View source for Carved wood vahanas in National Museum

{{Use dmy dates|date=July 2018}}
{{Use Indian English|date=July 2018}}
[[File:Garuda by Hyougushi in Delhi.jpg|thumbnail|right|upright|
'''Title''':  Garuda (Vishnu's Vehicle) {{clear}} 
'''Size''': 177 X 151.5 X 97.5&nbsp;cm{{clear}} 
'''Material''': Wood {{clear}} 
'''Provenance''': South India {{clear}} 
'''Time''': 19th Century {{clear}} 
'''Acc. No.''' 70.51]]

[[Vahana]]s or "vehicles" of [[Hindu deities|Hindu Gods]] are mythical characters having significant religious value. Temples in India use depictions of these vehicles in many forms during temple processions. [[National Museum, New Delhi]] houses a collection of '''Carved Wood Vahanas''' in the gallery of decorative arts. This collection at the National Museum is unique among museums in India, which includes large images of Garuda, [[Hanuman]], elephant, horse, swan and lion and these artefacts are mostly from the period between the 17th and 20th century.<ref>Gupta S. P. (ed.) (1985) Masterpieces From The National Museum Collection. National Museum, New Delhi.</ref>  Ancient Indian temples house numerous kinds of wood carvings having religious context to be used for various temple activities. The majority of ''Vahanas'' are made of wood and decorated with designs made with varied techniques. ''Vahanas'' have been mentioned in temple inscriptions dating back to the 13th century.<ref>Sri Varadarajaswami temple, kanchi: A study of its History, Art and Architecture, K.V. Raman, Abhinav publication,2003</ref>

== Use of vahanas ==

[[Vahana]]s are mythical carriages of the Hindu Gods and life-sized or large versions of ''vahanas'' are especially used to mount the movable images of deities.  In southern India, especially [[Tamil Nadu]], annual religious festivals that last from a week to ten days involve the parading of deities mounted on a vehicle around the temple.

== Symbolism ==
The ''vahanas'' are both the symbol and the emblem of the deity that they carry. In Hindu iconography, positive aspects of the vehicle are often emblematic of the deity that it carries such as ''Nandi'', the bull, vehicle of [[Shiva]], represents strength and virility. ''Parvani'' the peacock, vehicle of [[Kartikeya]], represents splendor and majesty. The ''Hamsa'', vehicle of [[Saraswati]], represents wisdom, grace and beauty.{{citation needed|date=January 2014}}

However, the vehicle animal can also symbolizes the evil forces over which the deity dominates. Mounted on Parvani, Kartikeya reins in the peacock's vanity. Seated on the "Mushika", [[Ganesh]] crushes useless thoughts, which multiply like rats in the dark. [[Shani]], protector of property, has a [[vulture]], [[raven]] or [[crow]] in which he represses thieving tendencies. Under Shani's influence, the vahana can make even malevolent events bring hope.{{citation needed|date=January 2014}}

== The Artefacts ==

[[File:Garuda NM.jpg|thumb|Closeup of Garuda]]
*   [[Garuda]] (Vishnu's vehicle), wood, South India, 19th Century
This is a huge image of Garuda from Tamil Nadu, made of wood, painted and fixed with glass pieces. It is a large mythical bird in Hindu [[Mythology]], usually the mount (''Vahana'') of Lord Vishnu. It is made in Human form having a body of a strong man with a human face, wings, Eagle beak like nose with a crown on his head. This was once a part of temple chariot procession '''Ratha-Utsava'''

[[File:PeacockNM.jpg|thumb|'''Title''':  Peacock (Kartikeya's Vehicle) <br>'''Material''': Wood <br>'''Provenance''': Tanjore(South India) <br> '''Time''': 19th Century <br>'''Acc. No.''' 70.52]] 
* [[Peacock]] (Kartikeya vehicle, wood & glass, Tanjore, South India, 19th Century
This mayura vahana (peacock vehicle) is the mount of Lord Kartikeya or Murugan. It was carved in Tamil Nadu.  This peacock vehicle would have been used in similar temple processions. Tanjore is one of the well known centres of wood carving of South India. Life size figures of peacock, beautifully carved and painted are found here known to be The vehicle of Subramaniyam.<ref>Peacock in Indian Art, thought and literature, Krishna Lal, Abhinav publications, 2006.</ref>

[[File:Museum artefacts 15 nm.JPG|thumb|'''Title''':  Horse <br> '''Size''':178 X 183 X 112cm<br>'''Material''': Wood <br>'''Provenance''': Tanjore(South India) <br> '''Time''': 19th Century <br>'''Acc. No.''' 70.52]]
*  [[Horse]], wood, Tanjore, South India, 19th Century Ayyappan, Budha, Revanta, Chandra (chariot of 10 white horses), Indra (chariot pulled by a horse named Uchchaihshravas - pictured), Surya (chariot pulled by seven horses or a seven-headed horse), Kubera, Kalki.

[[File:Wooden Horse, National Museum, New Delhi.jpg|thumb]]

== Material and techniques ==

There is a great diversity of wood work and its techniques in Indian Art . It is possible that a grammar of decorative art might be written from the study of wood carving alone and there is a circumstantial fact that the wood and the stone carvers belong to one and same caste. This may be accepted as an additional evidence in favour of gradual production of the one form the other and that at not very ancient date. There are various techniques by which the 'Wood' has been ornamented in several specific ways such as by carving, inlaying, veneering, lacquering, etc. The art of wood carving have been greatly influenced by the grain of the timber employed, that is possible with type of woods such as teak, red wood, walnut and low relief of [[Sheesham]] and [[Cedrus deodara|Deodar]] the incised design of ebony. The intricate and the ornamental details of the [[Sandal]] and the barbaric boldness of ''Rohira'', ''Sal'' and ''Babul'' and other coarse grained and hard woods.<ref>Art and Craft of India, A descriptive study, George Watt, Percy Brown, cosmo publication, New Delhi, 1979</ref>

[[India]] has a range of woods and every kind has its own particular properties of grain and strength. The skillful wood-workers has worked on it tirelessly and evolved styles and items depending on the quality of available wood and their own ingenuity to tackle it, thus creating an enormous range in wood products of all kinds. In Tamil Nadu, Virdunagar was once a traditional centre, [[Devakottai]] and [[Karaikudi]] are known to make traditional wooden panels in different sizes and [[Nagercoil]] and [[Suchindram]] have traditional carvers who make religion figures. Wood carvings are  appreciated also for the special type of wood used in them, like rosewood for its faint perfume like rose water and lovely ebony-black colour. Madurai is famed for rose wood carving marked by its bold style and very detail works. Tirupati area of Andhara pradesh has red sandal wood known as 'Raktachandan' which is blood coloured Sandal wood. The coppery glow in this wood brings special charm. Sandal wood from karnataka is also known for its own intrinsic quality and superb carving possibility. This region is inhabited by many of the most talented wood carvers .<ref>Indian Art at Delhi 1903, official catalogue of the Delhi Exhibition 1902-1903, sir George Watt, Percy Brown, The Superintendent of Government printing, Calcutta, India.</ref>

The technique type of carving are in the round, in relief, chip, incised and piercing. In the first the object is totally detached from  main wood background such as 3D form of a human and animal figure. In relief the figure etched and raised on the background wood, which can be high or low relief. Chip consist of evolving designs by chipping the wood used mostly in ornamental and decorative work. Incised is done without ground work mostly put out flowers and creeper motifs. Pierced is for effective ornamentation in which the wood is completely cut away leaving just the design that  calls for extra scale. Karnataka is also famous for Rosewood artefacts, some of the best specimen of wood work is provided by the mighty pyramidal gateway of temple. An extension of this covers Temple chariots or Rathas,<ref>Temple Chariots, Choodamani Nandgopal.</ref> as they are called. The one in which the deity is carried is called Agami and is the most heavily ornamented with numerous sculptures such as flying angels, horsemen, elephant, eagle, swan, tigers etc. Another style of ornamentation is painting and inlay, often with precious metals like silver and gold.<ref>The Glory of Indian Handicrafts, Kamaladevi Chattopadhyay.</ref>

==See also==
*[[National Museum, New Delhi]]
*[[Ivory Carved Dashavtar]]
*[[Ivory carved tusk depicting Buddha life stories]]
*[[Jade Collection in National Museum]]

==References==
{{reflist}}

[[Category:National Museum, New Delhi]]
[[Category:Indian sculpture]]
[[Category:Indian woodwork]]