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<p><b>New page</b></p><div>{{Infobox ragam<br />
| name = Hatakambari<br />
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| arohanam = {{svaraC|S|R1|G3|M1|P|D3|N3|S'}}<br />
| avarohanam = {{svaraC|S'|N3|D3|P|M1|G3|R1|S}}<br />
| jeeva =<br />
| chhaya =<br />
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{{Use dmy dates|date=September 2011}}<br />
{{Carnatic}} <br />
'''Hatakambari''' (pronounced Hātakāmbari<ref name="dikshitar">''Sri Muthuswami Dikshitar Keertanaigal'' by Vidwan A Sundaram Iyer, Pub. 1989, Music Book Publishers, Mylapore, Chennai</ref>) is a [[rāga]]m in [[Carnatic music]] (musical scale of South Indian classical music). It is the 18th ''[[Melakarta]]'' rāgam in the 72 ''melakarta'' rāgam system of Carnatic music.<br />
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It is called '''Jayashuddhamālavi''' in [[Muthuswami Dikshitar]] school of Carnatic music.<ref name="dikshitar" /><ref name="ragas">''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications</ref><ref name="raganidhi">''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras</ref><br />
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==Structure and Lakshana==<br />
[[Image:Hatakambari scale.svg|thumb|right|300px|''Hatakambari'' scale with Shadjam at C]]<br />
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It is the 6th rāgam in the 3rd ''chakra Agni''. The mnemonic name is ''Agni-Sha''. The mnemonic phrase is ''sa ra gu ma pa dhu nu''.<ref name="ragas" /> Its {{IAST|ārohaṇa-avarohaṇa}} structure (ascending and descending scale) is as follows (see [[Swara#Svaras in Carnatic music|''swaras'' in Carnatic music]] for details on below notation and terms):<br />
*[[Arohana|{{IAST|ārohaṇa}}]]: {{svaraC|S|R1|G3|M1|P|D3|N3|S'|foot=yes}}<br />
*[[Avarohana|{{IAST|avarohaṇa}}]]: {{svaraC|S'|N3|D3|P|M1|G3|R1|S|foot=yes}}<br />
(the notes used in this scale are ''shuddha rishabham, antara gandharam, shuddha madhyamam, shatsruthi dhaivatham, kakali nishadham'')<br />
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As it is a ''melakarta'' rāgam, by definition it is a [[sampoorna raga|''sampoorna'' rāgam]] (has all seven notes in ascending and descending scale). It is the ''shuddha madhyamam'' equivalent of ''[[Vishwambari]]'', which is the 54th ''melakarta''.<br />
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== Asampurna Melakarta ==<br />
'''Jayashuddhamālavi''' is the 18th ''Melakarta'' in the original list compiled by [[Venkatamakhin]]. The notes used in the scale are the same, but the scales are different. It is an ''shadava-sampurna'' raga (6 notes in ascending scale, while full 7 are used in descending scale in zig-zag manner, ''vakra prayoga'').<ref name="dikshitar" /><br />
*[[Arohana|{{IAST|ārohaṇa}}]]: {{svaraC|S|R1|G3|M1|P|N3|S'|foot=yes}}<br />
*[[Avarohana|{{IAST|avarohaṇa}}]]: {{svaraC|S'|N3|D3|N3|P|M1|G3|R1|S|foot=yes}}<br />
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== ''Janya'' rāgams ==<br />
''Hatakambari'' has a few minor ''[[janya]]'' rāgams (derived scales) associated with it. See [[List of Janya Ragas#Hatakambari|List of ''janya'' rāgams]] to view all rāgams associated with ''Hatakambari''.<br />
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==Compositions==<br />
Few compositions set to ''Hatakambari'' are:<br />
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*''Naraharim'' by [[Muthuswami Dikshitar]]<br />
*''Alalagada'' by [[Koteeswara Iyer]]<br />
*''RakshĀsumam srÎ lakshmÎ Pathe'' by [[Dr. M. Balamuralikrishna]].<br />
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==Related rāgams==<br />
This section covers the theoretical and scientific aspect of this rāgam.<br />
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''Hatakambari's'' notes when shifted using ''[[Graha bhedam]]'', yields one other minor ''melakarta'' rāgams, namely, ''[[Gavambhodi]]''. ''Graha bhedam'' is the step taken in keeping the relative note frequencies same, while shifting the ''shadjam'' to the next note in the rāgam. For further details and an illustration refer ''[[Graha bhedam#Hatakambari|Graha bhedam on Hatakambari]]''.<br />
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==Notes==<br />
{{notelist|30em}}<br />
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==References==<br />
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{{Reflist}}<br />
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{{Melakarta ragas|state=collapsed}}<br />
{{Janya|state=collapsed}}<br />
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[[Category:Melakarta ragas]]</div>CleanupBot II