Created by Gotitbro
Last edited May 12, 2021

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Daadi Maa
File:Daadi Maa.jpg


Poster

Directed by L. V. Prasad


Produced by L. V. Prasad
Starring Kashinath Ghanekar
Ashok Kumar
Bina Rai
Mumtaz
Tanuja
Durga Khote
Mehmood Ali
David Abraham
Kanhaiyalal
Shashikala
Rehman
Cinematography Dwarka Divecha
Edited by Shivaji Avdhut
Music by Roshan





Country India
Language Hindi



Daadi Maa (Template:Trans) is a 1966 Indian Hindi-language drama film directed by L. V. Prasad and starring Ashok Kumar, Bina Rai, Tanuja and Durga Khote.

Plot

Parvati (Bina Rai) hopes to repair the relationship between her husband Raja Pratap Rai (Ashok Kumar) and his stepmother. So she takes in her sister-in-law's baby as her own, while the true heir gets raised up in the status of a servant. Will this secret be found out and what will happen?[1]

Cast

Songs

Song Title Singer(s)
"Usko Nahin Dekha Hamne KabhiTemplate:Nbsp..." Manna Dey, Mahendra Kapoor
"Jata Hoon Main Mujhe Ab Na BulanaTemplate:Nbsp..." Mohammed Rafi
"Ai Maa Teri Surat SeTemplate:Nbsp..." Manna Dey, Mahendra Kapoor
"Chale Aaye Re HumTemplate:Nbsp..." Lata Mangeshkar
"Maine Aur Kya KiyaTemplate:Nbsp..." Asha Bhosle
"Suraj Soya Soye UjaleTemplate:Nbsp..." Lata Mangeshkar
"Sant Log Farmay GayeTemplate:Nbsp..." Manna Dey, Pooran
"Jaane Na Dunga Na Jaane Dunga" Asha Bhosle, Manna Dey

[2]

Reception

In a typically negative review, K. Shankar Pillai, in a column for the magazine Shankar's Weekly, wrote of Daadi Maa in 1966, "Whatever else our faults as a nation, none shall ever blame us for letting down Indian motherhood... Bina Rai is trie Mom with the halo, married to Ashok Kumar who is quick to scowl, yell and shoot at people. He is no lover here; he is a Rajah entitled to the said tantrums. He even stands for elections, which is quite understandable since Rajahs are elected or nominated nowadays. He is opposed by a commoner backed by Durga Khote who is the stepmother of Ashok Kumar... Brother- in-law Renrnan is an ardent believer in socialism and looks as though he has swallowed Avadi and all and all that hook, line and sinker... Mehmood appears often, trying hard to raise a laugh or two. He is the only relieving feature although he too contributes his share of hamming... [Kumar] is getting more rotund and even he is obviously fed up with Indian cinema, whatever film journals might say".[1]

References

  1. 1.0 1.1 Shankar's Weekly{{#if:|, {{{last}}}}(1966)
  2. Daadi Maa.

Template:L. V. Prasad


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