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Agha Shahid Ali
Born
1949-02-04
Delhi, Punjab, India


Occupation
Poet, Professor
Known for
National Book Award 2001, Guggenheim Fellowship for Creative Arts, US & Canada


Agha Shahid Ali (4 February 1949 – 8 December 2001) was an Kashmir-born poet who immigrated to the United States[1][2][3] who became affiliated with the literary movement known as New Formalism in American poetry. His collections include A Walk Through the Yellow Pages, The Half-Inch Himalayas, A Nostalgist's Map of America, The Country Without a Post Office, and Rooms Are Never Finished, the latter a finalist for the National Book Award in 2001.

The University of Utah Press awards the Agha Shahid Ali Poetry Prize annually in memory of this "celebrated poet and beloved teacher."[4]

Early life and education

Agha Shahid Ali was born in Delhi, East Punjab, Dominion of India, into the illustrious Qizilbashi Agha family of Srinagar, Kashmir.[5][6] He grew up in India's Kashmir Valley, and left for the United States in 1976.[7] Shahid's father Agha Ashraf Ali was a renowned educationist. His grandmother Begum Zaffar Ali was the first woman matriculate of Kashmir.[8] Shahid was educated at the Burn Hall School, later University of Kashmir and Hindu College, University of Delhi.[1] He earned a PhD in English from Pennsylvania State University in 1984, and an M.F.A. from the University of Arizona in 1985.[1] He held teaching positions at nine universities and colleges in India and the United States.[1]

Shahid was born a Shia Muslim, but his upbringing was secular. Shahid and his brother Iqbal both studied at an Irish Catholic parochial school and, in an interview, he recalled that: "There was never a hint of any kind of parochialism in the home."[9] He was gay.[10]

He died of brain cancer in December 2001 and was buried in Northampton, Massachusetts, in the vicinity of Amherst, a town sacred to his beloved poet Emily Dickinson.

Literary work

Ali expressed his love and concern for his people in In Memory of Begum Akhtar and The Country Without a Post Office, which was written with the Kashmir conflict as a backdrop.[8] He was a translator of Urdu poet Faiz Ahmed Faiz (The Rebel's Silhouette; Selected Poems),[11] and editor for the Middle East and Central Asia segment of Jeffery Paine's Poetry of Our World.[12] He also compiled the volume Ravishing DisUnities: Real Ghazals in English. His last book was Call Me Ishmael Tonight, a collection of English ghazals, and his poems are featured in American Alphabets: 25 Contemporary Poets (2006) and other anthologies.

Ali taught at the MFA Program for Poets & Writers at University of Massachusetts Amherst, at the MFA Writing Seminars at Bennington College as well as at creative writing programs at University of Utah, Baruch College, Warren Wilson College, Hamilton College and New York University.

Personal life

Shahid Ali never married.[13] He was rumoured to be gay.[14]

Bibliography

This list represents the published output of Ali, arranged in chronological order and sorted by the manner in which he contributed to the work in question.

Poetry

  • Bone Sculpture (1972),
  • In Memory of Begum Akhtar and Other Poems (1979),
  • The Half-Inch Himalayas (1987),
  • A Walk Through the Yellow Pages (1987),
  • A Nostalgist's Map of America (1991),
  • The Beloved Witness: Selected Poems (1992),
  • The Country Without a Post Office (1997),
  • Rooms Are Never Finished (2001),
  • Call Me Ishmael Tonight: A Book of Ghazals (2003).

Translations and edited volumes

  • Translator, The Rebel's Silhouette: Selected Poems by Faiz Ahmed Faiz (1992),
  • Editor, Ravishing Disunities: Real Ghazals in English (2000).[15]

Influences

Ali was deeply moved by the music of Begum Akhtar. The two had met through a friend of Akhtar's when Ali was a teenager and her music became a lasting presence in his life. Features of her ghazal rendition—such as wit, wordplay and nakhra (affectation)—were present in Ali's poetry as well. However, Amitav Ghosh suspects that the strongest connection between the two rose from the idea that "sorrow has no finer mask than a studied lightness of manner"—traces of which were seen in Ali's and Akhtar's demeanor in their respective lives.[16][17]

Awards

Notes

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References

  1. 1.0 1.1 1.2 1.3 A Tribute to Agha Shahid Ali. Jacket Magazine. Retrieved 2 January 2010.
  2. An interethnic companion to Asian American literature{{#if:|, {{{last}}}}. Cambridge University Press(1997). ISBN 9780521447904
  3. How the legendary Begum Akhtar influenced the life and poetry of Agha Shahid Ali, Manan Kapoor, Sahapedia. Scroll.in. Retrieved 2020-08-05.
  4. Agha Shahid Ali Poetry Prize. Retrieved 18 January 2015.
  5. Kandahar's Qizilbash(30 November 2017).
  6. Agha Family of Srinagar Kashmir.
  7. The veiled suite, the collected poems by agha shahid ali. Rattle(10 June 2009).
  8. 8.0 8.1 'The Ghat of the Only World': Agha Shahid Ali in Brooklyn. Outlook. Retrieved 2 January 2010.
  9. 'I Write on that Void: Kashmir, Kaschmir, Cashmere, Qashmir' – Remembering Agha Shahid Ali.
  10. Agha Shahid Ali: A poet beyond boundaries(July 2021).
  11. Book Excerptise:Rebel's Silhouette (extended extracts and literary history)
  12. Poetry of Our World (excerpts)
  13. Agha Shahid Ali as I Know Him. Indian Literature({Template:Year).
  14. Dancing with Agha Shahid Ali(4 June 2019).
  15. Agha Shahid Ali's English Ghazals and the Transnational Politics of Literary Subversion. The Challenge({Template:Date).
  16. The Ghat of The Only World. Amitav Ghosh.
  17. How the legendary Begum Akhtar influenced the life and poetry of Agha Shahid Ali.
  18. 18.0 18.1 18.2 18.3 About Agha Shahid Ali | Academy of American Poets, Poets, Academy of American. poets.org. Retrieved 2019-12-04.
  19. John Simon Guggenheim Memorial Foundation - Fellows(22 June 2011). Retrieved 2019-12-04.

Further reading

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