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Aval Peyar Thamizharasi
File:Aval Peyar Thamizharasi.jpg
Directed by Meera Kathiravan
Written by Meera Kathiravan
Produced by Moser Baer
Starring Jai
Nandhagi
Dhiyana
S. Theodore Baskaran
Ganja Karuppu
Veera Santhanam
Cinematography P. G. Muthiah
Edited by Raja Mohammad
Music by Vijay Antony





Country India
Language Tamil



Aval Peyar Thamizharasi (Template:Lit) is a 2010 Tamil romantic drama film directed and written by Meera Kathiravan and starring Jai, Nandhagi, Dhiyana, S. Theodore Baskaran and Ganja Karuppu in lead roles. The film failed commercially.[1]

Plot

Siva Rao (Veera Santhanam) is a Thol Pavai puppeteer. He and his family go around villages, performing the art for his survival. He is struggling to make both ends meet.

When they land up in Tirunelveli, a rich man Chelladurai (S. Theodore Baskaran) decides to support the family, for his young grandson Jothi (Jai) loves the art and their family. Thamizharasi (Nandhagi), Siva Rao's granddaughter, is enrolled in a local school, who grows up and works hard to pass out in flying colors in her higher secondary.

Even as she gets admission in an engineering college in Pune, Jothi and Thamizharasi develop affinity for each other. Unable to leave her, Jothi rapes her, which changes her life. As a result, Jothi is forced to leave the village by his grandfather, to live with his dad. Jothi returns after a couple of years to see Thamizharasi nowhere. The rest is all about how Jothi travels from pillar to post to reach out for Thamizharasi and repents for his acts that altered her life all together.

Cast

Soundtrack

The soundtrack was composed by Vijay Antony, which features 9 short tracks.[2][3] Template:Infobox album Template:Tracklist

Reception

Hindustan Times wrote "Kathiravan’s effort must be lauded because he is still one of the few helmers in cinema bold enough to take his camera to the countryside and capture the dying wails of India’s glorious heritage".[4] Behindwoods wrote "The poetically shot APT unfolds leisurely, at the pace of a slow moving train and you often tend to feel like an unaccompanied passenger in a mid-afternoon train".[5] Sify wrote "Well-intentioned in his attempts to make good cinema, Meera Kathiravan and producers Moserbaer and Blue Ocean deserve a pat on their backs for crafting a movie that will stay in your hearts . It is a welcome change from the usual mass masalas and need to be seen in that perceptive".[6]

References


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