Awaara

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Awaara
File:Awaara poster.jpg
Directed by Raj Kapoor
Written by Khwaja Ahmad Abbas
Produced by Raj Kapoor
Starring Prithviraj Kapoor
Raj Kapoor
Nargis
Leela Chitnis
K. N. Singh
Shashi Kapoor
Cinematography Radhu Karmakar
Edited by G.G. Mayekar
Music by Shankar–Jaikishan





Country India
Language Hindustani



File:Awaara (1951).webm
Awaara (1951)

Awaara, also written Awāra[n 1] and known overseas as The Vagabond,[1][2][3] is a 1951 Indian crime drama film, produced and directed by Raj Kapoor, and written by Khwaja Ahmad Abbas and V.P. Sathe. It stars Raj Kapoor along with his real-life father Prithviraj Kapoor, as well as Nargis, Leela Chitnis and K. N. Singh. Other members of the Kapoor family make an appearance, including Raj's youngest brother Shashi Kapoor, who plays the younger version of his character, and Prithiviraj's father Dewan Basheshwarnath Singh Kapoor, playing a cameo in his only film appearance. The film's music was composed by Shankar Jaikishan.

The film expresses socialist themes,[1][4] and blends social and reformist themes with the crime, romantic comedy and musical melodrama genres.[5] The plot centers on the intertwining lives of a poor thief Raj (played by Raj Kapoor), the privileged Rita (played by Nargis), and Judge Raghunath (played by Prithviraj Kapoor) who is unaware that Raj is his son. In the film, Kapoor's poor "little tramp" character references Charlie Chaplin and was further developed in other Kapoor films such as Shree 420. Awaara is considered a milestone in the history of Bollywood.

The film became an overnight sensation in South Asia, and found even greater success further afield in the Soviet Union, East Asia, Africa, the Caribbean, the Middle East, and Eastern Europe.[6][7] In particular, the song "Awaara Hoon" ("I am a Vagabond"), sung by Mukesh with lyrics by Shailendra, became hugely popular across the Indian subcontinent, as well as in countries such as the Soviet Union,[8][9] China,[1][4] Bulgaria,[7] Turkey, Afghanistan, and Romania. The film was also nominated for the Grand Prize at the Cannes Film Festival in 1953. The film is estimated to have sold over 200Template:Nbspmillion tickets overseas, including more than 100Template:Nbspmillion in China and about 100Template:Nbspmillion in the Soviet Union.[10][11] Owing to its popularity in so many countries, the film is a candidate for the most successful film of all time and is considered to be one of the greatest films of all time.[7] In 2012, Awaara was included in the 20 new entries to All-Time 100 greatest films by the Time magazine.

Plot

Raghunath, a wealthy district judge who believes that "good people are born to good people, and criminals are born to criminals", convicts Jagga, son of a criminal, of rape with thin evidence. Jagga later escapes and kidnaps the judge's wife, Leela, for revenge. When Jagga finds out that Leela has just become pregnant, he releases her after four days and changes his plan. However, people suspect Leela of adultery and Raghunath throws her out of their house, rejecting her pleas that the child is his.

Leela gives birth to Raj on the streets, and they both live in poverty. Raj befriends Rita in school. He is removed from the school rolls while trying to maintain a job as a shoeshiner, and Rita moves to another city. Jagga convinces Raj to steal in order to save his starving mother. Raj grows up into a skilled criminal, going in and out of jail, and works for Jagga's gang. Leela thinks that he is a businessman. Raj never forgets Rita, keeping her birthday picture at his home.

For a bank robbery, Jagga asks Raj to steal an automobile. He snatches a woman's purse when she steps out of the car but finds no keys. He pretends to pursue the thief in order to ward off any suspicion and returns the purse to the woman, who is charmed by his personality and apparent selflessness. Later, when Raj successfully steals a car, he hides from the police in a mansion where he meets the same woman. Seeing the same birthday picture, Raj realises that she is his school friend Rita. He tells Rita he's a thief, but his figurative statements make her think he is a finance professional. Rita, now studying law, is a ward of Raghunath, who is suspicious when he hears that Raj doesn't know who his father is. Raj and Rita fall in love. Worrying that Rita will not accept him due to his thievery, Raj starts working at a factory but is fired when the manager finds out that he was a thief.

Rita invites him to her birthday party. Raj goes back to Jagga for a loan so that he can buy a gift for her. Jagga mocks his attempts to reform and asks him to commit more crimes. Raj refuses but later steals a necklace from a man on the street, not knowing the man was Raghunath. At Rita's birthday, when Raj gives her a necklace without a case and Raghunath gives her a case without a necklace, she realises that Raj is indeed a thief. Rita goes to Raj's mother and learns his life story. She decides that Raj is not bad but was forced into committing crimes by bad influences and desperate surroundings. Raj is ashamed, still believing he is no good for her, but Rita forgives him.

Raj goes to Raghunath to ask if he can marry Rita, but the judge turns him away. Meanwhile, Jagga and the gang commit the bank robbery, but it goes wrong and they have to run from the police. Jagga hides in Raj's house, where Leela recognizes him and he attacks her. Raj enters and fights him off, killing Jagga in self-defense. Raj goes on trial for Jagga's death, with Raghunath as the judge. When Leela goes to the courthouse to provide her eyewitness account, she sees Raghunath and chases after him but is struck by a car. Rita collects the testimony from Leela in the hospital, and later Raj is allowed to visit her. Leela tells Raj that Raghunath is his father and asks her son to forgive him. Raj only becomes angry at Raghunath for making him and his mother suffer.

Raj escapes from jail and tries to kill Raghunath for revenge but is stopped by Rita. Rita defends Raj in the trial for assault, who reveals the father-son relationship. Raj chooses not to defend his actions and says that he is a bad man. He asks the court not to think of him, but the millions of other children who grow up in poverty and end up turning to crime because high society does not care about them. While he awaits his verdict, Raj is visited by Raghunath, who finally accepts that Raj is his son and tearfully asks for forgiveness. In the end, Raj is spared execution but sentenced to three years in prison for his crime. He promises that after getting released, he will reform himself for Rita, who promises to wait for him.

Cast

Supporting cast
  • Rajoo, Mansaram, Rajan, Manek Kapoor, Paryag, Ravi, Vinni, Bali, Shinde.

Soundtrack

The music for this film was composed by Shankar–Jaikishan while the songs were written by Shailendra and Hasrat Jaipuri. The soundtrack was listed by Planet Bollywood as number 3 on their list of 100 Greatest Bollywood Soundtracks. The song "Awaara Hoon" was used in the Malayalam film Vishnulokam directed by Kamal and starring Mohanlal.[12] Awaara was the best-selling Bollywood soundtrack album of the 1950s.[13]

# Title Singer(s) Lyricist Raga
1 "Ek Do Teen" Shamshad Begum Shailendra
2 "Awaara Hoon" Mukesh Bhairavi (Hindustani)
3 "Ghar Aaya Mera Pardesi" Lata Mangeshkar Bhairavi (Hindustani)
4 "Dam Bhar Jo Udhar Munh Phere" Lata Mangeshkar, Mukesh
5 "Tere Bina Aag Yeh Chandni" Lata Mangeshkar, Manna Dey
6 "Naiya Meri Manjhdhar" Mohammed Rafi
7 "Hum Tujhse Mohabbat Kar Ke" Mukesh Hasrat Jaipuri Darbari Kanada
8 "Ek Bewafa Se Pyar Kiya" Lata Mangeshkar
9 "Ab Raat Guzarne Wali Hai"
10 "Jab Se Balam Ghar Aaye" Kafi (raga)

Production

The film is a collaboration of the famous team of director/producer Raj Kapoor and writer Khwaja Ahmad Abbas. Abbas originally wanted Mehboob Khan to direct the film, but the two disagreed over the casting. Khan wanted Ashok Kumar to play the judge and Dilip Kumar the son. In the event, Abbas withdrew his script from Mehboob Studios and Raj Kapoor decided to direct it.[14] This film was filmed in RK Studio and Bombay.

In his column for the Indian Express, Kapoor wrote, "In Awara I tried to prove that Vagabonds are not born, but are created in the slums of our modern cities, in the midst of dire poverty and evil environment."[15]

Critical reception

It was entered in the 1953 Cannes Film Festival,[16] where it was nominated for the Grand Prize of the Festival (Palme d'Or). In 1955, it was voted the best film of the year by readers of Turkish daily Milliyet.[17]

In 2003, Time magazine included it in a list of "10 Indian Films to Treasure".[18] Time magazine also chose Raj Kapoor's performance in Awaara as one of the top ten greatest performances of all time.[19] In 2005, Indiatimes Movies ranked the movie amongst the "Top 25 Must See Bollywood Films", writing: "Whenever Raj Kapoor and Nargis came together on screen, sparks flew. Their chemistry was electrifying and it crackles with raw passion in Raj Kapoor's Awaara. Nargis's wild and carefree sensuality pulsates and Raj Kapoor's scruffy hair-rebellious persona only adds fuel to the fire".[20] Time magazine included the film among the 20 new entries added to All-Time 100 greatest films in 2012.[21][22][23]

Box office

Worldwide gross (Template:Estimation)
Territory Gross revenue Inflation-adjusted gross revenue (2016) Footfalls (ticket sales)
India Template:INR[24] ($4.83Template:Nbspmillion)[n 2] $Template:InflationTemplate:Nbspmillion ([[100 Crore Club|Template:INR]])[26] 30Template:Nbspmillion[27]
Turkey Template:Unknown Template:Unknown 100,000 (opening)[17][28]
Soviet Union 37.75Template:Nbspmillion руб Template:Ndash Template:US$ (Template:INR) Template:US$ (Template:INR) 100Template:Nbspmillion[11]
Initial run (1954) 29Template:Nbspmillion Rbls[29] Template:Ndash $7.25Template:Nbspmillion[n 3] (Template:INR)[n 2] $Template:InflationTemplate:Nbspmillion (Template:INR)[26] 65Template:Nbspmillion[11]
Re-runs (1955Template:Ndash1966) 8.75Template:Nbspmillion Rbls[n 4] Template:Ndash Template:US$[n 5] (Template:INR)[32] Template:US$ (Template:INR) 35Template:Nbspmillion[11]
China Template:CNY Template:Ndash Template:US$ (Template:INR) Template:US$ (Template:INR) 100Template:Nbspmillion[10]
Initial release (1955) Template:CNY[33] Template:Ndash Template:US$[34] (Template:INR)[35] Template:US$ (Template:INR) 40Template:Nbspmillion[33]
Re-release (1978) Template:CNY[10][36] Template:Ndash Template:US$ (Template:INR)[35] Template:US$ (Template:INR) 60Template:Nbspmillion[10][33]
Worldwide Template:INR (Template:US$) Template:US$ (Template:INR) 230.1 million

In India, the film grossed a record of Template:INR in 1951,[24] making it the highest-grossing film in India up until that time.[37] This record was later beaten the next year by Mehboob Khan's Aan (1952), starring Dilip Kumar, which grossed Template:INR in 1952.[38]

In Turkey, Awaara released in 1955. The film sold 100,000 tickets in its first week of release in Turkey. The total number of box office admissions in Turkey is currently unknown.[17][28]

Soviet Union

In the Soviet Union, Awaara was released in 1954,[39] debuting at Indian film festivals in Moscow and Leningrad which drew about 1.5 million viewers in four days.[40] By the end of the year, it drew an audience of about 64Template:Nbspmillion viewers in its initial run, the highest for any film in the Soviet Union at the time, until its record was surpassed by Amphibian Man in 1962.[3] At the Soviet box office, Awaara remained the most-viewed Indian film, the third biggest foreign hit of all time,[41][42] and one of the top 20 biggest hits of all time.[3][41][43]

In terms of gross revenue, Awaara earned 29Template:Nbspmillion Rbls[29] ($7.25Template:Nbspmillion,[n 3] Template:INR)[n 2] in its initial run, surpassing Aan to become the highest-grossing Indian film overseas at the time. AwaaraTemplate:'s 29Template:Nbspmillion руб was eventually surpassed by Disco Dancer (1982),[8][44] which grossed 60 million руб in the Soviet Union.[44] Including re-runs, which were running for 10–12 years, AwaaraTemplate:'s footfalls in the Soviet Union amounted to about 100Template:Nbspmillion box office admissions, which remains among the highest for an Indian film in an overseas market.[11]

China

The film was also a success in China, where it first released in 1955. In its opening week, the film sold 4 million tickets, including 1.43 million admissions earning a distribution rental income of about Template:CNY in Beijing alone.[33] Its 4 million opening-week ticket sales were equivalent to estimated opening-week rentals of approximately Template:CNY[33] (Template:US$).[34] Prior to its 1978 re-release, the film's initial run had sold a total of 40Template:Nbspmillion tickets in China.[33]

The film's 1978 re-release was a greater commercial success in China.[45][46] Following its re-release, the film went on to sell a total of more than 100Template:Nbspmillion tickets,[10]

Legacy

The song "Awaara Hoon" and actor Raj Kapoor were widely known across China and the Soviet Union. The film's success in both the Soviet Union and China has been attributed to the socialist themes expressed in the film.[1][4]

The film Awaara and the song "Awaara Hoon" are believed to have been among Chairman Mao's favourite films and songs, respectively.[4][19] Awaara was referenced in the 2000 Chinese film Platform.[47]

In 2023, Time Out ranked it #20 on its list of the "100 Best Bollywood Movies."[48]

Remakes

Due to the film's remarkable success with Turkish audiences, Awaara was remade in Turkey a total of eight times. The first and most prominent Turkish film remake was Avare (1964) starring actor Sadri Alışık and actress Ajda Pekkan, another Turkish remake was Template:Ill (1977) by Temel Gürsu.[28][49]

There was also an Iranian film remake, called The Wheel of the Universe (1967). However, this version may have been a remake of the Turkish remake Avare, rather than a direct remake of the original Awaara.[50]

See also

Notes

  1. ↑ 1.0 1.1 1.2 1.3 Traditions in world cinema. Rutgers University Press, 2006.
  2. ↑ East and West in India's Development{{#if:Malenbaum|, Malenbaum}. MIT Center for International Studies(1959)
  3. ↑ 3.0 3.1 3.2 Moscow Prime Time: How the Soviet Union Built the Media Empire that Lost the Cultural Cold War{{#if:Roth-Ey|, Roth-Ey}. Cornell University Press(2011-05-15). ISBN 978-1-5017-7142-2
  4. ↑ 4.0 4.1 4.2 4.3 World cinemas, transnational perspectives. Taylor & Francis, 2010(31 August 2009).
  5. ↑ International Film Musical{{#if:|, {{{last}}}}. Edinburgh University Press(2013). ISBN 978-0-7486-5430-7
  6. ↑ Global Bollywood travels of Hindi song and dance{{#if:|, {{{last}}}}. University of Minnesota Press(2008). ISBN 978-0-8166-4579-4
  7. ↑ 7.0 7.1 7.2 Awaara 'most successful' film of all times. Gulf News(1 October 2006). Retrieved 16 January 2012.
  8. ↑ 8.0 8.1 Bollywood re-enters Russian homes via cable TV. The Hindu(27 September 2007). Retrieved 7 June 2011.
  9. ↑ The Bollywood Reader{{#if:|, {{{last}}}}. McGraw-Hill Education (UK)(1 October 2008). ISBN 978-0-335-22212-4
  10. ↑ 10.0 10.1 10.2 10.3 10.4 异域音乐风 ——印度音乐（三至六）. CCTV.com(4 July 2007). Retrieved 7 February 2019.
  11. ↑ 11.0 11.1 11.2 11.3 11.4 11.5 You Asked It - Padmaavat Is Bigger Than Mughal E Azam?. Box Office India(8 March 2018).
  12. ↑ 100 Greatest Bollywood Soundtracks Ever – Part 4. Planet Bollywood. Retrieved 16 February 2012.
  13. ↑ Music Hits 1950-1959. Box Office India(5 February 2010).
  14. ↑ The Dialogue of Awaara: Raj Kapoor's Immortal Classic{{#if:Abbas|, Abbas}. Niyogi Books(2010). ISBN 978-81-89738-54-9
  15. ↑ [{{{url}}} Why I Produced Boot Polish]. The Indian Express(2 April 1954).
  16. ↑ Festival de Cannes: Awaarae. Retrieved 19 January 2009.
  17. ↑ 17.0 17.1 17.2 The Road to Vagrancy. BioScope: South Asian Screen Studies({Template:Date).
  18. ↑ Template:Cite magazine
  19. ↑ 19.0 19.1 Great Performances: Raj Kapoor, Awaara. All-Time 100 Movies(23 January 2012). Retrieved 24 February 2012.
  20. ↑ 25 Must See Bollywood Movies. indiatimes.com(3 October 2005). Retrieved 27 May 2008.
  21. ↑ Template:Cite magazine
  22. ↑ Raj Kapoor's Awaara in Time's 100 greatest films list. The Hindustan Times(28 May 2012). Retrieved 31 May 2012.
  23. ↑ Raj Kapoor's 'Awaara' in Time's 100 greatest films. Times of India(28 May 2012). Retrieved 31 May 2012.
  24. ↑ 24.0 24.1 Box Office 1951. Box Office India. Retrieved 2 January 2010.
  25. ↑ Pacific Exchange Rate Service. UBC Sauder School of Business. University of British Columbia. Retrieved 21 November 2017.
  26. ↑ 26.0 26.1 67.175856 INR per USD in 2016. Retrieved 17 June 2017.
  27. ↑ Most Watched Bollywood (Hindi) Movies of All Time (1940-2019) - Movies with Highest Footfall Ever. Addatoday(17 May 2020). Retrieved 2022-05-05.
  28. ↑ 28.0 28.1 28.2 How Turkey simply could not get enough of Raj Kapoor's 'Awara'. Scroll.in(1 July 2017). Retrieved 12 June 2020.
  29. ↑ 29.0 29.1 Indian Films in Soviet Cinemas: The Culture of Movie-going After Stalin{{#if:Rajagopalan|, Rajagopalan}. Indiana University Press(2005). ISBN 9780253220998
  30. ↑ 30.0 30.1 Archive. Central Bank of Russia. Retrieved 29 December 2009.
  31. ↑ Moscow Prime Time: How the Soviet Union Built the Media Empire that Lost the Cultural Cold War, page 48, Cornell University Press, 2011
  32. ↑ Official exchange rate (LCU per US$, period average). World Bank. Retrieved 12 December 2018.
  33. ↑ 33.0 33.1 33.2 33.3 33.4 33.5 《流浪者》《大篷车》中国内地票房. Sina Corp(9 February 2019). Retrieved 2018-11-03.
  34. ↑ 34.0 34.1 The Renminbi Exchange Rate Reform and Its Implications for Asian Markets. China Quarterly of International Strategic Studies({Template:Year).
  35. ↑ 35.0 35.1 Official exchange rate (LCU per US$, period average). World Bank. Retrieved 7 February 2019.
  36. ↑ The Uses of Literature: Life in the Socialist Chinese Literary System{{#if:|, {{{last}}}}. Princeton University Press(2000). ISBN 9780691001982
  37. ↑ Top Earners 1950-1959 (Figures in Ind Rs). boxofficeindia.com. Retrieved 12 January 2022.
  38. ↑ Box Office 1952. boxofficeindia.com. Retrieved 12 January 2022.
  39. ↑ Bollywood affair: how Indian cinema arrived in the USSR. The Calvert Journal. Calvert 22 Foundation(21 August 2015). Retrieved 2026-03-28.
  40. ↑ Indian Films in Soviet Cinemas : the culture of movie-going after Stalin.{{#if:Rajagopalan|, Rajagopalan}. Indiana University Press(2008). ISBN 978-0253220998
  41. ↑ 41.0 41.1 Зарубежные фильмы в советском кинопрокате(4 July 2006).
  42. ↑ All time favourite Hindi movies in Russia, Fedotova, Natalia. Russia Beyond(2017-01-04). Retrieved 2025-10-21.
  43. ↑ Отечественные фильмы в советском кинопрокате(4 July 2006).
  44. ↑ 44.0 44.1 Bollywood returns to Russian screens. Russia Beyond(10 September 2009). Retrieved 25 May 2020.
  45. ↑ How do Indian films gain recognition in China?. China Plus(5 July 2017). Retrieved 12 June 2020.
  46. ↑ 中方参投《神秘巨星》票房破亿，印度电影成下一个淘金地？. Huxiu(21 January 2018).
  47. ↑ World cinemas, transnational perspectives{{#if:Durovicová|, Durovicová}. Routledge(2008). ISBN 978-0-415-97654-1
  48. ↑ The 100 best Bollywood movies(7 February 2023). Retrieved 28 November 2023.
  49. ↑ Sadri Alışık – Avare (1964)(21 August 2021).
  50. ↑ Popular Iranian Cinema before the Revolution: Family and Nation in Fīlmfārsī{{#if:|, {{{last}}}}. Taylor & Francis(2017). ISBN 978-1-315-38561-7

References

Bibliography

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  • The Dialogue of Awaara: Raj Kapoor's Immortal Classic{{#if:|, {{{last}}}}. Niyogi Books(2010). ISBN 978-81-89738-54-9

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Template:Raj Kapoor Template:K. A. Abbas

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