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	<title>Gully rap - Revision history</title>
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	<updated>2026-07-30T13:27:27Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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		<id>https://indianpedia.org/index.php?title=Gully_rap&amp;diff=501375&amp;oldid=prev</id>
		<title>MaryellenBuckman at 06:32, 13 May 2025</title>
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		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{Short description|Genre of hip-hop music}}&lt;br /&gt;
[[File:Gully_rap_on_a_train.webm|thumb|Example of gully rap]]&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Gully rap&amp;#039;&amp;#039;&amp;#039; is an emerging [[genre]] of [[Hip hop music|hip-hop music]] that originated from [[Mumbai]].&amp;lt;ref name=&amp;quot;Sarrazin 2019 p. 188&amp;quot;&amp;gt;{{cite book |last=Sarrazin |first=N. |url=https://books.google.com/books?id=ucTADwAAQBAJ&amp;amp;pg=PT188 |title=Focus: Popular Music in Contemporary India |publisher=Taylor &amp;amp; Francis |year=2019 |isbn=978-0-429-99931-4 |series=Focus on World Music Series |page=188 |access-date=2022-09-12}}&amp;lt;/ref&amp;gt; It has since spread across [[India]].&amp;lt;ref name=&amp;quot;VICE 2019&amp;quot;&amp;gt;{{cite web | title=The Rise of Street Rap in India | website=VICE | date=2019-01-17 | url=https://www.vice.com/en/article/street-gully-rap-india-documentary/ | access-date=2022-09-12}}&amp;lt;/ref&amp;gt; Inspired by [[Americans|American]] [[Rapping|rappers]] like [[Tupac Shakur|Tupac]], [[The Notorious B.I.G.]] and [[Nas]], the music discusses the street life in distinct [[Hindustani language|Hindu-Urdu]] [[rhythm]] and [[cadence]].&amp;lt;ref name=&amp;quot;Sarrazin 2019 p. 188&amp;quot; /&amp;gt;&amp;lt;ref name=&amp;quot;Ellis-Petersen 2016&amp;quot;&amp;gt;{{cite web | last=Ellis-Petersen | first=Hannah | title=Poverty, corruption and crime: how India&amp;#039;s &amp;#039;gully rap&amp;#039; tells story of real life | website=the Guardian | date=2016-05-16 | url=http://www.theguardian.com/world/2016/may/16/poverty-corruption-and-how-indias-gully-rap-tells-story-of-real-life | access-date=2022-09-12}}&amp;lt;/ref&amp;gt; &amp;#039;&amp;#039;Gully&amp;#039;&amp;#039; means &amp;quot;narrow lane&amp;quot; in [[Hindi]].&amp;lt;ref name=&amp;quot;Sarrazin 2019 p. 188&amp;quot; /&amp;gt;&amp;lt;ref&amp;gt;{{Cite news |last=Biju |first=Ancilin |date=28 July 2024 |title=Gully rap finds its rhythm |url=https://www.thehindu.com/opinion/open-page/gully-rap-finds-its-rhythm/article68426271.ece |access-date=31 January 2025 |work=The Hindu |language=en-IN |issn=0971-751X}}&amp;lt;/ref&amp;gt; [[DIVINE (rapper)|DIVINE]] and [[Naezy]] are artists that are considered at the forefront of the genre.&amp;lt;ref name=&amp;quot;Sarrazin 2019 p. 188&amp;quot; /&amp;gt; It stands in contrast to mainstream &amp;#039;&amp;#039;[[desi]]&amp;#039;&amp;#039; rap or [[Hindi cinema|Bollywood]] which focus on more superficial aspects of life (e.g. partying, alcohol).&amp;lt;ref name=&amp;quot;Sarrazin 2019 p. 188&amp;quot; /&amp;gt;&amp;lt;ref name=&amp;quot;Ellis-Petersen 2016&amp;quot;/&amp;gt; By contrast, gully rap has a [[Power (social and political)|socio-political]] emphasis.&amp;lt;ref name=&amp;quot;Pool 2019&amp;quot;&amp;gt;{{cite web | last=Pool | first=Ali Bharmal/Red Bull Content | title=Why gully rap is liberating India&amp;#039;s youth | website=Red Bull | date=2019-07-25 | url=https://www.redbull.com/us-en/why-gully-rap-is-liberating-indian-youth | access-date=2022-09-12}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Gully rap has been an outlet for underprivileged youth and has been used as a tool for [[activism]].&amp;lt;ref name=&amp;quot;Pool 2019&amp;quot;/&amp;gt; Incorporating the fundamentals of US hip-hop, the rappers were able to express their emotions regarding their daily lives and frustrations.&amp;lt;ref name=&amp;quot;Pool 2019&amp;quot;/&amp;gt; They were able to do so with minimal costs.&amp;lt;ref name=&amp;quot;Pool 2019&amp;quot;/&amp;gt; No formal training is required.&amp;lt;ref name=&amp;quot;Pool 2019&amp;quot;/&amp;gt; [[China|Chinese]] [[smartphone]]s, cheap data packages, and free online platforms like [[YouTube]] have been used.&amp;lt;ref name=&amp;quot;Ellis-Petersen 2016&amp;quot;/&amp;gt;&amp;lt;ref name=&amp;quot;Pool 2019&amp;quot;/&amp;gt; This represents the Indian philosophy of &amp;#039;&amp;#039;[[jugaad]]&amp;#039;&amp;#039;.&amp;lt;ref name=&amp;quot;Daga 2022 pp. 131–149&amp;quot;&amp;gt;{{cite book | last=Daga | first=Bhagyalakshmi | title=Music Business Research | chapter=Straight Outta Mumbai: Exploring Informality and Innovation in Dharavi’s Hip-Hop Industry | publisher=Springer International Publishing | publication-place=Cham | year=2022 | isbn=978-3-031-09531-3 | issn=2522-0829 | doi=10.1007/978-3-031-09532-0_8 | pages=131–149}}&amp;lt;/ref&amp;gt; Although some artists are signed to [[Record label|music labels]], the majority are independent.&amp;lt;ref name=&amp;quot;Ellis-Petersen 2016&amp;quot;/&amp;gt; They are primary promoted through [[word of mouth]].&amp;lt;ref name=&amp;quot;Ellis-Petersen 2016&amp;quot;/&amp;gt; Rappers set up a microphone and speakers on the street and rap for free to audiences.&amp;lt;ref name=&amp;quot;Ellis-Petersen 2016&amp;quot;/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[Hip hop (culture)|Hip-hop culture]] had been present in Mumbai for over decade before gully rap became popular.&amp;lt;ref name=&amp;quot;VICE 2019&amp;quot;/&amp;gt; The rap started off as a derivative of American rap, but within a few years became original and become mainstream.&amp;lt;ref name=&amp;quot;VICE 2019&amp;quot;/&amp;gt; Rappers would post [[Battle rap|rap battles]] on a social media networking site called [[Orkut]], which is now defunct.&amp;lt;ref name=&amp;quot;VICE 2019&amp;quot;/&amp;gt; Originally, the language was [[English language|English]], but then a turning point occurred when the rappers used local [[Bombay Hindi|Bambaiyya]] slang as well other languages (e.g. [[Hindi]], [[Marathi language|Marathi]], [[Tamil language|Tamil]] or [[Konkani language|Konkani]]).&amp;lt;ref name=&amp;quot;VICE 2019&amp;quot;/&amp;gt; In 2015, &amp;quot;Mere Gully Mein&amp;quot; performed by DIVINE featuring Naezy was released, and its success marked the first time the genre hit the mainstream.&amp;lt;ref name=&amp;quot;VICE 2019&amp;quot;/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The 2019 Bollywood film &amp;#039;&amp;#039;[[Gully Boy]]&amp;#039;&amp;#039; tracks the story of an aspiring rapper from the slums of Mumbai.&amp;lt;ref name=&amp;quot;Morrow Nordgård Tschmuck 2022 p. 146&amp;quot;&amp;gt;{{cite book |last=Morrow |first=G. |url=https://books.google.com/books?id=TRaIEAAAQBAJ&amp;amp;pg=PA146 |title=Rethinking the Music Business: Music Contexts, Rights, Data, and COVID-19 |last2=Nordgård |first2=D. |last3=Tschmuck |first3=P. |publisher=Springer International Publishing |year=2022 |isbn=978-3-031-09532-0 |series=Music Business Research |page=146 |access-date=2022-09-12}}&amp;lt;/ref&amp;gt; [[Vice Media|VICE]] made a documentary called &amp;#039;&amp;#039;Kya Bolta Bantai&amp;#039;&amp;#039; discussing the emergence of the genre.&amp;lt;ref name=&amp;quot;VICE 2019&amp;quot;/&amp;gt;&amp;lt;ref name=&amp;quot;Indulge 2018&amp;quot;&amp;gt;{{cite web | last=Indulge | first=Team | title=Documentary on Gully Rap titled Kya Bolta Bantai released online | website=The New Indian Express | date=2018-06-20 | url=https://www.indulgexpress.com/entertainment/cinema/2018/jun/20/documentary-on-gully-rap-titled-kya-bolta-bantai-released-online-8303.html | access-date=2022-09-12}}&amp;lt;/ref&amp;gt; Another documentary called &amp;#039;&amp;#039;Gully Life&amp;#039;&amp;#039; follows the [[Rags to riches|rags-to-riches]] story of DIVINE.&amp;lt;ref name=&amp;quot;Pool 2019&amp;quot;/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==See also==&lt;br /&gt;
* [[Indian hip-hop]]&lt;br /&gt;
* [[Naezy]]&lt;br /&gt;
&lt;br /&gt;
== References ==&lt;br /&gt;
{{reflist}}&lt;br /&gt;
&lt;br /&gt;
== External links ==&lt;br /&gt;
{{Portal bar|Music|India}}&lt;br /&gt;
&lt;br /&gt;
[[Category:Music of India]]&lt;br /&gt;
[[Category:Indian hip-hop]]&lt;/div&gt;</summary>
		<author><name>MaryellenBuckman</name></author>
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