Created by KurtisDelapena9
Last edited March 29, 2026


Doora Theera Yaana
File:Doora Theera Yaana.jpg


Theatrical release poster

Directed by Mansore
Written by Chethana Thirthahalli
Mansore
Krishna Hebbale
Produced by Devaraj R
Starring Vijay Krishna
Priyanka Kumar
Cinematography Shekar Chandra
Edited by Nagendra K Ujjani
Music by Ronada Bakkesh - Karthik Chennoji Rao





Country India
Language Kannada



Doora Theera Yaana (Template:Translation) is a 2025 Indian Kannada-language romantic drama film story and directed by Mansore and starring Vijay Krishna and Priyanka Kumar.

Cast

Template:Cast listing

Soundtrack

The music is composed by the duo Ronada Bakkesh and Karthik Chennoji Rao and features the folk song "Ko Ko Kolike Ranga".[1][2] Template:Track listing

Reception

A critic from The New Indian Express rated the film 3/5 stars and wrote, "Doora Theera Yaana is a film that listens, observes, and meditates. Vijay Krishna and Priyanka Kumar deliver emotionally precise performances that make you feel like you’re watching real people, not characters".[3] A critic from The Times of India gave the film the same rating and wrote, "This isn’t a typical romantic film—it’s a reflective take on love, compatibility, and the quiet strain that can grow in long-term relationships. For those open to a more grounded and introspective love story wrapped in a scenic travel experience, Doora Theera Yaana is definitely worth a watch".[1] A critic from Deccan Herald wrote, "What sets Doora Theera Yaana apart is its grounded, unembellished portrayal of intimacy. With quiet precision, it brings out the individuality of its characters while revealing the quiet strength of their bond, the affection, the comfort of shared routines, and the subtle gestures of care".[4] A critic from The Hindu wrote, "Doora Theera Yaana is a one-of-its-kind attempt in Kannada cinema. A full-fledged drama in the era of event films is a bold step".[5] A critic from OTTplay rated the film 3/5 stars and wrote, "Mansore’s latest is not a stark departure from his school of films; it’s just packaged more colourfully. It’s the kind of film that urges viewers to reflect on the subject and maybe even have a takeaway or two from it".[6]

References