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	<title>Kokilapriya - Revision history</title>
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		<id>https://indianpedia.org/index.php?title=Kokilapriya&amp;diff=409611&amp;oldid=prev</id>
		<title>CleanupBot II at 09:02, 14 August 2023</title>
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		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{Infobox ragam&lt;br /&gt;
| name          = Kokilapriya&lt;br /&gt;
| synonym       =&lt;br /&gt;
| image_name    =&lt;br /&gt;
| image_alt     =&lt;br /&gt;
| mela          =&lt;br /&gt;
| chakra        =&lt;br /&gt;
| type          =&lt;br /&gt;
| arohanam      = {{svaraC|S|R1|G2|M1|P|D2|N3|S&amp;#039;}}&lt;br /&gt;
| avarohanam    = {{svaraC|S&amp;#039;|N3|D2|P|M1|G2|R1|S}}&lt;br /&gt;
| jeeva         =&lt;br /&gt;
| chhaya        =&lt;br /&gt;
| nyasa         =&lt;br /&gt;
| vishesha      =&lt;br /&gt;
| equivalent    = [[Neapolitan major scale]]&lt;br /&gt;
| similar       =&lt;br /&gt;
}}&lt;br /&gt;
{{Use British English|date=October 2011}}&lt;br /&gt;
{{Use dmy dates|date=October 2011}}&lt;br /&gt;
{{Carnatic}}&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Kokilapriya&amp;#039;&amp;#039;&amp;#039; (&amp;#039;&amp;#039;The one dear to the [[koel]]&amp;#039;&amp;#039;) is a [[rāga]]m in [[Carnatic music]] (musical scale of South Indian classical music). It is the 11th &amp;#039;&amp;#039;[[Melakarta]]&amp;#039;&amp;#039; rāgam in the 72 &amp;#039;&amp;#039;melakarta&amp;#039;&amp;#039; rāgam system of Carnatic music. The 11th rāgam in [[Muthuswami Dikshitar]] school of Carnatic music is called &amp;#039;&amp;#039;&amp;#039;Kokilāravam&amp;#039;&amp;#039;&amp;#039;.&amp;lt;ref name=&amp;quot;ragas&amp;quot;&amp;gt;&amp;#039;&amp;#039;Ragas in Carnatic music&amp;#039;&amp;#039; by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications&amp;lt;/ref&amp;gt;&amp;lt;ref  name=&amp;quot;raganidhi&amp;quot;&amp;gt;&amp;#039;&amp;#039;Raganidhi&amp;#039;&amp;#039; by P. Subba Rao, Pub. 1964, The Music Academy of Madras&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Structure and Lakshana==&lt;br /&gt;
[[Image:Kokilapriya scale.svg|thumb|right|300px|&amp;#039;&amp;#039;Kokilapriya&amp;#039;&amp;#039; scale with &amp;#039;&amp;#039;shadjam&amp;#039;&amp;#039; at C]]&lt;br /&gt;
&lt;br /&gt;
It is the 5th rāgam in the 2nd &amp;#039;&amp;#039;chakra Netra&amp;#039;&amp;#039;. The mnemonic name is &amp;#039;&amp;#039;Netra-Ma&amp;#039;&amp;#039;. The mnemonic phrase is &amp;#039;&amp;#039;sa ra gi ma pa dha na&amp;#039;&amp;#039;.&amp;lt;ref name=&amp;quot;ragas&amp;quot; /&amp;gt; Its &amp;#039;&amp;#039;{{IAST|ārohaṇa-avarohaṇa}}&amp;#039;&amp;#039; structure (ascending and descending scale) is as follows (see [[Swara#Swaras in Carnatic music|&amp;#039;&amp;#039;swaras&amp;#039;&amp;#039; in Carnatic music]] for details on below notation and terms):&lt;br /&gt;
*[[Arohana|{{IAST|ārohaṇa}}]]: {{svaraC|S|R1|G2|M1|P|D2|N3|S&amp;#039;|foot=yes}}&lt;br /&gt;
*[[Avarohana|{{IAST|avarohaṇa}}]]: {{svaraC|S&amp;#039;|N3|D2|P|M1|G2|R1|S|foot=yes}}&lt;br /&gt;
(this scale uses the notes &amp;#039;&amp;#039;shuddha rishabham, sadharana gandharam, shuddha madhyamam, chathusruthi dhaivatham, kakali nishadham&amp;#039;&amp;#039;)&lt;br /&gt;
&lt;br /&gt;
As it is a &amp;#039;&amp;#039;melakarta&amp;#039;&amp;#039; rāgam, by definition it is a [[sampoorna raga|&amp;#039;&amp;#039;sampoorna&amp;#039;&amp;#039; rāgam]] (has all seven notes in ascending and descending scale). It is the &amp;#039;&amp;#039;shuddha madhyamam&amp;#039;&amp;#039; equivalent of &amp;#039;&amp;#039;[[Suvarnangi]]&amp;#039;&amp;#039;, which is the 47th &amp;#039;&amp;#039;melakarta&amp;#039;&amp;#039;.&lt;br /&gt;
&lt;br /&gt;
== Asampurna Melakarta ==&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Kokilāravam&amp;#039;&amp;#039;&amp;#039; is the 11th &amp;#039;&amp;#039;Melakarta&amp;#039;&amp;#039; in the original list compiled by [[Venkatamakhin]]. The notes used in the scale are the same, but the scales are &amp;#039;&amp;#039;vakra&amp;#039;&amp;#039; (zig-zag in phrases of the scale). It is an &amp;#039;&amp;#039;shadava-sampurna&amp;#039;&amp;#039; raga (6 notes in ascending scale, while full 7 are used in descending scale).&amp;lt;ref name=&amp;quot;dikshitar&amp;quot;&amp;gt;Shree Muthuswami Dikshitar Keerthanaigal, by A Sundaram Iyer, Music Book Publishers, Mylapore, Chennai&amp;lt;/ref&amp;gt;&lt;br /&gt;
*[[Arohana|{{IAST|ārohaṇa}}]]: {{svaraC|S|R1|M1|M1|P|M1|P|D2|N3|S&amp;#039;|foot=yes}}&lt;br /&gt;
*[[Avarohana|{{IAST|avarohaṇa}}]]: {{svaraC|S&amp;#039;|N3|D2|D2|P|M1|G2|R1|S|foot=yes}}&lt;br /&gt;
&lt;br /&gt;
== &amp;#039;&amp;#039;Janya&amp;#039;&amp;#039; rāgams ==&lt;br /&gt;
&amp;#039;&amp;#039;Kokilapriya&amp;#039;&amp;#039; has a few minor &amp;#039;&amp;#039;[[janya]]&amp;#039;&amp;#039; rāgams (derived scales) associated with it. See [[List of Janya Ragas#Kokilapriya|List of &amp;#039;&amp;#039;janya&amp;#039;&amp;#039; rāgams]] for full list of rāgams associated with this scale.&lt;br /&gt;
&lt;br /&gt;
== Compositions ==&lt;br /&gt;
Here are a few common compositions sung in concerts, set to &amp;#039;&amp;#039;Kokilapriya&amp;#039;&amp;#039;.&lt;br /&gt;
&lt;br /&gt;
*&amp;#039;&amp;#039;Dasarathe Dayasaradhe&amp;#039;&amp;#039; by [[Thyagaraja]]&lt;br /&gt;
*&amp;#039;&amp;#039;Vadamela Radha Manohara&amp;#039;&amp;#039; by [[Dr. M. Balamuralikrishna]]&lt;br /&gt;
*&amp;#039;&amp;#039;Neeke abhimanamu&amp;#039;&amp;#039; by [[Mysore Vasudevachar]]&lt;br /&gt;
*&amp;#039;&amp;#039;kOdanDarAmam anisham&amp;#039;&amp;#039; in kOkilAravam by [[Muthuswami Dikshitar]]&lt;br /&gt;
[[Muthuswami Dikshitar]]&amp;#039;s composition &amp;#039;&amp;#039;Kodandarama&amp;#039;&amp;#039; is set to &amp;#039;&amp;#039;Kokilāravam&amp;#039;&amp;#039; rāgam.&lt;br /&gt;
*&amp;#039;&amp;#039;Giridhar Gopal Shyam&amp;#039;&amp;#039; and &amp;#039;&amp;#039;Man ke Mandir Ayore&amp;#039;&amp;#039; in Rag Bhimsen a Janya raga of Kokilapriya of Carnatic Music and Kokilpriya That of Hindustani Music. The Raga Bhimsen  creation and composition of Bandish  by Mahesh Mahadev &lt;br /&gt;
&lt;br /&gt;
== Related rāgams ==&lt;br /&gt;
This section covers the theoretical and scientific aspect of this rāgam.&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;Kokilapriya&amp;#039;s&amp;#039;&amp;#039; notes when shifted using &amp;#039;&amp;#039;[[Graha bhedam]]&amp;#039;&amp;#039;, yields &amp;#039;&amp;#039;[[Rishabhapriya]]&amp;#039;&amp;#039; &amp;#039;&amp;#039;melakarta&amp;#039;&amp;#039; rāgam. &amp;#039;&amp;#039;Graha bhedam&amp;#039;&amp;#039; is the step taken in keeping the relative note frequencies same, while shifting the &amp;#039;&amp;#039;shadjam&amp;#039;&amp;#039; to the next note in the rāgam. For further details and an illustration refer &amp;#039;&amp;#039;[[Graha bhedam#Kokilapriya|Graha bhedam on Kokilapriya]]&amp;#039;&amp;#039;.&lt;br /&gt;
&lt;br /&gt;
==Notes==&lt;br /&gt;
{{notelist|30em}}&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
&lt;br /&gt;
{{Reflist}}&lt;br /&gt;
&lt;br /&gt;
{{Melakarta ragas|state=collapsed}}&lt;br /&gt;
{{Janya|state=collapsed}}&lt;br /&gt;
&lt;br /&gt;
[[Category:Melakarta ragas]]&lt;/div&gt;</summary>
		<author><name>CleanupBot II</name></author>
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