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	<title>Kitab-i Nauras - Revision history</title>
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		<title>JacquelynBelz49 at 01:30, 28 February 2026</title>
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&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{Short description|16th-century work by sultan Ibrahim Adil Shah II}}&lt;br /&gt;
{{Use dmy dates|date=May 2025}}&lt;br /&gt;
{{Use Indian English|date=May 2025}}&lt;br /&gt;
{{Infobox book&lt;br /&gt;
| name              = Kitab-i Nauras&lt;br /&gt;
| country           = [[Bijapur Sultanate]] (modern-day India)&lt;br /&gt;
| language          = [[Deccani language|Deccani]] with an introduction in [[Persian language|Persian]]&lt;br /&gt;
| genre             = Poetry&lt;br /&gt;
| image             = Khalilullah Butshikan - From Dohras (Songs) 40 and 42 from the Kitab-i Nauras (Book of Nine Essence - 2013.284 - Cleveland Museum of Art.tif&lt;br /&gt;
| subject           = &lt;br /&gt;
| author            = [[Ibrahim Adil Shah II]]&lt;br /&gt;
| URL               = &lt;br /&gt;
}}&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;Kitab-i Nauras&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039; ({{translation|The Book of Nine Rasas}}), also transliterated as &amp;#039;&amp;#039;&amp;#039;Kitab-e-Nauras&amp;#039;&amp;#039;&amp;#039;, is a 16th-century treatise written by [[Ibrahim Adil Shah II|Sultan Ibrahim Adil Shah II]] of [[Sultanate of Bijapur|Bijapur]].&amp;lt;ref&amp;gt;{{Citation |last=Griffin |first=Sushma |title=Vernacular Subjectivity as a Way of Seeing: Visualising Bijapur in Nujūm al-ʿUlūm and Kitāb-i-Nauras |date=2021-12-03 |work=Naẓar:Vision, Belief, and Perception in Islamic Cultures |pages=284–311 |url=https://brill.com/display/book/edcoll/9789004499485/BP000022.xml?language=en |access-date=2024-12-08 |publisher=Brill |language=en |isbn=978-90-04-49948-5}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{Cite journal |last=Khan |first=Umrat |title=Strokes of Sentiment: A case study of Ibrahim &amp;#039;Adil Shah II&amp;#039;s Kitab-i-Nauras |url=https://www.academia.edu/108143237 |journal=Tyler School of Art &amp;amp; Architecture, Temple University |archive-date=15 December 2024 |access-date=8 December 2024 |archive-url=https://web.archive.org/web/20241215115237/https://www.academia.edu/108143237 |url-status=dead }}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{cite journal|journal=[[Muqarnas]]|volume=33|date=2016|pages=91–154|title=Book Culture, Royal Libraries, and Persianate Painting in Bijapur, circa 1580‒1630|url=https://www.jstor.org/stable/26551683|first=Keelan|last=Overton|doi=10.1163/22118993_03301P006 |jstor=26551683}}&amp;lt;/ref&amp;gt; It was written with the title &amp;#039;&amp;#039;Nauras&amp;#039;&amp;#039;, meaining &amp;#039;&amp;#039;Nine Rasas&amp;#039;&amp;#039;, but was named as &amp;#039;&amp;#039;Nauras Nama&amp;#039;&amp;#039; or &amp;#039;&amp;#039;Kitab-i Nauras&amp;#039;&amp;#039; later.{{Sfn|Ahmad|1956|p=55}} It is a collection of 59 Manqabat Kalaam (song) and 17 couplets in the [[Deccani language]].&lt;br /&gt;
&lt;br /&gt;
== Contents ==&lt;br /&gt;
&lt;br /&gt;
=== Introduction ===&lt;br /&gt;
The introduction to the book was not written by Ibrahim; instead, it was written by the poet [[Muhammad Zuhuri]] in Persian rather than Deccani. Zuhuri states that the preface is &amp;quot;a worthless stone for the garland made of royal pearls&amp;quot;. &lt;br /&gt;
&lt;br /&gt;
=== Songs ===&lt;br /&gt;
In the ten known manuscripts, there are fifty-nine songs, although no single copy contains all of them. In addition, there are seventeen [[Doha (poetry)|dohas]].{{Sfn|Ahmad|1956|p=61-67}}&lt;br /&gt;
&lt;br /&gt;
A significant portion of the songs are praises sung for [[Saraswati]], [[Ganesha]], and other Hindu deities. Others praise the prophet [[Muhammad]] and Sufi saint [[Bande Nawaz]]. Another portion refers to Ibrahim&amp;#039;s private life. His favorite elephant Atish Khan and favorite tambourine Moti Khan are also praised. In others, Ibrahim&amp;#039;s mother Bari Sahib and wife Chand Sultan are referred to.{{Sfn|Ahmad|1956|p=61-67}}&lt;br /&gt;
&lt;br /&gt;
=== Rasas ===&lt;br /&gt;
&lt;br /&gt;
# &amp;#039;&amp;#039;Shringara&amp;#039;&amp;#039; means the sentiment of love and romance.&lt;br /&gt;
#&amp;#039;&amp;#039;Veera&amp;#039;&amp;#039; means the sentiment of heroism or chivalry&lt;br /&gt;
#&amp;#039;&amp;#039;Veebhatsa&amp;#039;&amp;#039; means the sentiment of disgust&lt;br /&gt;
#&amp;#039;&amp;#039;Raudra&amp;#039;&amp;#039; means the sentiment of anger and fury&lt;br /&gt;
#&amp;#039;&amp;#039;Bhayanak&amp;#039;&amp;#039; means the sentiment of dread and terror&lt;br /&gt;
#&amp;#039;&amp;#039;Hasya&amp;#039;&amp;#039; means the sentiment of joy and humour &lt;br /&gt;
#&amp;#039;&amp;#039;Karuna&amp;#039;&amp;#039; means the sentiment of compassion and pathos&lt;br /&gt;
#&amp;#039;&amp;#039;Adbhuta&amp;#039;&amp;#039; means the sentiment of wonder and amazement&lt;br /&gt;
#&amp;#039;&amp;#039;Shanta&amp;#039;&amp;#039; means the sentiment of peace and contenment{{Sfn|Ahmad|1956|p=55-56}}&lt;br /&gt;
&lt;br /&gt;
== References ==&lt;br /&gt;
{{Reflist}}&lt;br /&gt;
&lt;br /&gt;
=== Bibliography ===&lt;br /&gt;
* {{Cite book |last=Ahmad |first=Nazir |url=https://the-deccan.in/wp-content/uploads/2019/11/ibrahim_adilshah_kitab-i-nauras.pdf |title=Kitab-i-Nauras by Ibrahim Adil Shah II: Introduction, Notes, and Textual Editing |publisher=Bharatiya Kala Kendra |year=1956 |location=New Delhi |language=en}}&lt;br /&gt;
* {{Cite book |last=Haider |first=Navinda Najat |url=https://books.google.com/books?id=iWNHYID4WqAC |title=Sultans of the South: Arts of India&amp;#039;s Deccan Courts, 1323–1687 |publisher=The Metropolitan Museum of Art, New York |chapter=The Kitab-i Nauras: Key to Bijapur&amp;#039;s Golden Age|date=2011 |isbn=978-1-58839-438-5 }}&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:Urdu-language books]]&lt;br /&gt;
[[Category:16th-century books]]&lt;/div&gt;</summary>
		<author><name>JacquelynBelz49</name></author>
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