Hameer

Template:For Template:Other uses Template:Infobox raga Hameer is a nocturnal Hindustani classical Template:Transl nominally placed in Kalyan Template:Transl. All the (Template:Transl (natural notes) along with (Template:Transl are used in it. Generally, its Template:Transl (the most used, principal note of a raga on which a pause may be taken) is Template:Transl and the Template:Transl (the second-most used important note assisting the Template:Transl) is Template:Transl. However, some exponents consider the Template:Transl to be Template:Transl (G natural) as Hameer is mainly sung in the upper half of an octave and is nocturnal. Pancham is not taken in the Template:Transl but is taken in Template:Transl. Its Template:Transl is "Shadav Sampurn". "Vadi Svar" is Dhaivat (Dh) and Samvadi Swar is Gandhar.

Ascent and descent

In the ascent, all natural notes are used, sometimes adding F#. In the descent, both of the Template:Transl are used. A feature during the descent is the series of Template:Transl 'Pa ga ma re sa' (G E F D C). At times, Template:Transl (B flat) is also used as in "Dha ni Pa" during the descent. The general ascent and descent of the notes is:

                  Sa Re Sa, Ga Ma Dha, Ni Dha Sa
                  C  D  C, E  F  A, B  A   C

                  Sa Ni Dha Pa, ma Pa Dha Pa, Ga Ma Re Sa
                  C  B  A   G, F# G  A   G, E  F  D  C

Scholars do not permit the use of Template:Transl in this Template:Transl and consider it to have emanated from Bilaval. But today the F# has become part of the Template:Transl. A special characteristic feature of this Template:Transl is the specific way in which the Template:Transl (Template:Transl) is sung or played with a touch of upper Template:Transl (ni) at the beginning.

Organization and relationships

Samay (time)

The time to sing this raga is 2nd Template:Transl of night i.e. 9:00pm–12:00am.

Film Songs

Language:Tamil

Song	Movie	Composer	Singer
En Uyir Thozhi	Karnan	Viswanathan–Ramamoorthy	P. Susheela
Udaluku Uyir Kaaval	Manapanthal		P. B. Sreenivas
Kannizhantha	Enippadigal	K. V. Mahadevan	P. Susheela
Chandrodayam Oru Pennanatho	Chandhrodhayam	M. S. Viswanathan	T. M. Soundararajan, P. Susheela
Kannile Enna Undu	Aval Oru Thodar Kathai		P. Susheela
Vellaikkamalathiley	Gowri Kalyanam		Soolamangalam Rajalakshmi
Aval Oru Navarasa	Ulagam Sutrum Valiban		S. P. Balasubrahmanyam
Kaaluku Keezhe Naluvuthu	Silambu		K. S. Chitra
Yeriyile Oru Kashmir Roja (Ragamalika:Kedar/Hamirkalyani,Valaji)	Madhanamaaligai	M. B. Sreenivasan	P. Suseela, K. J. Yesudas
Kadhal Oviyam	Kavikkuyil	Ilaiyaraaja	Sujatha Mohan
Kaiyil Veenai	Vietnam Colony		Bombay Jayashree
Inimel Naalum	Iravu Pookal		S. Janaki
Nila Kaikiradhu	Indira	A. R. Rahman	Hariharan, Harini
Swasame Swasame (Ragamalika:Kedar/Hamirkalyani,Maand)	Thenali		S. P. Balasubrahmanyam, Sadhana Sargam
Kanava Illai Kaatra	Ratchagan		Srinivas
Manasukkul	Kalyana Agathigal	V. S. Narasimhan	Raj Sitaraman, P. Susheela
Iruvathu Vayathu Varai	Kannodu Kanbathellam	Deva	Hariharan, S. Janaki

Language:Hindi

• The song from the movie Kohinoor, 'Madhuban mein Radhika Nachi re' is composed in the Hameer raga

References

• The Raga Guide: A Survey of 74 Hindustani Ragas{{#if:|, {{{last}}}}. Nimbus Records with Rotterdam Conservatory of Music(1999). ISBN 9780954397609