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Last edited June 29, 2021


Fali Mistry
Born
1919-02-17[1]


Years active
1942 - 1979
Known for
Guide (1967)


Fali Mistry (1919–1979) was an Indian cinematographer, who worked in Bollywood films, from the 1940s to 1980, both in black and white and colour cinema, and along with younger brother Jal Mistry, he was one of the most acclaimed cinematographers of his era. He also produced and directed a few films.

He won the Filmfare Award for Best Cinematographer twice, Guide (colour) (1967) and Fakira (1977).

Early life

Mistry was born in Bombay on 17 February 1917 to a Parsi family.[2] His younger brother Jal Mistry, also became a cinematographer.

Career

Mistry first received acclaim for his work in film Amrapali (1945), directed by Nandlal Jaswantlal.[3] He was a stalwart of Navketan Films, after the critical acclaim of Guide (1967) directed by Vijay Anand, which also won him a Filmfare Award,[4] Mistry worked in a number of films directed by his elder brother Dev Anand, including Prem Pujari (1970), Hare Rama Hare Krishna (1971), Heera Panna (1973), Ishq Ishq Ishq (1974), Des Pardes (1978).

He directed three feature films, including, Jan Pahchan (1950), Armaan (1953) and Sazaa (1951) starring Dev Anand,[5] The film also noted for its music by SD Burman in songs Tum Na Jaaney Kis Jehan Mein Kho Gaye sung by Lata Mangeshkar.[6]

Along with his younger brother, Jal Mistry (1923-2000), the Mistry brothers made a name for themselves in Bollywood.[7][8] Their work exemplified influences of Hollywood and European cinema. In time, he became known for his glamorous lighting, with diffusers and low-key lighting in night sequences. His work in Vyjayanthimala and Pradeep Kumar starrer, Nagin (1954) is especially noted for use of diffusers, and high-contrast lighting to create graphic art like effect and composition.[9] He became an influential cinematographer and inspired other technicians, noted cinematographer V.K. Murthy who made name in Guru Dutt classic, Pyaasa, Kaagaz Ke Phool and Sahib Bibi Aur Gulam, worked as his assistant, and in an interview mentioned Amrapali (1945) as the most inspiring cinematographic work ..during those days..[10][11]

He died in 1979 at the age of 60.[12]

Personal life

He married actress Shyama in 1953, she was noted for films like Aar Paar (1954) and Barsaat Ki Raat (1960). The couple had two son Faroukh and Rohin and a daughter Shirrin. Shyama lived in her South Mumbai flat before she died in 2017.[12] His son Faroukh Mistry is a cinematographer and documentary filmmaker, while brother Jal Mistry was also a noted cinematographer in Hindi cinema, whose son Zubin Mistry is also a cinematographer based in London.[13]

Filmography

Cinematographer
Director
Producer

Awards

References

  1. Fali Mistry. Complete Index of World Film.
  2. Fali Mistry, the Cinematographer Who Taught Bollywood the Importance of Cameramen. The Wire(11 February 2018). Retrieved 29 June 2021.
  3. Swatantra, Volume 9, Issues 1-26, 1954. p. 48
  4. 4.0 4.1 Blast From The Past: Guide 1965. The Hindu(4 October 2008).
  5. Follywood flashback: a collection of movie memories{{#if:|, {{{last}}}}. Indus(1993)
  6. SD Burman _ composer who used Bengali folk to create melodies. Daily Times(4 January 2012). Retrieved 27 April 2013.
  7. Their SHOT at fame. The Hindu(9 Sep 2003).
  8. Gulzar, p. 590
  9. Gulzar, p. 248
  10. Poetry in picture. The Hindu(20 July 2007).
  11. Through The Mind’s Eye. Tehelka Magazine, Vol 7, Issue 12(27 March 2010). Retrieved 27 April 2013.
  12. 12.0 12.1 Shyama’s Interview. Cineplot.
  13. Zubin Mistry continues a tradition of cinematography. Shoot (advertising magazine)(29 October 1999).
  14. Best Cinematographer Award (B&W), Colour. Official Listing, Indiatimes.
  • Encyclopaedia of Hindi Cinema{{#if:|, {{{last}}}}. Popular Prakashan(2003). ISBN 8179910660

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