Arvind Gaur

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Arvind Gaur is an Indian theatre director known for innovative, socially and politically relevant plays in India.[1][2] Gaur's plays are contemporary and thought-provoking, connecting intimate personal spheres of existence to larger social political issues.[3][4] His work deals with Internet censorship, communalism, caste issues, feudalism, domestic violence, crimes of state, politics of power, violence, injustice, social discrimination, marginalisation, and racism. Arvind is the leader of Asmita, Delhi's "most prolific theatre group",[5] and is an actor trainer, social activist, street theatre worker and story teller.[6]

Gaur was the recipient of a research fellowship awarded by the Ministry of Human Resource Development (India) (1997–98). He was on the guest faculty of Delhi University for Theatre in education program for three years. He has conducted many theatre workshops and performed in colleges, institutions, universities and schools in India and abroad.[7]

He organizes theatre workshops for children[8] in schools and slums as well as street theatre performances on socio-political issues.[9][10][11] He has directed more than hundreds stage and street plays over 25 years.[12][13][14]

Personal life

He was born on 2 February 1963 in Delhi. Arvind's father Late. Shri Shiva Nandan Sharma was a Mathematics scholar and his mother Late. Saraswati Devi was a housewife. His father died on 16 April 2009 and his mother died on 19 September 2019. He has one brother Anil Gaur and three sisters: Shashi Prabha, late Mithlesh and Dr. Anita Gaur. He is married to Dr. Sangeeta Gaur. He has twins daughters Kakoli Gaur Nagpal and Saveree Gaur.[15] Prince Nagpal is his son-in-law. He married his daughter Kakoli Gaur.

Theatre career

After completing his schooling from Model School, Vivek Vihar in Delhi, he decided to study engineering in Electronic Communication. Later, he joined the Delhi Public Library drama group.[13][16] In DPL He acted in and directed plays. Then he worked with slum kids and industrial labourers for some time and conducted workshops for them. His first street play was with Zakir Hussein College, called Videshi Aya. It became very popular and he staged it around 200 schools. After this, his desire to express led him to journalism. He worked with the Navbharat Times newspaper as culture columnist for about four years.[13]

Watching plays, reading about them and writing about them is how his training in theatre started. He then shifted to Press Trust of India (PTI-TV). He was associated with TV serial Tana-Bana. He was in charge of the research and programming there. All through his years with street theatre, print and television, Gaur had developed keen interest in direction. Finally, after devoting two years to PTI-TV, he felt the urge to switch to theatre completely.[17]

Arvind's debut play was Bhisham Sahni's Hanoosh (February, 1993). He started his theatre journey with classics like Tughlaq, Andha Yug, Caligula, Julius Caesar, etc.

He performed Girish Karnad's Tughlaq in a small basement theatre (SRC). It was a huge success. His Tughlaq was selected as "the best play of the year 1994" by Sahitya Kala Parishad. He achieved greater heights during a decade in theatre. He trained actors in his own style. He trained them as a complete theatre person. Arvind Gaur also collaborated with theatre artists and groups specially in exploring a new language for solo performances.[18]

Major directions

Solo play direction

Street plays

Gaur directed more than 40 street theatre performances on socio-political issues. He has always raised voice against any socio-political issue that effects the common public. He directed street plays like Corruption, Garbage, Road Rage, and Dastak which is against the issue of eve teasing. His street plays are always thought-provoking and leave a huge mark on the mindset. He and his team performs socio-political street plays all across Delhi/NCR and the country. He is regarded as a man with a message who believes that change can start from society, if we wish to start the change.[60] [61][62]

Awards

  • Special Honour Award by Delhi International Film festival 2015[63]
  • PRAYUKTI SAMMAAN 2017 by Dainik Prayukti Hindi Daily at Constitution Club of India, New Delhi.[64]

films/visual media

Translation and Scripting

Translation

  • He translated Rabindranath Tagore's Visarjan (Sacrifice), performed by the Darpana Theatre Group directed by Ujjwal Dave
  • Arvind Gaur translated Unsuni in Hindi; script and direction by Mallika Sarabhai

Scripts

He scripted plays like Untitled, Gandhari...in search of light, I will not Cry, Bitter Chocolate (based on Pinki Virani's book), Madhavi solo play (based on Bhisham Sahni's play) and many street plays for Asmita Theatre.

Design

Arvind Gaur designs lights for Naya Theatre group's major productions under the direction of Padma Shri Habib Tanvir. Gaur also assisted Shri Habib Tanvir during the Prithvi Theatre Festival. He designs lights for Agra Bazar Nazeer Akbarabadi 's poetry), Charandas Chor (his masterpiece play, Edinburgh Fringe Award), Asghar Wajahat's Jis Lahore Nai Dekhya, Kamdeo ka Apna Basant Ritu ka Sapna (Habib Tanvir's adaptation of Shakespeare's A Midsummer Night's Dream), Canadian-Indian playwright Rahul Varma's Zahreeli Hawa and Gaon ke naon Sasural, mor naon Damand.

Major Actors

Major cinema and theatre actors who trained under Arvind Gaur are Kangana Ranaut,[66] Deepak Dobriyal, Manu Rishi, Shilpa Shukla, Rashi Bunny, Aishveryaa Nidhi, Tillotama Shome, Imran Zahid, Sheena Chohan, Seema Azmi, Ishwak Singh and Suraj Singh of Veere Di Wedding fame. Sonam Kapoor attended Gaur's acting workshop to learn the nuances of street theatre for her film Raanjhanaa. Other prominent theatre actors who worked with him are Mallika Sarabhai, Piyush Mishra, Lushin Dubey, Bubbles Sabharwal, Ruth Sheard, Jaimini Kumar, etc.[67]

Further reading

  1. "Arvind Gaur-A Decade in Theatre" by J.N. Kaushal (ex-Acting Chief, National School of Drama, Repertory Company), published by ITI (International Theatre Institute), UNESCO, Indian Chapter
  2. "Raising the curtain on theatre": Director Arvind Gaur reflects on why India needs a cultural policy by Seema Sindhu (Life Fires, September, 2007)
  3. His Voice-"Ace Act", essay by Shekhar Chandran (New Women, Jan. 2008)
  4. "The World of Theatre" by Ian Herbert, Nicole Leclercq (P-126) published by International Theatre Institute

References

  1. ↑ Walking the causeway. The Hindu(3 May 2008).
  2. ↑ Theatre is calling for change in India(10 June 2012).
  3. ↑ Livewire, uninterrupted. The Asian Age(7 May 2010).
  4. ↑ Brechtfast in Ballimaran. Time Out Delhi.
  5. ↑ Super trouper.
  6. ↑ Staging Narratives-Storytelling session for visually impaired children(27 April 2008).
  7. ↑ Untitled: A Solo Theatrical Performance by Lushin Dubey. Charles B.Wang Center(14 October 2004).
  8. ↑ Theatre tactics. The Hindu(24 June 2008).
  9. ↑ It is not just a play(30 August 2010).
  10. ↑ Dialogue and debate from street plays inspire change(7 July 2012).
  11. ↑ Teach India strikes the right chord. The Times of India(14 July 2008).
  12. ↑ Such a drama queen(2017-07-01).
  13. ↑ 13.0 13.1 13.2 A treat for the senses. The Hindu(5 July 2007).
  14. ↑ A Toast to Twenty(23 February 2012).
  15. ↑ Actor Saveree Sri Gaur reflects on the realism of ‘Bhor’. The Hindu(2021-02-22). Retrieved 2021-06-21.
  16. ↑ जीवन का हर रंग है दिल्ली में-संस्कृति और तहजीब से लबरेज:अरविंद गौड़. [livehindustan.com](2 March 2012).
  17. ↑ Nalina Mittra catches up with Arvind Gaur to find out more about his journey. Theatre Magazine(8 October 2007).
  18. ↑ About Director-Arvind Gaur.
  19. ↑ In Retrospect: Select plays of the 9th National Theatre Festival at Nehru Centre, Mumbai. mumbaitheatreguide.com.
  20. ↑ When Plays Cop it. Tehelka(9 July 2005).
  21. ↑ The fall of a shooting star(7 December 2001).
  22. ↑ Cut above-About a common man, but no common play this(4 March 2009).
  23. ↑ Ek mamooli aadmi on stage(4 March 2012).
  24. ↑ A tale of duplicity and deprivation. The Hindu(25 August 2007).
  25. ↑ Drama and mythology. The Hindu(18 February 2005).
  26. ↑ An ongoing dialogue(20 August 2009).
  27. ↑ A spirited adventure. The Hindu(17 July 2009).
  28. ↑ Conflicting thoughts of two political stalwarts(3 March 2011).
  29. ↑ Hard-hitting drama(1 February 2013).
  30. ↑ 34th Vikram Sarabhai International Art Festival. The Times of India(24 December 2009).
  31. ↑ The Difficulty of Being Good(2010-07-30).
  32. ↑ The road to goodness. The Hindu(16 September 2010).
  33. ↑ A journey of questions. The Hindu(31 August 2012).
  34. ↑ Play-shoe-throwing incident comes to life again(30 June 2011).
  35. ↑ A footwear-flinging Iraqi journalist inspires a new play, says Time Out(19 January 2012).
  36. ↑ Footprints of dissent, FIRST PERSON-Mahesh Bhatt. The Hindu(14 May 2011).
  37. ↑ Shoe act hits the stage. The Hindu(3 June 2011).
  38. ↑ Scene in Summer. The Indian Express(27 May 2013).
  39. ↑ CONSUMER CONFIDENTIAL:Dario Fo's satire(4 June 2013).
  40. ↑ Madhavi solo by Rashi Bunny:The story of every woman.
  41. ↑ Bhisham Sahni's Madhavi by Rashi Bunny at British Council. Anand Foundation.
  42. ↑ Untitled solo at Marlboro, New England. lokvani(Public Voice)(6 April 2003).
  43. ↑ A woman scorned. Time Out Mumbai(16 April 2010).
  44. ↑ Solo for Peace(29 July 2004).
  45. ↑ Riot act. Time Out(15 April 2006).
  46. ↑ Mahabharata, through the 'eyes' of Gandhari. The Times of India. Ipshita Mishra.
  47. ↑ A Woman of Many Shades. DNA syndication. After Hrs Correspondent.
  48. ↑ Indian Drama Festival in Sydney Fringe. Art News Portal. GEOFF SIRMAI SYDNEY FRINGE PUBLICITY.
  49. ↑ Mahabharata through the 'eyes' of Gandhari. The Indian Subcontinent Times. Ashok Kumar.
  50. ↑ TRANSCENDING TIME Bringing Gandhari alive as a rebel. Tribune India. Neha Saini.
  51. ↑ Mind Games(31 December 2005).
  52. ↑ Missing the rainbow(12 May 2003).
  53. ↑ Cult of subtle satire. The Statesman(14 January 2010).
  54. ↑ World Classic for all ages, THE LITTLE PRINCE, Solo Performance by Rashi Bunny in Hindi.
  55. ↑ An unspoken bitter truth. The Hindu(11 April 2005).
  56. ↑ It happens here too. The Hindu(12 September 2004).
  57. ↑ The play's the thing. The Hindu(23 November 2011).
  58. ↑ Aruna Shanbaug's story retold on stage. The Times of India.
  59. ↑ Aruna's Story: She was no less a martyr who sparked progressive change(21 October 2018).
  60. ↑ Delhi, a Natak hub. News Laundry.
  61. ↑ Arvind Gaur explains how Asmita checks the system by not becoming a part of it. India Today.
  62. ↑ Road Shows page-2.
  63. ↑ Special Honour Award.
  64. ↑ Prayukti Sammaan.
  65. ↑ Arvind Gaur IMDB.
  66. ↑ Kangana Ranaut and her gift to Indian theatre. IWMBuzz.
  67. ↑ Prominent Actor's who worked with Arvind Gaur.
  1. The good man of Delhi stage by Archana (2008-09-26) Mail-Today.
  2. Founder of Asmita Group, by Rohit Malik, Delhi Events (2008.12.30)
  3. Gandhari, solo-act by Aishveryaa Nidhi
  4. "All The World’s A Platform" by Shailaja Tripathi. Expressindia ,( 2003.09.17)Template:Dead link
  5. "Heal the wounds" by Rohini Ramakrishan,(2004/12/11), The Hindu
  6. Dramatics Society of Lady Shri Ram College
  7. "A plethora of problems afflicts Hindi theatre" Rana A Siddiqui, The Tribune.(2001.12.28)
  8. "Mahesh Dattani's Final Solutions"Oneness Peace Festival, Hindu College, University of Delhi (2005.09.16)
  9. "Play of rules-Arvind Gaur's street theatre-Hatke Bachke"Nandini Nair, The Hindu (2009.01.12)
  10. "Nobody’s Child-Bitter Chocolate" Express Features Service, The Indian Express (2004.01.08)
  11. "The Park’s The Other Festival"Onassis Awardee Manjula Padmanabhan's "Hidden fires"-The Museum Theatre, Chennai (2005.12.07)
  12. Asmita Theatre Group

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