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	<title>Kashiram Das - Revision history</title>
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		<title>&gt;Worldbruce at 18:20, 1 December 2020</title>
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&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{EngvarB|date=March 2017}}&lt;br /&gt;
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{{Infobox writer &amp;lt;!-- For more information see [[:Template:Infobox Writer/doc]]. --&amp;gt;&lt;br /&gt;
| name = Kashiram Das&lt;br /&gt;
| native_name = কাশীরাম দাস&lt;br /&gt;
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| birth_place = Singi, [[Katwa]], [[Bardhaman]]&lt;br /&gt;
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| occupation = Poet&lt;br /&gt;
| language = [[Bengali language|Bengali]]&lt;br /&gt;
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&amp;#039;&amp;#039;&amp;#039;Kashiram Das&amp;#039;&amp;#039;&amp;#039; or &amp;#039;&amp;#039;&amp;#039;Kāśīrām Dās&amp;#039;&amp;#039;&amp;#039; ({{lang-bn|কাশীরাম দাস}}, {{IPA-bn|ka.ʃi.raˑm d̪aˑʃ|pron}}; born 16th century) is an important poet in medieval [[Bengali literature]]. His Bengali re-telling of the &amp;#039;&amp;#039;[[Mahabharata|Mahābhārata]]&amp;#039;&amp;#039;, known as &amp;#039;&amp;#039;Kāśīdāsī Môhābhārôt&amp;#039;&amp;#039;, is a popular and influential version of the &amp;#039;&amp;#039;Mahābhārata&amp;#039;&amp;#039; legend in [[Bengal]]. Although the entire work is intra-textually ascribed to him, most scholars agree that he composed only the first four of the eighteen books (&amp;#039;&amp;#039;parvas&amp;#039;&amp;#039;). As with the &amp;#039;&amp;#039;[[Ramayana|Rāmāyaṇa]]&amp;#039;&amp;#039; of [[Krittibas Ojha|Kṛttibās Ojhā]], Kāśīrām freely removed elements and added other legends to the story. &amp;#039;&amp;#039;Dās&amp;#039;&amp;#039; is not a last name and is a title meaning &amp;#039;servant&amp;#039; in the [[Vaishnava|Vaiṣṇava]] tradition; the name is also written as &amp;#039;&amp;#039;&amp;#039;Kashiramdas&amp;#039;&amp;#039;&amp;#039;.&amp;lt;ref name=enc&amp;gt;Kashiramdas, article by Sukhamay Mukherjee in the Encyclopedia of Indian Literature, Sahitya Akademi, v.III p. 2003&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Life==&lt;br /&gt;
Kashiram Das was born to a [[Vaishnava]] [[Kayastha]] family in the village of Singi, adjacent to [[Katwa]] in [[Bardhaman district]]; his death anniversary is still observed in the region. Kashiram was the second son of Kamalakanta Das;&amp;lt;ref name=kali&amp;gt;Kalipada Chaudhuri, &amp;#039;&amp;#039;Bangla Sahityer Itihas&amp;#039;&amp;#039; (Bengali: বাংলা সাহিত্যের ইতিহাস), Bani Samsad, p.121–122&lt;br /&gt;
&amp;lt;/ref&amp;gt; two of his brothers were noted poets on their own, in the [[Vaishnava Padavali]] tradition.&lt;br /&gt;
His elder brother Ghanashyam Das, is the author of &amp;#039;&amp;#039;Srikrishnavilas&amp;#039;&amp;#039;, and his younger brother, Gadadhar, composed &amp;#039;&amp;#039;Jagannathamangal&amp;#039;&amp;#039;. Although Kashiram&amp;#039;s topic was outside the mainstream [[Krishna]] legend, his work is stylistically in the same tradition and uses the &amp;#039;&amp;#039;payar chhanda&amp;#039;&amp;#039; (payar [[Metre (poetry)|metre]]).&lt;br /&gt;
&lt;br /&gt;
There is some doubt regarding his birthplace. It appears that Kamalakanta left the Bardhaman area (at the time known as Indrani Pargana) and had settled in [[Orissa, India|Orissa]], so it might be that Kashiram was born in Orissa&amp;lt;ref&amp;gt;Sukhamay Mukherjee, &amp;#039;&amp;#039;madhyajuger bangla sahityer tathya o kalakrama&amp;#039;&amp;#039;, 1974&amp;lt;/ref&amp;gt; and then returned to [[Bengal]] ([[Midnapore]]) at a later stage.&lt;br /&gt;
&lt;br /&gt;
As a [[Sanskrit]] and Vaishnava scholar, Kashiram was [[Patronage#Arts|patronised]] by a [[zamindar]] family in Midnapore, and ran a &amp;#039;&amp;#039;pathshala&amp;#039;&amp;#039; (small school) there. In addition to the &amp;#039;&amp;#039;Kashidasi Mahabharat&amp;#039;&amp;#039;, he is cited to have composed several works, including &amp;#039;&amp;#039;Satyanarayaner Punthi&amp;#039;&amp;#039; (the book of Satyanaryan), &amp;#039;&amp;#039;Svapna-Parba&amp;#039;&amp;#039; (dream reverie), and &amp;#039;&amp;#039;Nalopakhyan&amp;#039;&amp;#039; (tale of [[Nala]]), which are now lost.&lt;br /&gt;
&lt;br /&gt;
==&amp;#039;&amp;#039;Kashidasi Mahabharat&amp;#039;&amp;#039;==&lt;br /&gt;
It is said that he was inspired to embark on composing a Bengali version of the &amp;#039;&amp;#039;Mahābhārata&amp;#039;&amp;#039; after a recitation of the Sanskrit text at his patron&amp;#039;s home.&amp;lt;ref name=kali/&amp;gt; He may have been guided in this enterprise by his teacher Abhiram Mukhuti of Haraharpur.&amp;lt;ref name=bp&amp;gt;{{cite book |last=Ahmed |first=Wakil |year=2012 |chapter=Kashiram Das |chapter-url=http://en.banglapedia.org/index.php?title=Kashiram_Das |editor1-last=Sirajul Islam |editor1-link=Sirajul Islam |editor2-last=Jamal |editor2-first=Ahmed A. |title=Banglapedia: National Encyclopedia of Bangladesh |edition=Second |publisher=[[Asiatic Society of Bangladesh]]}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
It is quite clear that the first four parvas&amp;amp;mdash;&amp;#039;&amp;#039;ādi&amp;#039;&amp;#039;, &amp;#039;&amp;#039;sabhā&amp;#039;&amp;#039;, &amp;#039;&amp;#039;vana&amp;#039;&amp;#039;, and &amp;#039;&amp;#039;virāṭā&amp;#039;&amp;#039;&amp;amp;mdash;were composed by him around the turn of the 16th century. The vanity refrain at the end of the virata parva gives the date of its composition as the [[Indian national calendar|shaka]] year 1526 (1604&amp;amp;nbsp;CE). He had embarked on the next book, the &amp;#039;&amp;#039;vana-parva&amp;#039;&amp;#039;, but it is thought that he may have died shortly thereafter,&amp;lt;ref name=enc/&amp;gt; and the remaining books were completed by his son-in-law, nephew, and other relatives,&amp;lt;ref name=bp/&amp;gt; who followed the same style and even retained the &amp;#039;Kashiram Das&amp;#039; vanity line after each chapter. The entire work was completed around 1610&amp;amp;nbsp;AD.&amp;lt;ref&amp;gt;{{cite book |last1=Mohammad Daniul Huq |last2=Aminur Rahman |year=2012 |chapter=Bangla Literature|chapter-url=http://en.banglapedia.org/index.php?title=Bangla_Literature |editor1-last=Sirajul Islam |editor1-link=Sirajul Islam |editor2-last=Jamal |editor2-first=Ahmed A. |title=Banglapedia: National Encyclopedia of Bangladesh |edition=Second |publisher=[[Asiatic Society of Bangladesh]]}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Kashiram Das had named his text &amp;#039;&amp;#039;Bharata-Pā̃cālī&amp;#039;&amp;#039;, where &amp;#039;&amp;#039;Bharata&amp;#039;&amp;#039; refers to the [[Bharata (Mahabharata)|Bharata dynasty]], and &amp;#039;&amp;#039;[[Panchali (Bengal)|pā̃cālī]]&amp;#039;&amp;#039; refers to the narrative song tradition of Bengal. The &amp;#039;&amp;#039;pā̃cālī&amp;#039;&amp;#039; works attempt to tell a story that will keep the audience&amp;#039;s interest. In this spirit, Kashiram Das avoids the long philosophical discourses that are part of the &amp;#039;&amp;#039;Mahābhārata&amp;#039;&amp;#039;, such as the entire discourse of Kṛṣṇa to [[Arjuna]] (the [[Bhagavad Gita|Bhagavadgītā]]). On the other hand, he elaborates the story of [[Mohini]]—the female avatar of [[Viṣṇu]] who enchants [[Śiva]]—based on a two-line &amp;#039;&amp;#039;śloka&amp;#039;&amp;#039; in the original.&amp;lt;ref&amp;gt;Pradip Bhattacharya, [http://www.boloji.com/index.cfm?md=Content&amp;amp;sd=Articles&amp;amp;ArticleID=1131 Amrita – The Apple of Eris]&lt;br /&gt;
&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Although other Bengali &amp;#039;&amp;#039;Mahābhāratas&amp;#039;&amp;#039; had been composed earlier (for example, &amp;#039;&amp;#039;Kavindra Mahabharata&amp;#039;&amp;#039;, 1525), the &amp;#039;&amp;#039;Kashidasi Mahabharata&amp;#039;&amp;#039; soon became the staple of Bengali Mahābhārata readings. Composed in the &amp;#039;&amp;#039;[[mangalkavya]]&amp;#039;&amp;#039; tradition, the vanity refrain has become a staple of Bengali tradition:&lt;br /&gt;
&amp;lt;blockquote&amp;gt;&amp;lt;poem&amp;gt;môhābhārôter kôthaā ômṛtô sômān&lt;br /&gt;
kāśīrām dās kôhe śune punyôbān&amp;lt;/poem&amp;gt;&amp;lt;/blockquote&amp;gt;&lt;br /&gt;
&lt;br /&gt;
This is translated to: &amp;quot;The &amp;#039;&amp;#039;Mahābhārata&amp;#039;&amp;#039; tales are like &amp;#039;&amp;#039;[[amrita]]&amp;#039;&amp;#039;, says Kashiram Das; it brings merit to listen to it.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Other phrases that have become part of the Bengali folklore include &amp;quot;krodhe pāp, krodhe tāp, krodhe kulôkṣôẏ;&amp;quot;&amp;lt;ref&amp;gt;http://www.milansagar.com/kobi-kashiramdas.html&amp;lt;/ref&amp;gt; (&amp;quot;anger causes sin, anger causes heat, anger causes the demise of one&amp;#039;s line&amp;quot;).&lt;br /&gt;
&lt;br /&gt;
When the [[Serampore Mission Press]] was started in the 19th century, the &amp;#039;&amp;#039;Kāśīdāsī Môhābhārôt&amp;#039;&amp;#039; in parts were among the first Bengali texts to be printed. Eventually, the complete text, edited by Jayagopal Tarkalankar, was published in 1936 by the same press.&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
{{Reflist}}&lt;br /&gt;
&lt;br /&gt;
{{wikisource|bn|কাশীদাসী মহাভারত|Kashidasi Mahabharata}}&lt;br /&gt;
{{Authority control}}&lt;br /&gt;
&lt;br /&gt;
[[Category:Bengali-language literature]]&lt;br /&gt;
[[Category:Mahabharata]]&lt;br /&gt;
[[Category:Bengali male poets]]&lt;/div&gt;</summary>
		<author><name>&gt;Worldbruce</name></author>
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