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	<title>Gambler&#039;s Lament - Revision history</title>
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		<title>&gt;Chariotrider555 at 02:33, 27 May 2021</title>
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		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;[[File:Harra (Terminalia chebula) fallen fruit at 23 Mile, Duars, WB W IMG 5900.jpg|thumb|150px|right|alt=The image shows rounded sides of a green fruit set on a muddy ground.|Fallen fruit of [[Terminalia bellirica]] (&amp;#039;&amp;#039;Vibhīdaka&amp;#039;&amp;#039;) which was used to make dice in ancient [[India]].]]&lt;br /&gt;
The &amp;#039;&amp;#039;&amp;#039;Gambler&amp;#039;s lament&amp;#039;&amp;#039;&amp;#039; (or &amp;quot;Gamester&amp;#039;s lament&amp;quot;)  is one of the hymns of the [[Rigveda]] which do not have any direct cultic or religious context. &lt;br /&gt;
It is found in the late [[Mandala 10|Tenth Book]] (RV 10.34), where most of such hymns on &amp;quot;miscellaneous&amp;quot; topics are found, suggesting a date of compilation corresponding to the early [[Iron Age India|Indian Iron Age]].{{sfn|Griswold|1971|p=331}}&amp;lt;ref&amp;gt;The Rigveda is mostly dated to between about the 15th and 11th centuries BC, with the tenth book dating to roughly the 11th century. See e.g. {{Citation |last=Singh|first=Upinder|title=A History of Ancient and Early Medieval India: From the Stone Age to the 12th Century|url=https://books.google.com/books?id=H3lUIIYxWkEC&amp;amp;pg=PA184|year=2008|publisher=Pearson Education India|isbn=978-81-317-1120-0 }}    p. 184, or see [[Rigveda]]&amp;amp;nbsp;for more details.&amp;lt;/ref&amp;gt; The hymn was composed by either Kanvasha Ailusha or Aksha Maujavant.&amp;lt;ref&amp;gt;{{Cite book|last=Jamison|first=Stephanie|title=The Rigveda - the earliest religious poetry of India|last2=Brereton|first2=Joel P.|publisher=Oxford University Press|year=2014|pages=1429}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[Moriz Winternitz]] considered the poem to be the &amp;quot;most beautiful among the non–religious poems of the Rig Veda.&amp;quot;{{sfn|Winternitz|Sarma|1981|p=102}} [[Arthur Anthony Macdonell]] writes the following about the poem: &amp;quot;Considering that it is the oldest composition of the kind in existence, we cannot but regard this poem as the most remarkable literary product.&amp;quot; {{sfn|Macdonell|1990|p=127-8}}&lt;br /&gt;
&lt;br /&gt;
The poem comprises a monologue of a repentant gambler who laments the ruin brought on him because of addiction to the [[dice]].{{sfn|Winternitz|Sarma|1981|p=102}} The poem is didactic in nature and shows early indications of the proverbial and sententious poetry in later Hindu texts.{{sfn|Griswold|1971|p=331–2}} [[Arthur Llewellyn Basham]] believed that &amp;#039;&amp;#039;&amp;#039;Gambler&amp;#039;s Lament&amp;#039;&amp;#039;&amp;#039; was originally constructed as a spell to ensure victory in a game of dice, which was later converted into a cautionary poem by an anonymous poet.{{sfn|Basham|2008|p=403}}&lt;br /&gt;
&lt;br /&gt;
The poem testifies to the popularity of gambling among all classes of Vedic people,{{sfn|Bose|1998|p=179}} however it was most important among the kings and ruling class. In the middle Vedic [[Rajasuya]] ritual (consecration of a king), a ritual dice game is played in which the game is rigged so that the king-to-be wins. In the later Hindu epic, the &amp;#039;&amp;#039;[[Mahabharata]]&amp;#039;&amp;#039;, [[Yudhiṣṭhira]] gambles away his [[Indraprastha|kingdom]], [[Pandavas|brothers]], [[Draupadi|wife]], and himself to his [[Kauravas|cousins]]. The &amp;#039;&amp;#039;Mahabharata&amp;#039;&amp;#039; also mentions the story of [[Nala]] and [[Damayanti]], in which Nala gambles away his kingdom. The dharmic texts, which also date to a later period, consider gambling to be a typical trait and vice of kings.{{sfn|Jamison and Brereton|2014|p=1430}}&lt;br /&gt;
&lt;br /&gt;
The gambling dice (&amp;#039;&amp;#039;akșa&amp;#039;&amp;#039;) were made from nuts of &amp;#039;&amp;#039;[[Terminalia bellirica]]&amp;#039;&amp;#039; (&amp;#039;&amp;#039;Vibhīdaka&amp;#039;&amp;#039;),{{sfn|Macdonell|1990|p=128}} into an oblong shape with four scoring sides— kŗta (four), tretā (trey), dvāpar (deuce), kali (ace). The gambler who drew a multiple of four won the game.{{sfn|Bose|1998|p=179}}&lt;br /&gt;
&lt;br /&gt;
== Contents ==&lt;br /&gt;
The hymn consists of 14 verses in the [[tristubh]] meter.&lt;br /&gt;
In verses 2-3, the narrator describes how the dice have ruined his domestic life (trans. [[Stephanie W. Jamison]] and Joel P. Brereton, 2014{{sfn|Jamison and Brereton|2014|p=1430-1431): &lt;br /&gt;
{|class=wikitable&lt;br /&gt;
|-&lt;br /&gt;
|2. She did not oppose me, nor did she get angry; she was gracious to my comrades and to me.&amp;lt;br /&amp;gt;&lt;br /&gt;
I, on account of one die too many, have pushed away my avowed wife.&lt;br /&gt;
&lt;br /&gt;
|&amp;#039;&amp;#039;{{IAST|na mā mimetha na jihīḷa eṣā śivā sakhibhya uta mahyamāsīt}}&amp;#039;&amp;#039;  &amp;lt;br/&amp;gt;&lt;br /&gt;
&amp;#039;&amp;#039;{{IAST|akṣasyāhamekaparasya hetoranuvratāmapa jāyāmarodham }} &amp;#039;&amp;#039;&lt;br /&gt;
|&amp;lt;nowiki&amp;gt;न मा मिमेथ न जिहीळ एषा शिवा सखिभ्य उत मह्यमासीत | &amp;lt;/nowiki&amp;gt;&lt;br /&gt;
अक्षस्याहमेकपरस्य हेतोरनुव्रतामप जायामरोधम ||&lt;br /&gt;
|-&lt;br /&gt;
|3. Her mother-in-law [=my mother] hates me; my wife pushes me away. A man in distress ﬁnds no one to pity him.&lt;br /&gt;
&lt;br /&gt;
“I ﬁnd no more use for a gambler than for an old nag up for sale,” (so they say).&lt;br /&gt;
&lt;br /&gt;
|&amp;#039;&amp;#039;{{IAST|dveṣṭi śvaśrūrapa jāyā ruṇaddhi na nāthito vindatemarḍitāram }} &amp;#039;&amp;#039;&amp;lt;br/&amp;gt;&lt;br /&gt;
&amp;#039;&amp;#039;{{IAST|aśvasyeva jarato vasnyasya nāhaṃ vindāmikitavasya bhogham}}  &amp;#039;&amp;#039;&lt;br /&gt;
|&amp;lt;nowiki&amp;gt;दवेष्टि शवश्रूरप जाया रुणद्धि न नाथितो विन्दतेमर्डितारम | &amp;lt;/nowiki&amp;gt;&lt;br /&gt;
अश्वस्येव जरतो वस्न्यस्य नाहं विन्दामिकितवस्य भोगम ||&lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
The poem then describes the lure of the dice: &lt;br /&gt;
{|class=wikitable&lt;br /&gt;
|-&lt;br /&gt;
|5. When I resolve, “I will not play with them,” I am bereft of my comrades, who go off (without me).&lt;br /&gt;
&lt;br /&gt;
And as soon as, scattered down, the brown (dice) have raised their voice, I just go to their appointed place, like a girl with a lover.&lt;br /&gt;
|&amp;#039;&amp;#039;{{IAST|yadādīdhye na daviṣāṇyebhiḥ parāyadbhyo.ava hīyesakhibhyaḥ}} &amp;#039;&amp;#039; &amp;lt;br/&amp;gt;&lt;br /&gt;
&amp;#039;&amp;#039;{{IAST|nyuptāśca babhravo vācamakratanemīdeṣāṃ niṣkṛtaṃ jāriṇīva}} &amp;#039;&amp;#039;&lt;br /&gt;
|&amp;lt;nowiki&amp;gt;यदादीध्ये न दविषाण्येभिः परायद्भ्यो.अव हीयेसखिभ्यः | &amp;lt;/nowiki&amp;gt;&lt;br /&gt;
नयुप्ताश्च बभ्रवो वाचमक्रतनेमीदेषां निष्क्र्तं जारिणीव ||&lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
The dice are referred to as &amp;quot;the brown ones&amp;quot;, as they were made from the brown nuts of &amp;#039;&amp;#039;Terminalia bellirica&amp;#039;&amp;#039;.{{sfn|Kaegi|2004|p=83}}&lt;br /&gt;
&lt;br /&gt;
In the following verses the dice are described as &amp;quot;deceptive, hot and burning&amp;quot; and being similar to children in that &amp;quot;they give and take again&amp;quot;. In verse 13, the poet addresses the gambler in an attempt to reform him, invoking the god [[Savitr]].&lt;br /&gt;
{|class=wikitable&lt;br /&gt;
|-&lt;br /&gt;
|13 [Savitar:] “Don’t keep playing with dice; just plow your own plowland.Be content in your possessions, thinking them much.&lt;br /&gt;
&lt;br /&gt;
There are your cows, o gambler, there your wife.” In this way doesSavitar here, protector of the stranger, watch out for me.&lt;br /&gt;
|  &amp;#039;&amp;#039;{{IAST|akṣairmā dīvyaḥ kṛṣimit kṛṣasva vitte ramasva bahumanyamānaḥ}}&amp;#039;&amp;#039;&amp;lt;br/&amp;gt; &lt;br /&gt;
&amp;#039;&amp;#039;{{IAST|tatra ghāvaḥ kitava tatra jāyā tan me vicaṣṭe savitāyamaryaḥ  }}&amp;#039;&amp;#039;&lt;br /&gt;
|&amp;lt;nowiki&amp;gt;अक्षैर्मा दीव्यः कर्षिमित कर्षस्व वित्ते रमस्व बहुमन्यमानः | &amp;lt;/nowiki&amp;gt;&lt;br /&gt;
तत्र गावः कितव तत्र जाया तन मे विचष्टे सवितायमर्यः ||&lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&amp;lt;!-- full text:&lt;br /&gt;
prāvepā mā bṛhato mādayanti pravātejā iriṇe varvṛtānāḥ | &lt;br /&gt;
somasyeva maujavatasya bhakṣo vibhīdako jāghṛvirmahyamachān || 1&lt;br /&gt;
na mā mimetha na jihīḷa eṣā śivā sakhibhya uta mahyamāsīt | &lt;br /&gt;
akṣasyāhamekaparasya hetoranuvratāmapa jāyāmarodham || 2&lt;br /&gt;
dveṣṭi śvaśrūrapa jāyā ruṇaddhi na nāthito vindatemarḍitāram | &lt;br /&gt;
aśvasyeva jarato vasnyasya nāhaṃ vindāmikitavasya bhogham || 3&lt;br /&gt;
anye jāyāṃ pari mṛśantyasya yasyāghṛdhad vedane vājyakṣaḥ | &lt;br /&gt;
pitā matā bhrātara enamāhurna jānīmo nayatābaddhametam || 4&lt;br /&gt;
yadādīdhye na daviṣāṇyebhiḥ parāyadbhyo.ava hīyesakhibhyaḥ | &lt;br /&gt;
nyuptāśca babhravo vācamakratanemīdeṣāṃ niṣkṛtaṃ jāriṇīva || 5&lt;br /&gt;
sabhāmeti kitavaḥ pṛchamāno jeṣyāmīti tanvāśūśujānaḥ | &lt;br /&gt;
akṣāso asya vi tiranti kāmaṃ pratidīvnedadhata ā kṛtāni || 6&lt;br /&gt;
akṣāsa idankuśino nitodino nikṛtvānastapanāstāpayiṣṇavaḥ | &lt;br /&gt;
kumāradeṣṇā jayataḥ punarhaṇo madhvāsampṛktāḥ kitavasya barhaṇā || 7&lt;br /&gt;
tripañcāśaḥ krīḷati vrāta eṣāṃ deva iva savitāsatyadharmā | &lt;br /&gt;
ughrasya cin manyave nā namante rājā cidebhyonama it kṛṇoti || 8&lt;br /&gt;
nīcā vartanta upari sphurantyahastāso hastavantaṃ sahante | &lt;br /&gt;
divyā aṅghārā iriṇe nyuptāḥ śītāḥ santo hṛdayaṃnirdahanti || 9&lt;br /&gt;
jāyā tapyate kitavasya hīnā mātā putrasya carataḥ kvasvit | &lt;br /&gt;
ṛṇāvā bibhyad dhanamichamāno.anyeṣāmastamupanaktameti || 10 &lt;br /&gt;
striyaṃ dṛṣṭvāya kitavaṃ tatāpānyeṣāṃ jāyāṃsukṛtaṃ ca yonim | &lt;br /&gt;
pūrvāhṇe aśvān yuyuje hi babhrūn soaghnerante vṛṣalaḥ papāda || 11&lt;br /&gt;
yo vaḥ senānīrmahato ghaṇasya rājā vrātasya prathamobabhūva | &lt;br /&gt;
tasmai kṛṇomi na dhanā ruṇadhmi daśāhamprācīstad ṛtaṃ vadāmi || 12&lt;br /&gt;
akṣairmā dīvyaḥ kṛṣimit kṛṣasva vitte ramasva bahumanyamānaḥ | &lt;br /&gt;
tatra ghāvaḥ kitava tatra jāyā tan me vicaṣṭe savitāyamaryaḥ || 13&lt;br /&gt;
mitraṃ kṛṇudhvaṃ khalu mṛlatā no mā no ghoreṇa caratābhidhṛṣṇu | &lt;br /&gt;
ni vo nu manyurviśatāmarātiranyo babhrūṇāmprasitau nvastu || 14&lt;br /&gt;
--&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== See also ==&lt;br /&gt;
*[[Rigvedic dialogue hymns]]&lt;br /&gt;
*[[Gambler&amp;#039;s conceit]]&lt;br /&gt;
*[[Problem gambling]]&lt;br /&gt;
&lt;br /&gt;
== References ==&lt;br /&gt;
{{Reflist}}&lt;br /&gt;
 &lt;br /&gt;
===Sources===&lt;br /&gt;
* {{Citation |last=Basham|first=A. L.|author-link=Arthur Llewellyn Basham|title=The Wonder That Was India: A survey of the history and culture of the Indian sub-continent before the coming of the Muslims|url=https://books.google.com/books?id=6OF-PwAACAAJ|year=2008|publisher=Scholarly Publishing Office, University of Michigan|isbn=978-1-59740-599-7 }}&lt;br /&gt;
* {{Citation |last=Bose|first=M. L.|title=Social And Cultural History Of Ancient India (revised &amp;amp; Enlarged Edition)|url=https://books.google.com/books?id=t_PpdZosif4C&amp;amp;pg=PA179|year=1998|publisher=Concept Publishing Company|isbn=978-81-7022-598-0 }}&lt;br /&gt;
* {{Citation |last=Griswold|first=Hervey De Witt|author-link=Hervey De Witt Griswold|title=The Religion of the Ṛigveda|url=https://books.google.com/books?id=Vhkt5K1fw2wC&amp;amp;pg=PA331|year=1971|publisher=Motilal Banarsidass|isbn=978-81-208-0745-7 }}&lt;br /&gt;
* {{Citation |last=Kaegi |first=Adolf |title=The Rigveda: The Oldest Literatures Of The Indian 1886|url=https://books.google.com/books?id=9OzooG1Mr8wC&amp;amp;pg=PA83|year=2004|publisher=Kessinger Publishing|isbn=978-1-4179-8205-9 }}&lt;br /&gt;
* {{Citation |last=Macdonell|first=Arthur Anthony|title=A History of Sanskrit Literature|url=https://books.google.com/books?id=nVmf1yA6H-4C&amp;amp;pg=PA128|year=1990|publisher=Motilal Banarsidass|isbn=81-208-0035-4 }}&lt;br /&gt;
* {{Citation |last=Nath|first=Samir|title=Dictionary Of Vedanta|url=https://books.google.com/books?id=yGBaXO54-HwC&amp;amp;pg=PA382|year=2002|publisher=Sarup &amp;amp; Sons|isbn=978-81-7890-056-8 }}&lt;br /&gt;
* {{Citation |last1=Winternitz|first1=Moriz|last2=Sarma|first2=Vuppala Srinivasa|title=A history of Indian literature: Introduction, Veda, epics, purānas and tantras|url=https://books.google.com/books?id=JRfuJFRV_O8C&amp;amp;pg=PA102|year=1981|publisher=Motilal Banarsidass|isbn=978-81-208-0264-3 }}&lt;br /&gt;
&lt;br /&gt;
==External links==&lt;br /&gt;
*[http://www.sacred-texts.com/hin/rvsan/rv10034.htm RV 10.34] at [[sacred-texts.com]]&lt;br /&gt;
&lt;br /&gt;
{{Rigveda}}&lt;br /&gt;
&lt;br /&gt;
[[Category:Hindu texts]]&lt;br /&gt;
[[Category:Rigveda]]&lt;br /&gt;
[[Category:Sanskrit texts]]&lt;br /&gt;
[[Category:Vedic hymns]]&lt;br /&gt;
[[Category:Indian poems]]&lt;br /&gt;
[[Category:Works about gambling]]&lt;br /&gt;
[[Category:Gambling in ancient history]]&lt;/div&gt;</summary>
		<author><name>&gt;Chariotrider555</name></author>
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