| File:Alaigal Oivathillai poster.jpg
| |
| Directed by | Bharathirajaa
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|---|---|
| Produced by | R. D. Bhaskar |
| Starring | Template:Ubl |
| Cinematography | B. Kannan |
| Edited by | R. Bhaskaran |
| Music by | Ilaiyaraaja
|
| Country | India |
| Language | Tamil
|
Alaigal Oivathillai (Template:Translation) is a 1981 Indian Tamil-language teen romantic drama film written and directed by Bharathirajaa, from a story by Manivannan. The film stars Karthik and Radha, in their acting debuts. Thiagarajan, Silk Smitha and Kamala Kamesh appear in supporting roles. The story follows a Hindu boy who falls in love with a Christian girl. How the lovers unite braving all the obstacles, forms the crux of the story.
The story and screenplay were written by Manivannan and Bharathiraja, respectively. The cinematography was handled by B. Kannan, and editing was handled by R. Bhaskaran while the music was composed by Ilaiyaraaja. The film was simultaneously shot along with its Telugu version titled Seethakoka Chilaka (1981) where Karthik and Smitha reprised their roles. Filming took place entirely in Muttom, Kanyakumari.
Alaigal Oivathillai was released on 18 July 1981 to majorly positive reviews and became a commercial success. The film received eight Tamil Nadu State Film Awards, including Best Film, Best Director and Best Story Writer. It was remade by Bharathiraja in Hindi as Lovers in 1983.
Plot
Vichu, a laidback teenager from an orthodox Brahmin family, lives with his widowed mother, a music teacher, in a coastal village. Mary, a modernised Christian girl studying in a nearby town, returns to the village after finishing her examinations, where her wealthy brother David lives with his wife Elissy. David is ruthless, arrogant and feared by the villagers. However, he is extremely protective of his sister. Once when she sings with her friends, Vichu and his friends mock her singing skills. Feeling insulted, she decides to learn singing, obtains permission from David and enrolls in music classes under Vichu's mother.
Mary soon excels and gets the appreciation of Vichu's mother. Vichu gets impressed with Mary's perseverance and when she sings a song exceedingly well, he loses his heart to her. He starts chasing her and expresses his love. Mary, however, avoids him and goes to the extent of slapping him. But the same anger turns into love when she realises his true love for her.
The relationship between Vichu and Mary grows and they become very close to each other without their families knowing. Two children playing on the beach see Vichu and Mary romancing; one of them informs her mother, who in turn informs Elissy about their affair. Elissy berates Mary for courting a non-Christian and warns her of the consequences, should David learn. Elissy prevents Mary from leaving her house, instead arranging for Vichu's mother to teach her there. Vichu and Mary start exchanging messages written on paper pieces tucked in the harmonium. Despite Elissy's control, Mary manages to meet Vichu. Vichu's mother accidentally sees a note in the harmonium and cautions Vichu. However, he explains his true love and seeks her support.
Mary gets admission in a city college, but her love for Vichu prompts her to adopt ingenious techniques to fall ill to enable her to get excuses to cancel the trip. Vichu's friends say the best way to resolve the matter is by proposing formally. Vichu and his friends visit David at his house and propose Vichu's marriage with Mary; David angrily refuses, beats Mary and berates Elissy for being irresponsible. He then locks up Mary and vows to stop her love affair with Vichu.
During the course of events, David gets aroused by his servant Mari's wife undressing, enters her bath hut (which had no door lock) and rapes her. Elissy who sees the whole thing is too afraid to stop David and she frantically tries to divert Mari's attention to avoid exposing David and thereby shaming her family. Though he is caught in the act, David cleanly gets away due to his clout and Mari and his wife, realizing David's power and influence in the village quietly leave the house, after sarcastically telling David that he had already 'repaid' them for their loyalty, and Elissy — rather than they — should be given the final payment for coolie services rendered, for standing 'guard' so faithfully during the shameful act.
Hurt by the barbed comment but knowing she did wrong and enraged at David's lack of remorse and callousness when she confronted him about the rape, Elissy now turns against David. She decides to help Mary, who truly loves Vichu and helps Mary meet Vichu secretly. David, who comes to know of this, decides to get Mary married to a relative in a hurry. The priest at the local church meets David and advises him to understand true love and support the young lovers, but David disagrees as he feels religion is more important than emotions. Elissy is against his plan, and advises Mary to meet Vichu and decide their future.
Mary and Vichu decide not to run away, but to live in the same village. When they are together, David ends up beating Vichu and his friends, takes Mary away and speeds up the process of her forced marriage. When Mary is determined to marry Vichu, Elissy takes her to Vichu's house and hands her over to his mother. Though Vichu's mother is apprehensive, she does not wish to abort their love and accepts Mary. However, David and his people arrive; Vichu's mother asks him and Mary to run away to a safer place. They both run away but remain at the beach. The night passes with protection from their friends. David meets the villagers and provokes them for allowing a Hindu to elope with a Christian. All the villagers join him and come to attack the lovers the next morning.
Vichu and Mary notice the armed crowds coming and decide to face them. An armed David comes to attack Vichu, but is stopped by the priest who advises David to be a human and respect love. David insists that as a true Christian he will not allow Mary to marry a non-Christian as long as she is Christian. In response, Vichu and Mary renounce their respective religions, much to the shock of David and the villagers, then walk away. Vichu's friends celebrate the lovers' newfound happiness and peace.
Cast
Production
Alaigal Oivathillai is the first film produced by R. D. Bhaskar through the company Pavalar Creations.[1] Bava Lakshmanan, who had finished the ninth grade, initially screen tested for the film before Karthik was selected.[2] Karthik and Radha made their acting debut with this film.[3][4] When Karthik's father, actor Muthuraman asked Karthik if he would accept the film, Karthik readily agreed without giving it a second thought.[5] Suresh said he was also approached for the role but he opted to do Panneer Pushpangal.[6] Bharathiraja had also contemplated casting Murali in the lead role, but ultimately did not do so.[7] Thiagarajan, who was then working as regional manager of Polydor, made his acting debut with the film.[8] None of the three actors recorded their dialogues in their own voices; Karthik's voice was dubbed by S. N. Surendar, Radha's by Anuradha and Thiagarajan's by Bharathiraja.Template:Sfn[9] The film was shot entirely in Muttom, Kanyakumari.[10] For the song "Aayiram Thamarai", Bharathiraja wanted a set with swaying lotuses, for which assistant directors Manobala and Manivannan "ran from pillar to post to get it ready". According to Manobala, "We peeled off a plantain sheath and stuck lotus stems to it. Then, both of us raised and swayed the lotus flowers from underwater".[11]
Soundtrack
The music was composed by Ilaiyaraaja.[12] The song "Vizhiyil Vizhundhu", set in Shuddha Dhanyasi raga,Template:Sfn was composed within 10 minutes while the other songs were composed within half an hour.[13] The song "Putham Pudhu Kaalai", set to Natabhairavi,Template:Sfn was originally recorded for a film titled Maruthani to be directed by Mahendran. As that film was shelved, the song was included on the LP records of Alaigal Oivathillai,[14][15] but it was not featured in the film itself.[16] The flute portions in the song were performed by Sudhakar.[17] It was later remastered for Megha (2014), in which Ilaiyaraaja was also the composer.[18] The song was also reused as "Halke Se Bole" in the Hindi film Paa (2009),[19] and was sampled for a Kissan Fruit Kick commercial.[20] The song "Kadhal Oviyam" was reused as "Meri Zindagi" in the Hindi film Aur Ek Prem Kahani (1996), which was also composed by Ilaiyaraaja.[21] The song "Aayiram Thamarai", set to Shubhapantuvarali,Template:Sfn was reused in Vaigai (2009).[22] The song "Vaadi En Kappa Kelange" was remixed by Dhina in Sandai (2008).[23]
Release and reception
Alaigal Oivathillai was released on 18 July 1981.[24] In a review dated 2 August 1981, the Tamil magazine Ananda Vikatan rated the film 50 out of 100.[25] Sindhu-Jeeva of Kalki praised Kannan's cinematography, Ilaiyaraaja's music, editing and the climax for creating excitement and concluded calling it another colourful painting by Bharathiraja highlighting love.[26] The then Chief Minister of Tamil Nadu, M. G. Ramachandran applauded the performance of Smitha, and encouraged her to perform more similar roles.[27]
Accolades
Alaigal Oivathillai won eight Tamil Nadu State Film Awards. They were Best Film, Best Director (Bharathiraja), Best Music Director (Ilaiyaraaja), Best Lyricist (Vairamuthu), Best Cinematographer (B. Kannan), Best Story Writer (Manivannan), Best Debut Actor Male (Karthik) and Best Debut Actor Female (Radha).Template:Sfn
Other versions
Alaigal Oivathillai was simultaneously shot along with its Telugu version titled Seethakoka Chilaka by Bharathiraja himself with Karthik and Smitha reprising their roles, which was released one month later.[28][29] Bharathiraja remade it in Hindi as Lovers in 1983.[30]
References
- ↑ பாரதிராஜாவுக்காக படம் எடுத்த இளையராஜா!, அமலன். Kungumam(6 January 2014). Retrieved 5 September 2022.
- ↑ எங்கேயோ பார்த்த முகம், பாரதிராஜா, மை.. Kungumam(11 May 2015). Retrieved 22 December 2024.
- ↑ Baby steps to fame?. The Hindu(23 April 2011). Retrieved 6 April 2020.
- ↑ Radha and Karthik made their debut in the same film. The Times of India(15 June 2018). Retrieved 6 April 2020.
- ↑ Wouldn't advise Gautam to do adult comedies like 'Iruttu Araiyil Murattu Kuthu', says dad Karthik. The Hindu(5 July 2018). Retrieved 18 July 2018.
- ↑ Template:Cite interview
- ↑ Kadal Pookkal. Cinema Today. Retrieved 6 April 2020.
- ↑ It's all about choices. The Hindu(9 October 2002). Retrieved 6 April 2020.
- ↑ இளமை காதல், மரபை உடைத்த 'புரட்சி' க்ளைமாக்ஸ்... 80-களில் புதிய அலையை உண்டாக்கிய 'அலைகள் ஓய்வதில்லை!', கண்ணன், சுரேஷ். Ananda Vikatan(10 July 2020). Retrieved 5 September 2022.
- ↑ 'அலைகள் ஓய்வதில்லை' க்ளைமாக்ஸை வைத்து முதல் காட்சி எடுத்தார் பாரதிராஜா - சித்ரா லட்சுமணன் பேட்டி, ராம்ஜி, வி.. Hindu Tamil Thisai(21 July 2019). Retrieved 26 December 2024.
- ↑ Always in reckoning. The Hindu(9 January 2011). Retrieved 6 April 2020.
- ↑ Alaigal Oyvathillai Tamil Film LP Vinyl Record by Ilayaraja. Mossymart. Retrieved 2 September 2022.
- ↑ நான் உங்கள் ரசிகன் 6, மனோபாலா. Kungumam(2 November 2015). Retrieved 21 February 2023.
- ↑ Template:Cite AV media
- ↑ மனத்திரையில் மட்டும் காட்சிப் படிமங்களாக நீந்தும் இளையராஜாவின் 10 பாடல்கள் | Ilayaraja Birthday Special, துரைக்கண்ணு, குமார். Hindu Tamil Thisai(2 June 2023). Retrieved 24 October 2023.
- ↑ Ilaiyaraaja at 75: His preludes and interludes changed the way we listened to Tamil film music, Yamunan, Sruthisagar. Scroll.in(10 March 2019). Retrieved 6 February 2020.
- ↑ Flautist Sudhakar, who collaborated with Ilaiyaraaja on many memorable songs, no more. The Hindu(28 March 2023). Retrieved 5 January 2024.
- ↑ Audio Beat: Megha — Musical cloudburst. The Hindu(13 September 2013). Retrieved 6 April 2020.
- ↑ A Novel Score, Kini, Nandan. Planet Radio City. Retrieved 2 April 2018.
- ↑ Indian Advertisements, S, Karthik. ItwoFS. Retrieved 26 December 2024.
- ↑ BollySwar: 1991–2000{{#if:Arunachalam|, Arunachalam}. Mavrix Infotech. ISBN 978-81-938482-1-0
- ↑ Sabesh and Murali's musical journey. The Times of India(25 April 2009). Retrieved 6 April 2020.
- ↑ Lights Camera Playback: 12 times filmmakers tried their hands at playback singing. Cinema Express(9 October 2019). Retrieved 20 October 2023.
- ↑ முதல் படத்துல ஒரு திட்டு கூட வாங்கலை - நடிகை ராதாவின் 'அலைகள் ஓய்வதில்லை' ப்ளாஷ்பேக் பேட்டி. Hindu Tamil Thisai(18 July 2019). Retrieved 6 April 2020.
- ↑ சினிமா விமர்சனம்: அலைகள் ஓய்வதில்லை!. Ananda Vikatan(2 August 1981). Retrieved 6 February 2020.
- ↑ Template:Cite magazine
- ↑ Decoding Silk Smitha for Gen Z. The Times of India(23 September 2019). Retrieved 10 April 2020.
- ↑ నువ్వు పట్టుచీర కడితే.... Sakshi(30 April 2018). Retrieved 2 April 2021.
- ↑ నాలుగు పదుల సీతాకోకచిలక. NTV(21 August 2021). Retrieved 13 November 2024.
- ↑ Ranbir's forgotten romance in Bachna Ae Haseeno, Verma, Sukanya. Rediff.com(11 April 2016). Retrieved 6 April 2020.
Bibliography
- The Best of Tamil Cinema, 1931 to 2010: 1977–2010{{#if:Dhananjayan|, Dhananjayan}. Galatta Media(2011)
- Raga Chintamani: A Guide to Carnatic Ragas Through Tamil Film Music{{#if:Sundararaman|, Sundararaman}. Pichhamal Chintamani(2007)
External links
Template:Bharathiraja Template:TamilNaduStateFilmAwardBestFilm