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	<title>Kanhapa - Revision history</title>
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		<id>https://indianpedia.org/index.php?title=Kanhapa&amp;diff=508195&amp;oldid=prev</id>
		<title>Felorox at 09:52, 15 February 2026</title>
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		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{Short description|Indian poet}}&lt;br /&gt;
{{Use dmy dates|date=August 2019}}&lt;br /&gt;
{{more citations needed|date=April 2021}}&lt;br /&gt;
{{cleanup lang|date=March 2021}}&lt;br /&gt;
{{Infobox Buddhist leader&lt;br /&gt;
| name               = Kānhapā&lt;br /&gt;
| image              = Mahasiddha Kanhapa.jpg&lt;br /&gt;
| caption            = Kanhapa, 8th centurt Buddhist [[Mahasiddha]]&lt;br /&gt;
| birth_date         = c. 10th century AD&lt;br /&gt;
| birth_place        = &amp;lt;!-- Birthplace if available --&amp;gt;&lt;br /&gt;
| death_date         = &amp;lt;!-- Death date if available --&amp;gt;&lt;br /&gt;
| religion           = [[Tantric Buddhism]]&lt;br /&gt;
| guru               = [[Jalandhar]]&lt;br /&gt;
| disciples          = [[Nath Sampradaya]] (after [[Matsyendranatha]] and [[Gorakhnath]])&lt;br /&gt;
| literary_works     = [[Charyapada]]&lt;br /&gt;
}}&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Kānhapā&amp;#039;&amp;#039;&amp;#039;, &amp;#039;&amp;#039;&amp;#039;Kanha&amp;#039;&amp;#039;&amp;#039; or &amp;#039;&amp;#039;&amp;#039;Kanhapada&amp;#039;&amp;#039;&amp;#039; or &amp;#039;&amp;#039;&amp;#039;Krishnacharya&amp;#039;&amp;#039;&amp;#039;&amp;lt;ref&amp;gt;{{Cite web|title=Kahnapa - Banglapedia|url=https://en.banglapedia.org/index.php/Kahnapa|access-date=2022-01-19|website=en.banglapedia.org}}&amp;lt;/ref&amp;gt; ( c 10th century AD) was one of the main [[poets]] of &amp;#039;&amp;#039;[[Charyapada]]&amp;#039;&amp;#039;, the earliest known example of [[Assamese Literature|Assamese]], [[Bengali literature|Bengali]], [[Maithili language|Maithili]], [[Bhojpuri language|Bhojpuri]], and [[Odia literature|Odia]] literature. He was a [[Tantric buddhism|tantric Buddhist]] and a disciplle of Jalandhar.[https://books.google.co.in/books?id=IyILAAAAYAAJ&amp;amp;newbks=1&amp;amp;newbks_redir=0&amp;amp;printsec=frontcover&amp;amp;dq=%22Kanhapa%22+taranath&amp;amp;q=%22Kanhapa%22+taranath&amp;amp;hl=en&amp;amp;source=gb_mobile_entity&amp;amp;ovdme=1&amp;amp;redir_esc=y#%22Kanhapa%22%20taranath Page21] Kanhapada is also a prominent siddhacharya to [[Nath]] [[Sampradaya]] after [[Matsyendranatha]] and [[Gorakhnath]].&amp;lt;ref&amp;gt;{{Cite book|last=asf|url=http://archive.org/details/BangalirItihasAdiparbaByNiharranjanRoy|title=Bangalir Itihas Adiparba By Niharranjan Roy|pages=601}}&amp;lt;/ref&amp;gt; His poems in Charjyapad are written in a code, whereby every poem has a descriptive or narrative surface meaning but also encodes tantric Buddhist teachings. Some experts believe this was to conceal sacred knowledge from the uninitiated.&lt;br /&gt;
&lt;br /&gt;
In one of his poems, Kanhupa wrote:&lt;br /&gt;
&lt;br /&gt;
{{blockquote|&lt;br /&gt;
Your hut stands outside the city&lt;br /&gt;
&lt;br /&gt;
Oh, untouchable maid&lt;br /&gt;
&lt;br /&gt;
The bald Brahmin passes sneaking close by&lt;br /&gt;
&lt;br /&gt;
Oh, my maid, I would make you my companion&lt;br /&gt;
&lt;br /&gt;
Kanha is the kapali, a yogi&lt;br /&gt;
&lt;br /&gt;
He is naked and has no disgust&lt;br /&gt;
&lt;br /&gt;
There is a lotus with sixty-four petals&lt;br /&gt;
&lt;br /&gt;
Upon that the maid will climb with this poor self and dance.}}&lt;br /&gt;
&lt;br /&gt;
The language of Kanhupa&amp;#039;s poetry bears a very strong resemblance to modern Bangla and Odia. For example,&lt;br /&gt;
&lt;br /&gt;
{{blockquote|&lt;br /&gt;
eka so padamā caüṣaṭṭhī pākhur̤i . &lt;br /&gt;
&lt;br /&gt;
tahim̐ car̤i nācaï ḍombi bāpur̤i..}}&lt;br /&gt;
&lt;br /&gt;
{{blockquote|ଏକ ସୋ ପଦମା ଚଉଷଟ୍ଠୀ ପାଖୁଡ଼ି ।&lt;br /&gt;
&lt;br /&gt;
ତହିଁ ଚଡ଼ି ନାଚଇ ଡୋମ୍ବି ବାପୁଡ଼ି ॥}}&lt;br /&gt;
&lt;br /&gt;
{{blockquote|এক সো পদমা চৌষট্‌ঠী পাখুড়ি ।&lt;br /&gt;
&lt;br /&gt;
তহিঁ চড়ি নাচই ডোম্বি বাপুড়ি ॥}}&lt;br /&gt;
&lt;br /&gt;
&amp;lt;ref&amp;gt;{{Cite web |title=নগর বাহিরি রে ডোম্বি তোহোরি কুড়িআ |url=http://onushilon.org/music/gitikar/corja/corjja10.htm |access-date=2022-04-19 |website=onushilon.org |archive-date=20 September 2022 |archive-url=https://web.archive.org/web/20220920163407/http://onushilon.org/music/gitikar/corja/corjja10.htm |url-status=dead }}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Padama (Padma:Lotus), Chausatthi (64), Pakhudi (petals) Tahin (there, in that), Charhi (climb/rise), nachai (dances), Dombi (a Bengali or Odia woman belonging to the scheduled caste, Domi/Domni), Bapuri (a Bangla and Odia word for &amp;#039;poor fellow&amp;#039;; ‘বাপুর, বাপুড়া’&amp;lt;ref&amp;gt;{{Cite web |last=Dasa |first=Jnanendramohana |date=1937 |title=Bangala Bhashara abhidana |url=https://dsal.uchicago.edu/cgi-bin/app/dasa_query.py?qs=%E0%A6%AC%E0%A6%BE%E0%A6%AA%E0%A7%81&amp;amp;searchhws=yes&amp;amp;matchtype=exact |access-date=2022-04-19 |website=dsal.uchicago.edu}}&amp;lt;/ref&amp;gt;)&lt;br /&gt;
&lt;br /&gt;
Somewhat modern poetic Bangla would be, “একশো পদ্মে/পদমে চৌষট্টি পাকড়ি/পাখুড়ি। তাহে চড়িয়া/চড়ি নাচে ডোমি বাপুড়ি/বেচারি॥”&lt;br /&gt;
&lt;br /&gt;
or&lt;br /&gt;
&lt;br /&gt;
{{blockquote|&lt;br /&gt;
hā lo ḍombi to puchami sadabhābe. &lt;br /&gt;
&lt;br /&gt;
āisasi jāsi ḍombi kāhari nābem̐..}}&lt;br /&gt;
&lt;br /&gt;
{{blockquote|ହା ଲୋ ଡୋମ୍ବି ତୋ ପୁଛମି ସଦଭାବେ।&lt;br /&gt;
&lt;br /&gt;
ଆଇସସି ଜାସି ଡୋମ୍ବି କାହରି ନାବେଁ॥}}&lt;br /&gt;
&lt;br /&gt;
{{blockquote|হা লো ডোম্বি তো পুছমি সদভাবে।&lt;br /&gt;
&lt;br /&gt;
আইসসি যাসি ডোম্বি কাহরি নাবেঁ॥}}&amp;lt;ref&amp;gt;{{Cite web |title=নগর বাহিরি রে ডোম্বি তোহোরি কুড়িআ |url=http://onushilon.org/music/gitikar/corja/corjja10.htm |access-date=2022-04-19 |website=onushilon.org |archive-date=20 September 2022 |archive-url=https://web.archive.org/web/20220920163407/http://onushilon.org/music/gitikar/corja/corjja10.htm |url-status=dead }}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The above verse hardly requires any translation to be understood in present-day [[Bengali language|Bengali]] or [[Odia language|Odia]].&lt;br /&gt;
&lt;br /&gt;
Modern poetic Bengali version of it will be “হ্যাঁ লো ডোমনি/ডোমি, তোকে/তোয় পুঁছি/জিজ্ঞাসি/শুধাই সদ্ভাবে। আসিস-যাস ডোমি/ডোমনি কাহারে নায়/নাওয়ে”.&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
{{Reflist}}&lt;br /&gt;
&lt;br /&gt;
{{authority control}}&lt;br /&gt;
&lt;br /&gt;
[[Category:Bengali male poets]]&lt;br /&gt;
[[Category:Indian Buddhists]]&lt;br /&gt;
[[Category:Mahasiddhas]]&lt;br /&gt;
[[Category:Buddhist yogis]]&lt;br /&gt;
[[Category:Indian male poets]]&lt;br /&gt;
[[Category:Vajrayana]]&lt;br /&gt;
[[Category:Poets of Charyapada]]&lt;br /&gt;
&lt;br /&gt;
{{india-poet-stub}}&lt;/div&gt;</summary>
		<author><name>Felorox</name></author>
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