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	<title>Girijabai Kelkar - Revision history</title>
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	<updated>2026-07-31T20:01:30Z</updated>
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		<title>&gt;Scorpions13256 at 04:19, 10 July 2021</title>
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		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{Use dmy dates|date=July 2020}}&lt;br /&gt;
{{Use Indian English|date=August 2016}}&lt;br /&gt;
{{Infobox person&lt;br /&gt;
| name = Girijabai Madhav Kelkar&lt;br /&gt;
| image = &lt;br /&gt;
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| birth_date = 1886&lt;br /&gt;
| birth_place = &lt;br /&gt;
| death_date = 1980&lt;br /&gt;
| death_place = &lt;br /&gt;
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| known_for =&lt;br /&gt;
| occupation = Feminist and writer&lt;br /&gt;
| nationality = Indian&lt;br /&gt;
}}&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Girijabai Madhav Kelkar&amp;#039;&amp;#039;&amp;#039; ({{lang-mr|गिरिजाबाई माधव केळकर}}) (1886–1980) was a feminist and writer from [[India]].&amp;lt;ref name=&amp;quot;Anagol2005&amp;quot;&amp;gt;{{cite book|author=Padma Anagol|authorlink = Padma Anagol|title=The emergence of feminism in India, 1850-1920|url=https://books.google.com/books?id=YICroPrSyz4C|year=2005|publisher=Ashgate Publishing, Ltd.|isbn=978-0-7546-3411-9}}&amp;lt;/ref&amp;gt; The performance of her play led to many debates about women&amp;#039;s rights and the concept of gender roles.&amp;lt;ref name=&amp;quot;Behind the Veil: Resistance, Women and the Everyday in Colonial South Asia&amp;quot;&amp;gt;{{cite journal|first=Anindita |last=Ghosh|title=Behind the Veil: Resistance, Women and the Everyday in Colonial South Asia|journal=In-Spire Journal of Law, Politics and Societies |date=2 September 2008|publisher=Chellammal Vaidyanathan University of Miami, Coral Gables USA|volume=(Vol. 4, No. 2 – 2010)|pages=233|isbn=978-0230553446|url=http://www.in-spire.org/reviews/Vol.%204%20No.%202/Vaidyanathan42.pdf|accessdate=18 February 2012}}&amp;lt;/ref&amp;gt; She was president of 23rd &amp;#039;&amp;#039;Akhil Bharatiya Marathi Natya Sammelan&amp;#039;&amp;#039; (All-India Marathi Theatre Meet) of [[Akhil Bharatiya Marathi Natya Parishad]] held in 1928 at Pune.{{Citation needed|date=February 2012}}&lt;br /&gt;
&lt;br /&gt;
She was sister-in-law of [[Narasimha Chintaman Kelkar]]. She married into a family of illustrious [[Marathi language|Marathi]] literary figures. She was encouraged by her husband to pursue Marathi literature as a profession, and thus fulfill her aspirations. She was a prolific writer who promoted Marathi language and literature. She started Bhagini Mandal, a women&amp;#039;s organisation in [[Jalgaon]]. She was the president of the All India Hindu Mahila Parishad in 1935.&amp;lt;ref name=&amp;quot;Anagol2005&amp;quot;/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Her works include &amp;#039;&amp;#039;Purushanche Band&amp;#039;&amp;#039; [Men&amp;#039;s Rebellion] and &amp;#039;&amp;#039;Striyanche Swarga&amp;#039;&amp;#039; [Women&amp;#039;s Paradise]. [[Padma Anagol]] describes her views on women&amp;#039;s oppression as complex, which found themselves expressed in her works. According to her, the play &amp;#039;&amp;#039;Purushanche Banda&amp;#039;&amp;#039; was written to &amp;quot;counteract the effects of vilification of Indian women&amp;quot; by [[Krushnaji Prabhakar Khadilkar|Khadilkar]]&amp;#039;s play &amp;#039;&amp;#039;Striyancha Band&amp;#039;&amp;#039; [Women&amp;#039;s Rebellion].&amp;lt;ref name=&amp;quot;Anagol2005&amp;quot;/&amp;gt; The &amp;#039;&amp;#039;Encyclopaedia of Indian Literature&amp;#039;&amp;#039; describes her work as inspired by [[Hari Narayan Apte|Apte]]. Her work describes &amp;quot;women&amp;#039;s suffering in the frame work of family life, moderately protesting against social injustice&amp;quot;.&amp;lt;ref name=&amp;quot;Lal2006&amp;quot;&amp;gt;{{cite book|author=Mohan Lal|title=The Encyclopaedia of Indian Literature (Volume Five (Sasay To Zorgot)|url=https://books.google.com/books?id=KnPoYxrRfc0C&amp;amp;pg=PA4058|accessdate=17 February 2012|date=1 January 2006|publisher=Sahitya Akademi|isbn=978-81-260-1221-3|page=4058}}&amp;lt;/ref&amp;gt; She strongly identified herself with the traditional Hindu notions of femininity, with a mystified role as spouse and mother, asking for trivial concessions.&amp;lt;ref name=&amp;quot;Das1995&amp;quot;&amp;gt;{{cite book|author=Sisir Kumar Das|title=History of Indian Literature: .1911-1956, struggle for freedom : triumph and tragedy|url=https://books.google.com/books?id=sqBjpV9OzcsC&amp;amp;pg=PA347|year=1995|publisher=Sahitya Akademi|isbn=978-81-7201-798-9|page=347}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
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==References==&lt;br /&gt;
{{reflist}}&lt;br /&gt;
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{{authority control}}&lt;br /&gt;
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{{DEFAULTSORT:Kelkar, Girijabai Madhav}}&lt;br /&gt;
[[Category:20th-century Indian women writers]]&lt;br /&gt;
[[Category:20th-century Indian non-fiction writers]]&lt;br /&gt;
[[Category:Indian feminist writers]]&lt;br /&gt;
[[Category:1886 births]]&lt;br /&gt;
[[Category:1980 deaths]]&lt;br /&gt;
[[Category:Marathi-language writers]]&lt;br /&gt;
[[Category:Marathi people]]&lt;br /&gt;
[[Category:19th-century Indian women]]&lt;br /&gt;
[[Category:19th-century Indian people]]&lt;br /&gt;
[[Category:Indian Hindus]]&lt;br /&gt;
[[Category:Hindu feminists]]&lt;/div&gt;</summary>
		<author><name>&gt;Scorpions13256</name></author>
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