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		<title>Simonaa at 04:47, 9 October 2025</title>
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&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{Short description|String instrument}}&lt;br /&gt;
{{About|the modern Indian lute|the 7-string Indian arched harp|Ancient veena}}&lt;br /&gt;
{{Multiple issues|&lt;br /&gt;
{{More citations needed|date=April 2021}}&lt;br /&gt;
{{More footnotes needed|date=April 2021}}}}&lt;br /&gt;
{{Use dmy dates|date=July 2020}}&lt;br /&gt;
{{Use Indian English|date=July 2020}}&lt;br /&gt;
{{Infobox instrument&lt;br /&gt;
|name=Chitraveena&lt;br /&gt;
|names=gottuvadyam, chitravina, chitra veena, chitraveena&lt;br /&gt;
&lt;br /&gt;
|image=Ravikiran 25 A.jpg&lt;br /&gt;
|image_capt= [[N. Ravikiran]] (center) playing the navachitravina.&lt;br /&gt;
|background=string&lt;br /&gt;
|classification=&lt;br /&gt;
*[[String instruments]]&lt;br /&gt;
|developed=&lt;br /&gt;
|range=&lt;br /&gt;
|related=&lt;br /&gt;
* [[Vichitra veena]]&lt;br /&gt;
* [[Sagar Veena]]&lt;br /&gt;
* [[Surbahar]]&lt;br /&gt;
* [[Rudra veena]]&lt;br /&gt;
* [[Saraswati veena]]&lt;br /&gt;
* [[Sarod]]&lt;br /&gt;
* [[Sursingar]]&lt;br /&gt;
* [[Tanpura|Tambura]]&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
The &amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;gottuvadyam&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039; is a 20 or 21-string fretless lute-style [[veena]] in [[Carnatic music]] from around the late 19th and early 20th centuries, named by [[Sakha Rama Rao]]&amp;lt;ref&amp;gt;Gottuvadyam Narayana Iyengar&amp;#039;s Memoires &amp;amp; Article, &amp;quot;Why the name Gottuvadyam&amp;quot; in 1950s&amp;lt;/ref&amp;gt; from [[Tiruvidaimarudur]], who was responsible for bringing it back to the concert scene.&lt;br /&gt;
&lt;br /&gt;
It is also known as &amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;chitravina&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039; ({{langx|sa|चित्रवीणा}}), &amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;chitra veena&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;, &amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;chitraveena&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;, &amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;chitra vina&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;, &amp;#039;&amp;#039;hanumad vina&amp;#039;&amp;#039; and  &amp;#039;&amp;#039;mahanataka vina&amp;#039;&amp;#039;.&lt;br /&gt;
&lt;br /&gt;
Today it is played mainly in South India, though its origins can be traced back to Bharata&amp;#039;s [[Natya Shastra]] (200 BCE-200 CE), where it is mentioned as a seven string fretless instrument. Sarangadeva (1210–47) also made a similar reference to the chitravina in his work, Sangita Ratnakara.&lt;br /&gt;
&lt;br /&gt;
==Recent history==&lt;br /&gt;
As a &amp;#039;&amp;#039;chitravina&amp;#039;&amp;#039; it was popularised in South India by Sakha Rama Rao before his disciple [[Narayan Iyengar|Gottuvadyam Narayana Iyengar]] (1903 - 1959), who was a palace musician of the erstwhile States of [[Travancore]] and [[Kingdom of Mysore|Mysore]] took it to great heights. Iyengar&amp;#039;s son, [[Chitravina Narasimhan]] (b. 1941) was instrumental in spreading his father&amp;#039;s stringing and tuning methods as well as playing style.&lt;br /&gt;
&lt;br /&gt;
==Construction and tuning==&lt;br /&gt;
Since its first reference in the Natya Shastra, The chitravina has undergone numerous developments and is today shaped like the South Indian veena.{{citation needed|date=July 2020}}&lt;br /&gt;
&lt;br /&gt;
There are six main strings used for melody that pass over the top of the instrument, three [[drone (music)|drone]] strings and 11 or 12 [[sympathetic string]]s running parallel to and below the main strings. Among the more prominent solo instruments in Carnatic music, it is also seen in collaborative world music concerts and north-south Indian [[jugalbandi]]s.{{citation needed|date=July 2020}}&lt;br /&gt;
&lt;br /&gt;
The chitravina is generally tuned to G sharp (5 and 1/2) and played with a slide like a [[Hawaiian steel guitar]] and the north Indian [[vichitra veena]]. The approach to tuning is similar to the [[sitar]] in the context of the 11-12 sympathetic resonance strings (from the low Pa to high Sa), similar to the Saraswati veena in the context of the three drone (tala) strings (Sa-Pa-Sa), but is unique in terms of the top-layer main playing six strings, which are configured as 3 tonic strings (sa), 2 fifth strings (pa) and 1 base tonic string (sa).  The 3 and 2 include an octave string which gives the instrument a unique tone.{{citation needed|date=July 2020}}&lt;br /&gt;
&lt;br /&gt;
The fretless nature of the instrument, Narayana Iyengar&amp;#039;s stringing methods have made its tone &amp;#039;reminiscent of the human voice.&amp;#039;&amp;lt;ref&amp;gt;The New York Times, 27 Nov 1988&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Playing technique==&lt;br /&gt;
The index and middle fingers of the right hand are usually used with plectra to pluck the metal melody strings while a cylindrical block made out of [[hardwood]] (often [[ebony]]), [[African Buffalo|buffalo]] horn, glass, steel, or [[teflon]] held by the left hand is used to slide along the strings to vary the pitch.&lt;br /&gt;
&lt;br /&gt;
==Contemporary use==&lt;br /&gt;
Narayana Iyengar&amp;#039;s grandson Chitravina [[N. Ravikiran]] (b. 1967) plays the instrument and is the inventor of a variant, the &amp;#039;&amp;#039;navachitravina&amp;#039;&amp;#039; (which is typically tuned to B or C).&amp;lt;ref&amp;gt;{{Cite web |url=http://www.ravikiranmusic.com/chitravina.htm |title=CHITRAVINA |website=Ravikiranmusic.com |access-date=21 April 2021 |archive-date=11 April 2015 |archive-url=https://web.archive.org/web/20150411092312/http://ravikiranmusic.com/chitravina.htm |url-status=dead }}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Other exponents of the instrument include [[Budaloor Krishnamurthy Shastri]] (1894 - 1978), [[A Narayana Iyer]], [[K. Savitri Ammal|Mannargudi Savithri Ammal]],&amp;lt;ref&amp;gt;{{Cite web |url=https://www.thehindu.com/entertainment/music/savitri-ammal-first-woman-gottuvadyam-artiste-sakharama-rao/article65586190.ece |title=Savitri Ammal, the first woman gottuvadyam artist |work=The Hindu |author=Lalitharam |date=30 June 2022 |archiveurl=https://web.archive.org/web/20220701185509/https://www.thehindu.com/entertainment/music/savitri-ammal-first-woman-gottuvadyam-artiste-sakharama-rao/article65586190.ece |archivedate=1 July 2022}}&amp;lt;/ref&amp;gt; [[Allam Koteeshwara Rao]] (1933 -), [[M V Varahaswami]], [[Allam Durgaprasad]], [[Chitravina P Ganesh]] (b. 1976), [[Madhavachar]], [[Kiranavali (Chitravina)]], [[Shashikiran]], [[Gayatri Kassabaum]], [[Lalitha Krishna]], [[Vishaal Sapuram]] and [[Bhargavi Balasubramanian]], [[Anahita Ravindran]], [[Arjun Suresh]]. [[Seetha Doraiswamy]], known more as a [[jala tarangam]] exponent, used to play the Balakokila, a smaller version of the chitravina.&lt;br /&gt;
&lt;br /&gt;
==See also==&lt;br /&gt;
{{Portal|India|Music}}&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
{{Reflist}}&lt;br /&gt;
* Natya Shastra, Bharata (2nd century BC-2nd century AD)&lt;br /&gt;
* Sangita Ratnakara, Sarangadeva&lt;br /&gt;
* Chitravina N Ravikiran website&lt;br /&gt;
* Journals of The Music Academy, Madras&lt;br /&gt;
* South Indian Music, Prof Sambamurthy&lt;br /&gt;
&lt;br /&gt;
==External links==&lt;br /&gt;
* [http://www.ravikiranmusic.com/chitravina.htm Chitravina page] {{Webarchive|url=https://web.archive.org/web/20150411092312/http://ravikiranmusic.com/chitravina.htm |date=11 April 2015 }} from N. Ravikiran site&lt;br /&gt;
&lt;br /&gt;
{{Indian musical instruments}}&lt;br /&gt;
{{Authority control}}&lt;br /&gt;
&lt;br /&gt;
[[Category:Carnatic music instruments]]&lt;br /&gt;
[[Category:String instruments with sympathetic strings]]&lt;/div&gt;</summary>
		<author><name>Simonaa</name></author>
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