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&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{Short description| Indian actor and director}}&lt;br /&gt;
{{EngvarB|date=July 2015}}&lt;br /&gt;
{{Use dmy dates|date=July 2019}}&lt;br /&gt;
{{Infobox person&lt;br /&gt;
| name         = Homi Master&lt;br /&gt;
| image        = Homi Master dans Bhakta Vidur (1921).jpg&lt;br /&gt;
| imagesize    =&lt;br /&gt;
| caption      = Homi Master in &amp;#039;&amp;#039;Bhakta Vidur&amp;#039;&amp;#039; (1921)&lt;br /&gt;
| birth_date   =  &lt;br /&gt;
| birth_place  = &lt;br /&gt;
| death_date   = 1949&lt;br /&gt;
| death_place  = [[Bombay, Maharashtra]], India&lt;br /&gt;
| occupation   = Actor, director&lt;br /&gt;
| years_active = 1921–1949&lt;br /&gt;
| spouse       = &lt;br /&gt;
}}&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Homi Master&amp;#039;&amp;#039;&amp;#039; (?–1949) was an actor-director of early [[Indian cinema]]. His work extended from the silent era to the talkie era and up to his death.&amp;lt;ref name=&amp;quot;Rajadhyaksha&amp;quot;&amp;gt;{{cite book |author1=Ashish Rajadhyaksha |author2=Paul Willemen |title=Encyclopedia of Indian Cinema |chapter-url=https://books.google.com/books?id=rF8ABAAAQBAJ&amp;amp;pg=PA1994-IA246 |accessdate=18 July 2015 |date=10 July 2014 |publisher=Taylor &amp;amp; Francis |isbn=978-1-135-94325-7 |pages=1994– |chapter=Master, Homi}}&amp;lt;/ref&amp;gt; He produced his best films for [[Kohinoor Film Company]] and he has been referred to as &amp;quot;silent cinema&amp;#039;s most successful film-maker&amp;quot;.&amp;lt;ref name=&amp;quot;Willemen&amp;quot;&amp;gt;{{cite book |author1=Ashish Rajadhyaksha |author2=Paul Willemen |author3=Professor of Critical Studies Paul Willemen |title=Encyclopedia of Indian Cinema |chapter-url=https://books.google.com/books?id=SLkABAAAQBAJ&amp;amp;pg=PT208 |accessdate=17 July 2015 |date=10 July 2014 |publisher=Routledge |isbn=978-1-135-94318-9 |pages=208– |chapter=Kohinoor Film Company}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Master acted in the then-controversial film &amp;#039;&amp;#039;[[Bhakta Vidur]]&amp;#039;&amp;#039; (1921), &amp;#039;&amp;#039;Kala Naag&amp;#039;&amp;#039; and &amp;#039;&amp;#039;Kulin Kanta&amp;#039;&amp;#039;. Some of his important films were &amp;#039;&amp;#039;Bismi Sadi&amp;#039;&amp;#039;, &amp;#039;&amp;#039;Manorama&amp;#039;&amp;#039;, &amp;#039;&amp;#039;Do Ghadi Ki Mauj&amp;#039;&amp;#039; (1935), &amp;#039;&amp;#039;Samaj Ki Bhool&amp;#039;&amp;#039; (1934) and &amp;#039;&amp;#039;Gul Sanobar&amp;#039;&amp;#039; (1934). He was active from 1921 to 1949 and made over seventy-eight films. His later films in [[Gujarati language|Gujarati]] and [[Hindi]] were termed as [[B movie]]s. He died in 1949.&amp;lt;ref name=Movients&amp;gt;{{cite web |title=Homi Master |url=https://movients.com/people/1013943-Homi%20Master.html |archive-url=https://web.archive.org/web/20151002095508/https://movients.com/people/1013943-Homi%20Master.html |url-status=dead |archive-date=2 October 2015 |website=movients.com |publisher=Movieents |accessdate=18 July 2015}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Early life==&lt;br /&gt;
&lt;br /&gt;
At the age of thirteen, Master joined a famous [[Parsi theatre]] group called Bilwala. He soon became a popular stage actor, with his performance in &amp;#039;&amp;#039;Pakzaad Parveen&amp;#039;&amp;#039; being appreciated. Following a brief stint at the Phalke Film company, he joined Kohinoor Film Company working initially as an actor. He went on to direct films for them starting with &amp;#039;&amp;#039;Bismi Sadi&amp;#039;&amp;#039;.&amp;lt;ref name=Indiancinema /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Career==&lt;br /&gt;
&lt;br /&gt;
===1920s===&lt;br /&gt;
Homi Master acted in three films before getting a chance to direct. The three films, &amp;#039;&amp;#039;[[Bhakta Vidur]]&amp;#039;&amp;#039; (1921) (in the role of Duryodhan), &amp;#039;&amp;#039;Ajamil&amp;#039;&amp;#039; (1922) and &amp;#039;&amp;#039;Vratasur Vadha&amp;#039;&amp;#039; (1923), were directed by [[Kanjibhai Rathod]]. He played the lead role in &amp;#039;&amp;#039;Kala Naag&amp;#039;&amp;#039;, a film he helped co-direct with Rathod in 1924.&amp;lt;ref name=Rajadhyaksha /&amp;gt; A crime drama, it was the first &amp;quot;recorded example&amp;quot; using real-life characters and was based on the Champsi-Haridas Murder case in Bombay.&amp;lt;ref name=&amp;quot;Hardy1997&amp;quot;&amp;gt;{{cite book |first=Phil |last=Hardy |title=The BFI Companion to Crime |section-url=https://books.google.com/books?id=agfHUakbj5kC&amp;amp;pg=PA180 |accessdate=18 July 2015 |year=1997 |publisher=A&amp;amp;C Black |section=Indian Crime Films |isbn=978-0-304-33215-1 |pages=180–}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
In 1924, Master started his career as a director with Dwarka Sampat&amp;#039;s [[Kohinoor Film Company]]. His first film for Kohinoor was &amp;#039;&amp;#039;[[Bismi Sadi]]&amp;#039;&amp;#039;, starring [[Raja Sandow]], Miss Moti and [[Noor Mohammed Charlie]]. A social, the film was about a hawker who becomes a mill-owner and goes on to exploit the people working under him. &amp;#039;&amp;#039;[[Manorama (1924 film)|Manorama]]&amp;#039;&amp;#039; (1924) was based on the famous Gujarati romantic poet [[Kalapi]]&amp;#039;s autobiographical poem &amp;quot;Hridaya Triputi&amp;quot;. The film was made in the fantasy genre and broke &amp;quot;all records&amp;quot; when it ran for fourteen weeks.&amp;lt;ref name=&amp;quot;GokulsingDissanayake2013&amp;quot;&amp;gt;{{cite book |author1=K. Moti Gokulsing |author2=Wimal Dissanayake |title=Routledge Handbook of Indian Cinemas |chapter-url=https://books.google.com/books?id=djUFmlFbzFkC&amp;amp;pg=PA90 |accessdate=18 July 2015 |date=17 April 2013 |publisher=Routledge |isbn=978-1-136-77284-9 |pages=90– |chapter=Gujarati cinema-Amrit Gangar}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Other significant films at this time were &amp;#039;&amp;#039;The Telephone Girl&amp;#039;&amp;#039; (1926), also called &amp;#039;&amp;#039;Telephone Ni Taruni&amp;#039;&amp;#039;, produced by Kohinoor, and starring Ruby Myers, Gohar and Raja Sandow. &amp;#039;&amp;#039;Educated Wife&amp;#039;&amp;#039; or Bhaneli Bhamini (1927), was another Kohinoor film with Gohar, Vaidya and Raja Sandow. They were social films that were successful at the box office.&amp;lt;ref name=&amp;quot;DowningMcQuail2004&amp;quot;&amp;gt;{{cite book |author1=John D. H. Downing |author2=Denis McQuail |author3=Philip Schlesinger |author4=Ellen Wartella |title=The SAGE Handbook of Media Studies |url=https://books.google.com/books?id=dPh0AwAAQBAJ&amp;amp;pg=PA521 |accessdate=24 July 2015 |date=8 September 2004 |publisher=SAGE Publications |isbn=978-1-4522-0664-6 |pages=521–}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;Gul Sanobar&amp;#039;&amp;#039; (1928) was a fantasy production from [[Kohinoor Film Company]], based on Persian fairy tale romances,&amp;lt;ref name=&amp;quot;WarnerKennedy2013&amp;quot;&amp;gt;{{cite book |author1=Marina Warner |author2=Philip F. Kennedy |title=Scheherazade&amp;#039;s Children: Global Encounters with the Arabian Nights |url=https://books.google.com/books?id=xfU_AQAAQBAJ&amp;amp;pg=PA367 |accessdate=24 July 2015 |date=8 November 2013 |publisher=NYU Press |isbn=978-1-4798-3075-6 |pages=367–}}&amp;lt;/ref&amp;gt; and directed by Master. It starred the then-popular star Khalil with Miss Yakbal. The film was later remade in 1934,&amp;lt;ref name=&amp;quot;Chowdhry&amp;quot;&amp;gt;{{cite book |author=Prem Chowdhry |title=Colonial India and the Making of Empire Cinema: Image, Ideology and Identity |url=https://books.google.com/books?id=uEnbnfVCHZYC&amp;amp;pg=PA120 |accessdate=24 July 2015 |year=2000 |publisher=Manchester University Press |isbn=978-0-7190-5725-0 |pages=120–}}&amp;lt;/ref&amp;gt; with the same name, directed by Master and produced by Imperial Film Company. The cast included stars of the time like Sulochana ([[Ruby Myers]]), D. Billimoria and [[Zubeida]].&lt;br /&gt;
&lt;br /&gt;
===1930&amp;amp;ndash;1940===&lt;br /&gt;
His 1934 film &amp;#039;&amp;#039;[[Samaj Ki Bhool]]&amp;#039;&amp;#039;, was a social film promoting  a widow&amp;#039;s right to remarry. It starred Jamshedji, [[Lalita Pawar]], Jilloobai, Dulari and [[Rafiq Ghaznavi]], with music composed by Pransukh Nayak.&amp;lt;ref name=&amp;quot;GulazāraNihalani2003&amp;quot;&amp;gt;{{cite book |author1=Gulazāra |author2=Govind Nihalani |author3=Saibal Chatterjee |title=Encyclopaedia of Hindi Cinema |chapter-url=https://books.google.com/books?id=8y8vN9A14nkC&amp;amp;pg=PT671 |accessdate=18 July 2015 |year=2003 |publisher=Popular Prakashan |isbn=978-81-7991-066-5 |pages=671– |chapter=The Daring 1930s}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=citwf&amp;gt;{{cite web |title=Samaj Ki Bhool |url=http://www.citwf.com/film303845.htm |website=citwf.com |publisher=Alan Goble |accessdate=18 July 2015}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
In 1935, he directed three films &amp;#039;&amp;#039;Do Ghadi Ki Mauj&amp;#039;&amp;#039; a social film produced by Imperial, starring Ruby Myers and D. Billimoria; &amp;#039;&amp;#039;Ghar Jamai&amp;#039;&amp;#039;  a social comedy, a Hindi/Gujarati bilingual, produced by Premier Films with story by Mohanlal G. Dave. (A story about a &amp;quot;resident son-in-law&amp;quot; that became a &amp;quot;major success&amp;quot; at the box office)&amp;lt;ref name=&amp;quot;P.P.Pillai2014&amp;quot;&amp;gt;{{cite book |author=P.P.Pillai |title=Life in India: Culture |chapter-url=https://books.google.com/books?id=OjT4BQAAQBAJ&amp;amp;pg=PA161 |accessdate=24 July 2015 |date=1 December 2014 |publisher=Ponram P |pages=161– |chapter=10.7.6. Gujarati Cinema |id=GGKEY:43NZKK4BRBF}}&amp;lt;/ref&amp;gt; The third film, &amp;#039;&amp;#039;Naya Zamana&amp;#039;&amp;#039; was again produced by Premier Films and starred Heera and Ghulam Mohammed with music by Khansaheb.&lt;br /&gt;
&lt;br /&gt;
He continued to direct films making &amp;#039;B&amp;#039; class films and some in the Gujarati language. According to Rajadhyaksha and Willemen, he worked as a production manager at Kardar Studios towards the end of his career.&amp;lt;ref name=Rajadhyaksha /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Filmography==&lt;br /&gt;
{{Div col|colwidth=30em}}&lt;br /&gt;
List:&amp;lt;ref name=Indiancinema&amp;gt;{{cite web |title=Homi Master |url=https://wiki.indiancine.ma/wiki/Homi%20Master |website=wiki.indiancine.ma |publisher=Indiancine.ma |accessdate=18 July 2015}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=list&amp;gt;{{cite web |title=Homi Master |url=http://www.citwf.com/detailPerson.asp?personID=290541&amp;amp;sortOn=YEAR&amp;amp;sortBy=UP |website=citwf.com |publisher=Alan Goble |accessdate=18 July 2015}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
* &amp;#039;&amp;#039;[[Bhakta Vidur]]&amp;#039;&amp;#039; (1921) actor&lt;br /&gt;
* &amp;#039;&amp;#039;Ajamil&amp;#039;&amp;#039; (1922) actor &lt;br /&gt;
* &amp;#039;&amp;#039;Vratasur Vadha&amp;#039;&amp;#039; (1923) actor&lt;br /&gt;
* &amp;#039;&amp;#039;[[Bismi Sadi]]&amp;#039;&amp;#039; (1924)&lt;br /&gt;
* &amp;#039;&amp;#039;Kanya Vikraya&amp;#039;&amp;#039; (1924)&lt;br /&gt;
* &amp;#039;&amp;#039;[[Manorama (1924 film)|Manorama]]&amp;#039;&amp;#039; (1924)&lt;br /&gt;
* &amp;#039;&amp;#039;Ra Mandlik&amp;#039;&amp;#039; (1924)&lt;br /&gt;
* &amp;#039;&amp;#039;Sati Sone&amp;#039;&amp;#039; (1924)&lt;br /&gt;
* &amp;#039;&amp;#039;Veer Ahir&amp;#039;&amp;#039; (1924)&lt;br /&gt;
* &amp;#039;&amp;#039;Ghar Jamai&amp;#039;&amp;#039; (1925)&lt;br /&gt;
* &amp;#039;&amp;#039;Kunj Vihari&amp;#039;&amp;#039; (1925)&lt;br /&gt;
* &amp;#039;&amp;#039;Lanka Ni Laadi&amp;#039;&amp;#039; (1925)&lt;br /&gt;
* &amp;#039;&amp;#039;Sansar Swapna&amp;#039;&amp;#039; (1925)&lt;br /&gt;
* &amp;#039;&amp;#039;Fankdo Fituri&amp;#039;&amp;#039; (1925)&lt;br /&gt;
* &amp;#039;&amp;#039;Hirji Kamdar&amp;#039;&amp;#039; (1925)&lt;br /&gt;
* &amp;#039;&amp;#039;[[Kulin Kanta]]&amp;#039;&amp;#039; (1925)&lt;br /&gt;
* &amp;#039;&amp;#039;Mari Dhaniyani&amp;#039;&amp;#039; (1925)&lt;br /&gt;
* &amp;#039;&amp;#039;Rajnagarni Rambha&amp;#039;&amp;#039; (1925)&lt;br /&gt;
* &amp;#039;&amp;#039;The Telephone Girl&amp;#039;&amp;#039; (1926)&lt;br /&gt;
* &amp;#039;&amp;#039;Briefless Barrister&amp;#039;&amp;#039; (1926)&lt;br /&gt;
* &amp;#039;&amp;#039;Lakho Vanjaro&amp;#039;&amp;#039; (1926)&lt;br /&gt;
* &amp;#039;&amp;#039;Mumtaz Mahal&amp;#039;&amp;#039; (1926)&lt;br /&gt;
* &amp;#039;&amp;#039;Sati Jasma&amp;#039;&amp;#039; (1926)&lt;br /&gt;
* &amp;#039;&amp;#039;Shirin Farhad&amp;#039;&amp;#039; (1926)&lt;br /&gt;
* &amp;#039;&amp;#039;Delhi No Thug&amp;#039;&amp;#039; (1926)&lt;br /&gt;
* &amp;#039;&amp;#039;Rangmahal Ni Ramani&amp;#039;&amp;#039; (1927)&lt;br /&gt;
* &amp;#039;&amp;#039;Return Of Kala Naag&amp;#039;&amp;#039; (1927)&lt;br /&gt;
* &amp;#039;&amp;#039;The Mission Girl&amp;#039;&amp;#039; (1927)&lt;br /&gt;
* &amp;#039;&amp;#039;Bhaneli Bhamini&amp;#039;&amp;#039; (1927)&lt;br /&gt;
* &amp;#039;&amp;#039;Surat No Sahukar&amp;#039;&amp;#039; (1927)&lt;br /&gt;
* &amp;#039;&amp;#039;Lekh Par Mekh&amp;#039;&amp;#039; (1928)&lt;br /&gt;
* &amp;#039;&amp;#039;Gul Sanobar&amp;#039;&amp;#039; (1928)&lt;br /&gt;
* &amp;#039;&amp;#039;Veerangana&amp;#039;&amp;#039; (1928)&lt;br /&gt;
* &amp;#039;&amp;#039;Rajani Bala&amp;#039;&amp;#039; (1928)&lt;br /&gt;
* &amp;#039;&amp;#039;Sarojini&amp;#039;&amp;#039; (1928) &lt;br /&gt;
* &amp;#039;&amp;#039;Bilwamangal&amp;#039;&amp;#039; (1929)&lt;br /&gt;
* &amp;#039;&amp;#039;Lanka Lakshmi&amp;#039;&amp;#039; (1929)&lt;br /&gt;
* &amp;#039;&amp;#039;Punjab Kesari&amp;#039;&amp;#039; (1929)&lt;br /&gt;
* &amp;#039;&amp;#039;Punya Prabhav&amp;#039;&amp;#039; (1929)&lt;br /&gt;
* &amp;#039;&amp;#039;Sinh Ka Bachha Sinh&amp;#039;&amp;#039; (1929)&lt;br /&gt;
* &amp;#039;&amp;#039;Lutaru Lalna&amp;#039;&amp;#039; (1929)&lt;br /&gt;
* &amp;#039;&amp;#039;Mast Fakir&amp;#039;&amp;#039; (1930)&lt;br /&gt;
* &amp;#039;&amp;#039;Shoorveer Sharada&amp;#039;&amp;#039; (1930)&lt;br /&gt;
* &amp;#039;&amp;#039;Ranchandi&amp;#039;&amp;#039; (1930)&lt;br /&gt;
* &amp;#039;&amp;#039;Patan Ni Paniari&amp;#039;&amp;#039; (1930)&lt;br /&gt;
* &amp;#039;&amp;#039;Rao Saheb&amp;#039;&amp;#039; (1931)&lt;br /&gt;
* &amp;#039;&amp;#039;Shahi Firman&amp;#039;&amp;#039; (1931)&lt;br /&gt;
* &amp;#039;&amp;#039;Dushman-e-Iman&amp;#039;&amp;#039; (1931)&lt;br /&gt;
* &amp;#039;&amp;#039;Bulbul-e-Shiraz&amp;#039;&amp;#039; (1931)&lt;br /&gt;
* &amp;#039;&amp;#039;Ranadevata&amp;#039;&amp;#039; (1932)&lt;br /&gt;
* &amp;#039;&amp;#039;Mahiari&amp;#039;&amp;#039; (1932)&lt;br /&gt;
* &amp;#039;&amp;#039;Hind Kesari&amp;#039;&amp;#039; (1932)&lt;br /&gt;
* &amp;#039;&amp;#039;Jai Bajrang&amp;#039;&amp;#039; (1932)&lt;br /&gt;
* &amp;#039;&amp;#039;Prabhu Na Chor&amp;#039;&amp;#039; (1932) (all St)&lt;br /&gt;
* &amp;#039;&amp;#039;Hoor-e-Misar&amp;#039;&amp;#039; (1932) Talkie&lt;br /&gt;
* &amp;#039;&amp;#039;Jagat Mohini&amp;#039;&amp;#039; (1933) (St)&lt;br /&gt;
* &amp;#039;&amp;#039;Misar Nu Moti&amp;#039;&amp;#039; (1933) (St)&lt;br /&gt;
* &amp;#039;&amp;#039;Saubhagya Sundari&amp;#039;&amp;#039; (1933)&lt;br /&gt;
* &amp;#039;&amp;#039;Samaj Ki Bhool&amp;#039;&amp;#039; (1934) &lt;br /&gt;
* &amp;#039;&amp;#039;Gul Sanobar&amp;#039;&amp;#039; (1934) &lt;br /&gt;
* &amp;#039;&amp;#039;Khwab-e- Hasti&amp;#039;&amp;#039; (1934) &lt;br /&gt;
* &amp;#039;&amp;#039;Do Ghadi Ki Mauj&amp;#039;&amp;#039; (1935)&lt;br /&gt;
* &amp;#039;&amp;#039;Ghar Jamai&amp;#039;&amp;#039; (1935)&lt;br /&gt;
* &amp;#039;&amp;#039;Naya Zamana&amp;#039;&amp;#039; (1935)&lt;br /&gt;
* &amp;#039;&amp;#039;Akkal Na Bardan&amp;#039;&amp;#039; (1936) &lt;br /&gt;
* &amp;#039;&amp;#039;Zaat-e-Sharif&amp;#039;&amp;#039; (1936) &lt;br /&gt;
* &amp;#039;&amp;#039;Jagat Kesari&amp;#039;&amp;#039; (1937) &lt;br /&gt;
* &amp;#039;&amp;#039;New Searchlight&amp;#039;&amp;#039; (1937) &lt;br /&gt;
* &amp;#039;&amp;#039;Punjab Lancers&amp;#039;&amp;#039; (1937)&lt;br /&gt;
* &amp;#039;&amp;#039;Chhote Sarkar&amp;#039;&amp;#039; (1938) &lt;br /&gt;
* &amp;#039;&amp;#039;Fankdo Fituri&amp;#039;&amp;#039; (1939)  &lt;br /&gt;
* &amp;#039;&amp;#039;Neelamalai Kaidhi&amp;#039;&amp;#039; (1940)  &lt;br /&gt;
* &amp;#039;&amp;#039;Chamakti Bijli&amp;#039;&amp;#039; (1946)  &lt;br /&gt;
* &amp;#039;&amp;#039;Bhaneli Vahu&amp;#039;&amp;#039; (1948)  &lt;br /&gt;
* &amp;#039;&amp;#039;Gharwali&amp;#039;&amp;#039; (1948)&lt;br /&gt;
* &amp;#039;&amp;#039;Jai Ranchhod&amp;#039;&amp;#039; (1948) &lt;br /&gt;
* &amp;#039;&amp;#039;Lagan Na Umedvar&amp;#039;&amp;#039; (1948) &lt;br /&gt;
* &amp;#039;&amp;#039;Shethno Salo&amp;#039;&amp;#039; (1949)&lt;br /&gt;
{{div col end}}&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
{{reflist}}&lt;br /&gt;
&lt;br /&gt;
==External links==&lt;br /&gt;
* {{IMDb name|0557630}}&lt;br /&gt;
&lt;br /&gt;
{{authority control}}&lt;br /&gt;
&lt;br /&gt;
{{DEFAULTSORT:Homi Master}}&lt;br /&gt;
[[Category:Indian male film actors]]&lt;br /&gt;
[[Category:1949 deaths]]&lt;br /&gt;
[[Category:Male actors from Mumbai]]&lt;br /&gt;
[[Category:Film directors from Mumbai]]&lt;br /&gt;
[[Category:Hindi-language film directors]]&lt;br /&gt;
[[Category:Indian male silent film actors]]&lt;br /&gt;
[[Category:Indian silent film directors]]&lt;br /&gt;
[[Category:20th-century Indian male actors]]&lt;br /&gt;
[[Category:Male actors in Hindi cinema]]&lt;/div&gt;</summary>
		<author><name>BeauTesterman</name></author>
	</entry>
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