Don't Look Up

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Don't Look Up
File:Don't Look Up 2021 film.jpg


Release poster

Directed by Adam McKay


Produced by Template:Plainlist
Starring Template:Plainlist
Cinematography Linus Sandgren
Edited by Hank Corwin
Music by Nicholas Britell





Country United States
Language English
Budget $75 million[1]


Don't Look Up is a 2021 American political satire black comedy film written, co-produced, and directed by Adam McKay from a story he co-wrote with David Sirota.[2] It stars an ensemble cast featuring Leonardo DiCaprio, Jennifer Lawrence, Rob Morgan, Jonah Hill, Mark Rylance, Tyler Perry, Timothée Chalamet, Ron Perlman, Ariana Grande, Kid Cudi, Cate Blanchett, and Meryl Streep. The film tells the story of two astronomers attempting to warn humanity about an approaching comet that will destroy human civilization.

The movie's central comet impact event was used by McKay as an allegory for threats arising from climate change. The film satirizes social, political, corporate, celebrity, and media indifference, in particular to the climate crisis, and parallels societal responses to science during the COVID-19 pandemic.[3][4][5][6]

Produced by McKay's Hyperobject Industries and Bluegrass Films, the film was announced in November 2019. Originally set for a theatrical release by Paramount Pictures, the distribution rights were acquired by Netflix several months later. Lawrence became the first member of the cast to join, with DiCaprio signing on after his discussions with McKay on adjustments to the script; the rest of the cast was added through 2020. Filming was initially set to begin in April 2020 in Massachusetts, but it was delayed due to the COVID-19 pandemic; it eventually began in November 2020 and wrapped in February 2021.[7][8]

Don't Look Up began a limited theatrical release on December 10, 2021, before streaming on Netflix on December 24. It was praised for the cast's performances and the musical score, but critics were divided on the merits of McKay's satire: some found it deft, while others criticized it as smug and heavy-handed. Donna Lu of The Guardian notes that the movie "received a frosty reception from many film critics", while being thoroughly lauded by climate activists.[6] Don't Look Up was named one of the top ten films of 2021 by the National Board of Review and American Film Institute. It received four Academy Award nominations (including Best Picture), four Golden Globe Award nominations (including Best Picture – Musical or Comedy), six Critics' Choice Award nominations, (including Best Picture), and also won Best Original Screenplay at the 74th Writers Guild of America Awards. The film set a new record for the most viewing hours in a single week on Netflix, and went on to become the second-most-watched movie on Netflix within 28 days of release.

Plot

Kate Dibiasky, a doctoral candidate in astronomy at Michigan State University, discovers a previously unknown comet. Her adviser, Dr. Randall Mindy, confirms that it will collide with Earth in approximately six months and is large enough to cause a global extinction event. NASA verifies the findings, and Dr. Teddy Oglethorpe, head of their Planetary Defense Coordination Office, accompanies Dibiasky and Mindy to present their findings to the White House. However, they are met with apathy from President Janie Orlean and her Chief of Staff Jason Orlean, who is also her son.

Oglethorpe encourages Dibiasky and Mindy to leak the news to the media, which they then do on The Daily Rip, a popular morning talk show. When hosts Jack Bremmer and Brie Evantee treat the topic flippantly, Dibiasky loses her temper and angrily rants about the threat before leaving. Mindy receives public approval for his looks, while Dibiasky becomes the subject of negative memes for her on-air behavior. Public reaction is muted, and the announcement is downplayed by NASA Director Jocelyn Calder, a top donor to Orlean with no background in astronomy. When Orlean's sexual relations with Supreme Court nominee Sheriff Conlon become news, the president tries to divert public attention to the looming threat of the comet, announcing a project to use nuclear weapons to strike and divert the comet.

The mission successfully launches, but Orlean abruptly aborts it when Peter Isherwell, the billionaire CEO of BASH Cellular and another top donor, discovers that the comet contains trillions of dollars' worth of rare-earth elements. The White House agrees to commercially exploit the comet by fragmenting and recovering it from the ocean, using technology proposed by BASH in a scheme that has not undergone peer review. Orlean sidelines Dibiasky and Oglethorpe while hiring Mindy as the National Science Advisor. Dibiasky attempts to mobilize public opposition to the scheme but gives up under threat from Orlean's administration. Mindy becomes a prominent voice advocating for the comet's commercial opportunities and begins an affair with Evantee.

World opinion is divided among people who believe the comet is a severe threat, those who decry alarmism and believe that mining a destroyed comet will create jobs, and those who deny that the comet even exists. When Dibiasky returns home to Illinois, her parents kick her out of the house and she begins a relationship with a young man named Yule, a skateboarder, shoplifter, and Evangelical she meets at her retail job. Mindy's wife comes to Washington to confront him about his infidelity, but returns to Michigan without him. Mindy questions whether Isherwell's technology will be able to break apart the comet, angering the billionaire. Becoming frustrated with the administration, Mindy finally breaks down and rants on The Daily Rip, criticizing Orlean for downplaying the impending apocalypse and questioning humanity's indifference.

Cut off from the administration, Mindy reconciles with Dibiasky as the comet becomes visible from Earth. Mindy, Dibiasky, and Oglethorpe organize a protest campaign on social media, telling people to "Just Look Up" and call on other countries to conduct comet interception operations. Simultaneously, Orlean starts an anti-campaign telling people "Don't Look Up". Oglethorpe informs Mindy and Dibiasky that Orlean and BASH cut Russia, India, and China out of the rights for the comet-mining deal, so those countries prepared their own joint deflection mission—only for their spacecraft to explode on takeoff, ending the possibility of a successful deflection. As the comet becomes larger in the sky, Orlean's supporters start turning on her administration.

BASH's launches aimed at breaking the comet apart go awry, and everyone, beginning with Isherwell and Orlean in the flight control center, soon realizes that humanity is doomed. Isherwell, Orlean, and other elites board a sleeper spaceship designed to find an Earth-like planet; unthinkingly, Orlean leaves her son Jason behind. Orlean offers Mindy two places on the ship, but he declines, choosing to spend a final evening with his wife and children, and friends Oglethorpe, Dibiasky, and Yule. As expected, the comet strikes off the coast of Chile, causing a worldwide disaster and triggering an explosive extinction-level event, with globally catastrophic scenes being shown prior to the obliteration of the Mindy family gathering.

In a mid-credits scene, Orlean, Isherwell and the surviving people who left Earth land on a lush alien planet 22,740 years later. Exiting naked and admiring the habitable world, Orlean is suddenly killed by a large, bird-like creature—a death predicted earlier by BASH's algorithms—and a further pack of the creatures surrounds and begins to converge on the planetary newcomers. In a post-credits scene on Earth, Jason emerges from the rubble, having survived the impact. He records himself, declaring himself the "last man on Earth", and asking any viewers still alive to "like and subscribe".

Cast

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Other cast members include Kevin Craig West as the Secretary of State; Erik Parillo as Sheriff Conlon, Orlean's choice for Supreme Court Justice who ends up in a sex scandal with Orlean; Jon Glaser as Meow Man; Sarah Nolen as the puppeteer of Sammy; Allyn Burrows as Mr. Dibiasky, the father of Kate; and Tori Davis Lawlor as Mrs. Dibiasky, the mother of Kate.

Additionally, Robert Hurst Radochia and Conor Sweeney appear as Randall and June's sons, Evan and Marshall Mindy. Hettienne Park appears as Dr. Jocelyn Calder, the Administrator of NASA. Chris Everett appears as Paula Woods, chief editor at the New York Herald.

There are cameo appearances by Liev Schreiber as the BASH narrator, journalist Ashleigh Banfield as Dalia Hensfield, Sarah Silverman as comedian Sarah Benterman, Indian actor Ishaan Khatter as Raghav Manavalan, and Chris Evans in an uncredited role as film actor Devin Peters, who stars in the film Total Devastation.

Matthew Perry and Gina Gershon were cast for undisclosed roles in the film, but their scenes were cut.[10]

Production

Adam McKay at the world premiere of Marvel's "Ant-Man".
Writer, director, and producer Adam McKay

Produced by Hyperobject Industries and Bluegrass Films, the film was announced in November 2019 and sold by Paramount Pictures to Netflix several months later. Jennifer Lawrence became the first member of the cast to join, with Leonardo DiCaprio signing on after his discussions with McKay on adjustments to the script; the rest of the cast was added through 2020.Template:Cquote After Vice was released, David Sirota asked Adam McKay to use his "superpowers of humor and writing" to create a climate change movie that would be different from the Mad Max-type post-apocalyptic films that had previously been released.[3] In an interview with Entertainment Weekly, McKay described how he and Sirota came up with the premise of Don't Look Up while discussing the existential threat of climate change and their frustration over the lack of media coverage it was receiving:

I started talking to a lot of [climate] scientists. I kept looking for good news, and I never got it. Everything I was hearing was worse than what I was hearing on the mainstream media. So I was talking to [David Sirota], and we were both just like, "can you believe that this isn't being covered in the media? That it's being pushed to the end of the story? That there's no headlines?" And Sirota just offhandedly said, "it's like a comet is heading to Earth and it's going to destroy us all and no one cares." And I was like, "that's the idea!"[5]

McKay has described the film as a "blend of broad comedy" with elements of disaster films and horror films.[11]

Astronomer Amy Mainzer, principal investigator of NASA's NEOWISE mission that tracks near-Earth objects, served as an "astrotech adviser" for the film. She provided scientific advice and supported with writing scenes from an early stage of production.[12][13]

On November 8, 2019, it was announced that Paramount Pictures would distribute the film, with Adam McKay writing, directing and producing under his Hyperobject Industries banner.[14] On February 19, 2020, Netflix acquired the film from Paramount and Jennifer Lawrence was cast in the film.[15] On May 12, 2020, it was announced that Cate Blanchett had joined the film.[16] In September 2020, Rob Morgan joined the cast.[17] In October 2020, DiCaprio, Meryl Streep, Jonah Hill, Himesh Patel, Timothée Chalamet, Ariana Grande, Kid Cudi (Scott Mescudi) and Tomer Sisley were added.[18][19] McKay wrote the part of Dibiasky specifically for Lawrence, and spent four to five months going over ideas with DiCaprio, tweaking the script before the actor ultimately signed on.[20] In November 2020, Tyler Perry, Melanie Lynskey and Ron Perlman joined the cast.[21] Mark Rylance and Michael Chiklis were revealed as part of the cast in February 2021.[22] Paul Guilfoyle was announced in May.[23] Matthew Perry was also cast and had scenes filmed with Hill that were ultimately cut from the final film due to health issues.[24] Gina Gershon also filmed a scene with DiCaprio and Blanchett that was cut from the film.[25] Leonardo DiCaprio received top billing on the film's posters and the trailers while Jennifer Lawrence was accorded top billing at the beginning of the film itself. This was also the case with earlier productions The Man Who Shot Liberty Valance (1962) with James Stewart and John Wayne and All the President's Men (1976) with Robert Redford and Dustin Hoffman.

Principal photography was delayed due to the COVID-19 pandemic.[26] Filming commenced on November 18, 2020, at various locations in Boston, Massachusetts.[27] Part of the film takes place in New York City with Boston standing in as New York. Filming also took place in other Massachusetts cities including Brockton, Framingham, and Westborough.Template:Efn[28][29] On February 5, 2021, Jennifer Lawrence was mildly injured during filming when a controlled glass explosion went awry.[30] Filming wrapped on February 18, 2021.[31]

Lawsuits

On December 6, 2023, Adam McKay, along with Netflix, was sued for copyright infringement over Don't Look Up. William Collier, an author from Baton Rouge, Louisiana, claimed that he is the original writer of the story, set in Baton Rouge, called "Stanley's Comet", which he self-published in 2012. Collier's daughter worked for Jimmer Miller Entertainment, part of McKay's management team until 2015. Collier alleges that his daughter submitted the text to Mosaic Media Group and it was then received by McKay's manager. "Since Stanley’s Comet was received by McKay’s manager, custom and practice in the entertainment industry dictates that this constitutes receipt by McKay," writes Steven Lowe, a lawyer for Collier, in the suit. "Furthermore, upon information and belief, the Novel was transmitted via courier, email or hand-delivery (or via other means) to McKay himself."[32]

"The movie, like the novel, makes a strong political critique of the media, the government, and the cultural elite by showcasing their shallowness and reliance on popular opinion polls and social media algorithms," writes USC professor of comparative literature David Roman. "McKay’s film is also full of satire and humor and — like Stanley’s Comet — moves toward the absurd. In each case, the irony drives the humor and the social critique and does so in the same style and method."[32]

Collier's lawsuit was dismissed in 2024 on the grounds that the similarities between the works were too generic to be copyrightable, and he later dropped an attempt to appeal the decision. A second lawsuit, from author Darren Hunter, was dismissed in 2025 on similar grounds.[33]

Music

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To promote the film, on December 3, 2021, Ariana Grande and Kid Cudi released the single "Just Look Up", which is also performed in the film.[34] The original score for the film is composed by Nicholas Britell, who previously scored McKay's The Big Short (2015), Vice (2018) and the HBO television series Succession (2019–2022); McKay served as an executive producer of the latter. He used a wide range of instrumentation that reflect varied music styles and genres.[35][36] He did this so as to give a remainder on the existential crisis on the planet following a catastrophic event as well as the absurdity of how people react to it.[37] Apart from "Just Look Up", the film also featured "Second Nature" by Bon Iver, which was released along with Britell's score album on December 10, by Republic Records, and "Doorman" by Slowthai.[38]

Reception

Box office and VoD

On February 19, 2020, it was announced that Netflix planned to release the film in 2020.[15] Due to the COVID-19 pandemic, filming and release of the film were delayed.[39] The film premiered in New York City on December 5, 2021.[40] It received a limited theatrical release on December 10, and began streaming on Netflix on December 24.[41][42] The film made an estimated $260,000 from 500 theaters on its first day, and a total of $700,000 in its opening weekend.[43]

Don't Look Up was the most-streamed English-language film on Netflix during its first week of release with a viewership of 111.03 million hours,[44] the second highest viewership for a movie during its debut weekend on Netflix.[45] It was the second most-streamed-film of the week in the United States according to TV Time.[46] Per Nielsen, the film had a viewership of 1.6 billion minutes in the United States.[47] In the second week, it retained its first position with a viewership of 152.29 million hours,[48] which also set the record for highest weekly viewership for any film ever on Netflix.[49][50]

For its first 28 days, the film culminated a viewership of 359.8 million hours, making it the second most-watched film within 28 days of release on Netflix during this period of time.[51] By March 20, the film had been streamed in 10.3 million households in the United States according to Samba TV, including 641,000 since the Oscar nomination announcements on February 8.[52]

Critical response

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The San Francisco ChronicleTemplate:'s Mick LaSalle praised the film, "Don't Look Up might be the funniest movie of 2021. It's the most depressing too, and that odd combination makes for a one-of-a-kind experience. ... McKay gives you over two hours of laughs while convincing you that the world is coming to an end."[53] Richard Roeper of the Chicago Sun-Times gave the film 2.5 out of 4 stars and said: "From Streep and DiCaprio and Lawrence through the supporting players, Don't Look Up is filled with greatly talented actors really and truly selling this material—but the volume remains at 11 throughout the story when some changes in tone here and there might have more effectively carried the day."[54] In the Los Angeles Times, Justin Chang wrote, "Nothing about the foolishness and outrageousness of what the movie shows us—no matter how virtuosically sliced and diced by McKay's characteristically jittery editor, Hank Corwin—can really compete with the horrors of our real-world American idiocracy."[55] Amit Katwala of Wired concluded that "Don't Look Up nails the frustration of being a scientist."[56] Linda Marric of The Jewish Chronicle gave the film 4/5 stars, writing: "There is something genuinely endearing about a film that doesn't seem to care one bit about coming across as silly as long as its message is heard".[57]

In a negative review, David Rooney of The Hollywood Reporter called it "A cynical, insufferably smug satire stuffed to the gills with stars that purports to comment on political and media inattention to the climate crisis but really just trivializes it. Dr. Strangelove it ain't."[58] Peter Debruge of Variety called it a "smug, easy-target political satire" and wrote, "Don't Look Up plays like the leftie answer to Armageddon—which is to say, it ditches the Bruckheimer approach of assembling a bunch of blue-collar heroes to rocket out to space and nuke the approaching comet, opting instead to spotlight the apathy, incompetence and financial self-interest of all involved."[59] In The Guardian, Charles Bramesco wrote that the "script states the obvious as if everyone else is too stupid to realize it and does so from a position of lofty superiority that would drive away any partisans who still need to be won over."[60] In The Sociological Review, Katherine Cross accused the film of "smug condescension" and wrote it "is designed to flatter a certain type of liberal viewer into feeling like they're the last sane person in the world, surrounded by morons."[61]

Reviews from right-wing publications were nearly unanimously negative. Madeline Fry Schultz of the American conservative publication Washington Examiner wrote "McKay manages to deliver nothing more than a derivative and meandering 'satire' of capitalism, Donald Trump, and climate deniers that will be forgotten in less than six months."[62] Kyle Smith of the National Review wrote it "expends 140 brain-injuriously unfunny minutes... propelling low-velocity spitballs at social media, Washington, tech moguls, Trumpism, and (this detail feels thrown in last minute) anti-vaxxers."[63]

Nathan J. Robinson, editor of American progressive publication Current Affairs, believes that "critics were not only missing the point of the film in important ways, but that the very way they discussed the film exemplified the problem that the film was trying to draw attention to. Some of the responses to the movie could have appeared in the movie itself."[64] Slavoj Žižek, writing in Compact, said "critics were displeased by the light tone of Don't Look Up!, claiming it trivializes the ultimate apocalypse. What really bothered these critics is the exact opposite: The film highlights trivialization that permeates not only the establishment, but even the protesters."[65] In The Guardian, Catherine Bennett viewed the film as astute and was caustic about the critical reviews.[66] Writing for the American socialist publication Jacobin, Branko Marcetic says that the plot of the film, while absurd, does not exaggerate, noting the parallels between the film and our world, including oligarch-corrupted democracy, foolish and greedy politicians and a vapid media. Nevertheless he points out that while it is too late for the characters of the film to find the way out of their impending crisis, it is not too late for us.[67] Journalist and environmental activist George Monbiot wrote that "no wonder journalists have slated it ... it's about them" and added that for environmental activists like himself, the film, while fastTemplate:Nbhyphpaced and humorous, "seemed all too real".[68] Author and activist Naomi Klein mentions it in her 2023 book Doppelganger: A Trip Into the Mirror World by saying that "Kate's plight perfectly mirrors the bizarre contradictions of our high-stakes moment in planetary history: we are all trapped inside economic and social structures that encourage us to obsessively perfect our minuscule selves even as we know, if only on a subconscious level, that we are in the very last years when it might still be possible to avert an existential planetary crisis."[69]

Bong Joon-ho, director of Parasite, included Don't Look Up as one of his favorites of 2021.[70]

Reception amongst scientists

Since the film's release, numerous climate scientists and climate communicators have offered positive opinions on the film.[71][6][72]

In an opinion piece published in The Guardian, climate scientist Peter Kalmus remarked, "Don't Look Up is satire. But speaking as a climate scientist doing everything I can to wake people up and avoid planetary destruction, it's also the most accurate film about society's terrifying non-response to climate breakdown I've seen."[73] Climate scientist Michael E. Mann also expressed support for the film, calling it "serious sociopolitical commentary posing as comedy".[74] In an article for Scientific American, Rebecca Oppenheimer questioned the film's use of a comet impact as an effective metaphor for climate change, given the large differences in timescale of these differing potential extinction crisis events and the nature of their impacts, but praised its depiction of science denialism and depiction of a botched attempt to address a "planet-killer" comet.[12] Climate policy expert Ayana Elizabeth Johnson and McKay wrote a joint op-ed in The Guardian advocating for the value of humour in promoting action on climate change, in contrast with other media coverage.[75]

Writing in Physics World, Laura Hiscott said that this "genuinely funny and entertaining film" would appeal to scientists, who would appreciate the "nods to academia such as the importance of peer review, the 'publish or perish' problem and the issue of senior academics getting the credit for their PhD students' discoveries".[76]

One of the scenes in the film was compared on social media to a situation in Brazil. In that situation, microbiologist and science communicator Natália Pasternak Taschner criticized a news report made by TV Cultura on a live broadcast in December 2020. They told the Brazilian population to face the COVID-19 pandemic with "lightness", minimizing the risks. They also put pressure on the public to be content and uncritical of the Jair Bolsonaro administration's lack of effective response to the pandemic.[77] Hearing about the comparisons, Pasternak thanked McKay, DiCaprio and Lawrence on Twitter, with the video subtitled in English, for the "incredible" film.[78]

Accolades

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Award Date of ceremony Category Recipient(s) Result Template:Abbr
AACTA International Awards January 26, 2022 Best Supporting Actress Template:Sort Template:Nom [79]
[80]
AARP Movies for Grownups Awards March 18, 2022 Best Ensemble Don't Look Up Template:Nom [81]
[82]
Academy Awards March 27, 2022 Best Picture Template:Sort Template:Nom [83]
Best Original Screenplay Template:Sort Template:Nominated
Best Original Score Template:Sort Template:Nominated
Best Film Editing Template:Sort Template:Nominated
African-American Film Critics Association Awards January 17, 2022 Best Screenplay Template:Sort Template:Won [84]
[85]
Alliance of Women Film Journalists Awards January 25, 2022 Best Original Screenplay Template:Sort Template:Nom [86]
[87]
Best Editing Template:Sort Template:Nom
American Cinema Editors Awards March 5, 2022 Best Edited Feature Film – Comedy or Musical Template:Sort Template:Nom [88]
[89]
American Film Institute Awards March 11, 2022 Top 10 Films Don't Look Up Template:Won [90]
Art Directors Guild Awards March 5, 2022 Excellence in Production Design for a Contemporary Film Template:Sort Template:Nom [91]
[92]
Artios Awards March 23, 2022 Outstanding Achievement in Casting – Big Budget – Comedy Template:Sort Template:Won [93]
[94]
British Academy Film Awards March 13, 2022 Best Film Template:Sort Template:Nom [95]
[96]
Best Actor in a Leading Role Template:Sort Template:Nom
Best Original Screenplay Template:Sort Template:Nom
Best Original Music Template:Sort Template:Nom
Costume Designers Guild Awards March 9, 2022 Excellence in Contemporary Film Template:Sort Template:Nom [97]
[98]
Critics' Choice Movie Awards March 13, 2022 Best Picture Don't Look Up Template:Nom [99]
[100]
Best Acting Ensemble Don't Look Up Template:Nom
Best Original Screenplay Template:Sort Template:Nom
Best Comedy Don't Look Up Template:Nom
Best Song Template:SortTemplate:Efn Template:Nom
Best Score Template:Sort Template:Nom
Critics' Choice Super Awards March 17, 2022 Best Science Fiction/Fantasy Movie Don't Look Up Template:Nom [101]
[102]
Best Actor in a Science Fiction/Fantasy Movie Template:Sort Template:Nom
Best Actress in a Science Fiction/Fantasy Movie Template:Sort Template:Nom
Best Actress in a Science Fiction/Fantasy Movie Template:Sort Template:Nom
Detroit Film Critics Society Awards December 6, 2021 Best Film Don't Look Up Template:Nom [103]
[104]
Best Director Template:Sort Template:Nom
Best Screenplay Template:Sort Template:Won
Best Ensemble Don't Look Up Template:Nom
Georgia Film Critics Association Awards January 14, 2022 Best Original Song Template:SortTemplate:Efn Template:Nom [105]
[106]
Golden Globe Awards January 9, 2022 Best Motion Picture – Musical or Comedy Don't Look Up Template:Nom [107]
[108]
Best Actor – Motion Picture Musical or Comedy Template:Sort Template:Nom
Best Actress – Motion Picture Comedy or Musical Template:Sort Template:Nom
Best Screenplay Template:Sort Template:Nom
Hollywood Critics Association Awards February 28, 2022 Best Cast Ensemble Don't Look Up Template:Nom [109]
[110]
Hollywood Music in Media Awards November 17, 2021 Best Original Score in a Feature Film Template:Sort Template:Won [111]
[112]
Best Original Song in a Feature Film Template:SortTemplate:Efn Template:Nom
Song – Onscreen Performance Template:Sort Template:Nom
Houston Film Critics Society Awards January 19, 2022 Best Picture Don't Look Up Template:Nom [113]
[114]
Best Screenplay Template:Sort Template:Nom
Best Original Song "Just Look Up" Template:Nom
International Film Music Critics Association Awards February 17, 2022 Best Original Score for a Comedy Film Template:Sort Template:Nom [115]
Lumiere Awards March 4, 2022 Voices For The Earth Award Template:Sort Template:Won [116]
Make-Up Artists and Hair Stylists Guild Awards February 19, 2022 Best Contemporary Make-Up in a Feature-Length Motion Picture Liz Bernstrom, Julie LeShane, Claudia Moriel, and Joe Dulude II Template:Nom [117]
[118]
National Board of Review December 2, 2021 Top Ten Films Don't Look Up Template:Won [119]
New York Film Critics Online December 12, 2021 Top Ten Films Don't Look Up Template:Won [120]
Producers Guild of America Award March 19, 2022 Outstanding Producer of Theatrical Motion Pictures Template:Sort Template:Nom [121]
[122]
San Diego Film Critics Society Awards January 10, 2022 Best Original Screenplay Template:Sort Template:Nom [123]
[124]
Best Comedic Performance Template:Sort Template:Nom
Best Performance by an Ensemble Don't Look Up Template:Won
San Francisco Bay Area Film Critics Circle Awards January 10, 2022 Best Original Screenplay Template:Sort Template:Nom [125]
[126]
Screen Actors Guild Awards February 27, 2022 Outstanding Performance by a Cast in a Motion Picture Don't Look UpTemplate:Efn Template:Nom [127]
[128]
Set Decorators Society of America Awards February 22, 2022 Best Achievement in Decor/Design of a Contemporary Feature Film Template:Sort Template:Nom [129]
[130]
Society of Composers & Lyricists Awards March 9, 2022 Outstanding Original Score for a Studio Film Template:Sort Template:Nom [131]
Outstanding Original Song for a Comedy or Musical Visual Media Production Template:SortTemplate:Efn Template:Won
St. Louis Film Critics Association December 19, 2021 Best Score Template:Sort Template:Nom [132]
[133]
Best Comedy Film Don't Look Up Template:Nom
Vancouver Film Critics Circle Awards March 7, 2022 Best Screenplay Template:Sort Template:Won [134]
[135]
Writers Guild of America Awards March 20, 2022 Best Original Screenplay Template:Sort Template:Won [136]
[137]

Analysis and themes

The topic of science communication is at the forefront of the film, as it revolves around Mindy and Dibiasky, two scientists, struggling to share the news of their discovery with politicians, talk show hosts, and civilians who are ignorant about the scientific facts of humanity's impending destruction by Comet Dibiasky. Many academic scholars of media and communication have written commentaries that analyze and critique the portrayal of science communication in the film.

Americentrism

In the Journal of Science Communication, Niels G. Mede writes "the film depicts sharp partisan divides, strong affective polarization, high distrust toward science within certain social milieus, and pronounced news media sensationalism, which have been found to be characteristic of the United States but not, or to a lesser extent, of several countries other than the US."[138] From the same journal, writer Julie Doyle remarked that, "yet, as the film critiques existing structures and systems it does not imagine an alternative set of realities, nor explain the comet's cause. In focusing upon the fictional stories of scientists, politicians, and media celebrities, the film fails to center any marginalized voices, continuing to privilege global north perspectives, even as these are satirised."[139] Doyle comments that "climate communication needs to keep in place both climate mitigation and adaptation, making the historical and structural inequalities of capitalism and colonialism the interconnected stories of both."[139]

Media training for scientists

One solution to Mindy and Dibiasky's failed attempts to communicate the severity of the impending comet is undergoing media training, which was brought up in the film multiple times, such as at the conference room at the New York Herald where the Chief Editor proposes media training to Mindy before the show. The concept of media training can come in different forms. Samer Angelone, in a commentary journal on science communication, writes, "The style that scientists use to communicate science to peer scientists is mostly objective, complex, and full of technical jargon, which is difficult for the general public to connect to—even if it is in the same language."[140] Another way to mitigate science skepticism is through storytelling. Mede writes, "The film also illustrates that storytelling can be a promising strategy to mitigate these reservations ... showing how Mindy is advised before a TV interview that he is 'just telling a story' and must 'keep it simple.'"[138]

Gendered emotions in scientific communication

Gendered discourse on emotions and mental health make its way into the film through the portrayal of the public's reaction to Mindy and Dibiasky's various media appearances. The scientists share their discovery on a morning talk show, The Daily Rip, in which Dibiasky has an emotional outburst over the show hosts' persistent attempts to sugarcoat the devastating news of the doomsday comet. Professor of media and communication Julie Doyle writes, "Gendered norms affect Mindy and Dibiasky's public credibility and the mitigatory comet actions they promote. Following his own emotional outburst on TV, Mindy is subsequently recuperated through processes of celebritisation ... hailed as a 'sexy' scientist offering rational and calm advice to the viewers; becoming chief science advisor to the White House to monitor the drone activities of tech billionaire Peter Isherwell; and embarking on a sexual affair with Evantee. In contrast, Dibiasky is discredited and side-lined from rational public commentary through (climate) memes."[139]

Easter eggs

Throughout the film, many historic figures from science and politics can be spotted, adding to the film's nuanced discussion about the relationship between science and politics.

The opening scene of the film features a figure of Carl Sagan on Dibiasky's desk. In a journal commentary for Science Communication, Samer Angelone writes that "Sagan was an astronomer, planetary scientist, cosmologist, astrophysicist, and astrobiologist but, above all, he was an upholder of scientific credibility and communication."[140] Sagan advocated for the urgency to battle climate change, and many viewers see the film as an allegory for him, but his image is juxtaposed by a painting of George W. Bush, "who later tried to downplay this urgency."[138] The film also "references the affinity of anti-science resentment and populism, showing how President Orlean and her team slander Mindy and Dibiasky using populist rhetoric ... and gather in an Oval Office that has a portrait of the anti-establishment science skeptic Andrew Jackson."[138]

The film ends with a scene that reflects the Last Supper. Dr. Mindy, his family, Kate, Yule, and Teddy all sit around a dinner table and engage in a hand-held prayer, spoken by Yule. After the prayer, Kate Dibiasky gives Yule a kiss, and moments later Comet Dibiasky destroys Earth.[141]

See also

Notes

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References

  1. ↑ Don't Look Up Cast Has Everyone Convinced Netflix's Budget Limit Does Not Exist. News18. Retrieved September 29, 2021.
  2. ↑ Cite error: Invalid <ref> tag; no text was provided for refs named WGA
  3. ↑ 3.0 3.1 Template:Cite AV media
  4. ↑ Template:Cite AV media
  5. ↑ 5.0 5.1 Template:Cite AV media
  6. ↑ 6.0 6.1 6.2 'It Parodies Our Inaction': Don't Look Up, an Allegory of the Climate Crisis, Lauded by Activists. The Guardian(December 29, 2021). Retrieved January 18, 2022.
  7. ↑ 'Don't Look Up' wraps filming after 3 months in Massachusetts. Boston.com. Retrieved January 29, 2022.
  8. ↑ Adam McKay Accused of Using Self-Published Novel as 'Don't Look Up' Inspiration in Lawsuit. variety(December 8, 2023). Retrieved December 8, 2023.
  9. ↑ Ariana Grande Improvised Best Line in Don't Look Up Parody Song with Kid Cudi. RollingStone.com(December 31, 2021).
  10. ↑ Hi, Gina. First of a..., mensurz. r/IAmA(2022-01-28). Retrieved 2022-02-15.
  11. ↑ Adam McKay on the Ending(s) of 'Don't Look Up': DiCaprio's Last-Minute Line, Streep's Improv and Brontarocs. Variety(January 3, 2022). Retrieved January 3, 2022.
  12. ↑ 12.0 12.1 Hollywood Can Take On Science Denial: Don't Look Up Is a Great Example, Oppenheimer, Rebecca. Scientific American. Retrieved January 4, 2022.
  13. ↑ Don't Look Up: Nasa's verdict on the Leonardo DiCaprio comet apocalypse. The Telegraph(December 9, 2021). Retrieved January 4, 2022.Template:Cbignore
  14. ↑ Adam McKay On New Paramount Film Deal, The Meteor Movie He'll Next Helm & The Superhero As Cinema Argument, Fleming, Mike Jr.. Deadline Hollywood(November 8, 2019). Retrieved November 19, 2019.
  15. ↑ 15.0 15.1 Netflix Takes Adam McKay Meteor Movie 'Don't Look Up'; Jennifer Lawrence To Star, D'Alessandro, Anthony. Deadline Hollywood(February 19, 2020). Retrieved February 26, 2020.
  16. ↑ Cate Blanchett joins Jennifer Lawrence's new Netflix movie, Edwards, Chris. Digital Spy(May 17, 2020). Retrieved December 1, 2020.
  17. ↑ Rob Morgan Set To Co-Star Opposite Jennifer Lawrence in Adam McKay And Netflix's 'Don't Look Up', Kroll, Justin. Deadline Hollywood(September 9, 2020). Retrieved December 1, 2020.
  18. ↑ Meryl Streep to Play Jonah Hill's Mom — & President — in Adam McKay's "Don't Look Up", Gemmill, Allie. Collider(December 8, 2020). Retrieved December 10, 2020.
  19. ↑ Leonardo DiCaprio, Meryl Streep, Jonah Hill, Timothée Chalamet, Ariana Grande, Cate Blanchett, Others Join Jennifer Lawrence In Netflix's 'Don't Look Up' For Adam McKay, Kroll, Justin. Deadline Hollywood(October 14, 2020). Retrieved December 1, 2020.
  20. ↑ Leonardo DiCaprio spent 5 months tweaking Netflix's "Don't Look Up" script before signing on, Guerrasio, Jason. Insider(April 23, 2021). Retrieved April 26, 2021.
  21. ↑ Tyler Perry, Melanie Lynskey, Ron Perlman Join Adam McKay's 'Don't Look Up' (Exclusive), Kit, Borys. The Hollywood Reporter(November 20, 2020). Retrieved November 20, 2020.
  22. ↑ Mark Rylance And Michael Chiklis Join Adam McKay's 'Don't Look Up' At Netflix, Kroll, Justin. Deadline Hollywood(February 8, 2021). Retrieved February 8, 2021.
  23. ↑ 'CSI: Vegas' Jamie McShane To Recur In CBS Sequel, Paul Guilfoyle To Reprise Jim Brass Role, Petski, Denise. Deadline Hollywood(May 3, 2021). Retrieved May 28, 2021.
  24. ↑ Don't Look Up: Matthew Perry's Cut Cameo Explained, Williams, Jordan. Screen Rant(December 29, 2021). Retrieved January 5, 2022.
  25. ↑ I am Gina Gershon. Ask Me Anything!, Gershon, Gina. Reddit(January 2022). Retrieved January 31, 2022.
  26. ↑ Every Netflix Production Halted Due to Coronavirus, Moore, Kasey. What's on Netflix(April 22, 2020). Retrieved August 16, 2020.
  27. ↑ Leonardo DiCaprio, Meryl Streep Join Jennifer Lawrence in Adam McKay's "Don't Look Up", Kit, Borys. The Hollywood Reporter(October 14, 2020). Retrieved December 1, 2020.
  28. ↑ 'Don't Look Up' continues to film all over Massachusetts. Here's the latest on the Netflix blockbuster., Slane, Kevin. Boston.com(February 5, 2021). Retrieved February 7, 2021.
  29. ↑ Downtown Boston is transformed into New York City as Leonardo DiCaprio, Jennifer Lawrence film "Don't Look Up", Slane, Kevin. Boston.com(January 4, 2021). Retrieved January 5, 2021.
  30. ↑ Jennifer Lawrence injured on "Don't Look Up" set in Boston, Wilkinson, Joseph. New York Daily News(February 5, 2021). Retrieved February 5, 2021.
  31. ↑ "Don't Look Up" wraps filming after 3 months in Massachusetts, Slane, Kevin. Boston.com(February 18, 2021). Retrieved February 18, 2021.
  32. ↑ 32.0 32.1 Netflix, Adam McKay Sued for Copyright Infringement Over ‘Don’t Look Up’ from the original on December 7, 2023. Retrieved December 11, 2023. https://www.hollywoodreporter.com/business/business-news/netflix-adam-mckay-lawsuit-dont-look-up-1235724840/ Template:Webarchive
  33. ↑ Netflix and Adam McKay Win Dismissal of Second ‘Don’t Look Up’ Copyright Suit, Maddaus, Gene. Variety(August 19, 2025).
  34. ↑ Template:Cite magazine
  35. ↑ Template:Cite magazine
  36. ↑ How Nicholas Britell mixes reverence with absurdity in the 'Don't Look Up' score, Greiving, Tim. Los Angeles Times(2022-01-27). Retrieved 2023-01-10.
  37. ↑ How Composer Nicholas Britell Brought Jazz to 'Don't Look Up' with an Unexpected Experimental Vibe, Desowitz, Bill. IndieWire(2022-01-28). Retrieved 2023-01-10.
  38. ↑ Template:Cite magazine
  39. ↑ When is Don't Look Up release date? Netflix cast, plot and latest news, Furn, Daniel. Radio Times(October 15, 2020). Retrieved December 1, 2020.
  40. ↑ Events of the Week: 'And Just Like That,' 'Don't Look Up' and More, Chuba, Kirsten(December 10, 2021). Retrieved December 12, 2021.
  41. ↑ Netflix Releases Dates for Leonardo DiCaprio and Jennifer Lawrence's 'Don't Look Up,' Jane Campion's 'The Power of the Dog' and More, Rubin, Rebecca(August 23, 2021). Retrieved August 23, 2021.
  42. ↑ Netflix Reveals Premiere Dates for Adam McKay's 'Don't Look Up,' Sandra Bullock Starrer 'The Unforgivable,' More Fall Movies, Brockington, Ariana(August 23, 2021). Retrieved August 23, 2021.
  43. ↑ West Side Story Isn't Kicking Up With $10M+ Opening: What That Means Right Now During Another Pandemic Holiday. Deadline Hollywood(December 11, 2021). Retrieved December 11, 2021.
  44. ↑ Football is the name of the game in Nielsen ratings race; Don't Look Up soars on Netflix. Los Angeles Times(December 29, 2021). Retrieved December 30, 2021.
  45. ↑ Why Don't Look Up Is Less Impressive Than Prior Netflix Successes, Scott Mendelson. Forbes.com(December 28, 2021). Retrieved December 30, 2021.
  46. ↑ Matrix Resurrections, The Witcher Top Weekly Whip Media Streaming Charts, Prange, Stephanie. Media Play News(December 29, 2021). Retrieved January 6, 2022.
  47. ↑ Cobra Kai Edges Encanto & Don't Look Up To Win New Year's Week Streaming Chase. Deadline Hollywood(January 27, 2022). Retrieved February 3, 2022.
  48. ↑ Netflix Top 10: Cobra Kai Season 4 Takes Lead After Just Three Days of Viewing, Jennifer Maas. Variety(January 4, 2022). Retrieved January 6, 2022.
  49. ↑ Don't Look Up Officially Breaks Netflix Weekly Viewing Record, Tom Grater. Deadline Hollywood(January 6, 2022). Retrieved January 7, 2022.
  50. ↑ Don't Look Up smashes more records at Netflix. Orlando Sentinel(January 14, 2022). Retrieved January 14, 2022.
  51. ↑ Netflix's most popular shows and movies ever, ranked (according to Netflix)(January 25, 2022).
  52. ↑ Oscar's Halo Effect On Best Picture Nominees Dims — Not Just At Box Office But On Streaming: A Scorecard, D'Alessandro, Anthony. Deadline Hollywood(March 24, 2022). Retrieved March 24, 2022.
  53. ↑ Review: Leonardo DiCaprio and Jennifer Lawrence star in very funny, very depressing 'Don't Look Up'. San Francisco Chronicle(December 7, 2021). Retrieved December 12, 2021.
  54. ↑ 'Don't Look Up': Broad humor undermines satire about a country in denial, Roeper, Richard. Chicago Sun-Times(December 12, 2021). Retrieved December 12, 2021.
  55. ↑ 'Don't Look Up' review: Scattershot Netflix satire, Chang, Justin. Los Angeles Times(December 7, 2021). Retrieved December 12, 2021.
  56. ↑ Template:Cite magazine
  57. ↑ Film review: Don't Look Up, Marric, Linda. The Jewish Chronicle(December 30, 2021). Retrieved January 8, 2022.
  58. ↑ Leonardo DiCaprio and Jennifer Lawrence in Adam McKay's 'Don't Look Up': Film Review, Rooney, David. The Hollywood Reporter(December 7, 2021). Retrieved December 12, 2021.
  59. ↑ 'Don't Look Up' Review: The Sky Is Falling in Adam McKay's Crank Comet Comedy, Debruge, Peter. Variety(December 7, 2021). Retrieved December 12, 2021.
  60. ↑ Look away: why star-studded comet satire Don't Look Up is a disaster | Charles Bramesco. The Guardian(December 27, 2021). Retrieved December 27, 2021.
  61. ↑ Not Looking Up: Is society's technocracy-versus-democracy battle as big a threat as comets and climate?. The Sociological Review({Template:Date).
  62. ↑ Don't Look Up: another lazy anti-Trump movie, Fry Schultz, Madeline. Washington Examiner(December 30, 2021). Retrieved January 2, 2022.
  63. ↑ Another Moronic Comedy from the Formerly Funny Adam McKay, Smith, Kyle. National Review(December 10, 2021). Retrieved January 8, 2022.
  64. ↑ Critics of "Don't Look Up" are missing the entire point. Current Affairs(December 26, 2021). Retrieved December 30, 2021. Emphasis provided in original.
  65. ↑ The Stupidity of Nature. Compact(22 March 2022). Retrieved March 25, 2022.
  66. ↑ Lighten up the satire? That's a tall order when life is out-crazying the most vivid fiction. The Guardian(January 1, 2022). Retrieved January 1, 2022.
  67. ↑ Adam McKay's Don't Look Up Captures the Stupidity of Our Political Era. Jacobin(January 2, 2022). Retrieved January 3, 2022.
  68. ↑ Watching Don't Look Up made me see my whole life of campaigning flash before me. The Guardian(January 4, 2022). Retrieved January 4, 2022.
  69. ↑ Doppelganger: A Trip Into the Mirror World{{#if:Klein|, Klein}. Farrar, Straus and Giroux(2023). ISBN 978-0374610326
  70. ↑ Bong Joon-ho's Favorite Movies of 2021 Include 'Don't Look Up' and 'The Mitchells vs. The Machines'(19 August 2019). Retrieved February 5, 2022.
  71. ↑ Don't Look Up is the climate movie I've been waiting for, Holthaus, Eric. The Phoenix(December 30, 2021). Retrieved December 31, 2021.
  72. ↑ Don't Look Up: four climate experts on the polarising disaster film. The Guardian(January 8, 2022). Retrieved January 11, 2022.
  73. ↑ I'm a climate scientist. Don't Look Up captures the madness I see every day. The Guardian(December 29, 2021). Retrieved December 29, 2021.
  74. ↑ Global destruction isn't funny, but when it comes to the climate crisis, it might have to be. The Boston Globe(December 21, 2021). Retrieved December 30, 2021.
  75. ↑ Why our secret weapon against the climate crisis could be humor | Adam McKay and Dr Ayana Elizabeth Johnson. The Guardian(2022-01-13). Retrieved 2022-02-14.
  76. ↑ Laughing in the face of danger: how Netflix's Don't Look Up captures climate complexity. Physics World(2022-01-17). Retrieved 2022-02-05.
  77. ↑ Template:Cite AV media
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  79. ↑ Belfast & The Power Of The Dog Lead Australia's AACTA International Awards Nominations – Full List, Tartaglione, Nancy. Deadline Hollywood(December 17, 2021). Retrieved February 10, 2022.
  80. ↑ AACTA International Awards Winners: The Power Of The Dog Scoops Best Film – Full List, Tartaglione, Nancy. Deadline Hollywood(January 26, 2022). Retrieved February 10, 2022.
  81. ↑ Belfast Tops Nominees for AARP Movies for Grownups Awards (Exclusive), Nordyke, Kimberly. The Hollywood Reporter(January 11, 2022). Retrieved February 10, 2022.
  82. ↑ AARP Movies for Grownups Awards: Belfast Named Best Picture, Coates, Tyler. The Hollywood Reporter(March 18, 2022). Retrieved March 19, 2022.
  83. ↑ Oscar Nominations: The Power Of The Dog, Dune Top List; Drive My Car Among Big Surprises, Hipes, Patrick. Deadline Hollywood(February 8, 2022). Retrieved February 10, 2022.
  84. ↑ African American Film Critics Top 10 Films Led By The Harder They Fall, Respect, King Richard, Hipes, Patrick. Deadline Hollywood(December 8, 2021). Retrieved February 10, 2022.
  85. ↑ Will Smith, Jennifer Hudson, The Harder They Fall Among Winners At AAFCA Awards, Cordero, Rosy. Deadline Hollywood(January 17, 2022). Retrieved February 10, 2022.
  86. ↑ The Power of the Dog, Passing Lead Alliance of Women Film Journalists Award Nominations (Exclusive), Tangcay, Jazz. Variety(December 10, 2021). Retrieved February 10, 2022.
  87. ↑ The Power of the Dog Sweeps Alliance of Women Film Journalists Awards, Urban, Sasha. Variety(January 25, 2022). Retrieved February 10, 2022.
  88. ↑ ACE Eddie Awards Nominations: Dune, No Time To Die, Don't Look Up Make The Cut, Pedersen, Erik. Deadline Hollywood(January 27, 2022). Retrieved February 10, 2022.
  89. ↑ ACE Eddie Awards: King Richard, Tick, Tick...Boom!, Encanto Take Top Film Honors; Kevin Can F*** Himself, Hacks, Mare Of Easttown Score In TV — Full Winners List. Deadline Hollywood(March 5, 2022). Retrieved March 6, 2022.
  90. ↑ AFI Awards Film Top 10: Big-Name Directors Dominate List, Hammond, Pete. Deadline Hollywood(December 8, 2021). Retrieved February 10, 2022.
  91. ↑ Art Directors Guild 2022 Nominations: Cruella, Dune, Nightmare Alley, Encanto Vie For Top Awards – Complete List, Evans, Greg. Deadline Hollywood(January 24, 2022). Retrieved February 10, 2022.
  92. ↑ Dune, Nightmare Alley, No Time to Die Win Art Directors Guild Awards, Giardina, Carolyn. The Hollywood Reporter(March 5, 2022). Retrieved March 6, 2022.
  93. ↑ Artios Awards: Belfast, CODA, King Richard, House of Gucci Among 2022 Nominees, Tangcay, Jazz. Variety(February 1, 2022). Retrieved February 10, 2022.
  94. ↑ Artios Awards: Casting Society Lauds CODA, West Side Story, Don't Look Up & More, Pedersen, Erik. Deadline Hollywood(March 23, 2022). Retrieved March 24, 2022.
  95. ↑ BAFTA Film Awards: Dune & The Power Of The Dog Lead Nominations, Grater, Tom. Deadline Hollywood(February 3, 2022). Retrieved February 10, 2022.
  96. ↑ BAFTA Awards: Power of the Dog Wins Best Film, Director, Dune Dominates Crafts. The Hollywood Reporter(March 13, 2022). Retrieved March 13, 2022.
  97. ↑ Costume Designers Guild Awards Nominees Include House Of Gucci, Cruella, Zola, Hipes, Patrick. Deadline Hollywood(January 26, 2022). Retrieved February 10, 2022.
  98. ↑ Cruella, Emily in Paris, Dune Among Costume Designers Guild Awards Winners, Schmidt, Ingrid. The Hollywood Reporter(March 9, 2022). Retrieved March 10, 2022.
  99. ↑ Critics Choice Awards Film Nominations Led By Belfast And West Side Story, Hammond, Pete. Deadline Hollywood(December 13, 2021). Retrieved February 10, 2022.
  100. ↑ Critics Choice Awards: Winners List, Nordyke, Kimberly. The Hollywood Reporter(March 13, 2022). Retrieved March 14, 2022.
  101. ↑ Spider-Man, Shang-Chi Lead Critics Choice Super Awards Film Nominations, Couch, Aaron. The Hollywood Reporter(February 22, 2022). Retrieved February 22, 2022.
  102. ↑ Critics Choice Super Awards: Spider-Man: No Way Home, Squid Game & WandaVision Lead Field, Pedersen, Erik. Deadline Hollywood(March 17, 2022). Retrieved March 17, 2022.
  103. ↑ The 2021 Detroit Film Critics Society (DFCS) Nominations, Neglia, Matt. Next Best Picture(December 3, 2021). Retrieved February 10, 2022.
  104. ↑ The 2021 Detroit Film Critics Society (DFCS) Winners, Neglia, Matt. Next Best Picture(December 6, 2021). Retrieved February 10, 2022.
  105. ↑ The 2021 Georgia Film Critics Association (GFCA) Nominations, Neglia, Matt. Next Best Picture(January 7, 2022). Retrieved February 10, 2022.
  106. ↑ The 2021 Georgia Film Critics Association (GFCA) Winners, Neglia, Matt. Next Best Picture(January 14, 2022). Retrieved February 10, 2022.
  107. ↑ Hollywood Foreign Press Unveils Its Golden Globes Nominations: Belfast, Power Of The Dog & Netflix Lead Field, Hipes, Patrick. Deadline Hollywood(December 13, 2021). Retrieved February 10, 2022.
  108. ↑ Golden Globes: The Power Of The Dog, West Side Story, Succession Lead Way – Complete Winners List, Hipes, Patrick. Deadline Hollywood(January 9, 2022). Retrieved February 10, 2022.
  109. ↑ The 2021 Hollywood Critics Association (HCA) Nominations, Neglia, Matt. Next Best Picture(December 2, 2021). Retrieved February 10, 2022.
  110. ↑ Hollywood Critics Association Awards 2022: CODA Wins Best Picture, Jane Campion and Denis Villeneuve Tie for Director, Urban, Sasha. Variety(February 28, 2022). Retrieved March 6, 2022.
  111. ↑ Template:Cite magazine
  112. ↑ No Time to Die Wins at 2021 Hollywood Music in Media Awards: Full List of Film Music Winners, Grein, Paul. The Hollywood Reporter(November 17, 2021). Retrieved February 10, 2022.
  113. ↑ The Power of the Dog takes a bite out of Houston Film Critics Society's nominations, Darling, Cary. Houston Chronicle(January 3, 2022). Retrieved February 10, 2022.
  114. ↑ Power of the Dog named best film of 2021 by Houston film critics, Darling, Cary. Houston Chronicle(January 19, 2022). Retrieved February 10, 2022.
  115. ↑ International Film Music Critics Association Awards Nominations Announced. Kinetophone(February 3, 2022). Retrieved February 10, 2022.
  116. ↑ Dune, West Side Story Top Advanced Imaging Society's Lumiere Awards, Vlessing, Etan. The Hollywood Reporter(March 4, 2022). Retrieved March 5, 2022.
  117. ↑ Suicide Squad, Coming 2 America and Eyes of Tammy Faye Lead Make-Up Artists and Hair Stylists Guild Nominations (Exclusive), Tangcay, Jazz. Variety(January 11, 2022). Retrieved February 10, 2022.
  118. ↑ Coming 2 America Tops Make-Up Artists and Hair Stylists Guild Awards, Giardina, Carolyn. The Hollywood Reporter(February 19, 2022). Retrieved February 20, 2022.
  119. ↑ National Board Of Review Names Paul Thomas Anderson & His Licorice Pizza As Best Director & Film, D'Alessandro, Anthony. Deadline Hollywood(December 2, 2021). Retrieved February 10, 2022.
  120. ↑ The 2021 New York Film Critics Online (NYFCO) Winners, Neglia, Matt. Next Best Picture(December 12, 2021). Retrieved February 10, 2022.
  121. ↑ PGA Awards Nominations: Licorice Pizza, Don't Look Up, Dune, King Richard & CODA Among Pics Vying For Marquee Prize, Pedersen, Erik. Deadline Hollywood(January 27, 2022). Retrieved February 11, 2022.
  122. ↑ PGA Awards: CODA, Succession Take Top Honors. The Hollywood Reporter(March 19, 2022). Retrieved March 21, 2022.
  123. ↑ The 2021 San Diego Film Critics Society (SDFCS) Nominations, Neglia, Matt. Next Best Picture(January 7, 2022). Retrieved February 11, 2022.
  124. ↑ The 2021 San Diego Film Critics Society (SDFCS) Winners, Neglia, Matt. Next Best Picture(January 10, 2022). Retrieved February 11, 2022.
  125. ↑ The 2021 San Francisco Bay Area Film Critics Circle (SFBAFCC) Nominations, Neglia, Matt. Next Best Picture(January 7, 2022). Retrieved February 11, 2022.
  126. ↑ The 2021 San Francisco Bay Area Film Critics Circle (SFBAFCC) Winners, Neglia, Matt. Next Best Picture(January 10, 2022). Retrieved February 11, 2022.
  127. ↑ SAG Awards Nominations: House Of Gucci, Power Of The Dog, Succession, Ted Lasso Top Lists, Hipes, Patrick. Deadline Hollywood(January 12, 2022). Retrieved February 10, 2022.
  128. ↑ SAG Awards: Winners List, Nordyke, Kimberly. The Hollywood Reporter(February 27, 2022). Retrieved February 28, 2022.
  129. ↑ Dune, West Side Story Among Set Decorators Society of America Awards Nominees for Film, Gajewski, Ryan. The Hollywood Reporter(January 17, 2022). Retrieved February 11, 2022.
  130. ↑ Set Decorators Society of America (SDSA) winners: The Power of the Dog, Dune, Being the Ricardos take top prizes, Anderson, Erik. AwardsWatch(February 22, 2022). Retrieved February 23, 2022.
  131. ↑ Encanto, No Time to Die and Don't Look Up Among Society of Composers and Lyricists Awards Winners, Verhoeven, Beatrice. The Hollywood Reporter(March 8, 2022). Retrieved March 9, 2022.
  132. ↑ The 2021 St. Louis Film Critics Association (StLFCA) Nominations, Neglia, Matt. Next Best Picture(December 12, 2021). Retrieved February 11, 2022.
  133. ↑ The 2021 St. Louis Film Critics Association (StLFCA) Winners, Neglia, Matt. Next Best Picture(December 19, 2021). Retrieved February 11, 2022.
  134. ↑ Vancouver Film Critics Circle: The Power of the Dog Leads With Five Nominations, Vlessing, Etan. The Hollywood Reporter(February 20, 2022). Retrieved February 20, 2022.
  135. ↑ The Power of the Dog Named Best Feature by Vancouver Film Critics, Vlessing, Etan. The Hollywood Reporter(March 7, 2022). Retrieved March 8, 2022.
  136. ↑ 2022 WGA Awards Nominations: CODA, Don't Look Up and Dune Contending in the Screenplay Categories, Davis, Clayton. Variety(January 27, 2022). Retrieved February 11, 2022.
  137. ↑ WGA Awards: CODA, Don't Look Up Win Best Adapted, Original Screenplays, Lewis, Hilary. The Hollywood Reporter(March 20, 2022). Retrieved March 21, 2022.
  138. ↑ 138.0 138.1 138.2 138.3 Science communication in the face of skepticism, populism, and ignorance: what 'Don't Look Up' tells us about science denial — and what it doesn't. Journal of Science Communication({Template:Date).
  139. ↑ 139.0 139.1 139.2 Communicating climate change in 'Don't Look Up'. Journal of Science Communication({Template:Date).
  140. ↑ 140.0 140.1 Don't Look Up: Science Communication Revisited. Science Communication({Template:Date).
  141. ↑ Film Review: Don't Look Up, Boole, Kathryn Whitney. smmirror.com(January 6, 2023). Retrieved January 6, 2023.

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