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&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{Short description|Art music of northern regions of the Indian subcontinent}}&lt;br /&gt;
{{Use dmy dates|date=October 2020}}&lt;br /&gt;
{{Hindustani Classical Music infobox}}&lt;br /&gt;
{{Indian music|expanded=Genres}}&lt;br /&gt;
{{Music of Pakistan}}&lt;br /&gt;
{{Music of Bangladesh}}&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Hindustani classical music&amp;#039;&amp;#039;&amp;#039; is the [[Indian classical music|classical music]] of northern regions of the [[Indian subcontinent]]. It may also be called &amp;#039;&amp;#039;&amp;#039;North Indian classical music&amp;#039;&amp;#039;&amp;#039; or, in [[Hindustani language|Hindustani]], &amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;shastriya sangeet&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039; ({{IAST|śāstriya saṅgīt}}). Its origins date from the 12th century [[Common Era|CE]], when it diverged from [[Carnatic music]], the classical tradition of southern regions of the Indian subcontinent.&amp;lt;ref&amp;gt;{{Cite web|title=Carnatic Music {{!}} ipassio wiki|url=https://wiki.ipassio.com/music-styles/indian-classical-music/carnatic-music|access-date=2021-03-17|website=wiki.ipassio.com}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
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== History ==&lt;br /&gt;
Around the 12th century, Hindustani classical music diverged from what eventually came to be identified as [[Carnatic classical music]]. Hindustani music places more emphasis on improvisation and exploring all aspects of a raga, while Carnatic music is primarily composition-based. The central notion in both these systems is that of a melodic [[musical mode]] or &amp;#039;&amp;#039;[[raga]]&amp;#039;&amp;#039;, sung to a rhythmic cycle or &amp;#039;&amp;#039;[[Tala (music)|tala]]&amp;#039;&amp;#039;. It is melodic music, with no concept of harmony. These principles were refined in the musical treatises &amp;#039;&amp;#039;[[Natya Shastra]]&amp;#039;&amp;#039;, by [[Bharata Muni|Bharata]] (2nd–3rd century CE), and &amp;#039;&amp;#039;[[Dattilam]]&amp;#039;&amp;#039; (probably 3rd–4th century CE).&amp;lt;ref&amp;gt;A Study of Dattilam: A Treatise on the Sacred Music of Ancient India, 1978, p 283, Mukunda Lāṭha, Dattila&amp;lt;/ref&amp;gt;&lt;br /&gt;
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In medieval times, the melodic systems were fused with ideas from Persian music, particularly through the influence of Sufi composers like [[Amir Khusro]], and later in the [[Mughal Empire|Mughal]] courts, noted composers such as [[Tansen]] flourished, along with religious groups like the [[Vaishnavite]]s.&lt;br /&gt;
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After the 16th century, the singing styles diversified into different [[gharana]]s patronized in different princely courts. Around 1900, [[Vishnu Narayan Bhatkhande]] consolidated the musical structures of Hindustani classical music, called [[raga]]s, into a few [[thaat]]s based on their notes. This is a very flawed system but is somewhat useful as a heuristic.&lt;br /&gt;
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Distinguished musicians who are [[Hindu]] may be addressed as &amp;#039;&amp;#039;[[Pandit]]&amp;#039;&amp;#039;  and those who are [[Muslim]] as &amp;#039;&amp;#039;[[Ustad]]&amp;#039;&amp;#039;. An aspect of Hindustani music going back to [[Sufi]] times is the tradition of religious neutrality: Muslim ustads may sing compositions in praise of Hindu deities and vice versa.&lt;br /&gt;
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== Characteristics ==&lt;br /&gt;
Indian classical music has seven basic notes with five interspersed half-notes, resulting in a 12-note scale. Unlike the 12-note scale in Western music, the base frequency of the scale is not fixed, and intertonal gaps ([[Interval (music)|temperament]]) may also vary. The performance is set to a melodic pattern called a &amp;#039;&amp;#039;raga&amp;#039;&amp;#039; characterized in part by specific ascent ([[arohana|aroha]]) and descent ([[avaroha]]) sequences, &amp;quot;king&amp;quot; ([[Vadi (Hindustani classical music)|vadi]]) and &amp;quot;queen&amp;quot; ([[samavadi]]) notes and characteristic phrases ([[pakad]]).{{citation needed|date=September 2019}}&lt;br /&gt;
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Ragas may originate from any source, including religious hymns, folk tunes, and music from outside the Indian subcontinent{{citation needed|date=September 2019}}. For example, raga Khamaj and its variants have been classicized from folk music, while ragas such as Hijaz (also called Basant Mukhari) originated in Persian maqams.&lt;br /&gt;
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== History ==&lt;br /&gt;
=== Sanskritic tradition ===&lt;br /&gt;
[[Ravana]] and [[Narada]] from Hindu mythology are accomplished musicians; [[Saraswati]] with her [[veena]] is the goddess of music. [[Gandharva]]s are presented as spirits who are musical masters, and the gandharva style looks to music primarily for pleasure, accompanied by the [[soma (drink)|soma]] rasa. In the &amp;#039;&amp;#039;[[Vishnudharmottara Purana]]&amp;#039;&amp;#039;, the Naga king Ashvatara asks to know the [[swara]]s from Saraswati{{citation needed|date=September 2019}}.&lt;br /&gt;
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== References ==&lt;br /&gt;
{{Reflist}}&lt;br /&gt;
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[[Category:Indian styles of music]]&lt;/div&gt;</summary>
		<author><name>CleanupBot</name></author>
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