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	<title>Inder Sabha - Revision history</title>
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&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{Short description|Urdu play}}{{italic title}}&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;Inder Sabha&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039; ([[Urdu]]: اِندر سبها) is an Urdu [[Play (theatre)|play]] and [[opera]] written by [[Agha Hasan Amanat]], and first staged in 1853.&amp;lt;ref name=&amp;quot;ref77vojug&amp;quot;&amp;gt;{{Citation | title=The Encyclopaedia Of Indian Literature, Volume 2 | author=Amaresh Datta | publisher=Sahitya Akademi, 2006 | isbn=978-81-260-1194-0 | url=https://books.google.com/books?id=zB4n3MVozbUC | quote=&amp;#039;&amp;#039;... some characters used masks and other make up their faces ... Fireworks were used ... published in German by Friedrich Rosen (1856-1935) in Leipzig which evoked considerable interest ... Khadim Husain Afsos&amp;#039;s &amp;#039;&amp;#039;Inder Sabha&amp;#039;&amp;#039; (Agra, 1862) ...&amp;#039;&amp;#039;}}&amp;lt;/ref&amp;gt; It is regarded as the first complete Urdu stage play ever written.&amp;lt;ref name=&amp;quot;ref77vojug&amp;quot;/&amp;gt;&amp;lt;ref name=&amp;quot;ref08rorif&amp;quot;&amp;gt;{{Citation | title=The Cambridge guide to Asian theatre | author=James R. Brandon | publisher=Cambridge University Press, 1997 | isbn=978-0-521-58822-5 | url=https://books.google.com/books?id=ttnH5W9qoBAC | quote=&amp;#039;&amp;#039;... The history of the theatre of modern Pakistan is the history of the Urdu-language theatre which started in 1853 with the composition of Mirza Amanat&amp;#039;s &amp;#039;&amp;#039;Inder Sabha&amp;#039;&amp;#039; performed at the court of Wajid Ali Shah of Oudh ... for at least two generations after that, actors and musicians of Oudh sang the songs of Inder Sabha ...&amp;#039;&amp;#039;}}&amp;lt;/ref&amp;gt; The play was translated into [[German language|German]] in the 1880s as a doctoral thesis at the University of Leipzig by [[Friedrich Rosen]], and published to positive critical reception in 1892.&amp;lt;ref name=&amp;quot;ref77vojug&amp;quot;/&amp;gt;&amp;lt;ref name=&amp;quot;ref08rorif&amp;quot;/&amp;gt;&amp;lt;ref&amp;gt;Friedrich Rosen. &amp;quot;Die Indarsabhā des Amānat : neuindisches Singspiel in lithographischem Originaltext.&amp;quot; Leipzig: Brockhaus Verlag, 1892.&amp;lt;/ref&amp;gt; A film, &amp;#039;&amp;#039;Indrasabha&amp;#039;&amp;#039;, based on the play was released by [[Madan Theatre]] in 1932.&amp;lt;ref name=&amp;quot;ref18govoh&amp;quot;&amp;gt;{{Citation | title=Global Bollywood: travels of Hindi song and dance | author=Sangita Gopal, Sujata Moorti | publisher=University of Minnesota Press, 2008 | isbn=978-0-8166-4579-4 | url=https://books.google.com/books?id=19JBf6oDOy0C | quote=&amp;#039;&amp;#039;... in early experimentations with the technology of sound, narration in films like &amp;#039;&amp;#039;Indrasabha&amp;#039;&amp;#039; (The Court of Indra, JJ Madan, 1932) ... It would therefore be gratuitous to say that &amp;#039;&amp;#039;Indrasabha&amp;#039;&amp;#039; had seventy-one songs ...&amp;#039;&amp;#039;}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==The play==&lt;br /&gt;
The opera is set in the celestial court of [[Indra]], the king of the gods (devas) in [[Hindu mythology]]. The play is written entirely in verse, and the central theme is a romance between a prince and a fairy.&amp;lt;ref name=&amp;quot;ref69veyox&amp;quot;&amp;gt;{{Citation | title=South Asia: the Indian subcontinent, Part 2 | author=Alison Arnold | publisher=Taylor &amp;amp;amp; Francis, 2000 | isbn=978-0-8240-4946-1 | url=https://books.google.com/books?id=ZOlNv8MAXIEC | quote=&amp;#039;&amp;#039;... The court poet Agha Hasan (&amp;quot;Amanat&amp;quot;) wrote this musical dance drama based on the love story of a fairy and a prince. The drama, entirely in verse, was picked up by Parsi theater companies in Bombay that produced Urdu plays in India ...&amp;#039;&amp;#039;}}&amp;lt;/ref&amp;gt; Operatic devices such as fireworks and masks are employed in enacting the play.&amp;lt;ref name=&amp;quot;ref77vojug&amp;quot;/&amp;gt; Although the play was initially intended to be performed in royal court, songs from the play influenced the [[Geet (song)|&amp;#039;&amp;#039;geet&amp;#039;&amp;#039; tradition]] in Urdu and quickly transitioned into popular culture, where &amp;quot;&amp;#039;&amp;#039;for at least two generations after that, actors and musicians of Oudh sang the songs of Inder Sabha&amp;#039;&amp;#039;.&amp;quot;&amp;lt;ref name=&amp;quot;ref08rorif&amp;quot;/&amp;gt;&amp;lt;ref name=&amp;quot;ref83dopac&amp;quot;&amp;gt;{{Citation | title=Urdū adab | author=Sayyid Mohammad Abdullah | publisher=Maktaba-e-khayaban-e-adab, 1967 | url=https://books.google.com/books?id=jbNHAAAAMAAJ | quote=&amp;#039;&amp;#039;... اردو میں اس صنف کا احیا، اودھ کے تہزیبی دور میں ھوا. امانت نے اندر سبھا میں گیت کو رواج دیا ...&amp;#039;&amp;#039;}}&amp;lt;/ref&amp;gt; The play included &amp;quot;&amp;#039;&amp;#039;31 [[ghazal]]s, 9 [[thumri]] of gaya and [[Benares gharana]], 4 holis, 15 songs and two [[chaubola]]s and five [[Chhand (poetry)|chhand]]s with enough scope for dances as well&amp;#039;&amp;#039;.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
The play is considered a seminal work that directly influenced several important nineteenth and early-twentieth century Urdu plays that followed it, including Khadim Husain Afsos&amp;#039;s &amp;#039;&amp;#039;Bazm-e-Suleman&amp;#039;&amp;#039; (1862), Bahiron Singh Asmat&amp;#039;s &amp;#039;&amp;#039;Jashn-e-Parastan&amp;#039;&amp;#039; and Taj Mahal Farrukh&amp;#039;s &amp;#039;&amp;#039;Nigaristan-e-Farrukh&amp;#039;&amp;#039; (1911).&amp;lt;ref name=&amp;quot;ref77vojug&amp;quot;/&amp;gt;&lt;br /&gt;
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==Commissioning==&lt;br /&gt;
Although it is widely regarded as the first Urdu stage play, there is dispute on how the play came to be created.&amp;lt;ref name=&amp;quot;ref96deder&amp;quot;&amp;gt;{{Citation | title=The Pakistan review, Volume 8 | publisher=Ferozsons., 1960 | url=https://books.google.com/books?id=vG3VAAAAMAAJ | quote=&amp;#039;&amp;#039;... Sharar is also opposed to the view that the first Urdu Drama namely &amp;#039;&amp;#039;Inder Sabha&amp;#039;&amp;#039; was composed by the order of ... Also, there is a good deal of evidence to show that &amp;#039;&amp;#039;Inder Sabha&amp;#039;&amp;#039; was written by Amanat at the behest of Wajid Ali Shah ...&amp;#039;&amp;#039;}}&amp;lt;/ref&amp;gt; While some historians have contended that Agha Hasan Amanat was commissioned by [[Wajid Ali Shah]] to write it, others (such as [[Abdul Halim Sharar]]) have disputed this claim and asserted that it was written entirely independently by Amanat.&amp;lt;ref name=&amp;quot;ref96deder&amp;quot;/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Adaptations==&lt;br /&gt;
Manilal Joshi made, &amp;#039;&amp;#039;Indrasabha&amp;#039;&amp;#039;, an Indian silent film based on the play in 1925. Another film &amp;#039;&amp;#039;Indrasabha&amp;#039;&amp;#039;, released in 1932, was one of the earliest [[sound film]]s made in India, the very next year after &amp;#039;&amp;#039;[[Alam Ara]]&amp;#039;&amp;#039;, which was the first Indian talkie. It featured over seventy songs and was 211 minutes long. The film was made by [[Jamshedji Framji Madan]]&amp;#039;s company, [[Madan Theatre]] and starred [[Jehanara Kajjan]] among others.&amp;lt;ref name=&amp;quot;ref18govoh&amp;quot;/&amp;gt; &amp;#039;&amp;#039;Indrasabha&amp;#039;&amp;#039; holds the world record for the most songs (72) in any [[musical film|musical]] ever made.&amp;lt;ref name=&amp;quot;ref05moram&amp;quot;&amp;gt;{{Citation | title=Movie facts and feats: a Guinness record book | author=Patrick Robertson | publisher=Sterling Pub. Co., 1980 | isbn=978-0-8069-0204-3 | url=https://books.google.com/books?id=FDoOAAAAMAAJ | quote=&amp;#039;&amp;#039;... The musical with the most song numbers was Madan Theatres&amp;#039; Indra Sabha (India 32), a Hindi movie with 72 songs. The Hollywood musical with the most songs was Columbia&amp;#039;s The Jolson Story&amp;#039;&amp;#039; (US 46) which had 28 song sequences ...&amp;#039;&amp;#039;}}&amp;lt;/ref&amp;gt; A. Narayanan, R. S. Prakash followed Madan&amp;#039;s [[Hindi]] film adaptation with &amp;#039;&amp;#039;Indrasabha&amp;#039;&amp;#039; (1936), another sound film this time in [[Tamil language|Tamil]].&amp;lt;ref name=&amp;quot;RajadhyakshaWillemen1999&amp;quot;&amp;gt;{{cite book|last1=Rajadhyaksha|first1=Ashish|last2=Willemen|first2=Paul|title=Encyclopaedia of Indian cinema|url=https://archive.org/details/encyclopaediaofi0000raja|url-access=registration|accessdate=12 August 2012|year=1999|publisher=British Film Institute}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
{{reflist|2}}&lt;br /&gt;
&lt;br /&gt;
* &amp;#039;&amp;#039;[https://books.google.com/books?id=_GZtCwAAQBAJ Bhojpuri Filmon Ka Safarnama] By Raviraj Patel {{ISBN|9351862038}}&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
[[Category:Indian plays]]&lt;br /&gt;
[[Category:Urdu theatre]]&lt;br /&gt;
[[Category:History of theatre]]&lt;br /&gt;
[[Category:1853 plays]]&lt;br /&gt;
[[Category:1853 operas]]&lt;br /&gt;
[[Category:Indian plays adapted into films]]&lt;/div&gt;</summary>
		<author><name>UpdateBot</name></author>
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