/web/20160224062737/http://timesofindia.indiatimes.com/city/goa/Tiatr-artiste-Anil-Kumar-loses-battle-with-diabetes/articleshow/46150067.cms |url-status=live }}&amp;lt;/ref&amp;gt; The couple had a son named Kenneth, who is currently based in Dubai. D&amp;#039;Souza acknowledges the presence of talented young individuals on the theatrical stage, recognizing them as the future of &amp;#039;&amp;#039;tiatr&amp;#039;&amp;#039;. She appreciates their dedication to honing their skills through workshops and emphasizes the importance of authentic costuming, citing the influence of figures such as [[Prem Kumar (Konkani actor)|Prem Kumar]] and [[M. Boyer]].&amp;lt;ref name=&amp;quot;:0&amp;quot; /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
On 6 February 2015, Anil died at the age of 63 due to complications stemming from [[diabetes]]. He had been receiving medical treatment at [[Goa Medical College]] in [[Bambolim]], Goa since 26 January 2015, and had to undergo the amputation of his leg as a result of kidney complications.&amp;lt;ref&amp;gt;{{Cite web |title=Noted tiatr artiste Anil Kumar dead |url=https://www.heraldgoa.in/Goa/Noted-tiatr-artiste-Anil-Kumar-dead-/84536 |access-date=2024-01-30 |website=oHeraldo |date=6 February 2015 |archive-date=2024-01-19 |archive-url=https://web.archive.org/web/20240119094008/https://www.heraldgoa.in/Goa/Noted-tiatr-artiste-Anil-Kumar-dead-/84536 |url-status=live }}&amp;lt;/ref&amp;gt; His funeral took place the following day at the Mathagramast Hindu Sabha Crematorium in [[Margao, Goa]].&amp;lt;ref name=&amp;quot;:4&amp;quot; /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Born and raised in Bombay, D&amp;#039;Souza naturally developed fluency in English, and she finds it more comfortable to communicate in this language rather than Konkani, despite being a known figure in the [[Tiatr|Konkani theater]] community.&amp;lt;ref name=&amp;quot;:1&amp;quot; /&amp;gt; According to the 2000 publication &amp;#039;&amp;#039;100 Years of Konkani Tiatro&amp;#039;&amp;#039;, D&amp;#039;Souza originates from [[Goa Velha]].&amp;lt;ref name=&amp;quot;:3&amp;quot; /&amp;gt; As of the 2012 &amp;#039;&amp;#039;Directory of Tiatr Artistes&amp;#039;&amp;#039;, she currently resides in [[Fatorda, Goa]].&amp;lt;ref&amp;gt;{{Cite book |url=https://books.google.com/books?id=45_WlAEACAAJ |title=Directory of Tiatr Artistes, 2012 |date=2012 |publisher=Tiatr Academy of Goa |language=en |access-date=2024-01-30 |archive-date=2023-08-27 |archive-url=https://web.archive.org/web/20230827202743/https://books.google.com/books?id=45_WlAEACAAJ |url-status=live }}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Selected stage works==&lt;br /&gt;
{| class=&amp;quot;wikitable sortable&amp;quot;&lt;br /&gt;
!Year&lt;br /&gt;
!Title&lt;br /&gt;
!Role&lt;br /&gt;
!Notes&lt;br /&gt;
!Ref&lt;br /&gt;
|-&lt;br /&gt;
|1960/1961&lt;br /&gt;
|&amp;#039;&amp;#039;Sat Dukhi&amp;#039;&amp;#039;&lt;br /&gt;
|[[Child Jesus]]&lt;br /&gt;
|Debut as child artiste &lt;br /&gt;
|rowspan=&amp;quot;4&amp;quot;|&amp;lt;ref name=&amp;quot;:2&amp;quot; /&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
|1965&lt;br /&gt;
|&amp;#039;&amp;#039;Untitled tiatr&amp;#039;&amp;#039;&lt;br /&gt;
|[[Princess Snow White]]&lt;br /&gt;
|Translated work of &amp;#039;&amp;#039;[[Snow White and the Seven Dwarfs (1912 play)|Snow White and the Seven Dwarfs]]&amp;#039;&amp;#039;&lt;br /&gt;
|-&lt;br /&gt;
|1960s/1970s&lt;br /&gt;
|&amp;#039;&amp;#039;[[Goldilocks and the Three Bears]]&amp;#039;&amp;#039;&lt;br /&gt;
|&lt;br /&gt;
|-&lt;br /&gt;
|1970s&lt;br /&gt;
|&amp;#039;&amp;#039;Irmanvancho Cheddo Mhozo Put&amp;#039;&amp;#039;&lt;br /&gt;
|Lead role&lt;br /&gt;
|&lt;br /&gt;
|-&lt;br /&gt;
|1970s&lt;br /&gt;
|&amp;#039;&amp;#039;Mog Kazar Divorce&amp;#039;&amp;#039;&lt;br /&gt;
|&lt;br /&gt;
|&lt;br /&gt;
|&amp;lt;ref&amp;gt;{{Cite web |title=Depiction of violence in tiatrs |url=https://www.thegoan.net//depiction-of-violence-in-tiatrs/2437.html |access-date=2024-02-10 |website=The Goan EveryDay |language=en}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;:0&amp;quot; /&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
|1974&lt;br /&gt;
|&amp;#039;&amp;#039;Bhurgim ani Bhangar&amp;#039;&amp;#039;&lt;br /&gt;
|&lt;br /&gt;
|&lt;br /&gt;
|rowspan=&amp;quot;3&amp;quot;|&amp;lt;ref name=&amp;quot;:0&amp;quot; /&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
|&lt;br /&gt;
|&amp;#039;&amp;#039;Ordhi Bakhri&amp;#039;&amp;#039;&lt;br /&gt;
|&lt;br /&gt;
|&lt;br /&gt;
|-&lt;br /&gt;
|&lt;br /&gt;
|&amp;#039;&amp;#039;Vauraddi&amp;#039;&amp;#039;&lt;br /&gt;
|&lt;br /&gt;
|&lt;br /&gt;
|-&lt;br /&gt;
|1975&lt;br /&gt;
|&amp;#039;&amp;#039;Don Kallzam&amp;#039;&amp;#039;&lt;br /&gt;
|&lt;br /&gt;
|&lt;br /&gt;
|&amp;lt;ref&amp;gt;{{Cite news |date=2013-09-06 |title=The voice of Goa |url=https://timesofindia.indiatimes.com/city/goa/the-voice-of-goa/articleshow/22197953.cms |access-date=2024-02-10 |work=The Times of India |issn=0971-8257}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;:0&amp;quot; /&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
|1986&lt;br /&gt;
|&amp;#039;&amp;#039;Atancho teomp&amp;#039;&amp;#039;&lt;br /&gt;
|&lt;br /&gt;
|&lt;br /&gt;
|&amp;lt;ref&amp;gt;{{Cite web |title=How Minguel Rod set the stage for tiatrs in Canada |url=https://www.thegoan.net/global-goenkar/%EF%BB%BFhow-minguel-rod-set-the-stage-for-tiatrs-in-canada/87911.html |access-date=2024-02-10 |website=The Goan EveryDay |language=en}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;:0&amp;quot; /&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
|&lt;br /&gt;
|&amp;#039;&amp;#039;Kunead ani Mana&amp;#039;&amp;#039;&lt;br /&gt;
|&lt;br /&gt;
|&lt;br /&gt;
|rowspan=&amp;quot;4&amp;quot;|&amp;lt;ref name=&amp;quot;:0&amp;quot; /&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
|&lt;br /&gt;
|&amp;#039;&amp;#039;Nitidar&amp;#039;&amp;#039;&lt;br /&gt;
|&lt;br /&gt;
|&lt;br /&gt;
|-&lt;br /&gt;
|&lt;br /&gt;
|&amp;#039;&amp;#039;Dev Bap&amp;#039;&amp;#039;&lt;br /&gt;
|&lt;br /&gt;
|&lt;br /&gt;
|-&lt;br /&gt;
|&lt;br /&gt;
|&amp;#039;&amp;#039;Fatima Saibinnn&amp;#039;&amp;#039;&lt;br /&gt;
|&lt;br /&gt;
|&lt;br /&gt;
|-&lt;br /&gt;
|1983&lt;br /&gt;
|&amp;#039;&amp;#039;Ekuch Rosto&amp;#039;&amp;#039;&lt;br /&gt;
|&lt;br /&gt;
|&lt;br /&gt;
|&amp;lt;ref name=&amp;quot;:2&amp;quot; /&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
|&lt;br /&gt;
|&amp;#039;&amp;#039;Inglez Madam&amp;#039;&amp;#039;&lt;br /&gt;
|European lady&lt;br /&gt;
|&lt;br /&gt;
|rowspan=&amp;quot;2&amp;quot;|&amp;lt;ref name=&amp;quot;:0&amp;quot; /&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
|&lt;br /&gt;
|&amp;#039;&amp;#039;Mhozo Khuris&amp;#039;&amp;#039;&lt;br /&gt;
|&lt;br /&gt;
|&lt;br /&gt;
|-&lt;br /&gt;
|1980s&lt;br /&gt;
|&amp;#039;&amp;#039;Panvdde&amp;#039;&amp;#039;&lt;br /&gt;
|&lt;br /&gt;
|Non-stop &amp;#039;&amp;#039;tiatr&amp;#039;&amp;#039;&lt;br /&gt;
|rowspan=&amp;quot;2&amp;quot;|&amp;lt;ref name=&amp;quot;:2&amp;quot; /&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
|&lt;br /&gt;
|&amp;#039;&amp;#039;Uzvadd Paloulo&amp;#039;&amp;#039;&lt;br /&gt;
|Main role&lt;br /&gt;
|&lt;br /&gt;
|-&lt;br /&gt;
|&lt;br /&gt;
|&amp;#039;&amp;#039;Kudd&amp;#039;&amp;#039;&lt;br /&gt;
|Main role&lt;br /&gt;
|&lt;br /&gt;
|rowspan=&amp;quot;5&amp;quot;|&amp;lt;ref name=&amp;quot;:0&amp;quot; /&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
|&lt;br /&gt;
|&amp;#039;&amp;#039;Pangllo&amp;#039;&amp;#039;&lt;br /&gt;
|&lt;br /&gt;
|&lt;br /&gt;
|-&lt;br /&gt;
|&lt;br /&gt;
|&amp;#039;&amp;#039;Bhirantt&amp;#039;&amp;#039;&lt;br /&gt;
|&lt;br /&gt;
|&lt;br /&gt;
|-&lt;br /&gt;
|&lt;br /&gt;
|&amp;#039;&amp;#039;Saulli&amp;#039;&amp;#039;&lt;br /&gt;
|&lt;br /&gt;
|&lt;br /&gt;
|-&lt;br /&gt;
|&lt;br /&gt;
|&amp;#039;&amp;#039;Dubav Ek Uzo&amp;#039;&amp;#039;&lt;br /&gt;
|&lt;br /&gt;
|&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
{{Reflist}}&lt;br /&gt;
&lt;br /&gt;
{{Authority control}}&lt;br /&gt;
&lt;br /&gt;
==External links==&lt;br /&gt;
*{{IMDb name|id=14950024}}&lt;br /&gt;
&lt;br /&gt;
{{DEFAULTSORT:D&amp;#039;Souza, Fatima}}&lt;br /&gt;
[[Category:Living people]]&lt;br /&gt;
[[Category:1954 births]]&lt;br /&gt;
[[Category:Tiatrists]]&lt;br /&gt;
[[Category:Singers from Mumbai]]&lt;br /&gt;
[[Category:Actresses from Mumbai]]&lt;br /&gt;
[[Category:Konkani-language singers]]&lt;/div&gt;</summary>
		<author><name>Anuj tripathi 111</name></author>
	</entry>
</feed>